Tag Archives: meditations

The Moment Of The Poem

It’s one of the fragile
hours.  If I look
at the clock, I’ll see it
shiver and splinter.  Any chance
of going to bed early will be
gone, and I’ll know that
at once and begin to pine
for the lost opportunity.

I’ll avoid that and keep the evening
intact.  No use destroying
a sacred object with attention
to the restraints we keep on it.
I will stay here, in the envelope
of the moment, here in the poem.

You will say I should not speak
of the poem, that to write of it
is to cheapen the art.  You may as well
ask the priest to never speak
of his office, how the presence of his God
is entirely revealed
in his movements
and in the words she speaks.

We do this for a purpose:
the writing, the chanting
are a shield against the shattering force
of the quotidian wave.  Shall I never
be allowed to say that this is how I stop
the day, that this is how
transient things are made permanent?
It’s a blasphemy I won’t abide: I proclaim
that I live to stay here in the poem and deny the clock
that crushes the moment beyond remembering,
and that the bed that called me earlier tonight
is still there, still calling, will be heeded
at some point, but first
the rituals that make the present safe
must be observed.

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Speech

The art
of saying
the right thing:

hanging motionless
in speech-time,
conscious
of being
letter perfect.

A still
life of a breath
unit.

Enough?
That’s the wrong word —

should have stopped earlier,

as of course
it is.

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Moving On

You are certainly
laughing at us all now
for our struggles
as we try to balance
stopping our lives to mourn you
and trying to get on with our lives.

I picture you
bent double, howling tenderly at us all,
saying to yourself:

Did you hear anything I said?
You don’t stop, not even to mourn.
We’re all together at a movable feast
and you should move with it,
carrying your grief with you
at the speed of blood rushing
through your ever-faithful hearts.

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A Night At The Grammy Awards

My dead TV is flashing
words at me in Arabic script.
I catch them from the corner
of my eye.  I do not understand
Arabic, but I believe these words
are saying that I must soon write
a love poem like those
from the days of Arab Andalusia.
Why not believe that?
It’s four in the morning,
I can’t sleep, and I will slap meaning
on anything at this hour
if I can rest when I’m done.  After all,

I spent hours tonight snarking with friends online
as we laughed at the Grammy
Awards, fer Chrissakes.  I don’t think
that was a waste. Anytime you can see
that much information about what is valued
in a society in one place, it’s worth watching,
even if only to examine again why you recoil
from so much of what is around you.  And
in any such exercise, you’re bound to be taken
by something — for instance, by the sight
of a nearly naked woman dripping wet
suspended above a shiny crowd as she sang
something slight and ephemeral,
exposing herself to danger and ridicule
in the name of — Art? Artifice? Both?

There were those chiming in who thought it was foolish
to even be watching such crap, some of whom
were poets who hide behind contrived stage names
and adopt personas to perform in venues
seen as ridiculous by others.  It’s all the same,
isn’t it?  It’s about money, identity, and industry bent
to the service of getting something out there
that matters to someone, that gives someone else
a chance to believe in redemption
through the setting up masks we can believe in,
to spectacle aimed at a commerce in filling
the emptiness of our lives. And I’d lay odds every love poem
we honor from the old days
wasn’t written by a pure soul.
Some of those poems
were written for money, some to get laid,
some were written by cynics seeking fame
who knew exactly how a reader would take them to heart.

If I want to believe
in finding truth in the illusions foisted on me
by a trick of the light on a TV screen,
I will.  If I want to believe that Lady Gaga
might offer me some glimpse
into something worth considering,
I will.  You find your meaning
where it finds you.  And if I want to imagine Cordoba
tonight, while meditating on the afterimage of Pink suspended,
and if I then decide to write a poem that re-imagines her
drenched by Spanish fountains
under a twelfth century moon,  singing to her lover,
who dares to say that what it took to write it
was not worth doing?  I see Arabic script
and a moistened beauty
on the TV screen, and something is calling me to write
about them, even if neither is real.
Things are only worthless if you allow them no worth.

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Dimes And Pennies In Paper Rolls

Dime by dime
and penny by penny
you fill the paper rolls for the rent
and dream of folding money
in piles and drifts you’ll need to wade
to get to the door between you
and real life
while the rattle of old windows
mocks you scolding that
you’re not going far
with cold feet and thin socks
and cheap shoes and worn coats

Here’s news for you
this is the real life
vibrating with potential
and success defined in making do
and getting by with lovemaking
at odd hours and rough moments
when there’s nothing to do
and the cable’s unpaid
and the phone’s shut off
and the gas might go any minute
so you draw together and laugh
at the way your breath comes faster
as you kiss against the broken bed
and the gritty walls of bargain paint

So faster and harder than poverty can smash your mouths
you smash your mouths in love and hard wanting
and softer than the cold wind can slip under the door
you slip into the good sleep of afterwards

Those who dare to make things work
make them work rich or poor
and satisfaction comes to the wealthy
at least as much through sex
as it does through anything else

So don’t lie alone until the day you’ll be rich
as it may not come

Bring yourself to joy
with pennies and dimes in paper rolls
and find the embraces
in the always generous night

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Loving The Killers

There are men
I admire, men
I’d never want to be,
who live only in movies.

They swing hard and
shoot straight,
breathe easily
afterward.

I know
there’s nothing real
about such ruthless
competence

at movement
and violent
problem solving.
This is why I can stare

and gasp
at the reddening ease
of their lives,
their stone confident faces

and their swift clean up,
the knives stroked against
their thighs before they are folded
and put away for next time.

I am in thrall to this myth
of success at all costs
that leaves no trace upon
the successful.  The heroes

enter my life for a time
and leave me gasping
at such a possibility, even as I struggle
to get myself off the couch

and do something, anything
that might come to fruition
in a small way in my small life.
Give me one moment from your disdain

to love these killers,
to love the efficiency
of their elimination of obstacles
as I cannot seem to do it for myself.

It’s the only satisfaction I can find
in the steady drip of a faded life.
It’s a beauty, a terrible attractiveness
I abhor, but I cannot look away.

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In The Light Of The Day After

Reading the online news of my world, I see
that Victor writes of this morning’s light
that it is “bright but harsh.”
I agree, and go back to bed
until the afternoon
has softened into overcast.  Ah, that’s better.

My mood, now?  The heartbeat’s
back to normal, I can look at the paper,
only begin to weep when I hear
the recording of her voice exhorting us all
to live.  I hear my own voice at the end
offering love, uttering the catchphrase

we’ve all learned to use over these last weeks
to exhort her to do the same.  Last night,
under the bright but harsh wolf moon,
she went on her way and now we’ve got a decision to make
about exactly what we’re supposed to do
with that inconvenient command,

“live.”  If the morning after is so harsh
that we crawl back to bed to avoid it,
should we dare to claim to have heard anything she said?
I know it’s only been a few hours
and we easily have an excuse — but would she
have done so?  I don’t know; she loved the night so much

that maybe waiting
for it to start before we start makes sense.
But maybe we’re supposed to take action
under whatever light the world throws at us.
Maybe having the right light before we begin
isn’t the point.

The clouds have moved in this afternoon,
so that wolf moon won’t be in the sky tonight,
at least not so we can see.  I’m going out
no matter what.  I’ll rely on the light of what I can’t see:
the moon, the light reflecting off the teeth of legendary wolves,
the red hair of a novice angel,

the glow in the center of the word,
“live.”

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Want

Want, want.

It’s repeated in every country
in full throat or just
buzzed through a close mouth.

Want, want — explosive
as a virgin who’s letting go,
a snake on a burning tree,
a trapped bird in the terminal, a badger
before the dogs and guns, want, want;
man living in the ruins for days
under slab and dirt and stench,
want, want; baby in a pool
sinking and closing down, want,
want. 

Giving up not in the cards
for anyone, none of us
immediately heeding a call to surrender
to the denial of want, want;
wanting is the principal thing,
longing for the ongoing
recreation of first burst
of air into waiting lungs
upon emergence into light and air;
the idea of need
only present in the awareness
of a future where it’s obvious
that want will not be satisfied
again. 

Want, want;
demand it and if it does not happen,
it is not for lack of desire
for we are always wanting
to be,
to breathe, to love
and live, yearning
as if life
were measurable,
tangible,
something we could hold
close
forever.

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One Does Not Fall Apart, One Simply Falls

There’s a point
in the progress of crisis
where one becomes water
and falls out of one’s accustomed vessel
onto the floor.  One loses one’s shape
and spreads thin, covers
everything.  Soaking through
and darkening the fabric, one
becomes transformative — recreating
the surface appearance.  One will eventually
evaporate, of course: the cursed truth
of this process.  But, there’s a sliver lining
to the cloud one will rise and form
at that point: one will fall again
as water, fill the vessel and return to
original state.  One is never at a loss
for identity.  One changes
but is unchanged, emotionally
things may seem different but one
is still the same essence.  One should take care
to be comfortable with such changes, understanding
that stability is constant, no matter the form
one takes.

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Go Hard

The injunction
is simple:
go hard, or don’t go.

The last thing you want
is to be known for
a soft first step
on the diamond
road. 

Your horse
is diamond, your saddle
is diamond, your spurs
diamond novas digging
into the diamond hide
of your ride.

Strike a hard spark
and set a fire when you ride out.
Go hard, or don’t go —

it doesn’t matter to those waiting
at the end of the road,
someone will come.  Someone always
comes.  If it’s not you,

who will care?  No one but you
cares who brings the fire.

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Dollar Bill, Dollar Bill

Surrendered
to the ashtray,
the bottle,
the writing desk,
and fell down.

Dollar bill,
dollar bill,
claiming me
off the floor,
picked me up.

Made a pact
with the dollar bill —
let me go and I’ll
let you in a bit.
Give you a little finger,

don’t need that to write,
smoke, drink. 
But it’s a hungry
slip of paper.
It’s a damn hyena.

It’s laughing
all night now,
sticks in my dream head.
I see it wanting me,
I want it to eat more:

take me, dollar bill.
Let’s get stuffed — me
in your craw, you full of me.
I’m open to being consumed.
I’m a meal ready to eat.

At least I’ll have had
the time before.  Had my moment.
Had lean times, they weren’t much
good to me.  Was rich in art once.
That’s fine. You can have me now.

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Neighbors

Unremoved snow
on his sidewalk.  His Camry
buried to the fenders
but slowly melting free.

Where’s the old man?
He hasn’t made
his daily grocery run
for at least four days.

And surprised, too,
that he didn’t get out to vote.
Maybe
he got a ride?

We look across at his house
and the drawn blinds.
Shrug, figure he’s OK,
maybe waiting for spring.

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Light

(for D.G.)

“There is no object so foul but that intense light cannot make it beautiful.”  — Emerson

When we were young we stood too close to each other
to let light in. We huddled with our eyes closed.  Saw
everything by touch. Knew ourselves and each other
only by the feathers of our breath.  Called
the dark our day and were done with it,
called in pain, named ourselves frustrated,
could smell nothing but our wasted potential.

The details we did not see then
stand up for themselves now, declaring
that we were sculptures.  We aren’t the shadows
we accepted then, never were; we were full
and solid, palpable through our eyes if we had tried.

We could not have known this then,
but now, only now, now that distance
and day allow us to pore over our fragile
and mobile pasts, can we scan the slippery
and live velvet of what we were.  Not foul,
not terrible; back then we were so lovely
as to stop time itself.  It stops now
for us, now that we can see.  We can say it:
we were enough, were beautiful,
and we would have known that then
if we could have stepped away from ourselves
long enough to let the light come in.

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Morel Tongue

I wish my arms
were donkeys
pulling carts
full of children laughing
or produce to the country market
in a land without pickup trucks.

I wish my legs
were lungfish
making do in hard times
with air or water
as needed, or that they could crust up
and wait.

Wish my cheeks
were stuffed with mussels
because my mouth was a tide pool.

Smell that, the wet musk
of inhuman kindness?
I long to smell like that —

unconscious and fun, doing
the simple thing,  abundant
with no plan.

My
overworked brain screams
protest.  “Don’t deny me,
you asshole!”  Fuck off, brain.

I’m in love with not thinking tonight —
I fall asleep,

wishing I were a sloth,
home to algae and slow calm,
dreaming of a celery beard,
breathing over
a morel tongue.

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Sermons

I keep thinking
it’s going to stop
suddenly,
in pretty much the way I used to hope
the preacher
would stop pounding the pulpit
with his fist to strike a pose
with a long finger pointing
out at the congregation
at the breakthrough moment
where the souls are saved
and brimstone gives way
to ambrosia.

Sermon after poisonous sermon —

unworthy,
useless,
failed son,
fallen —

I always hoped
for a phrase
or a line to redeem me
before them all.

But the service ground on
with me unremarked
for direct salvation.
Always the implications, nuances
to chide me on, drive me deep
into the bench, sinking down.

If I was still
a praying man,
I’d be on my knees right now
for silence.  On my knees,
hoping to awaken
in the arms of peace.
I gave that up a while ago —

instead I think about stealing the Bible
and tossing it into a bonfire.
Nothing to hear there,
nothing worth trying,
not a second time.

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