Condescending The Stairs

We’re descending the stairs
side by side and you are trying to comfort me
after another conversation gone bad — 

it doesn’t matter what you are, you say,
we’re all human.  Don’t let it
bother you so much. You say,

listen, I did one of those ancestry searches
and found out I wasn’t German like I thought,
I’m mostly Irish and Scottish, so I just trade

my lederhosen for a kilt and move on, learn 
the Highland Fling, I think I like plaid
better anyway. It also said

I was 2% Neanderthal, no worries, I feel like
that sometimes. It said I was 3.2% Native American,
which is great, I’ve always liked 

the feathers.  It said I was 5% African, but 
then again we all are and I’ve always been 
sympathetic to their plight, maybe 

that’s where I get it. I see all this in terms of
learning that a flavor, a taste you thought you acquired
you turned out to have been born with. Don’t let it

get to you. In the long run
there’s no such thing
as race.  It’s all a social construct anyway.

Condescending on the stairs.
You keep talking. Keep telling me
it doesn’t matter. Keep telling me

we’re the same. All exactly the same.
It’s as easy as putting on a kilt instead
of a headdress. As easy as putting on

a scar instead of a crown. As easy as
putting on a chokehold instead of a noose.
It’s all just a social construct like

empty promises, broken treaties,
unheated rooms; like an argument
among thieves over the division of spoils — 

to the victor go the spoils. Everyone
knows that. To casually cast the spoils aside
is also the victor’s choice —

everyone knows that; everyone,
it seems, everyone
except you.


How To Write A Story

The stream leaves the pond
just above this spot,
rolls along picking up speed,
then comes to this plunge
of only a few feet.
It has cut a cold pool 
into the ground on its swift way
down and south.
I stop here and bathe my feet
in the stinging water, snow melt
on white sore skin.
When it’s been long enough,
when it becomes too much cold to bear,
I will dry off and re-don
my socks and boots
to continue following water
out of the mountains.

There is a story of how I got here
to the mountains this morning.
This isn’t it. There will be
a story of how I get
out of the mountains. This isn’t it
either, not yet. It’s not even
a story yet, no beginning, no end.  
It’s a pool cut into the ground
after a plunge of
a few feet. Enough, for now;
when it isn’t, it may become
part of a story about seeking
enough, perhaps about finding it.
Right now, though, 
the water’s cold

and it’s fine just as it is.


A Cup Of Tea

If a cup of some
store-bought tea leaf-dust
is enough to calm you, you should

make a cup. If a moment
before the window, staring into
dirty city snow at drab birds,

is enough to make you feel
a stab of peace, by all means
be seated with your cup 

before the window. It’s OK
to turn off the news for a moment
and pretend that there’s nothing

to worry about, nothing to be done.
It’s all going to be terrible for a while yet
and there’s a lot for each of us to do —

but here you are and here’s the tea 
and those sparrows and no sun out there
so the gray snow for once matches the sky

and there’s no immediate war to fight —
sit, have a moment, no matter how engaged
your life has been you have a right

to stop now and then, to see now and then a reason
to turn back to the news and the struggle
and the work.  See how they are, those birds —

they often stand completely still
for a few seconds at a time
and still manage to fly when they need to fly.


Close My Eyes

I close my eyes upon the world
wishing that it could be for good,
but I have things left to do and no one
can do them for me — 

I have said that
so many times
I must hold myself to it.

If there’s no world here
when I wake up, I will 
stretch my arms out and 
take what I find in first grasp
and make a new one with it —

now I’ve said it, I must
hold myself to it; even if
I am unwilling to build
an entire world from 
scraps and pieces I am now
obligated.

If there’s a world there,
a different one or one slightly the same
as the old, I reluctantly promise
to come back in —
there, now I’ve said it. 

I should
hold my tongue more.
I should. I don’t like this feeling — 
promising myself into pain —
but it’s a habit now, this 
eyes-open thing, this 
reluctant survival.


What Is Not To Love

The storm is later than was forecast.
The wind hasn’t yet begun to shift
the dunes on the Cape, there’s no snow yet
in the Worcester hills. People
will soon be complaining
about the weather report,
even though it has favored them
so far with its inaccuracy — damn,

don’t you love people? Don’t you find
them as ridiculous and adorable
as infant Tasmanian devils, baby
demons as cute as any little
flesh shredders could possibly be?

The Super Bowl was on last night.
Half the audience hates half the audience,
half hate the halftime show, half hate the
commercials, half hate
that it even happened at all — damn, 

don’t you just love people? Can’t you
see them in all their inscrutable glory
asking for absolution for every petty 
act of genocide they’ve ever assisted
through the practice of minor binaries
and trivial hatreds? 

In the meantime the bees are swarming
less and less and there are fewer to swarm
at all.  In the meantime the winds
are starting to change, ruffling fewer furs,
whistling over drier lakes, taking more
bomb dust with them. In the meantime
we’re waiting for the loitering storm – damn,

why don’t you love, people? It’s not as it
there much time left. What could it hurt
to try and love? Except for the proud legacy
of standing alone in a carefully selected crowd
of your well-conforming peers, there’s not much point
in hanging on to it. Why don’t you just adore us,
people, we the maddening mad people? How different
we are from each other, how very much the same?


Neighborhood Bar

They pour a good beer there.
They have a good whisky.
They have low lights and highlights,
a big screen,
small talk, regard for their patrons.
People go to the neighborhood bar
to plot revolution in the back booth.
They go to the neighborhood bar
to scheme for sex or connection.
They go to the neighborhood bar
to see themselves reflected.
They go to the neighborhood bar
to seek a knight or heroine.
They go to the neighborhood bar
to be with their people.
They go to the neighborhood bar
to avoid the other people.
They go to the neighborhood bar
to drink alone, to drink in pairs, to drink.
They go to the neighborhood bar
to wonder why they go to the neighborhood bar.
Nothing happens there that hasn’t happened
the night before the night before the night before.
So people go to the neighborhood bar
to hope for a different night or the same night
to happen for the first time or the last time
or this time once only or every time
at the neighborhood bar — a safe world
behind the neon sign and the butt bucket
full of sand and spit and remnants
outside the dark, kick-scarred door.
They pour a good beer there.
They have good whisky, clean glasses,
and nobody bothers you if you want to sit
and drink until closing, come back when it opens,
live there more or less until you don’t,
and when someone asks where you are
there’s a shrug and maybe soon enough
a memorial plaque, THIS STOOL RESERVED
FOR “YOUR NAME HERE”
goes on the bar rail
and after a week no one notices,
it gets busy, new people need a place —
go ahead and sit,
it’s a neighborhood bar,
people come and go.
Get you something? What you having?


Obsidian

Originally posted 3/6/2013.

A man who has never been rejected
is watching women on Highland Street
as if they were ruins in the Yucatan.

As if in the ruins of a Mayan city
these women were exhibits to be viewed.
As if they were souvenirs.

A man who has never been rejected
is shopping for a souvenir among the women
of Highland Street

while imagining
he is a prince of a lost realm
he learned about in school

or perhaps in books from his father’s library
that displayed women as souvenirs
for the taking by princes of the realm.

He is imagining
a backdrop
of old roads and palaces.

Ruins and palaces
and temples for men
who have never been rejected.

Never rejected,
ever,
at all,

because they’ve never asked permission
when they take a woman
as a souvenir of the realm.

A man watches women on Highland Street.
Imagines himself as center
of a useful myth.

Imagines himself glistening,
a souvenir himself,
carved in obsidian.


A Rain-Fed Spring

All day yesterday
words flowed and then a spring
rose from below me —
not from within me.  I was
a pipe, a pump,
a pool as clear as light.

Today, there’s nothing.
Dry well, rusted works,
old lines so worn out
they leak dust. I’m a mistake,
a fraud, a blown well,
a drowned lamp.

Tonight I’ll pray for rain.
Whether it comes tomorrow
or the day after that
it will soak into my ground.
What may come bubbling
then is unknown,

but it will come
someday, even if
I myself die before it does.
You cannot stop a rising spring —
neither the water itself nor the words
that draw the water from the earth.


Crossroads

Buddy Guy watches Jonny Lang
play a traditional constipated blues face solo.

Buddy Guy watches Ronnie Wood sliding, slinging,
posing wide armed at the end of his bars.

Buddy Guy praises them both
as he steps to the microphone:

“I don’t know how you feel
but I feel like I’m in Heaven.”

As for me, I feel like I’m seventeen again,
the age I was the first time I saw Buddy Guy

with Junior Wells: Junior all menace
and black leather, briefcase full of harps

not meant for Heaven; Buddy a benevolent
living example of why not everyone

needed a meeting at the crossroads
to tap into the Source. Still got it, too: that smile,

soft as a backwater in August. Those hands,
coaxing out a steady rain. I feel like

I’m in Heaven after having been mistreated
as he lays me to rest.


Intro To Modern Mythology: Film Edition

Originally posted 10/19/2010.

1.
Billions of people in the world.
Your soul mate will be right next door.

2.
War, horrible in the macro,
brings forth the delicate emotions from men.

3.
The addict, once aware of her problem,
will cry as she swallows the pills.

4.
Loved ones with cancer
ennoble all those around them.

5.
Nature exists
strictly as a foil for hubris.

6.
Things from beyond this world
conform to strict rules.

7.
When love finds you,
you will be unready for it.

8.
Animals are smarter than us
in all the important ways.

9.
The force of a bullet or a bomb
can bestow the power of flight.

10.
The rich are rarely as happy
as the poor, but you will certainly be an exception.

11.
A neat ending is to be expected,
as is a lesson. Things don’t simply happen.


Wreckage

1.
Shattered whelk shell on the shore,
brick rounded from waves alongside,
wood from ship or dock long destroyed;
algae clinging to them all says
that origin doesn’t matter anymore —
all that counts is here and now:
here, in the wreckage; now,
in the moment of wreckage.

2.
Vines are growing through
the stripped, twisted frame
of your car in the junkyard.

3.
The solstice sun strikes the stone
it is designed to strike
every year.

Or perhaps the earth
has shifted,
the megaliths have moved,
and it’s hitting 
the same unintended stone 
every year in the same spot.

4.
That sound from the beach?
My low wailing at the end
of the longest day of the year.

I’d hoped you’d be in the waves,
in what the waves bring to shore,
but I haven’t found you yet

though I’ve seized on small things
that seemed to offer hope until
I saw them in the right light.


The Promise Of Risotto

Originally posted 4/30/2011.

I lean in to suck hissing gas
from the unlit burner,
just to see what that’s like.

I’ve got good food to cook,
good enough for a last meal
in fact.  And if I get past that,

there’s decent dessert too.  So
I stop. I will not put myself
so close just yet. It’s the little things

that always, always
do the trick.  The cat
hovering nearby with sacred fur.

The promise of risotto.
The desire not to leave a mess
for loved ones.  

I take what I can get
from the bag of small miracles,
treat them as talismans.  

Anticipation of dark chocolate, 
pear cider,
cool night air
on open skin. 

My hand filled
with whatever makes it hard 
to grip a razor.


How To Be A Guided Missile

Let’s discard the easy ways
used by too many: no hijacking,
sniping, spraying of bullets,
or strapping on of explosives
required for this.  First step instead

is to be unapologetic: as it is,
you are deadly enough as you are
to some. Your body is a terror
already to someone: look around,
see how hard they work to disarm

its sights, its smells, its presence.
See how they fight your natural being?
You can simply be that and do the job
well enough. To take it a step farther,
find an ally or two: a partner, a lover,

a friend — anyone who’ll step to the target
with you. We’ll say that no one needs to get hurt,
although no one believes that, really; someone
likely will. It may be you, it may be them,
maybe everyone will get hurt so don’t go there alone —

although it’s hard not to feel alone when racing toward
impact, it will be better when you know
there’s someone beside you, even if
all you have to reach for is an ancestor or a hero.
Take heart in knowing who carries your armor.

Lastly: it’s not hard to pick a target as they
present themselves so often, so casually, that 
it’s nearly impossible not to strike one daily, hourly,
second to second. You will barely be able
to stand after some of those cratering moments, slowed by

visible pain, invisible wounds, yet-unknown
long term effects. It’s not my place to tell you
to stand tall and take it; you will do what you do.
All I’m saying is that you will be a warhead 
without ever trying to be so it may be worth doing well.

Be whatever you were meant to be: sleek or stout,
dark or light, strangely obvious or as normal
and nondescript as a sheet of paper. Know 
your trajectory. Be ready to fly — and when you fly
you will land somewhere, so level it.


Ally

Easily the greatest ending in history
was the one where you took my side
even though I was losing badly. Maybe

you did it for that reason, thought
you could save me, turn the tide —
I don’t know, but I do know

that when it became clear
that there was no way out of it for me,
you stayed when you could have gone,

and that is a comfort, although I am sorry
that it cost you so much, that they hounded you
into the dark and kept after you until

you probably perished out there
far from home and joy and safety.
You likely can’t hear this, won’t see it

ever.  It’s written on the same wind
that lifted and scattered my own
defeated bones. It’s all we two have

of that moment of furious and futile
strife and hope. I just needed it said:
you were an ally, you were a friend.

Even if we are forgotten, 
something of that loyalty
will endure; if it’s too much 

to hope for it to triumph
in the long term, it will still
have been worth the doing.


A Daring Adventure Or

If I tell you that I was surprised to see
one ferret out of her cage
when I got home from shopping,
to find her strolling into the kitchen
to greet me, shoulder to shoulder
with the usually disdainful cat,
all because I’d left her cage partially open
by accident after filling her food bowl
an hour before, I will also have to tell you

of my complete lack of surprise when,
upon catching her and returning her
to the cage and latching it more securely,
I discovered her cage mate still sound asleep
in her hammock, apparently unaware 
both of her botched chance of an adventure
and of her sister’s wild hour on the loose
with the cat who, when all was done,
simply returned to her usual spot 
on top of the fridge and also
went to sleep. 

Somewhere in here is a metaphor 
and a moral and a meaning
that I should tease into a big statement
but I’m ready for a nap myself even though
I should work harder to escape
that kind of captivity, that sloth that holds me back
from deeper thought.  I ought not to be satisfied
with such a bald reporting of simple facts
but it’s all I’ve got for you — one ferret got free, 
one didn’t, the cat took it all in stride,
everyone’s asleep, all is forgotten,

and I’m fighting to stay awake,
to do my job — to keep killing myself
trying to make my life bigger
than it actually is.