Tag Archives: meditations

A Remark You Made

confirmed
that someone
had indeed been listening to me,
at least once
by chance more than anything;

lovely, indeed,
to imagine that for a moment,

to think of the earth
outside the front door
cradling a seed
I dropped without thinking
on my hurried way
to another place
where no one would listen
for more than a moment.

Yes, I’m grateful to you and
yes, I’m glad it is spring
at last, and that there may be
a chance, a small chance,
of seeing green soon.

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By Computer

No shirt, no shoes,
a little chilled in my own living room.

I could get up and put on a shirt
but then I’d have to move.

Could make coffee —
see above.

Paying bills by computer,
sending invoices by computer,

making poems by computer,
communicating with you all by computer.

None of this
seems lazy to me.

It’s the way the morning goes
most days.  Eventually, I’ll move

and re-enter physical space —
a lie, I’m there now, of course,

sensing my empty stomach,
scratching the occasional itch.

How perfect are the ways of the brain
and mind that it requires so little sweat

to leap mountains and deserts
in order to survive, and that all it takes

is to move a few fingers at a time
for my friends to know I exist,

what I’m thinking, how Godlike
I am though I am fat and dirty

and hungry this morning,
and a little cold, as well.

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Cutting The Grub

“Death,”
said the grub,
“is always deserved
because it is the only thing
other than birth
that each living thing
is always owed
strictly by virtue
of having been born –”

but because I did not speak grub
in those days,
I took far too much satisfaction
from cutting the thing in half
with a trowel as I dug
the new bed
for the flowering onions. 

Had I known
of The Serene Acceptance,
I would have refrained from the act,
for it would not have been fun
if I had known there no resistance
there.

How do I know this, you ask?

Because it is a good day to die,
I think, this understanding
came to me unbidden,
if you can believe that,
or even hear it.

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Music Education

When I want to remember,
I listen to rock and roll.

When I want to learn,
I listen to hip-hop.

When I want to be exploded,
I listen to jazz.

It does not matter what I listen to
when I want to party.

When I want to be heard,
I play a guitar or a poem.

When I want to be,
when I want to just sit on the point of me,

there is only the red cedar flute
my father gave me, tied with leather, oiled and dark.

I am imperfect as player
but whole when I play it, and alone, always alone.

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What Old Man Kenny Told Me

“You know,
every line on my face
is a dry riverbed of hate.

I hated myself,
others, life and death,
money, problems, solutions.

I lifted my eyes unto the Whatchamacallit
and asked for it all to be taken away
and nothing changed.  So I hated

the Great Answerer for not
answering me.  There were moments
where that hatred

took me over, and the displeasure
of the Lord washed down my cheeks
and washed me out.  Now, I live

like a hobo in the landscape
I have despised, trying to drag
a living from it that doesn’t hurt,

and I am lost, the arroyos
of my skin are dry and lead back
to the heights that have been arid

for many years, and I wish I knew
how to love, how to fill and flood them
until my whole face seemed as smooth

as the surface of a lake, still and calm
in the light of day, reflecting back
love I never allowed myself.”

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Our Colorful Characters: A Bedtime Story

Once upon a time
there was a man who sat all day
on the corner of Belmont Street
and the crosstown highway.  He
was named Nathan and had no legs.

People used to smile at Nathan
as they made the turn from the exit ramp
by his corner and he waved at every car.
Then, after a while,
he wasn’t there. 

Once upon a time
there was a man named the Whistler
who walked all around town
and into the surrounding suburbs.
When you drove by him and honked

he’d whistle back, the loudest whistle
anyone had ever heard, and never
the same whistle twice.  Never stuck his hands
in his mouth either, never broke stride,
and then he vanished.

Once upon a time
there was a very old woman in Main South
who always dressed in white and always wore
thick white makeup on her face.
Everyone thought she was a hooker

but she used to minister to the working girls
instead, giving them food and money
when they needed it, first aid when they
needed it as they seemed to so often,
and then she disappeared.

Once upon a time
we used to know all our vagabonds.
We figured they had homes somewhere
and came out to keep the city colorful.
Now we see so many

it’s harder to keep track of them.
They wear signs that say “Homeless Vet”
or “God Bless You,” but we don’t know their stories
or rather we don’t make them up
the way we used to make up stories

about Nathan and The Whistler
and the White Lady, stories
we assumed had a beginning
that started with “Once upon a time,”
included the phrase

“there but for the grace of God,”
and we didn’t bother to create much more
background or development
for any of them, preferring to simply say,
“and they lived happily ever after.”

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Smart Old World

Smart old world
we have here, that invented
obsolesence, aging,
erosion, and death
to keep itself from getting bored.

Selfish old world
that came up with
mitosis and meiosis,
cell division and birth,
just to shake things up.

Strange old world
that melds the two things
regularly, so that one leads
into the other.  Think of
the mantis with his missing head

in the mouth of his mate
as she begins to gestate,
or your neighbor’s sorrow
as he laughs at the antics of the child
whose mother, his wife, died to produce.

Stoic world,
coated in a thin skim of our poison,
is biding its time.  You think
a world like this won’t survive us?
It barely notices us, pal.

When this world’s had its fill
of us it’ll throw us off like a
past season coat.  It will rub
minerals together and try something
new.  We’re just toys, not even pets,

but an enzyme inside us tells us otherwise,
screams, “I’m special! I’m here!” Well,
trickster world gave us that too.  We make do
acting like the world is in us and
we’re indispensable. Can you hear the laughter?

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Tired

Tired
is Butterfly
on the broken
chrysalis.  Meteor
smoldering into
our sky. Tiger
crouching by the remote
irrigation ditch
at dawn.

Tired is the flat wheel
on the new car, the
white noise
of the ventilator,
the pump house wheezing
by the flood.

Tired, I am tired
as material sundered,
air riven, water
summoning its strength
to break through
an easy weakness
and flow freely again.

Tired as a mourner
on the coffin, closing
his eyes and recalling
walks, runs, late night
conversations.  Closing his eyes
while still in contact
with the source of his fatigue
and missing the butterfly,
the shooting star,
the tiger choosing another target.

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The Songbird

Fatherless
and thus denatured
she created a blue mask
and sang for pennies
of a life of romance
she never knew herself,
but the tunes were worth
the tears she forced
from her listeners, and they paid
more than that for them,
so she lived well
a life of creation
and character play.

Meanwhile,
a bird she’d been
for a short time, a bird
who’d fallen with her broken shell
to earth, died slowly,
unremarked in any lyric,
did not learn to fly,
and it’s hard to say
that’s a tragedy,
but I will, even though I might
be incorrect;

she would disagree, I think,
having most comforts in her hand
and no need to seek in the bush
for the fledgling past, yet
I know a song or two she tried
back then, and I swear
no money could buy them,
they were that lovely
and warm and true.

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Bowls

Nested within you,
multiple bowls
holding the liquid
of you.

When one overflows
another will always catch the spill.
Little, if any, is ever allowed
to dampen the ground
where you’re standing.

How they are filled,
how they are shaken,
no one can say,

and you aren’t telling,
of course.  But inside,
you are swelled and warped
from the moist damage,
and the slippery fact is,
you won’t contain yourself
much longer, and you know it.

The bowls teeter, totter,
the contents slopping about
inside.  You’re seasick with the motion.
You’re going to founder, and fear —
the tiny bobber that won’t go under
as it is rocked in your head —
will soon be the only thing
you have left.

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Funeral Service

Mourners mouth old words
and their prayers rise like desert birds
into dry air from dry footing,
vanish into empty sky
and head for places unknown.

All are informed by a scripture
that is enshrined in a thimble
of chipped bone
filled and refilled constantly
with ash —
its voice
is centered
on solving the mystery
laid away
in graves, is
reflected on with great deliberation,
practiced daily,
softened by time and then reformed
to appear
exactly as it has always appeared
upon the passing
of every believer.

All that being said,
faith remains
a legendary grain we hope to find
is tangible, is located
somewhere in the thimble,
a fragment we seek to hold
between our fingers,
rolling it back and forth.

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Leveled

leveled
by the minute teasing
of greater life
he fell from the top
of the rock wall into
the deep water
but did not die

shook it out of his hide
and came to shore
quieter

ever after he slept
perfectly

and once awake
cared less than he did before
about becoming
another

and so became
another

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Persona I (repost)

Repost for connection to the recent poem, “Persona II.”

“““““““““““““““““““““““““`

Part of me steps aside
and another part of me
steps forward
to make a name for itself.

It says:
I am the ocean,
I cover everything that is deep
and swallow everything
that dares me…no, wait:
I’m the harbor, the destination,
the notch in the edge of the ocean.
No, sorry:
I’m the slave ship arriving,
carrying stolen anguish.  No,
that’s wrong: I’m the trader
waiting to sell the pain of others.
Again, sorry: I’m the new owner
of what shouldn’t be owned at all.
Ugh, wrong, wrong again: I’m
the cargo, the village of origin,
the buyer’s tag, the auction block,
the chain, the whip,
the eyes leaning on the crutch
of the North Star…

A part of me tosses in bed for hours
listening to this until
another part of me steps up
to elbow that first liar aside
and say:

I’m the feather on the plains,
the oil full of ghost trees,
blood on sand I’ve never seen,
the dirty songster in an alley
glimpsed once from a cab window
and then reimagined
to find room for my moral
at the end of his song.

No, says another part of me,
then tosses pennies at the others
to drive them back long enough
for a chance to say:

I am sponge enough
to have sopped up
everything all my lovers
ever told me.

I’m the mask
that gives me the freedom
to let them call themselves “cunt”
as I misquote them.
I am above reproach
when I put myself
in their mouths.

Closer,
says the sleeping part of me,
admitting that he’s indeed been listening
to all of this.

That part of me
becomes awake enough then
to say:

I’m stupid
and exhausted
from division.
I’m groggy
at this hour
but trying to figure out
who deputized me
to speak on behalf
of what has been screaming unheard
for eons. Why wasn’t it ever enough
that they could speak for themselves?
It’s like everyone and everything
is asleep and I’m an alarm clock
banging out “I, I, I, I, I, I, I…”
on behalf of full-on daylight
that ought to be enough but isn’t,
chattering
until I’m shut off
with a backhand slap
to the panic button.

Yes, that’s it,
that’s the answer,
I tell myself.

The part of me that has been
so fitfully drowsing
for so long
rolls back over,
while another part of me
smooths my hair, tucks me back in,
lullabies me into distant dreams.

When the breathing slows
and becomes regular,
that part of me looks up and says,

I am
the dummy on an insistent knee
with a hand up my back
and a substitute voice.

Look as close as you want,
you’ll never see those other lips move.

That part of me
will accept your applause
while the rest of me is put back in my box
to sleep.

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Persona II

In the way a house where a murder happened
is sometimes hated and left empty for months
after, though the wood and walls

were not guilty of anything
and merely contained it, though the house
is not a murderer or a murder,

I let a person
step into me after careful consideration
and listening to them for a long while,

let them use my body and voice to speak
since I had an audience
and they did not, but might

once they stepped back out,
when people saw what I had done
they called me a liar and shunned me,

for ritual demands a sacrifice
and confusion
leads to black magic,

but that is what a shaman does
or a poet sometimes does, this comes
with the title, this dislike

is honorable, who told you
you were supposed to be beloved
all the time, it was never something

I was promised, nothing I expected,
and while there’s pain, in the end
a voice was well-heard though it was not mine,

and is the hearing not enough
to make the sacrifice worthwhile?
The Spirit wants only hearing, after all.

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Torn Moment

You replace the phone
on its cradle.

In one suddenly torn second —
an instant
pulled open violently —
the filling has fallen out
and accustomed comfort
has gone flat, crumpled
like a bag on the floor.

Shut down.
It’s all right to sob
and wish for things
to be different.
Pull together
a pile of soft blankets
and sleep.
It’s all you can do
until morning —

that, and shut off the phone.
No need for another ripping blow
tonight.

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