Tag Archives: aging

Does Not Matter Or It Does

It does not matter what you wanted
or did not want.
It does not matter
how built this city became
or how it was left to become a forest.
It does not matter
how birds sang at all hours of today
or how they fell silent for all of it.
It all matters or it does not.
None of it matters at all.

You carefully looked over your poems and songs
and then threw them all aside.
They were garbage to you or
perfect gems already cut and waiting.
You did not falter
or became a poster child for indecision.
You lost your balance
or walked a tightrope perfectly well.

You woke up angry and sad.
You woke up delirious with cheer.
You got things done early or did nothing.
You sat a long time immobile
or could not stop dancing.
You believed in God the father
or stopped your belief in a central being
and worshipped all or none
or preferred to drift among them.

Damnation and hellfire with pitchforks and laughing
or clouds of glory with angels’ wings beating to harps
You are a goddamn blessed human aging as all age
into their final chapter.
Embrace it or die now.
It does not matter
or it does. You will learn
soon enough.

~~~~~~~~~~~~~~~~
onward,
T



Underground Radio

Doesn’t take much. Doesn’t take
anything at all, in fact. I believe
I’m doing well, everything
is copacetic as the saying goes

when some little thing —
say, trying
to navigate the distance
between two familiar points

or maybe something as small
as recalling my credit card number
when distracted by the imagined flight
of a bird over my head;

maybe I’m intimidated into madness
by a snatch of a song I remember
from when I weighed less, much less;
can’t get past the chorus

so I sing it incessantly
inside my skull — then
I am transported into the soup
and stewing garbage of my soul

these days — hell, can you call
this a soul? Can you dignify it
with a word as potent as that?
Well, I call it that. I’m likely wrong

to call it that. I sit down
and try to calm myself, stop calling it
anything except — memory, I guess?
What it is, is freedom from the march

of time. I sit for a while.
“When what you need is what you want
then scream out for underground radio…”
Those aren’t the words but they will do;

a thin organ riff burns them
into me. I shrug off the credit card.
Follow that bird across the sky though
I can’t identify it. I sit with it till I am calm.

~~~~~~~~~~~~~~~~~~~~~
onward,
T


Inventory II

I don’t know a better word for it than “inventory;” it’s as if someone had taken stock of a marvelous collection of things and, unable to name them, had taken to inventing terms for them and called it an “inventory” to represent them, to describe them in such a way as to bring them to solid, stolid life.

So: let us then start below the waist, down low.

Both my feet are numb, numb as dead sparrows, though the right one still raises a wing a bit now and then. The left one laughs at its pretension, and feels the full weight of its own death (be that as it may; maybe “death” has better things to do than name a dull foot) upon the cold wooden floor.

My left hand continues the trend. It still holds on to “numb” as its descriptor; what better word is there? The fingers grow colder each day — some days less so, as if the dial gets turned up now and then.

I try to play guitar and the clumsiness of it overwhelms me, like a football sack or a thug in the alley; the alley out back, behind the club; the music playing loud inside.

Maybe a couple, lithe and young, steps out here for kissing and such? They don’t see me.

I snap back to it — to the useless guitar. The useless hand. My right hand, I tell myself, is fine at least. I lie about that as I strain to put the guitar back on the rack; it’s not fine. It’s not fine, not at all…

Whenever I walk I step a little and stagger, now and then; dragging the left foot.

I have some small trouble with the stairs; up and down, nothing in my arms, nothing in either hand or the balance is tossed aside. I am relieved at the top of the staircase; I have climbed the mountain, the hill with its crags or something equally distressed.

When I turn I do it slowly. When I stoop for the ground, to pick up something I’ve dropped or that has fallen independently, I bend slowly and invariably groan as I do — volcano of worry, earthquake of fear? I don’t even know if they make a sound, but I hear them — yes, I do…

We dare not speak of my brain and its fogs that lift a little from time to time but then settle in again — gravy in a stew pot, or sauce as on pasta. What comes up disappears almost at once unless it is captured. No time except the present

Mostly, though?

I sit with all of this until I get up, do the next thing after a long time; it doesn’t end, does it…?

This is the inventory, the central ritual of my retired, disabled life. This is all there is to it, to me — simple, isn’t it?

Isn’t it?

A slow letting up on the past… slowing-down of past into present… punk song echoing beyond it…and we all, I know, you know the words. Don’t you?

Don’t you?

~~~~~~~~~~~~~~~~~~~~~
onward,
T


The Last Day

Not enough to assume,
as I once did,
that my last day will come
sometime in the future;

that my chest, already spasming
from something (never mind what
as I don’t want to know), will seize up
and collapse and I will die sooner

rather than later; ignore
the mounting evidence of pains
and aches and loss of function
in my legs and arms

that suggest to me that
I will go later, much later; at least
I hope so — don’t want to spend years
lingering on, pissing and shitting

myself in a bed where the nurses
and aids condescend to me
and coddle me. No. I’d much rather go

soon, in a snap; perhaps in a car on
a highway somewhere near home;
perhaps in bed, alone, undiscovered
for hours or maybe on the floor

of a coffee house, walking away from
the counter after paying my tab.
I could go almost anywhere, I think,
if I held fast to my being and then

let it go its way — memory
having its place as my head
opened up a trickle and then
gushed forth with everything,

everything left over inside
falling out onto a surface, left over
to be sorted out; all the lovely
and puzzling things sorted out.

No one will understand it still.
I won’t care as much then.
Things won’t stop. It will be spring
and then summer; you know the drill

and whatever else it is — sorrow,
wistful thinking, anger, acceptance —
there will be rain and sunshine
and heat and bloody daffodils

and all that. I will
not care then. I will
be gone
into the heart of it.

~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Yeah, Yeah, Yeah…

Waking up listening to
the Beatles on a Saturday morning,
a lot of years too late.

Later on this same station will play
the esoterica of the ’60s and ’70s
all the way from eight to twelve noon.

I will likely listen to all of it.
I’m here for it even if I’m not listening
closely, even if I have to leave

to go elsewhere because
this was my life, this was my
timeline — and how old are the DJs anyway?

They will play
anything relevant to the timestamp,
even as I complain.

Why don’t they
yearn for new tunes, tunes that speak
for them?

Maybe these tunes do
and the times are expanding? I don’t
know, don’t know a thing.

We have all
stopped listening to the moment,
I guess. Or perhaps we listen at night

when no one cares what we do —
when alone at night we long for someone
else, someone to sing about us

and how we aged into this, how the country
ain’t the same even, how dumb we’ve all
turned, how easy it was

to fall away from the time
stamped upon us
even as it burned indelibly

and left its awful mark. Yeah, yeah,
yeah — I mean, we can’t even
look away from the scars.

~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Dear Me

Wondering at this moment in
a partial insight or an old memory
incompletely stirred
if you and I keep up with anyone, really.

I miss your hands,
personally; I miss my own eyes and how
they’d flash a bit at what anybody said
if it didn’t fit what you thought.

Dear me, if that’s who you were
when I thought those things: I miss
my sharp tongue and your brilliant eyes
that now are enclosed in sad skin.

Dear you, if indeed that’s who you
became afterwards: I didn’t know you
or who you became, I wonder sometimes
if I knew you at all; now I am laboring

to know you, to know anyone in fact;
I used to know everyone so, so well. Dear me
and you: you never got a chance to be here.
You did not see your way past the husk I became.

~~~~~~~~~~~~~~~~~~~~~~~
onward,
T



The Same

in this morning’s breaking
of daylight, everything
is the same as last seen:

my light is the same, my
blood is the same, my
trash smells the same

as it did the last time
I took it out in the freeze
of a morning’s light; after,

breakfast will be the same,
and lunch will be the same;
I will have the same cravings,

the same longings all day;
everything, everything will be
the same, everything the same,

every thing, every thing…same,
and all I wanted, lifelong,
was difference, an inexorable

change from one moment
to the next. excitement,
not this steady glow that feels

like a fade. slowly, a wide open
fade across myself begins
and I can’t stop thinking about it.

I can’t stop thinking, feeling
some kind of way about it.
it’s like crossing a divide,

a continental divide; snatches
of old songs overhead. my ears
turned to their comfort, tuned anew.

they are different, yet the same,
the same as before. I push on.
no going back into it. no more

of that. of the same wind, the same
safe tunings and progressions. I turn
from them; shoulders squared, I press on.

~~~~~~~~~~~~~~~~
onward,
T


Richard

( for Richard Fox)

Richard’s book
is on the shelf.
He is alive
when it’s put there.

Later on, he passes away.
One is left with his book
and stories of his uncle.

Pay them no mind today:
leave them in the pages,
remember what he looked like
after the reading;

a brilliant hot summer day, a Saturday,
a Sunday perhaps;

him sitting
with a cane and smiling
as he signed, knowing he
would pass soon,
letting the money

come for him, for his book,
capturing his memory for one
to look at later, one who sobs
once, out loud, at the thought
of his uncle, gone long
before Richard went along;

thinking of what it must have
been like to look around
in the moment after and say,
“Oh. Oh…”

Taking comfort in that.
Settling into that. Enjoying
it, even.

Even now, even long
or shortly before.
Oh. Oh.

~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Top O’ The Morning To You

The tone of morning here:
base, dark, open to
manipulation.

I drink coffee from a mug
with a picture on the side
and a motto that says,

“Kiss My Alpacass.”
It’s got a cute picture on the side,
like I said; weren’t you listening?

The picture is of a smug alpaca,
smiling slightly at the drinker
of coffee or tea or whatever.

He looks back over his shoulder,
or she does. Who knows? I interpret
everything my way,

regardless of the clues and
expectations. Weren’t you listening?
Anyone can see the creature is

genderless, sexless, a picture
on a mug meant for drinking.
It was made by someone, somewhere

in China according to the bottom;
that’s not important now. What is?
The fact of the coffee cooling off

inside it; the face of the alpaca;
the weird drone of a plane
going somewhere. It’s growing lighter

outside. The tone of morning
is changing. I am changing, too,
and no one will understand.

So I kiss my coffee cup, again,
draining the last of the drink off.
The picture on the outside

does not change, not at all.
I’d love a second cup, maybe a third one
after that. Then we’ll see

what this morning — dark, full
of mischief, unyielding in its sense
of foreboding — has for me.

Weren’t you listening? I do not
expect much more than this.
I await the daylight alone.

I close my eyes against the light
for now, and maybe for good.
Maybe that’s for the best.

~~~~~~~~~~~~~~~~~~
onward,
T



Fable

once upon a time
there was a whole young boy
who learned himself by halves
at first he was complete
then he learned early
how to be carved into halves
by his folks and others
who told him
he was half indian and half
whatever you call the rest
or half native and
half whatever you call the rest
as he got older he called himself
half Mescalero and
half Italian but that got confusing
so he called himself
half NDN and
half White-eyes and
then he learned he was bipolar
or rather his biology told him
or rather he found out via dull knife and
valium
in a glass with ginger ale
a green glass with bubbles on the side and
within and
that didn’t work
he went to Italy and New Mexico and
that didn’t work
so he went to work and
he was
half a training specialist and
half a poet
then went on the road as
half an independent contractor and
half a poet
then took a job somewhere and
started to fail
until the strokes
he called
the Happenings in his brain
Happened and
now he is whole again
although somewhat completely diminished
no halves to reconcile
not native not white just old and
failing steadily
just losing weight and
then
with one half hearted wave of his good right hand
saying to the vanishing masses
no longer coming to visit
go and
choke on
your wholeness and
live whole and
happily ever after

~~~~~~~~~~~~~~~~
onward,
T


He Forgets How To Say

It is written
that a man,
a gradually forgetful man,
may one day choose to remember
what he has forgotten and,
screwing his eyes shut solid
in his head, will forget it once again
and will call a woman by a name
she doesn’t recognize,
but she will respond as if it was
the right name and,
verbally, smile and then pat
the man’s hand after and go on
as if it did not matter, as it will
truly not matter in the moment
and only after will he see, in a flash,
in a whipsaw moment, how wrong
he was; then he will berate himself and
seek her name again and
find it in a book
and be crushed by it
as if it were a stone
rolling down some hill
he had forgotten;

it is written
that the man will calm down —
diminished, of course;
smaller, naturally;

it is written
that he will turn from his debacle
and, sitting down, will scope news
of distant war and
looming apocalypses
for others, thinking, worrying
that they are perhaps for him:
imagining the wary looks
of lawmen on the street,
the suspicious eyes of neighbors;

it is written
that he will turn
his own deep worry about his own eyes —
how they don’t see what they used to see
in the shade of the planet, in the
nighttime of night’s soil on the sheet —

then with a start, afraid unreasonably,
he will turn away from that
without understanding it;

it is written
that somewhere not here,
in a place not easily found,
not accessed through sight,
beyond his failing sense of order,
is the explanation of all of this
nonsense, of the thick stew
in his head that occasionally
pops up a factoid or
something resembling one;

it is written
he will close his eyes
upon this one more time,
and say to himself,
somehow:
just a few more years, just
a few more years to wait
;
then he recalls the words.

~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T




Panoptic

Writing, first thing, a list of items to be done.
Chosen to remember, chosen to execute.
Illuminating this day’s chores.

I see a black snake sliding down
a path he made ten minutes before.
Perhaps I am wrong.

Perhaps that path is older, maybe
ten years or even ten thousand, and he only does
what he was asked to do by ancestors.

At any rate it has been seen. He has
been seen. Or she has been seen.
It makes no difference to me, after all.

It makes no difference, either,
that I see a hummingbird hovering.
Sucks at a four o’clock bloom. Flits off quickly.

On to the next, and then the next.
The snake raises its head as the bird slips by.
I do not think they know each other.

I worry about the bills,
the nameless faces in offices
I will call upon to help fix the mess I’m in.

I will worry about the war in which I’m suddenly involved.
Fret about peace, about the clueless President
and his lackeys, about how my neighbors have gotten mean.

But the black snake moves on, paying it no mind.
The ruby-throated hummingbird moves on,
paying it no mind.

I put my head down and close my weary,
already exhausted eyes. Try to pay it no mind.
Let it go by: already they are memories of seeing everything

in a brief moment, a second of time, a slice of
something — our words can’t explain it, not at all.
Shrug it off, then. Go back to writing down bones of the day.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T



What It Is

Saturday morning
and it’s too early or late
for fireflies, too cold for anything
really, snow everywhere came in
overnight, and more, much more,
slated for tomorrow. What it is
is Saturday and I’m sitting still
with a computer on my lap, Miesha
in my customary chair bathing herself,
now and then looking up to assure
that I’m not rising up to shake her off
her seat. What it is: Saturday
and I’m afraid of another long, long day
before me — just a trip planned to get
prescriptions, get all my drugs
for a week ahead; it’s so boring here
without a care except
for all these worries and concerns
about how this will possibly end,
what I could possibly do,
what legend or map key I could
possibly use to find a way out
to some place with fireflies, some place
without a cat wary of removal
from comfort, some place
free of drugs and worries and concerns
about how long I’ve got, about this going on
until an end comes up suddenly
or gradually; what it is, is a yawning slog
through hours, days, weeks
until there is no Saturday ahead.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Travelogue

Here is a travelogue: if you look left
you will see Providence; look to your right
and you will see Worcester; somewhere
in between the two lies Uxbridge,
barely recalled now, barely there at all
in the fog around it.

A travelogue: the route was clear and the people there
less so. The way seemed clear at the time,
full of fire and occasional peace; now it seems
that it was unsure, and indefinite, and nowhere
close to the glorious march it seemed.

A travelogue: I didn’t know where it was headed and honestly
didn’t care, or rather was so sure of it going
its misleading way that I did not stop to question
any sign that it was false, or vague, or wrong.

A travelogue: now, now near the close of it,
I do not question it as I once did, do not think
to ask if I should have had another aim
to my life. It was what it was;
there was beauty amid ugly,
pleasure enveloped by pain;
there were those I loved
who did not love me back, and the reverse
was also true; all along the trees
kept faith, the dogs were faithful,
the ocean rose and fell as was described
from the first;

and I, I was
devoted to the play of things,
leaving only a small trace of myself
behind in my travels.

~~~~~~~~~~~~~~~~~~~~~~~
onward,
T





The Final Poem

…then again, I could
just die on stage — I mean it,
really die — drop dead
in the middle of a poem —

kind of the way I once stopped
in the middle of a sentence
during a meeting, excused
myself, walked into
the bathroom, puked and
passed out; a dress rehearsal
for dying, of course it was —
though I came back from it,
from the stroke, from
the momentary dive, within
a few minutes; but I digress —

I could stop that way
in the middle of a poem
on a cluttered stage, my eyes
rolling back, my hands rolling
ineffectually around, the paper
I read from falling to the floor,
people rushing up as I go
away, far away —

but I wonder:
which poem I would choose
to die on, which phrase
I would fail on, what would
my last phrase be; would
I choke on it or die with a
smile or something profound
on my face? Would you know,
do you know, does anyone here
or elsewhere in this blessed world know
upon which phrase I would go?

Believe me, it’s not yet written
but I’ll type for a long time,
probably longer than I have,
to get that one out.

~~~~~~~~~~~~~~~~~~~~
onward,
T