Tag Archives: poetry

Morning Rites

Newly added to the ritual:
hanging freshly washed
air-dried masks on
the back of the front door

so it’s easy to grab one on the way out.
You stack them in a certain order: on top
the favorite, then back up to the favorite,
back up to the back up, fancy dress, then last resort.

There they hang, playing their role,
reminding you of a danger
out there that you can’t see coming;
here is armor,

a hook full of cotton prayer. You’ll see them
the second you lift your favorite hat
from the neighboring hook and say to yourself,
“can’t forget this,” and then go on your way.

It’s now as much a part of your ritual
as clipping your knife to a pocket, tucking
pepper gel into a hoodie. Those
also sit close to the door when not in use,

reminding you of where you live
before you get out into it.
The phone, with its camera
and list of emergency contacts.

The car keys with the panic button
and the handy bottle of sanitizer.
The wallet that these days
offers no help at all.


Places To Look When You Are Trying To Find Yourself

The junk drawer in the kitchen.

Behind the microwave cart.

Under-the-counter, in the cabinet
where you store your mother’s
battered stockpot.

In the roots of that immense oak tree
near the high school — not the old one,
the new one where there used to be a sandpit
where you partied, where you learned to fuck
without killing yourself on the stick shift.

In the depths of a pond
where you think someone must have drowned;
it’s so dark, so cold; keep diving, resurfacing.

In a group photo on a travel brochure
for a place you may have passed through
on your way to a conference for some job
or another back when you were working.

As you search, if you find little
to give you hope of success, go non-linear:

is there a sitar in your name? A
giant zither, a sidewinder’s hiss on sand?
Were you ever in a Cave
where the shadows looked like home?

Start at someone else’s beginning and try on
all their varied history of names. If any of them
resonate, perhaps yours rhymed with theirs
at some point; sit up all night practicing,
interrogating your tongue as to what feels familiar.

You were somewhere once.
You might still be there. Retrace
your breath. Your first atoms, long ago
shed, have not disintegrated. Someone’s
got them. Look in someone else
for yourself. Tear them apart
until you are satisfied you aren’t there.

Are you certain
you are not in the junk drawer?
Look again.

Did you move the razor blades
in the medicine cabinet
to see what’s back there?


Colorway

Police have just announced
their symbolism will change
from blue to purple
in an effort to connect more deeply
with the bruised people
they’ve created.

Elsewhere, bankers dress down
to tout the green hue of money.
Get you some, it’s good for the planet,
they say, as they bury heaps of their own
in the holes left from others
working the black seams of the earth.

Don’t have a color of your own?
Someone’s out there with a straitjacket
that’s perfect for you. If you don’t see it on the rack,
ask. It’s likely in the back, the mythic back
where all the good stuff is held in secret,
the back you never see.

They keep changing their colors, you keep yearning
for your own. “Kaleidoscope” doesn’t really cut it
as a description of their colorway world. “Rainbow”
holds it all but they bought that too.

Out in the hot light of broad daylight
they try to leash you to their vision.

Makes you long for something
easier on the eyes.
Makes you long for the simplicity
of black and white.

They have something for that, too.


My Life In The House Of Music

Born sheltered under country,
opera for a roof, walled in by popular crooners
on a street where Lawrence Welk might live.

Only dug the classical wing of that house
now and then. I preferred to take that
small: string quartets, solo guitar.

Later, rock music compacted me,
helped me fit better into tight rooms
full of other people.

Later, I felt funk as earthquake
cracking a back wall I thought
would be too thick to fall. I was wrong.

Jazz, though: jazz kicked open a locked door
in a stone wall in the little rock room,
got me past the classics to the open air.

I had to leave the house I grew up in
to grow up. It took flamenco palmas
to lock the door behind me, Afrobeat

to help me turn the corner
into the broad boulevard
headed out of town;

there has been so much more since
I cannot name. I’ve lived
in so many places since then

that I can listen to anything now
and not go home again because
I know so much of what the world looks like.


Where Is The Neighbor’s Cat?

It’s silly to be bothered at a time like this
about not seeing the neighbor’s cat for several days
when she normally lies in wait for slow birds
under the bush in my front yard
right around dusk every evening; nonetheless,
when I see the old man who owns the building
out on his porch I ask and learn that the cat’s
doing fine as he knows, still on the third floor,
still leaving dead mice on his back stoop almost nightly.

I shift into an alternate silliness around my concern
that it’s something I’ve done that keeps her away
from my yard, scratching my head almost to raw blood
trying to determine what ritual I must have altered
to shift the balance and drive her away: did my cursing
of her near-unerring aim for dullard sparrows
and unthinking mourning doves have an effect
beside making me feel better as a defender
of the sanctuary I thought I’d made here?

When I think of how little I recall day to day now,
when I think of how much I forget, I’m nearly certain
this is my fault. That it is the natural order of things
that some lapse of mine made the world change. That
the rest of the world goes on — safer birds still feeding,
still-deadly cat having moved on to steadier hunting ground.
What I thought was the way of the world is fading, moving away
from me.

Silly? It is likely. But prove me
wrong, please. Please,
prove me wrong.


Let’s Not

because to go there
is to put your bare hand
on a contaminated doorknob
and yank on it till you fall backwards
into pig shit then lie there exposed
to whatever comes through
from the other side.

because to go there is to get naked
and take a huge swing
at a hornet’s nest the size of
your own ego.

because to go there
is to eat a bowl of sorrow
twice a day for weeks and then
open a circus in your belly
for all to attend.

how do you not see this?
it’s so obvious.
it’s not good there.
I was born there
and have lived there
off and on
for my whole life.
I am intimate with this need
to be cursed
with ferocious curiosity
about the adventure of
disastrous judgement
and I am telling you,
begging you: let’s not.
let’s not go there.

don’t twist that key.
let go of that handle.
the teeth around the doorframe
will rip you
before you even get through
and tear you
if you manage to come back out.

there are so many better things
here. the wind can be strong
but it is always fresh.
when it rains here, it cleanses.
when the sun rises, it strengthens you
long before it can burn you.
believe me when I say
you do not want to know the forecast
for what’s on the other side
of that door.

in spite of all this I know
your hand is still reaching
for it. I know because
mine always has. so I’m begging
again:

let’s not. to go there
is to suffer. is to starve
on a meat pile. is to drown
in dank urine and thick old blood.
is to never die completely.
is to warn warn and warn
and never be heard.









Enough, Enough

Enough with beating my head.
Enough with breaching my body.
Enough with inflicting low-burn pain
that never ends. Whatever
I’m supposed to be learning from this
I’ve either learned it and forgotten it
or can’t learn it and all you are doing
is for nothing. I already understand enough.
You can stop now. It’s enough, I get it —
stop offering lessons. I’m stubborn, dull,
stupid and terrified about how it all keeps growing.
I’m not going to use all this teaching anyway.
I’m going to drop out soon enough
so enough, more than enough. I see all of myself
in your pained eyes when I can’t remember
what you just said so enough with the
exasperation. I see the writing on the wall;
my name is at the bottom of the list
Enough with the understandable
second guessing. Enough, enough.
Enough with the drilling and the practice.
Way past being made perfect here. Enough.


Art (Mud)

Playing in noise like it’s mud,
joyful childhood mud, hard construction
even in rain mud, slog through
because home is on the other side mud.

Knee deep mud holding on to your waders;
that deep suck then rushing sound
when you pull free, almost falling on your face
with the effort.

You know you could could just go around.
You could just stop playing in mud,
give up the call of dark soaked clay
and grow up like they’ve been telling you
for years. All your friends did it — climbed up
and out and cleaned up and joined the world
of hard surfaces and silent journeys —

but that mud, that impromptu playground mud,
that naughty slop, that flying up splat landing sound
of mud being mud while you get in and get dirty?
Playing in noise like it’s mud because it is mud — earth
and water singing? You know you want in. You know
you were born for going back in with both feet.


A Woman In A White Dress

The strangest moment
I’ve ever had: there was
a party going on. A woman
in a white dress sat on my lap.
It was likely obvious
what we were doing — you know
what I mean. But people
were oblivious to it.
We were there and not there at once
in some way. We had made a shell
out of our indulgence, a wall so thick no one
could see through — or they could see,
and the wall was between us
and their awareness of us.
It doesn’t matter. It was so long ago.
It could never happen to me again,
and I don’t recall her name. I can barely
recall mine some days, let alone
any memory of how we managed to become
so invisible we could make love in public
without fear of discovery
or failure to perform. It doesn’t matter,
it was so long ago, it could never happen
again, and I refuse to tear myself open
recalling her name.


Beating On the Walls Of My House

A steady rhythm: rainy
windy night. Sleep ends
earlier than desired.
I take what little I’ve received
and rise.

This is who I am today, I guess.

I try to explain it to
my body. My body responds
with pain and upset.
I take what I receive
and rise.

My body and I agree
that I am nearly too old for this.

I’m losing my strength and my grasp.
My body is losing the will
to restore. Early to bed and
staggeringly early to rise
make this man
long to sleep forever
but the body resists, refuses
to approach the inevitable unknown.

I must take what I am given
and rise.

This is who I will be today, I guess:
a weakened man up far too early,
working far too hard for too little,
waiting out steady rain, strong winds,
a beating being drummed
upon the walls of my house.


Chordophones

The guitars my country of old men loves to hear
support the binary my country of old men adores.
They must have either six or twelve strings,
must be either acoustic or electric.

My country of old men mostly loves only songs
that are played on guitars. If there are
mandolins or banjos in the song they must be
there only as adjunct to guitars. Ukuleles

have their place among the acceptable
for their chiming and their cute faces; they look like
infant guitars to the old men and who would take
such candy from babies? They’ll surely outgrow them.

A bass guitar is acceptable; this is why it is called
a guitar. Any other instrument with strings
is inferior to guitar and should be at best
relegated to guitar support, say the old men

of my country. This is why no one around here
recognizes any kind of cuatro or knows what a saz is,
why no one has ever heard a vihuela, a charango,
a guitarra de Lisboa.

Those who play such dangerous instruments
keep to themselves around here for fear of
my country of old men. You have to spin the dials
a long time on secret radios to hear any of them played.

It’s as if the old men
know this would be
a different country if everyone
heard those sounds.


The Stench

Revised from 8/28/2020.

In first light I see
the black cat waiting for her food
below her perch in the kitchen window.

“Jump up, beautiful girl — you
can do it!”

She leaps up light,
lands heavy, settles in
to treats and wet food. The calico
does the same for her bowl across the room;
they are, for the moment, content.

I allow myself a weak smile
before I start the coffee,
before the scent fills the kitchen,
before I look out the front windows,
before I take a breath
of the Stench out there
and ask the daily questions:

dare I turn on the television,
open my mail, think of how things
might be getting better or worse?
Dare I count the dead? Dare I count
sneers and curses? Dare I measure or note
the indifference of the alleged good majority
and call them out as the source of this smell?

It’s taken me far too long to call this as I sense this:
that it is not behavior seen or anger heard
nearly as much as it is an odor that chokes me,
makes everything taste less healthy;
odor so thick it coats my skin,
distorts my touch; a pale Stench
from a host of dark graves;
blood so soaked into our soil
that it stains every foundation
and leaks into the roots
of every tree and blade of grass.

In spite of how I choke upon the Stench
the cats seem to ignore it, are purring and happy,
falling back to sleep in their favorite spots
before I pour my first cup of coffee. I suck it down
and here I am again, wondering if today is the day
that I will suffocate at last.

One cat sneezes. I look up to see
the calico stretching. She wheezes a bit.
Might be the Stench,
might be simpler than that.

I’m sure it’s simpler than that.

My love is still asleep still in the next room.
All I want is for her to live through this
and thrive again, breathe clean again.
For myself? All I ask
is that I live long enough
to help clear the air.




The Hermit

You hold tightly to the belief
that there is only one being inside you.
How you will survive?

Your fear strangles you
whenever you hear a voice
that comes from within you,

a voice you do not recognize
that seems to know you. You say
it is just self-distortion, a mad memory.

Learned books have long said
it is vital to bring all beings within us
together under one name. Bah —

do not surrender your life
to learned books. Suppose instead
that you are a shell, a community,

and you long ago locked your doors
to the others. You’ve become the hermit
on the edge of their town,

the one they tell stories about.
Have you heard any of them? Maybe they
are curious or furious, as frightened of you

as you are of them? You should at least
crack open your door and listen. Ask them
to tell you their names and what they know

of you. Offer them a small meal
if they agree to come sit before the fire
in your hermitage. Don’t talk. Don’t

argue with them. Call them by their
names as you thank them
each in turn for what you learn.

Once they leave, not long before dawn,
you will sit by the coals until you fall well-asleep
for the first time in a long, long time.


Tradition

The lights going out,
the body count,
the murderous twitching
of hollering masses.

Fire, flood,
etc.; a terrifying
traditional list of plagues
and calamities; nothing
undocumented
or unprophesied.

You stare
at pictures of small, cute, furry.
All you want
is to put your arms around
a baby alpaca.

That’s also a tradition:
putting your trust in the belief
that the New World
will save you from the Old.


The Myth Of The Wren

Days ago, a wren flew into my parents’ house
when my dad left the front door open.

The bird flew confused from room to room
and never once sang.

I chased it down, caught it under a towel
on top of the living room curtains

and took it back outdoors where it sat
for a second on the front walk railing

before flying away. Today
I saw one outside the dining room window there

and it sang, over and over. Neither
my snoozing father nor my deaf mother heard.

I do not know if this was
the same bird, but I hope it was.

I will imagine it was
until the last of our days in that house

when the rooms will be emptied
of the aged furniture

and those curtains will come down;
until the carpets are gone as they are both gone

and I lock the door behind me;
until all that will be left

will be memories of myths
of birdsong, gratitude, and escape.