A full grown gryphon
has come out of the woods
near your apartment complex
and now perches upon your car,
staring at you as you prepare
to walk to your spot and leave
for work. This is going to be
a problem, obviously —
how to explain this
to your boss, how to explain this
on the clearly soon to be necessary
insurance claim, how to explain
the fierce power of the real world
to this beast in such a way
that he slinks,
embarrassed,
back into fantasy. Fortunately,
you were born and bred
American, thus having had long experience
with grand and august mythology
bumping against dirty facts,
so you square up your shoulders,
step to the gryphon,
and get it done.
Monthly Archives: April 2016
Step To The Gryphon
Career Retrospective
Once
he gladly roared
in London
that the British
punctured everything
before their empire was done
Feedback
as he said it
hammered that home
A battery banging
amplified the wonder
of such bold speech
Shame indeed but no real surprise
when he tired of saying and playing
such things
As his voice became
half-brother to money
he gave up the roar for the croon
Trembling not shaking
Trickling not draining
Brokering not storming
Choosing to grip
a softer weapon and sing
softer songs
on a worldwide tour
of the former British colonies
he referred to as a “career retrospective”
Lying awake each night
nightmaring Joe Strummer and a gaggle of nuns
standing silent by the hotel door
Staring at him
while mouthing and mocking
his old-time roar
Looser Than Lucifer
Radio preacher, how you do talk —
lips looser than Lucifer’s,
forever spitting hate
from a so-called Christian face.
Did your God forget
to put a muzzle on your judgment
when He laid His manly paw
upon you to make you,
or are you insisting
He was perfect at the craft
and this is — YOU are–
are as good as it can get?
Are you really your God’s
best marketer, making claims
for your own humility
before Him
even as you
aggrandize yourself
and scrape
another layer of patience
off of me?
Radio preacher, get you gone —
you sticky fingered priest,
you knife tongue pastor,
you pope of the nighttime rope,
you saint of the burning necklace,
you deacon of past prejudice and future petrified heart,
you congregant in the church of bending love
into daggers and handcuffs,
you bishop of murder under the high altar:
your game is
looser than Lucifer,
who at least
did not hide his dark hatreds
behind a Cross,
who at least
owned his pride
at not being in the slightest way
anything like God.
Steak Or Chicken
Originally posted 12/29/2010.
george clinton must now and then
think about giving up the stars
for a steady job in furniture repair
prince must sometimes think about saying
fuck it
i’m going into retail
bruce has to think about
the carefree life
of a plumber
mick must occasionally think
about financial analysis
as a late career choice
it’s the same with me
i wanna be
a rock star
the way each of them is a rock star
with a name that projects their particular cosmology
the minute it’s uttered
i want my name
to change the inner monologue
of anyone who hears it (that’d be SWEET)
but instead i’m in the store
looking at frozen fajitas
and i could be just anyone
if someone calls my name
i don’t turn around right away
they couldn’t possibly be talking to me
so inured to being a nobody
even my own name
doesn’t evoke anything in me
except annoyance that i’ve been disturbed
before i can choose between
the steak or the chicken
most days i don’t feel this way
i just go through motions
i’ve been through before
and i’m ok
if not happy
the world around me isn’t mine
i just live here
i mean so little to the living
that when i stop living here
someone else
will be just fine
bearing my name
but right now i wanna be a rock star
and i want my name to make the choice
of steak or chicken for me
with a sense of grand inevitability
they should just magically appear
in my cart with its four perfect wheels
then i will thrill inside
as what i want
turns into exactly what everyone else wants
and then if i change my mind later
so shall change the fajitas
and so shall change everyone else’s mind and taste
i wanna be a rock star
instead of this —
vacillating and anonymous mess
standing in the supermarket aisle
in front of a bright freezer
wondering for ten minutes about a choice
between shitty frozen steak
and shitty frozen chicken
as if it matters
and all the while nobody passing me
seems to have a clue
about whether or not i’m even there
Pain-Free
To envy the body
of a younger man,
even if that man is you
some years back
when you still took the words
“pain-free”
as a given
unless you’d just done something
to warrant pain and you knew
it would pass sooner or later;
to envy such a body as yours
would seem ludicrous,
I am certain,
to those who knew you then
and know you now.
Still you are indeed envious
of that body that did
more or less what was asked of it
with minimal complaint
unlike this one which
burns with urgency
every morning upon waking,
stumbles creaking toward the bathroom,
demands that you put
a steadying hand on the wall
when you step onto a scale
that is barely one inch tall;
unlike this one which,
when you least expect it,
breaks down at the butcher block,
head down, hands over
its dimming eyes, seeking
a second of relief, of pretending
that “pain-free” is still possible;
unlike this one
which every day
feels more and more
like a warped
ancient chariot
rattling around
on broken Roman roads
with you inside it
on a headlong rush
to ruin.
To envy yourself as a younger man
back when you felt like a centurion
or at least a foot soldier building an empire
may seem ludicrous to some,
but in the mirror you can still see him,
and you want to reach in
and shake him and smash him
until he gives you back your temple.
Clean Channel Church
Time for church:
Telecaster,
both pickups on,
cable direct to
a Fender Princeton amp —
no pedals, clean channel,
treble and bass at 12 o’clock,
reverb up halfway.
It’s nothing special.
I don’t play well enough
for it to be anything more
than nothing special — still,
church enough
for me.
Once More Into The Dark
Once more
down the old tracks
we go speeding into the dark,
a massive weight
carrying us along,
a rumble in our guts
from the journey.
Once more
charging into the dark
with our heads down and
no sense of where
we might end up, clatter
of steel drowning out any talk
of getting off before it
crashes.
Once more
aimed into the dark —
most deliberately, most directly,
most certainly aimed
at a moment where we will look up
and say we are utterly lost,
starving, with no time left
to turn around
and head back up the track
toward what we used to call
home.
Fear Of The Dark
Not feeling much of anything;
my face hovers, detached,
no light from within it.
If I were to float back up — get up there again
where the sun shines hot and then
track with it around the planet,
I would surely shine. It wouldn’t matter
that it was not my own light. I recall
the heat, remember what it was like.
Instead, I’m bobbing along down here
with a seared, dimmed face, loosed
from my moorings, trying to illuminate
this thick night with all I have,
though I can’t feel what good it will do.
Not feeling much of anything, in fact,
beside fear of the dark.
Next Door Up The Hill Lourdes
Sometimes I wish
we lived in the woods and
things were quieter and nominally
safer; but then
Next Door Up The Hill Lourdes
brings over unexpected
baked fish, rice and beans
in a reused cold-cut container,
asks to borrow ten dollars
till Tuesday. It’s a pretty good deal
as she always pays up on time
and the food, fish or chicken or
steak tips well seasoned and
always with rice and beans,
is always at least good
and sometimes far better.
It’s not anything more
than a city neighborhood
— rarely too quiet,
sometimes too loud, but overall
not terrible — a little too tightly packed perhaps;
in winter we shovel our own driveways before helping
each other, but we do help each other;
we don’t call the cops, handle our own shit —
barely look up anymore
when I do see them, guns drawn, arguing
over who covers the back and who
covers the front when they go in
across the street and come out
disgusted, shooting me
nothing but a dirty look when I smile and wave
as they drive off empty handed again —
maybe next time, guys, maybe next time,
though the person they seek moved away
months ago and we don’t know where he is,
really, not a clue —
it’s a city neighborhood, the low end of town
hanging on the side of a hill that’s never plowed in winter,
a place where we plant backyard gardens
in one small patch of sun — we make do, we get by, we make it work.
Right now for instance,
I’m sitting outside enjoying this baked fish
as Next Door Up The Hill Lourdes sways,
a little tipsy, up the street to buy
more sweet red wine and then home to her TV before bed.
I think she watches game shows, the volume turned way, way up.
From my steps I can hear the applause, I can hear the shrieks
of someone, somewhere else, winning.
On A High Old Bridge In The Dark
Once, I walked around on fire.
Left no bridges for miles behind me.
Someone said
try writing it out,
it’s a good
healer, a good quencher,
you’ll be
at peace.
Safer now,
older now,
I sit up late
and spill into
paper and ink
the fuel that once
would have been held
under pressure
within.
The ink
never smolders,
the pen
never scratches out a spark,
the paper
never ignites.
Where did my fire go?
Standing on a high old bridge
in the dark,
in a place I’ve stood before,
looking down into the white water,
feeling nothing.
Can you tell me why this is better
than burning?
When I End
When I end
I hope you, my friends,
will stop a second
and see my closed eyes
for what they are on that day —
precious stones returned to their beds
under the thin cover of my eyelids
in order to keep the earth
in balance.
I hope
no one weeps at not ever
seeing them again — living
requires us to move on
from each moment regardless
of its importance —
but if they must weep,
let it be the right kind of mourning,
the kind that doesn’t bog us dead down,
leaving us soggy in the ground
before we get even a day to understand
where we are.
Don’t weep. Let me be;
do the right thing,
at least at first.
Don’t wonder aloud, for my sake,
about what happened
or how I finally slipped aside
after that last unbearable moment
of storm —
enough.
Enough.
Let me pass and don’t worry
about what it means. When I end
it shouldn’t be a recipe for self-annihilation.
Grief, acceptance; the push and pull
of a shoving match between brothers.
It’s barely news at this point
to say it too will pass. When I end,
when you are grieving for me,
angry with me, sad for me and for yourself,
remember that this, too, shall pass.
Colonized And Colonizer
In the streets of the colony beneath my skin
runs the blood I was born with,
the blood with its conjoined DNA
of colonized and colonizer;
when I cut myself, the drip smells
of them both.
Get close enough to it,
dare to stick your nose near to it;
smell how pleasant it must be
to be on top as well as the fear and sweat
of those holding it up
from the very bottom. Go farther,
press a little tongue to it,
taste iron of blade and shackle,
copper of sale and resale,
all the stolen metals of this stolen land.
Get close enough;
the flavor should overwhelm you
but that doesn’t stop anyone from trying to claim
it’s tasteless to notice that.
The colonizer says, all you’re spilling now
is sour grapes, you sad little wino;
the colonized says, if you live a knife’s rationale
I guess you do what a knife tells you to do;
whatever it is that wants me at peace says
screw the noise of history and stop cutting yourself,
you’re needed; whatever it is that’s left after that says
war is hell, this is war, this has always been war
and war needs blood to flood the run
where the frightened go, where the terrors chase.
The rich thieves of soil and soul have made
the streets beneath my skin their home.
The ones they robbed
make their wasted homes alongside those roads.
Sometimes I don’t recognize how much I favor them both
when I see the mirror.
I will have to draw the blade cleanly over
my thin wrists to have something in which to paint
a truer self-portrait than either colonizer or colonized
could ever render alone,
for I am both,
I am neither,
I smell and taste
of both and neither,
any blood I spill
isn’t mixed but pure and purely mine;
since you asked, the distance between
those at war within me
is at once
thinner and harder
than a razor
could ever split.
I Wake Up In Despair
I wake up in despair most mornings. Each day
slants uphill and it takes everything to climb it
with the load I’ve got to bear.
I wake up in despair most mornings
but find comfort in knowing
things that a Pharaoh can’t know —
how, for instance, to pick myself up
without an entourage to help me; how in fact
to get by with no entourage, neither in celebration
nor in sorrow; how to fall down back-broken
and get back up again next day for another round
with nothing but what’s in me to pull me up.
I wake in despair most mornings. Each day
bores me — sometimes with a dull drill, sometimes
with a bludgeon of same and same and same again.
I wake in despair most mornings
but find comfort in knowing
things that a boss can’t know, or has forgotten —
how to do the dirtiest bits of a dozen jobs, for example;
how to take the next step when it’s time, how to
fix the broken piece, how not to fail
from seven AM to lunch, how to stay awake
from lunch to three PM and longer
if three PM becomes 5 PM or later.
I wake in despair most mornings knowing
how little of my life is open to me, based on
how much time I have to spend recovering from the rest of it.
I wake in despair most mornings
but I can almost get to glee in knowing
what a king does not, what they may never know —
how to run riot in the streets to spite all my aches and pains,
how to run riot in the streets with all the others aching and pained,
how to run riot in the streets knowing how little time I likely have —
but knowing as well that ahead of me, somewhere
cowering, somewhere hiding behind mere walls,
a king, a boss, and a Pharaoh are, at last, themselves in despair.
dear me, mr brown
dear me, mr brown,
how is it that
you are that stupid —
this game of “being”
you thought you’d win, somehow? nope.
you’re feeling the big nope now,
of course —
you won nothing.
you win nothing. no one does;
that’s the beauty of it, but
somewhere in your reptile brain
you bought what they sell about changing
the world through poems — no.
it was never supposed to be about anything
but good work. never supposed to be anything
but art valuable for being itself —
if any change was to occur
as a result it would be
in the poet — in you.
you knew this years ago
but have pretended to forget. faking for survival,
you forged God’s signature on a few poems
and called them “the truth as delivered –”
please. dear me, mr brown —
have you read your poems?
have you changed at all
by reading them, by writing them?
has anyone or anything?
dear me, mr brown,
admit it —
you’re one of the bad guys.
always have been.
admit it —
you’re one of the sinners
spitting on the sand
outside the church, and though
you’d love to go in and feel the love
there’s a joy in spitting on the earth
before the church you can’t shake —
you know they won’t let you back in —
you’re feeling that big nope now,
mr brown, dear me;
that game of being
you thought you’d win,
the one where everything worked out
and there was a horizon and you
could see it and knew one day you’d learn
to ride
and you would ride into it flinging
magnificent words, a Magnificat, a
Hallelujah chorus on the wind —
dear me, mr brown,
you stupid glory hound.
face it: your work
was a modest ripple at best,
and now what?
what does a dead man do now
when he doesn’t believe in the horizon
and can’t help but smell the decay
and knows it for his own
and his hands are rotting off
and his lungs can’t push a breath
and he’s the big nope himself —
dear me, mr brown,
you’re the big nope,
the dead poet
with no society to hold you.
no one at all, in fact,
will touch you
ever again.
Gone On A Gust
Let me make certain
that I have wrung
from my self
every possible drop
before I dry up
and blow away.
I’ll be only
a small cloud,
a dust devil
on the sidewalk,
if I do it right.
My worst fear is
that when I pass
I shall pass
as a tornado
with its attendant pain
and wreckage.
Not that such damage
would be unexpected
considering what I’ve
left behind in life
so far
but one should
after a certain age strive
to leave less mess,
to ghost the party
having become
a grateful husk
which, when
the time comes,
falls apart
in a sweet smoke. Let me be
gone on a gust.
Let any legacy of mine
not be based in how I pass.
Let it show in what I left
that was not me and my
attendant troubles,
but was the work of spiting
and triumphing over those;
but as for this person — no.
Let me be forgotten — my atoms,
my soil, my funks and wars
and storms. Let me pass
without notice
into that
good, good night.
