I wish
any given cliche
was less useful.
Less of
a semi-holy relic
from a poem
no one recalls
except for that one
live phrase. Less
appropriate in so
many situations,
and more of a
guaranteed groan
from those who hear it
who then could insist
upon originality
no matter how
inefficient the
subsequent conversation
becomes or how long
it might take
to say something
as perfect as that
tired spurt of
fossilized speech
that everyone
makes lazy allowance for.
We might have
to slow down,
be more precise,
think new, talk
fresh before moving on
to the next chance
to speak and
who could say
what might
come of that?
Monthly Archives: April 2022
Cliche
Out On The Boards
What you used to tell yourself
was no more than a quirk
or a tic to be borne
with dignity
in spite of the shame
it engendered
regardless of whatever play
you were in
is now a wide tear
in the backdrop
wherever you go
whatever you do
The nasty old brick wall behind it
with years of grafitti
about you and your shame
can be seen from any angle
and it’s time to decide
if you are going to brazen it out
then bow to the awful reviews
or go on pretending no one can see
by reminding yourself
they keep coming to the show
The whole run is sold out and
There’s no one who can take your place
One gesture after another
toward your grandiose legacy
Drawing attention to the fact
that the crowd is thinning and
it’s not like it used to be
out here on the boards
They’re whispering as they filter out
to the street and leave you behind
Still plugging away
Still plugging away at a full length manuscript, and still managing (for over three years now) to make some of my regular income from being a poet.
The Patreon site is here if anyone’s down to join up. Quarterly rewards, eBooks, discussions on craft, etc. Come check it out and join in for as little as $1/month.
Onward,
T
Ode To The Back Seat Of Our First Car
where we once kept our hope
for the obvious to happen
a place of longing sometimes fulfilled
more often disappointed
revised into lies
where we tried to hide empties
when blue lights came flashing
under mounds of fast food bags
old T-shirts almost gone to rags
a towel or two or more
where we now keep no deep nostalgia or regret
for what we lost or did not lose
back there behind the driver’s seat
where today there are groceries or kids
or rideshare customers for the critical second job
of all the things we put on the back seat
when we were too young
to put them anywhere else
the only thing we long to hold again
is the idea that anything can happen there
as we travel
mundane routes
to and from
mundane places
which when we were young
were still years or decades away
we try to hold to the idea
that possibility is behind us
but still within reach
with only a bit of a stretch
In Addiction, Bond And Bondage
In addiction
one may find
both bond
and bondage
and he worked hard
to maintain both.
through people he saw
daily as well as the ones
passing through, or
just passing. Such
connection is earned,
no matter what
the learned and the clean
say, and he did his part:
let them into his home
as far as he could,
paid for all their substances
as well and often as he could —
buying a round
for the house left him
floorbound more than once
but he got up and maintained —
and whenever there was
a less than occasional death
he bowed his head and went back
to the same corners, same stools,
same streets almost at once
to say, “did you hear about…”
and to say, “damn shame” or
“saw that coming…” almost by
instinct, so easily had things turned
from bondage to bond and back,
the changes almost seamless,
his face hardening from masking
despair with concern, barely
wondering at all after a while
if, when his turn came to be
the subject of the day, he would be
spoken of in the same way.
Listening To Ornette
Inside this music
is an ocean
with tides that sweep
into then away from
where you’re standing
bringing you mysterious
objects then taking them back
before you can fully understand
what you’re seeing
and now and then
something washes up
to your feet still alive and then
it’s gone again and you
end up on your knees before
the pulse of the sound
praying that you yourself
could be swept away
and then back again holding
all these secrets you’ve glimpsed
long enough to understand them
so you can then release them
back to the ocean
for others to find
when they face
the music and pray
Whitestench
Revised from Jan 2021.
I’m not sorry to use the word
as it’s the only way I can describe it
that also explains in fetid detail how it works:
it is an odor that strangles sometimes,
merely distracts at others, but always sets
my teeth to grinding.
Walk into a discussion where it flavors the air;
soon enough, I’m choking so much the others
couldn’t understand me if they had been able to try.
I turn to art for solace and it rises from between
pages, stings my eyes till paintings blur;
even the music reeks. That job interview
stank with it; this online forum — how is this
even possible? I cannot see words on a screen
through the miasma.
The halls of Congress,
the trading floor of Wall Street, every tower
where a titan of industry schemes: all
are thick with it; they might as well be tombs —
one whiff of the air in there recalls
dead generations piled upon dead generations.
Now and then I pick it up on a breeze
through a forest that must have passed
over a mass grave, a lynching tree, a pipeline.
Sometimes I can smell it on a friend’s breath
or loved one’s skin. I step back
and never close in all the way again.
Sometimes, too often, I can tell it is coming
directly from me — mouth,
clothes, being. Half of me wants
to flee myself; the other half
holds my breath, pinches off my nose,
resists the urge to let myself drown.
When I’m at my best it makes me duck,
get close to the ground, look into myself
for better air.
The Original Goof
1.
I’m a game piece. Have been
forever, all the livelong day.
Body designed by compulsive Goof,
I move into spaces for moments
at a time, hurt or enjoy the time,
then move on.
I assume it’s not my place
to understand the Game,
for I don’t know
how to win,
how to play to a draw,
how to lose.
Someone else,
the original Goof, gets
to know that. They will
shove me into a box and
walk away satisfied or not;
I’ll be in the dark even then.
2.
If it sounds like
I’m ceding my autonomy,
bemoaning my anatomy,
know that no part of me
indulges in hagiography
for myself or others. I did
hard damage here and own my
long decay — but something put me
here and twisted me this way;
original Goof chasing laughs
or the joy of play, and as I said
I’m thinking I’m the game piece
who doesn’t get to know
how the Game ends,
or even how it does end.
3.
Rotten old songs stuck
in my head, all the livelong day.
Their baggage’s loaded in
and I’m embarrassed that it won’t go away.
Lyrics in the background,
the Game and the moves right up front.
I still see the Board as a playroom
where I’m too clumsy to use the toys
as intended. It hurts now more than it
pleases, but as I was never meant
to be either Winner or Loser,
it does not matter.
Original Goof or whoever’s holding it,
won’t you blow
your horn? Fee fi fiddly,
pay me what I’m owed. I’ve been
your gandy dancer long enough.
I’m ready to take that bow.
High School Reunion
Faces as fresh as memories of
a mistake made in front of a crowd.
Grip as firm as the pommel
on a saddle or a sword.
A smile fast as a bleeding heart
tumbles to the floor.
Friendly — what’s friendly?
Do we embrace now,
punch each other’s shoulders?
What do we do now, old buddy?
We’ve not seen each other
since high school, or a year or two later
at Billy’s Pub, or the Station Tavern;
who knows, some other local bar. Are we still
drunk on that old beer? Are we still
afraid to admit our entire relationship
was alphabetical, based on twelve years’
of classroom seating charts? That we
don’t know each other, really?
That we never did?
Let it be shoulders then. Then let us turn,
in pain, separately back to the bar.
Steel
Before I walk out the door
I steel up, remembering
that there are people out there
who would prefer I was less inconvenient
and who might even think
I should not have been born
and therefore to see me die
would be either terrific
or at least a relief in terms of
how much real estate their fear
takes up within them — one less
hell to answer, amirite, one less
mongrel to flay?
Some of those same people
who would disavow this if you asked
say nice things to my face,
might even categorize me
as one of the good ones to my face,
at least until I pop off
over something they say or believe
and they get me better than they did
and then comes my time to shine
to their faces and I admit
all their wanting me to die
or never to have existed is not
just reflected in how I’ve steeled up;
some of that shines forth
from within me.
Ex-Smoker
In my heart
(although it’s been years
since my last smoke)
I’m still ending
most conversations
with the thought of the arc
of a flicked spark
— cherry on the end of a butt —
into a nearby puddle
which means most of the time
in my heart it’s been raining
and the notion
that such an action is harmful
is less important
that the joy
of the cool it used to represent
whenever I perfectly centered the toss
into the puddle so that it hissed
punctuating the completion
of my every pithy thought
now I’m just
cancerous and failed
wheezing out platitudes
still
that Marlboro scent can
give me heaven
with a death punch
and I miss
the hiss
the rain
the time when my heart
could hold things
Foul Taste
The flavor of how far you have fallen
is smoky and full, coating the cheeks,
sticking to the lining of the throat.
All you can eat turns into what you can stomach,
but you are so unwilling to starve
that regardless of the rotten tang of it,
you belly up any time you are
the least bit hungry and take in
what you can stand. It is enough
to keep you some sort of alive without
offering any sort of true nourishment.
It’s a taste, a foul taste, but it’s all you have.
In A City Of Light
You hear a solo guitar
being played
in a city of light
Then imagine somewhere
in a garden
nearby
Someone
dressed to kill
is dancing alone
Because longing
took over
their dreams
Which turned hard
as a coastline
soaked in spray
and roused them
to try and dance
back into sleep
While
in a bar
not too far away
Someone’s drinking
their third Scotch
of the night
Wishing things
were different and they were
still open to touch
This is not the life
they once imagined
they’d live
A life
beyond vanilla
to make church people cry
For their vision
of heaven that was mostly
flat plain and white
~~~~~~~~~~~~~~~~~~~ (instr. break)
Listening
to music
You start to cry
You can feel
something coming
that smells like a grave
Hope is exhausting
when hope
is all that you have
to get
from dark to dawn
and then through the day
Go to sleep
past dusk
then wake up in a sweat
Your picture of the future
turning
so flat plain and white
~~~~~~~~~~~~~~~~~~ (instr. break)
Four Scotches in
Shut off
They go stumbling home
Stops to lean
on the brick wall
of a garden nearby
On the other side
a dancer
continues to twirl
and the drunkard
starts humming
as they close their eyes
while this song
they don’t know
continues to play
The dancer
and the drunkard
so close in this city of light
~~~~~~~~~~~~~~~~~~~~~~~ (instr. coda)
They never meet
Hope fails again
Their dreams collapse
Into flat plain and white
Windows Are Open, Who Is Home
A wailing child somewhere
in the neighborhood. How powerful
that sound becomes when it goes on
for such a long time.
You would think by now
I’d be immune to the slight panic
it induces, it happens so often.
It’s the kid next door, one house
down the hill from my own. Weather’s
been warm enough these days
that with windows open,
what’s been inside all winter is leaking out.
With my windows open as well?
I wonder if I’ve spread any panic
in the neighborhood with my own
noisy pain? Even a twinge of nervousness
out there might be validating if I knew of it.
When I look out on the street I can’t see
anyone looking back, cocking one ear to
any sound — even the baby’s gone silent.
Before They Snap Shut
We are all exhausted
from avoiding
teeth. Teeth in how
we live, how we watch
for death. The car stalls
at the intersection,
teeth loom on both sides.
The bills sever us from
a sense of security the way teeth
tear into flesh. Stained teeth glimpsed
behind apparently sweet lips
warn of duplicity. How we fear
being bitten, how everything
appears suspiciously vampiric
in this dimming light.
