Monthly Archives: April 2022

Cliche

I wish
any given cliche
was less useful.
Less of
a semi-holy relic
from a poem
no one recalls
except for that one
live phrase. Less
appropriate in so 
many situations,
and more of a
guaranteed groan
from those who hear it
who then could insist
upon originality
no matter how
inefficient the
subsequent conversation
becomes or how long
it might take 
to say something
as perfect as that
tired spurt of 
fossilized speech 
that everyone 
makes lazy allowance for.
We might have 
to slow down, 
be more precise,
think new, talk
fresh before moving on
to the next chance
to speak and
who could say
what might
come of that?


Out On The Boards

What you used to tell yourself
was no more than a quirk 
or a tic to be borne
with dignity

in spite of the shame
it engendered
regardless of whatever play
you were in

is now a wide tear
in the backdrop 
wherever you go
whatever you do

The nasty old brick wall behind it
with years of grafitti
about you and your shame 
can be seen from any angle 

and it’s time to decide
if you are going to brazen it out
then bow to the awful reviews
or go on pretending no one can see

by reminding yourself
they keep coming to the show
The whole run is sold out and
There’s no one who can take your place

One gesture after another
toward your grandiose legacy
Drawing attention to the fact
that the crowd is thinning and 

it’s not like it used to be 
out here on the boards
They’re whispering as they filter out
to the street and leave you behind


Still plugging away

Still plugging away at a full length manuscript, and still managing (for over three years now) to make some of my regular income from being a poet. 

The Patreon site is here if anyone’s down to join up.  Quarterly rewards, eBooks, discussions on craft, etc. Come check it out and join in for as little as $1/month.  

Onward, 
T


Ode To The Back Seat Of Our First Car

where we once kept our hope
for the obvious to happen
a place of longing sometimes fulfilled
more often disappointed
revised into lies

where we tried to hide empties
when blue lights came flashing
under mounds of fast food bags
old T-shirts almost gone to rags
a towel or two or more

where we now keep no deep nostalgia or regret
for what we lost or did not lose
back there behind the driver’s seat
where today there are groceries or kids
or rideshare customers for the critical second job

of all the things we put on the back seat
when we were too young
to put them anywhere else 
the only thing we long to hold again
is the idea that anything can happen there

as we travel
mundane routes
to and from 
mundane places 
which when we were young

were still years or decades away 
we try to hold to the idea
that possibility is behind us
but still within reach
with only a bit of a stretch


In Addiction, Bond And Bondage

In addiction 
one may find
both bond 
and bondage
and he worked hard
to maintain both.
through people he saw
daily as well as the ones
passing through, or
just passing. Such
connection is earned, 
no matter what 
the learned and the clean
say, and he did his part:
let them into his home
as far as he could,
paid for all their substances
as well and often as he could —
buying a round
for the house left him
floorbound more than once
but he got up and maintained —
and whenever there was
a less than occasional death
he bowed his head and went back
to the same corners, same stools,
same streets almost at once
to say, “did you hear about…”
and to say, “damn shame” or
“saw that coming…” almost by 
instinct, so easily had things turned
from bondage to bond and back,
the changes almost seamless,
his face hardening from masking
despair with concern, barely
wondering at all after a while
if, when his turn came to be
the subject of the day, he would be
spoken of in the same way. 


Listening To Ornette

Inside this music
is an ocean
with tides that sweep
into then away from
where you’re standing

bringing you mysterious
objects then taking them back
before you can fully understand
what you’re seeing
and now and then

something washes up
to your feet still alive and then
it’s gone again and you
end up on your knees before
the pulse of the sound

praying that you yourself
could be swept away 
and then back again holding
all these secrets you’ve glimpsed
long enough to understand them

so you can then release them
back to the ocean
for others to find
when they face
the music and pray


Whitestench

Revised from Jan 2021.

I’m not sorry to use the word
as it’s the only way I can describe it
that also explains in fetid detail how it works:

it is an odor that strangles sometimes,
merely distracts at others, but always sets
my teeth to grinding.

Walk into a discussion where it flavors the air; 
soon enough, I’m choking so much the others
couldn’t understand me if they had been able to try.

I turn to art for solace and it rises from between
pages, stings my eyes till paintings blur;
even the music reeks. That job interview

stank with it; this online forum — how is this
even possible? I cannot see words on a screen 
through the miasma.

The halls of Congress,
the trading floor of Wall Street, every tower
where a titan of industry schemes: all

are thick with it; they might as well be tombs —
one whiff of the air in there recalls
dead generations piled upon dead generations.

Now and then I pick it up on a breeze
through a forest that must have passed
over a mass grave, a lynching tree, a pipeline.

Sometimes I can smell it on a friend’s breath 
or loved one’s skin. I step back
and never close in all the way again.

Sometimes, too often, I can tell it is coming
directly from me — mouth,
clothes, being. Half of me wants

to flee myself; the other half
holds my breath, pinches off my nose,
resists the urge to let myself drown.

When I’m at my best it makes me duck,
get close to the ground, look into myself
for better air.


The Original Goof

1.
I’m a game piece. Have been
forever, all the livelong day.
Body designed by compulsive Goof,
I move into spaces for moments
at a time, hurt or enjoy the time,
then move on.

I assume it’s not my place
to understand the Game,
for I don’t know
how to win,
how to play to a draw,
how to lose.

Someone else, 
the original Goof, gets
to know that. They will
shove me into a box and
walk away satisfied or not;
I’ll be in the dark even then.

2.
If it sounds like
I’m ceding my autonomy,
bemoaning my anatomy,

know that no part of me
indulges in hagiography
for myself or others. I did

hard damage here and own my 
long decay — but something put me
here and twisted me this way;

original Goof chasing laughs
or the joy of play, and as I said
I’m thinking I’m the game piece

who doesn’t get to know
how the Game ends,
or even how it does end.

3.
Rotten old songs stuck
in my head, all the livelong day.

Their baggage’s loaded in 
and I’m embarrassed that it won’t go away.

Lyrics in the background,
the Game and the moves right up front. 

I still see the Board as a playroom
where I’m too clumsy to use the toys

as intended. It hurts now more than it
pleases, but as I was never meant 

to be either Winner or Loser,
it does not matter.

Original Goof or whoever’s holding it,
won’t you blow

your horn? Fee fi fiddly,
pay me what I’m owed.  I’ve been

your gandy dancer long enough. 
I’m ready to take that bow.


High School Reunion

Faces as fresh as memories of
a mistake made in front of a crowd.

Grip as firm as the pommel
on a saddle or a sword.

A smile fast as a bleeding heart
tumbles to the floor.

Friendly — what’s friendly?
Do we embrace now,

punch each other’s shoulders?
What do we do now, old buddy?

We’ve not seen each other
since high school, or a year or two later

at Billy’s Pub, or the Station Tavern;
who knows, some other local bar. Are we still

drunk on that old beer?  Are we still 
afraid to admit our entire relationship

was alphabetical, based on twelve years’
of classroom seating charts? That we

don’t know each other, really?
That we never did?

Let it be shoulders then. Then let us turn, 
in pain, separately back to the bar.


Steel

Before I walk out the door
I steel up, remembering
that there are people out there
who would prefer I was less inconvenient
and who might even think
I should not have been born
and therefore to see me die
would be either terrific
or at least a relief in terms of 
how much real estate their fear
takes up within them — one less
hell to answer, amirite, one less
mongrel to flay?

Some of those same people
who would disavow this if you asked
say nice things to my face,
might even categorize me
as one of the good ones to my face,
at least until I pop off 
over something they say or believe
and they get me better than they did

and then comes my time to shine
to their faces and I admit
all their wanting me to die 
or never to have existed is not 
just reflected in how I’ve steeled up;

some of that shines forth
from within me.


Ex-Smoker

In my heart 
(although it’s been years
since my last smoke)

I’m still ending
most conversations
with the thought of the arc
of a flicked spark
— cherry on the end of a butt — 
into a nearby puddle 

which means most of the time
in my heart it’s been raining
and the notion
that such an action is harmful
is less important
that the joy
of the cool it used to represent

whenever I perfectly centered the toss
into the puddle so that it hissed
punctuating the completion
of my every pithy thought

now I’m just
cancerous and failed
wheezing out platitudes

still
that Marlboro scent can
give me heaven
with a death punch
and I miss 
the hiss
the rain
the time when my heart
could hold things


Foul Taste

The flavor of how far you have fallen 
is smoky and full, coating the cheeks, 
sticking to the lining of the throat. 

All you can eat turns into what you can stomach,
but you are so unwilling to starve 
that regardless of the rotten tang of it,

you belly up any time you are
the least bit hungry and take in
what you can stand. It is enough

to keep you some sort of alive without
offering any sort of true nourishment.
It’s a taste, a foul taste, but it’s all you have.


In A City Of Light

You hear a solo guitar
being played
in a city of light

Then imagine somewhere
in a garden
nearby

Someone
dressed to kill
is dancing alone

Because longing
took over 
their dreams

Which turned hard 
as a coastline
soaked in spray

and roused them
to try and dance
back into sleep

While
in a bar
not too far away

Someone’s drinking
their third Scotch
of the night

Wishing things
were different and they were
still open to touch

This is not the life
they once imagined
they’d live

A life
beyond vanilla
to make church people cry

For their vision
of heaven that was mostly
flat plain and white

~~~~~~~~~~~~~~~~~~~ (instr. break)

Listening
to music
You start to cry

You can feel
something coming
that smells like a grave

Hope is exhausting
when hope 
is all that you have

to get
from dark to dawn
and then through the day

Go to sleep
past dusk
then wake up in a sweat

Your picture of the future
turning
so flat plain and white

~~~~~~~~~~~~~~~~~~ (instr. break)

Four Scotches in
Shut off 
They go stumbling home

Stops to lean 
on the brick wall
of a garden nearby

On the other side
a dancer
continues to twirl

and the drunkard
starts humming
as they close their eyes

while this song
they don’t know
continues to play

The dancer 
and the drunkard
so close in this city of light

~~~~~~~~~~~~~~~~~~~~~~~ (instr. coda)

They never meet
Hope fails again
Their dreams collapse
Into flat plain and white


Windows Are Open, Who Is Home

A wailing child somewhere
in the neighborhood. How powerful
that sound becomes when it goes on 
for such a long time.

You would think by now
I’d be immune to the slight panic
it induces, it happens so often.
It’s the kid next door, one house

down the hill from my own. Weather’s
been warm enough these days
that with windows open,
what’s been inside all winter is leaking out.

With my windows open as well?
I wonder if I’ve spread any panic
in the neighborhood with my own 
noisy pain? Even a twinge of nervousness

out there might be validating if I knew of it.
When I look out on the street I can’t see
anyone looking back, cocking one ear to
any sound — even the baby’s gone silent.


Before They Snap Shut

We are all exhausted
from avoiding 
teeth. Teeth in how
we live, how we watch
for death. The car stalls
at the intersection, 
teeth loom on both sides.
The bills sever us from
a sense of security the way teeth
tear into flesh. Stained teeth glimpsed
behind apparently sweet lips
warn of duplicity. How we fear 
being bitten, how everything 
appears suspiciously vampiric
in this dimming light.