Tag Archives: meditations

Toothache (Your Lost God)

I’m taking the best bite out of your life,
screams the dirty little tooth.

The myth that either the heart or brain
is paramount keeps the tooth amused

with its throne hidden in plain sight.  The tooth
kings itself on your nerve endings

and leaps into the red square.  You fall
wincing into the black.  I’m taking a bite

out of your life, screams the sharp little tooth
as it sticks you a second time.  The old story:

you’d give up a small fortune for relief
from that broken bastard.  It’s no game

to go a-hopping in pain around the board
in thrall to the little king.  I’m a bite

of your living, screams the shard of a tooth
one last time before you yank and toss it.

It leaves a raw hole.  Game over?  But you can’t keep
your tongue out of the space.

I still rule you, calls the missing tooth
from afar.

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Woman From The Plains

A claustrophobic trace
in her couture of the day

A fear of walls closing
upon her body

Curtains of cloth
flow and melt

across her thighs
There’s enough room to move

She looks good this way
Not afraid at all of constriction

this way
Her face a door

her eyes keyholes
on two locks

The prairie wind within
coming down from the far mountains

whistles through them
Stirs me

My shirt suddenly too tight
My hair in my own face

I want to run
and not stop until she says I may

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Sunday Morning Coming Down

It happens all the time:

a bad seed cracks
but never sprouts;

a failed hatchling remains
curled and rotten
long after shattering
his shroud;

and a man
at a counter wolfing
eggs and bacon,
staring ahead with red eyes,
thinks he is the same.

He chews meat and swallows toast
and sucks down coffee, cigarettes,
booze, smoke,
suffering,
curled in a wretched ball.

He would love for someone to bronze him
and make him into a trophy.

Maybe it will happen
next Saturday night.

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The Wild Boar Of Sunday Morning

I’m so diamond
the mirror is terrified
of me — no, not that,
not that glamor —

I’m so oak,
acorns rush to my bosom
even after I’m table and chairs.

So coal tar shampoo,
so rough washcloth,
so pumice soap,
dirt’s gone and put me on wanted posters.

I’m so eggplant
eggplant drunk dials me
and whines,
“Why don’t you ever call?”

Hard, ruthless, delicious.
I’m the Wild Boar Of Sunday Morning!

No, not that —

I’m the smile of the mundane
that knows
you don’t get far
without stopping for me.

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Wrong Answers

Hedge shears at this hour? No.
Some bird’s scissor-chirp.  Nice to think
of the neighbor hard at work, though.

Is the street collapsing? No.
Trains, jostling in the near yard
of the downtown terminal.  Nice to think
of an earthquake out there
changing everything, though.

Can’t feel anything inside yet
with certainty.
How’s my aching back?
How’s my aging bladder?
If I move too much I’ll find out,
so at first I don’t.

What time is it?
I must have swept the alarm clock
from the bedside table
with a mad arm sweep
sometime in the night
so I’ll guess: at best, it’s six AM.

Since I’m awake,
I’ll get up to write,
make an early start;
I find seven-thirty on the stove,
the microwave, the coffee maker.

The once-pliable concrete day
at once sets up hard.

Now
I need painkillers,
a pot to piss in,
coffee, silence,
metaphors, effort,
and wrong answers
from which to refashion
what I thought I was sure of
not ten minutes ago.

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Smoke Tail

A sudden tail
of smoke twitching
away and to the left,
moving contrary to the patterns of air flow
you’ve long observed in this room,
sets you to considering
that a window may be open
somewhere
that was not open before;

it tells you that you may not be
the only actor
in the house,
that another may have been here earlier,
opening windows
or shutting doors
without your knowledge;
you are not even certain
that you’re alone now.

That errant smoke is such a tease:
does it promise
death or seduction?
Is there, possibly,
either a thug or a lover
in the next room?

It’s a relief to think
that one way or another,

loneliness may not be permanent.

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Middling

It is not at all
in the shape
you planned for.
It is a plastic rendering
of what was meant for bronze.
Plaster over paint chinking off.
Scar story of measured failings,
but not a whole failing. Not that.
You expected whole failing and this
is not that.  More an
improvised recall of what was
intended. 

Seeking that mold
that was not used you will find
it was cracked through.  This is
better, a sentence away from
incomplete fashioning
of original thought.  It is made
up, dashed off, strokes of genius
crossed with kindergarten theory,
intersections of lost paths
in childhood weedlots retraced
by graying men looking at losses.

Remarkable stars still above it.
Unsurprised streams.
Ponds not as deep when measured
against longer shins
but just as cold, muck as sucking
as ever. Easier to take —

it is not what was planned
or expected.  It is what’s
passed into present.
It is. 

Allow for it.
Pocket your silly sorrow, it lives
and is yours
and you own the germ of
a next pass at the shape
it should be.

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On The Rope

Rappelling:
a first step, then

a horizontal stand,
a leap,
a swing and
a fall,
a collision,
a leap;

repeat.

And all backwards
without looking
to see what is rising
to meet you.

Is it
because you know?

Yes.
It is because
you already know.

How important you feel,
controlling that approach
while not looking to see it,
not directly;  how
divinely inspired the fall
you’re taking.

And at the bottom,
how imploded.
How wasted the journey
since all you can see
is where you were.

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Intruder

A ruptured bottle
of what may be clear soda
in the middle of the floor
is tantamount to a declaration
of the End Times
if you encounter it
unexpectedly upon returning home.

Search every corner of the house
with a Louisville Slugger
and your uncle’s Marine knife
from World War II, hoping to save yourself
from the Satan, the Antichrist
dressed as local crackhead
or desperate soul awaiting battle and death
though justifiable mayhem on your part;
how the papers will honor you if you do this,
this one allowable kill.

But there’s nothing, no one here,
and you’re forced to conclude
it was some feat of nature
that dropped and burst the bottle,
or perhaps it was the cat making mischief.

You drop and tug the bewildered cat close,
your weapons on the floor behind you,
heart askew with relief
and regret. You soak up the regret
with the cat held close, returning yourself
from the killing field.

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After A Dancing

About an hour ago to them
a dancing appeared.
It spunked and spun
and then flung, whirred
a top, laid stone stomp,
rippled it humming a full stop.

Then, a reverse hurdle —
both fell down.  Slumped
pile of seem, slipped
a noose of silent, some breathing,
a tad of stir.

It was the beam of
what’s after.  Binge
hearty, the long bodies
wrung out and still.
Dilated eye, ruddy
arm and flow underneath.
They were enough for
the night, and were done.

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Santa Fe, Madrid, Paris

Pretty things
in Madrid, in Paris,
in Santa Fe. 

Missing them all
for the pursuit of
now, here, present location.

I don’t see
a clear road to
Madrid, Paris, even Santa Fe

from here. Maybe I’ll see them
someday, maybe not.
I still have to learn a million things

about here, now,
where I am, before
I discover them, so while

I still keep an eye on the road,
will take a ride if it shows up,
I will recite their names —

Madrid,
Santa Fe, even Paris — let them
drift through me, salt me

as I toil here, now,
where I am, becoming
the world beyond by standing still.

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Rules Of Thumb

We sit over the end of a comfortable dinner and discuss the state of all things.

A study has shown that exceptions to popular proverbs, laws of physics, rules of thumb, common knowledge, sensible notions, and given assumptions are becoming more and more the norm.  Geometry is shifting.  Angles, never before provably trisected, now regularly fall into neat triplet piles.  Shelter is losing its place in the hierarchy of needs.  Soon, it will be forgotten entirely. 

It appears to knowledgeable observers that knowledgeable observation is becoming a lost art, akin to alchemy and divination by gut of pigeon and pig. There are suspected reserves, not measurable, of container ships laden with butterflies who are waiting to change the world’s climate.  If there are ghosts, they wear visors and lean deep into ledgers with our very dimensionality at their calculating mercy.  Nymphs, fauns, and revenant Pan himself establish Websites and collect scores of followers, who fondle tokens of their avatars while staring at doorknobs, thinking of the potential for rattling entry in the dark.

My love, this world is slipping away into an immeasurable mystery.  Nothing we have known to be true is certain.   We should sleep with our eyes open now, scanning the dark for signals.  And then, when we think we have seen enough, it will be up to us how we choose to live.  What we choose to measure.  What we count on.  How we refine and define the terms.

So if a butterfly comes close, hold your breath.  If a god possesses you, count rapidly to one hundred seventeen.  If the door rattles in the night, we’ll cast a cold eye on it, pass through the walls, and escape, carrying nothing with us.  Not even the meaning of love, or of home.  We will come back for them later, or make new ones while holding up our thumbs to plead for rides to new places.

Our thumbs — once the measure of punishment, as the story goes — will become our transport. We will have to depend on each other to carry each other.

Eventually, we’ll forget the old origin of the term and say: a “rule of thumb” measures the distance you were carried before you decided you could live where and how you are living right now, and is only fixed until the next departure.

And then we’ll say: Love is the vector of human travel.  We’ll say: Home is the fare humans paid for the transport. 

And when we say human, what we will see is aluminum pie plates — when full, flaky and soft centered; when empty, easily flung into flight, shining as they fly.

We polish off the last of the dessert, and leave the clean up for tomorrow as we hurry off to bed.

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Retired Hands, Working Mouth

When my hands retired,
I learned to lift things
with my mouth. 

Why bother, said
my friends?  You know
you’ll drop them, leave them
lying around, and give up entirely
after a while.

It’s good for me, for all of us,
I replied — I let my hands
work hard all my life
and let my mouth run free
and lazy, talking up stupid things
and adding nothing to society.

Now I have to think — how to bite
and hold, how to raise weight,
how not to break teeth and tear lips
and gums…and of course,
far less needs to be said,
or even can be.

I’m committed to this, I continued.
I’ll give my hands a rest, they deserve it,
I’ve abused them so, and as for the dropping
and eventually giving up —
well, that would have happened
anyway, someday; and isn’t it
nice to have the quiet?

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Observation

reflecting upon myself
in the puddle that always spans
the bottom of the street
after a storm

according to this
I’m unstable

but my feet seem to be
holding the ground

here comes a car to stir the waters
and wipe me out

my feet hold their ground
as I’m drenched with the spray

I don’t care enough to move away

feet on the ground
soaked through
it’s tuesday
rain’s over
car’s gone by

still here

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Snow Gum Trees

the snow gum trees
in the backyard

continue to tremble
though the wind has stopped

they know
their time is coming

the bare time
when their blanched limbs will blend

into the white that covers the ground
that will then sleep for months

a reflection of what they maintain
all year long

seasonal tribute they consider their due
for holding up against a world

that does not love their steadiness
preferring inconstant green

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