Saving Tomorrow

to save tomorrow
we will have to
extend ourselves
beyond our skins

sabotage the tracks
we always ride upon
dance damage
in whirls of foul steam

breathe uncanny fumes 
from the mouth of hell
claim it for our cologne
waft it back at their sentinels

explain and explain
to ourselves
how we are the best church
we can belong to

how much self mastery
we shall need in the face
of the storms of laughter
from the throats of evil

coupled with abandonment
of our trivial principles of form
and substance just long enough
to shut that howling down

if we want to save tomorrow


Lights

in me all
either red or green

no yellow 

don’t know why you need colors
inside anyway

no yellow

moving past the speed of 
entrance into the speed of explore

no yellow

dead ahead is all the rage
stopping short is so last year

from now on only green
or red
full on charge or
sudden crash
headlong dash or
unplanned stop

no yellow

if I ever see yellow
I will shoot out its lens
cut short its cable
end myself before I will answer to it


Bed

When my left hand
goes completely numb

I fall into my bed
and lie there between sleep
and pain,

aware of 
a third in the bed with us

whose name is Fear.
Is this a stroke,
is this the end
of something, or the beginning

of the end? Fear
chatters on and on. 

I lie there among
states of being,
tingling and fretting,
and i
t’s not hope

that gets me back up later
but the discomfort
of how crowded

that bed’s become,

how noisy it is in here.


Final

1.
A train leaves New York City

traveling west to Chicago

Another train leaves Chicago
traveling east to New York City
at the same time

Two trains leave Dallas
one for Chicago and one for New York
at the same time those other trains
leave their cities of origin

One person on each train is fleeing
someone else’s fists

At some point
each will look out a window and
exhale

Given identical average speeds for each train
how long will it take each of those four people
to transition into the feeling that they
have gone far enough

to call themselves
completely safe

2.
One Johnny
steals three apples
A different Johnny doesn’t

The police pull over Johnny the Latter
for looking (to them) enough like Johnny the Former
for government work

Someone gets hurt

Given the mental picture
you’ve made based on those facts
who are you

3.
If one demagogue 
defines a subset
how does the addition of a second demagogue

change the equation

You protest
Say that’s nothing we studied

You say you didn’t know any of these things
would be on the test

For bonus points
prove it

4.
No pilot 
bombs a village
but the village is bombed anyway

Taking into account all the variables
plot the arc of blame
Show your work

You say this isn’t fair

For bonus points
fix it

5.
If a train leaves New York City half empty

and travels away from there
at an average speed of 50 mph
stopping every 200 miles or so
to drop off and pick up passengers
but there is no net gain or loss
so the train remains half empty

and casual conversations barely arise among strangers
as everyone’s 
staring
at their phones or 
out the windows
alternately marveling 
and mumbling about the sights

and a second train does the same
and a third and a fourth

until there are one hundred trains 
all engaged in the same shuttle and shuffle
of mysterious Americans

back and forth across this landscape
and all the passengers have grown weary
of these terrible American mathematics 

Given all that 
at what point will it stop being flight
and become fight

At what point do you call it 
no longer an adventure
but a job

You say you’ll never use any of this in real life and
dammit
this won’t help you get by

I’m sorry
No extra credit is available on this question


The Kick We Last Used In The Womb

Originally posted 2/10/2012.

A whisky master says,
“I suck the tongue of truth
from the pit of every glass.”
A wine master says,
“This sweetness burning within
pushes my eye toward Heaven.”
A pothead prays
in riddles,
grinning at the answers.

Whatever we do to stone ourselves
revives within us the kick
we last used in the womb.

We fight toward
what’s out there,

though we have never seen it.

We reach for it.  We may not be
steady, we may not be
completely sane.

We may not even be right

when we clamor that it is
all we need — but still 

we go for it, kicking free
of our bindings, punching
toward rebirth.


Men I Know

Originally posted 9/28/2013.

A man I know
calls his preferred
prospective partners
“chicklettes.”
Because they’re young,
young and sweet,
he says.
Because of their fragile shells,
he says.
Because he spits them out
when the flavor’s gone,
he says.

This other man I know
has jokes up the wazoo
about women, about
“how they are.”
Because that’s just
letting off steam,
he says.
Because of the need for a break
in the battle between us,
he says.
Because it’s better than shooting them,
he says, 
and laughs.

This other man I know
likes to stick his elbow into me
whenever he pretends he’s down
for women where we work.
Because they think I mean it,
he says.
Because as men we know the score,
he says.
Because, anyway, where were we before they talked?
he says.

Other men I know lose track
of bedmate headcount.
Other men keep track,
notch something to brag about.

Other men I know have heard about “no”
but they say it’s just a lock to be picked apart.
Other men don’t care much for locks,
bust down the door, swear they heard a cry
for help in there.

I know many other men who I’d have sworn
are none of these,
but too often I learn of one or more who are
not the men I thought they were
and now when I say

this other man I know
or
these other men I know

I stop and wonder 
if other men are in fact knowable,
why I seem to know so many of these other men,
and why those other men 
seem so comfortable with me.


The Moment

I use this word
“moment” so often
that I may have
cheapened it, may have
obscured my reverence
for how many universes
may be found inside it

so let me correct this
by saying that “moment”
contains the entirety
of northern lights
and orgasm and stark
anger when faced with
a piercing incident of
hate and the gentleness
of a hand smoothing
a child’s hair and how breath
sucks away after a body blow.

Give me a moment
for “moment” being 
a snapped pole and
transformer explosion 
pocketed within a 
captured gaze and 
dawn through the window
of cheap motel after
a sleepless night of your
choice — despair, lovemaking,
anxiety, anticipation of 
family arrival after long absence,
the moment of loading the pistol,
settling out the pills, the moment
of sweeping them back in the bottle,
of putting the gun away.

A tender moment, a moment of
clarity, a momentary fear.

Give me
a moment, and then another,
and another. A gift of
presence in the present. Every moment
the last, and the first.

No better word
exists; the others all came to be
merely to hold onto that one.


FYI:

If you’re remotely interested in what I sound like when I read poetry, here’s my recent poem, “Neighborhood Bar,” as a demo recording I did for our band, The Duende Project — that’s me on guitar and vocal.  Wide open for feedback…

Neighborhood Bar


The Long Coda

No mistake — we
will end in Music.

Take the full journey
to how we got here

and whether we start
back at First Drum (maybe

when feet shook the earth
while running or maybe

when stick hit stick or log
or rock hit rock — or skull)

or at First Song (maybe
with first imitation of wind or bird

or maybe when prehistoric lovers’ voices
pleased each others’ ears and 

repetition led to connection) we ran it in Music
and we will end in Music.  

We will end in Music,
blood singing through us.

We will end in Music,
wind in our hair.

We will end in Music,
hearts stepping down.

We will end in Music,
our lyric closing as we close.

If we were anything, ever,
we were Music — there was always

melody within, harmony to be 
sought and struggled for, rhythm

to frame it all; and when we’re gone
our survivors shall sing us home.

We end in Music 
which itself never ends, and 

perhaps that has been the nature
of God all along: the continuing Song

going on and on. The coda
of Beginning. The last lingering Chord.


Boxes

Take the pain of being yourself
and box it up.  Take the pain
of being in love with another
and box it up, put them on 
the same shelf in the same
dark room.  Take the anger
at all the maddening others
and box it up then box that box
again and again put it in the same
dark room. Did you notice something
about how a poor person prayed
for the rich? Did it sicken you? Box
box box it up and put put put it
in the back of the stifling room. Box
the fear and the residual hatred,
box the last words of any martyr, box 
the clean air up in a dirty old box
and box it all into the suffocating heat
of the room where the boxes, 
all the boxes, are starting to glow
from within as if the contents, finally,
have stopped smoldering
and are starting to blaze. Pretty soon
they’ll set everything on fire
and there’s not a drop of water
within reach, which somehow
you find comforting and somehow
seems like a release and somehow
seems like what you expected
from the first time you shoved a box
in there, turned your back, and tried
to pretend it wasn’t there as you closed the door
with a smile for the onlookers, saying
well, that’s that.


Deluge Song

After a deluge
the ground dries out
but there are differences:
leaves point in odd directions,
branches have come off the oaks,
rivulets have cut thin beds in the yard.
It will revert eventually, mostly,
but aspects will remain altered
and if you have been paying attention,
you will also be changed in small ways
as what is once seen is never unseen; 
even if memory keeps you
from conscious recall
you will shift how you approach
living in a subtle way —

lifting your feet
higher than normal over puddles for fear
of unseen current, for instance, or 
thrilling to a gust of wind pushing
a sheet of rain against your window,
wondering with a mix of concern
and excitement if this will be the one
that breaks open the dull box of your life
and soaks it in needed change
that ruins everything even as it renews all; 

or perhaps from now on
as any storm gathers
you’ll find yourself wishing
for a Flood and not caring
if you make it to the Ark
as long as enough others survive
to start clean.


Better Than Bullets

Snarls and wars and small divides
grown canyon wide and canyon deep;

scent of blood and old chains
not yet rusted through. Songs

are clashing; rough beats thump
artillery, soul wails sling arrows.

It’s late. Do you know where your children are
and what they’re listening to?

Pray they have fallen in love with dangerous
music. To slide into sleep

on a comfortable lullaby is a sure path to 
waking up in hell.

Don’t trust
those who say music should be harmless.

There’s a war on and songs
are better ammunition 

than bullets. Songs
change their targets. Songs

sluice their way
through far more than flesh,

cut deeper, break more walls,
tear down more defenses.

What are your children listening to?
If it doesn’t scare you, 

they are almost certainly
doing it wrong.


My Pocket, My Hope

In my pocket, 
my imaginary country,

a best version
of this one; I carry it

with me tightly 
wrapped in hope.

It’s currently populated by
dinosaurs who emerge

as gentle as 
a hurricane’s far-side

sunlight filtering into
destroyed 

familiarity. If you see
them lumbering

into your path you
will be instantly changed

and unsure: what
is this?

What sorcery is this
that cures

both extinction and
gigantism? If you 

mean that you want
to know and are not just 

disbelieving your own eyes,
I will

point simply at the hope
and say it’s been there

all along, the magic
which when worked

can change all,
raising the long-thought dead

from a pocket
where it’s been kept

safe against 
battering and bring it back

to a sustainable form
and thus save a ravaged landscape.

 

 


Not To Say

In the moment
of crisis called 
today —

not to say
that all moments
of every day do not contain 
crisis for someone —

not to say
that it has not always been so
and that it will not
always be so —

not to say 
that this crisis here is not
the result of someone preventing
their own crisis there — 

not to say
that some crisis has not been made
by someone to make their own life
comfortable —

not to say 
that in fact all these earthly crises
do not have a thread of preventability
and volition tacked on somewhere —

in this moment of crisis called today I
am looking up and seeing it all as a Calder,
a mobile swinging —

huge and weighty disguised as flight
and light but all suspended by a cord
thinner than one would imagine —

not to say
it is incapable
of holding it
any longer — 

not to say
it will surely fail shortly
and crash, 

killing or tearing up all — 

not to say
anything other than 
if it were given
a good shake,

today might as well
be renamed
The End.


We In The New Place (Privilege)

When we are in a new place
we don’t know of the concealed dips 
in the new floor so we trip
every time we take
what should be a simple path
from bed to bathroom,
counter to table. Getting used
to a new place

means consciously
mapping the territory until it becomes
subconscious work to travel with ease
through the furniture in the dark 
without bumping and cursing and 
anger and pain. We work at it until 

one day we no longer think much
of how complex orientation to 
our environment actually is, how long
it took to become masters of 
our own comfort. It seems so obvious 

yet we seem to forget it the moment
we are faced with someone telling us
we’ve tripped on something — a word, a joke,
a gesture, a look — we once thought 
so harmless, so easy, so pointlessly
straightforward that there was no way
for it to cause a bump, a pain,
a damage to another person we never 
thought much about in the old place — 
after all, the furniture we kicked
never us kicked back —
but we feel like we’re in a new place now
without ever having moved, having to learn 
that the map we hold within us
does not truly describe
the territory as it is,
but as we wish it was.