Monthly Archives: March 2016

Type 2

If you can imagine a future for yourself
without, say, bread or beer, one

where your memory
will never fire into regret 

over a stray whiff of either of those,
count yourself among the lucky ones

who have the strength
to move on completely

into some blessed world of shrugging off
any nostalgia for past pleasure

in favor of a grim determination
to get better, to stay healthy, to not succumb

to that which will slay you in increments
thanks to your body’s insistence

upon acting up and doing the opposite
of what it was built to do; if you can imagine

giving up primary sensation in favor
of living in a more or less diminished way 

compared to the way you have always lived
and still finding it worth your time to live —

if you can do this, pull up a chair and speak to me
in low tones of how you do this, for indeed

I cannot entirely find my way clear to any future happiness
knowing that I have surrendered the things that gave me

such past happiness — the tough-into-tender mouth feel
of still-warm bread, crust yielding to cloud of earth and heaven

combined; the deep bitter-over-sweet chewiness of a fine stout
at the end of a bad day and the exhalation, eyes closed,

upon swallowing that first good gulp of stress-relief; Lord knows
I miss these, and if you say it’s a question of dying or staying alive

and it ought to be an easy choice, I say
yes, exactly, it is a difference between dying or staying alive

but as I barely live and barely breathe, 
I don’t know what to call this existence tonight.  Tomorrow

I will surely be OK, and the day after, and in the long term
I’ll figure out some moderation or accommodation; but tonight

I just want some excess of good bread and good beer again,
that good life that exalted me even as it was killing me.


Eulogy For The Wrong Guy

he was
the wrong guy 

for damn near every job —
modest brain and small brawn
built for clumsy
not for comfort
or smart 
or speed —

had one decent trait —
a modicum of skill
at stitching memory
to current events, then
making a song of sorts
from them — when
the memory started to go,
that went with it — it wasn’t 
much of a thing in the first place
so — 

he was
not pretty at all

in his own eyes — acted
like he was because 
someone told him that’s how
you get over but mostly

he was 
ridiculous

rankly bad at times
when it suited his cowardice
to be so but mostly just 
criminally lazy when it came to
right action —

his heart admittedly was
mostly in the right place
even if it was small and
moved around too much to ever
be a great anchorage —

he was
unreliable as narrator
and as man —

still he was

somehow loved by more than a few

which (he alone
knowing himself in full)
puzzled him enough that
he did not trust such love
to last and so

he was alone when he passed — 

it would be romantic to describe him as 
tortured but 

his struggle never
rose far enough into epic territory
and never led
to epic enough art

for the description to be apt —
the wrong guy really
for that — 

we say instead
he was throughout
a self-inflicted wound — 

now that at last
he’s not

we wish him peace and healing
wipe a scant tear away —

then
the forms having been observed

turn back to
whatever we were doing
before we found out

how dead he finally was 


A Message From Your Colorblind Friend

You must know
I don’t see anyone 

when I look at you — 
that is, 

I see no features
that are real and important,
nothing worth making
an attempt to understand,

no difference that makes 
a difference as I understand
the word and the world; I see only
what I think I’d be like

if I were you, and if I were you
with all the ways you are visible,
I’d be dying to damp all that
down. I’d be trying like hell

to be clearly present, as in
a glass of water, a squeaky
clean window — I’d try to let folks
see me without seeing

all the trappings of
those pesky social constructs
that you really shouldn’t let
bother you. Seriously, friend,

take my word — when I look at you
I see right through that,
right through all that, ’cause
we’re good like that, right?

 


Powder-Soft

Letting this night go,
this bird or giant moth, 
as it’s leaving us behind, flying off 
on powder-soft wingbeats.

It’s been either mystery
or mistake, no doubt, but we’re not
getting another word as it goes
away; we’re being left to fill

everything in — what it was, what it
said and how it spoke.  It will not
serve us to make up too much, but neither
will it be good for anyone to leave gaps

where we imagine the truth should fit.
We should tell what truth we know
whenever we can, even if the night
left much unsaid. So let’s sit

on a bench in the dark and talk
until we think we understand, or 
understand enough to say plainly
what we think we know, what we

are willing to commit to: how to interpret
the mystery, how to fix the mistake,
how to get to dawn from here as the night
rises on silent wings, wounded or not

but resisting in
the only way it knows:

by not giving up a secret without
a sacrifice or an offering.


Blood Song (Complaint)

My blood’s become
a culture of complaint,
granular with apologies
just scraping by.

Living as I always have
in the place between
others’ love and hate, my body’s
an oft-rewritten history and I am

not the primary author;
though I am trying to assert
my voice in it, it’s not easy
over the grinding in my ears.

Am I at once
as bad and as good
as I’ve been told?
When they insist

I am this and not that, when they
beat into me that I am that 
and not this, when they hold
the patent on what those words

mean, when self-definition
has been so disallowed here,
how am I supposed to hold up
my hand and say I simply am

when my blood’s so thick
with apology, when the scraping of it
on my vessel walls
is drowning out the small whisper

of my real name from deep within?
Sometimes it feels that it might
get me closer if I were to open 
a vein and let some of that out,

spill it on the ground — here’s
one drop for all my ancestors,
one drop for my hate, one drop
for my love, a grainy flood for all 

which is not me but which made me;
perhaps when I see at last
my husk, I’ll know
what I was from the start:

a rewritten history throbbing
with sluggish tales of theft
cajoled from the grasp of proud
and self-assured people; another tale

of a mixed blood boy
ruined almost before he started —
that’s the tale they want, the tale
everyone wants —

but no. No. I’ll rewrite it again
with the full pain of my arms 
to inform me. If that does me in
I will at least have not bled out

a stream of sorry before those
longing for it. If that does me in
at least it will be me who passes:
not their construct, not their boy,

not their exemplar  
of a national tragedy. Just me
cooling down, the culture of complaint
pooling down, the grinding at last at an end.


Loud, Louder, Loudest

Originally posted 1/7/2012.

Some days
are just one
turbocharged
evocation
after another;

then there are the ones
where you sit around
wondering why
it’s not one
of the other days.

Frankly, I could do with
a few less of
the former
and a lot more of
the latter.

Every moment of every day
doesn’t have to have a point
and I’m tired of getting stuck
and bleeding almost out
because of the ones that do.

Right now, for example,
all I want it the road,
the wide open engine, and
the loud, louder, loudest
three-chord songs;

a day with nothing to escape from,
no reason to be driving that fast
except 
that’s how
loud, louder, loudest songs

sound best.


Post-American Song

Originally posted 3/24/2012.

It’s of no larger importance how any one of us dies, including me —
the inevitability of the event is king
over the madness of the method  

Don’t care if it’s from gun or blade or germ
Don’t care but don’t want it to happen too soon
I know it will happen and I wish you could see it as I do

As wave of the star enveloping
As wave of the earth encompassing
As wave of the wind embracing

Then the next minute moment second instant
must be suddenly different — suddenly not this
All I want to know about that moment I cannot know

So I sit here speaking of death, fingers tapping, waiting
Oh the damn notion of all of us having to wait
You wait as you will but I will be calm and resigned to it

How we die is trivia though it does not feel so
Every death I’ve known has been in some way most trivial
Every individual an inconsequential body gone

(except — I admit — each was a wave
of earthquake within me that felt as large
as how I had loved them)

But I am the broken acolyte of continuance
Death and aging hollowed me out a long time ago
Now all  I yearn for is my choice of method

As wave of desire punctures my reluctance
In this country devoted to living forever
To never reading the sick bulletins of its unconscious satisfactions

I don’t care how any of us live, no
Live and let live is here practiced as apathy not compassion
Does it look the same when it’s not about love but instead about disinterest

I don’t care how anyone anywhere dies, no
Do you think that is awesome or troubling or false
Wave of suspicion engendering my breakdown

Come as you are, all of you
come incorrect
to the throne of mirrors

Look at AMERICA the hall of just in time history
AMERICA the holler the chorus the cadence
AMERICA the man in the trembling suit

Look at the gun in the hand of the —
what is it today anyway?
Who are the current heroes of our vigilante songs?

We don’t care how others die
as long as the lettuce
stays crisp

Method is ghost
is memory
is suggested mask for the inevitable

I am wearing the mask of a wave all-encompassing
I am wearing the mask of a wave of righteousness
I am wearing the mask askew from its moorings

I will take off this mask
and look at America
Wallflower with its back to the fourth wall

or is it behind me
watching the others
Is it in front of me on a player’s mark

I don’t care if it dies or how it dies
if it makes sense to the plot, no
I don’t see that death as being all that surprising

since I never believed
that the rockets and twilight should lead for certain
to dawn’s early light


Bedside

Originally posted 3/14/2013.

Maybe that clock of yours is sick,
or maybe time itself is ill, but 
either way, trust me — it’s not time yet.

You’re going nowhere,
not at least until the daffodils in the front yard
are fully up and open.

There’s bad television to watch yet,
lots of it, enough that we could get tired
of watching and go for a walk.

You can’t go until we’re both tired of bad TV
and we decide that even a walk up and down
this terrible hill of a street is better than that.

I know I’m right. That clock of yours 
is sicker than you are, or time itself is what’s ill — 
you’re going nowhere until the daffodils

have bloomed twice 
and we’re in great shape from walking away
from bad TV.  Then once we’re in shape — 

not this spring but next — we’ll replant the beds
out front and get something
other than daffodils in there;

I know you love that yellow but face it,
everyone’s got daffodils.  When we walk
the hill, you’ll see all the daffodils

in all the yards.  You’ll see — 
the robins are back.  You’ll see
the sodden trash of after winter

and how much still needs doing.

Just listen to me, please:  your clock
is sick and so is time itself.  Please
don’t agree with them in their fever.

Please don’t agree with time,
with how it’s burning you up.  
Say you’re going nowhere, please.  Say

the only place you are going
is to the couch to watch bad TV with me
until it’s time for our walk.  

Say the clock
is delirious, is making a huge mistake,
is too sick to be right. Please.


My Body Steals This Poem From Me

Originally posted 3/19/2014.  

Tonight my body’s not working right
and I’m trying to keep it
from writing this poem.

It’s trying to steal itself from me,
attempting to work in first person.
I respond

butter pat,
maple sauce,
meaty arms of morning.

My body brushes that aside, barricades itself
in my hand, takes my intentions hostage
and demands the poem as ransom.

I balk at this and make
a counter offer, 
a good faith gesture with 

iron pendant,
bronze cuff,
stone talisman,

but my body rejects it
and again demands control
of the first person.

Defeated by my body’s insistence
upon its version of this moment,
I find myself once again with

elm tree,
granite slab,

late afternoon shade

no longer standing firm
on their own but chained
by my body to meaning.

My body scorns my hope
that I is not the only true word.
Perhaps I should agree and

let my body rail and fail its way
into this poem and all the others
I have not yet begun.

I am not at peace with this
but not at a loss for words,
exactly; no, 
I still have plenty

of those but my body
will surely steal them
and ground them in its own venality.  

My will being as weak as it is,
I fear I will not be heard
in the midst of that

so I sit and shiver
within, silent, watching my body
own me.


Follow up note:

Although I feel better and was able to complete a couple of pieces and post them in the last few days, I confess that I’m quite mentally and emotionally drained at the moment and need to take a bit of a break from this Work.  

It’s not writer’s block I’m dealing with — never had it, never will — but a need to reexamine my path and readjust a bit.  

I’ll be back soon.  PLEASE take the time to read some of the older work here; there’s lots of it and the focus on the most recent material causes a lot to be lost in the fog.  I’ll be doing the same as I figure this out.

Thanks for your understanding.  Take care.

Tony


A Little Bit Of History Repeating Itself

When I opened the door
to my wing of darker rooms,
I expected to let something out
but did not expect 
so much more to get in 
and make a home there.

When I broke into song
by the lake of fire, 
I expected to take heat
but I did not expect 
my lungs to become
so hard-scarred,
did not expect
my voice to become
so brittle.

When I eased my knives
back into the block
after butchering, I did not expect
that they would rattle me awake
night after night, hissing out
from their wooden slots,
“more, more, more…”

When I shook hands
with you, salt-hearted 
snake, rhymer for the offense,
herald and praiser of all that blood 
can destroy when it breaks loose,
I did not expect to end up
shaking for so long after
I let go of your hand.  
I did not expect you
to keep shaking me. Somehow,
I never expected
to become

such a weary fool,
such a well worn tool,

such a gleeful singer

of fire’s ancient song.


Reincarnation

An infant soul drowses
in clear Hands,
waiting

for a return to human life,
or for a return from human life
back to the Center.

Which it will be
it does not know
in this moment before it wakes.

It knows that if it is destined
to return to a human form,
it will not have peace like this again

for a long while —
but it will have sunsets and dawns 
and seas and snows and love

and striving and sweat,
and perhaps worse things but 
perhaps better things too.

It knows that if it is destined
to leave human form behind
and return to the Center,

what will come will likely be
unchanging, and sweet as
honey, and unchanging, and 

soft as a warm spring, and
unchanging, and filled with
joy, and unchanging.

The infant soul
opens its eyes as it is released by
those shining Hands 

into its next place. 
What it knows then
is a question,

given those possibilities,
about what to hope for 
and what to dread.


A note for followers:

Been sidelined with a load of work AND a nasty head cold, so I apologize for the gap in posting.  I’ve either been working or sleeping, to be honest.  

Hope to have it remedied in the next few days.  Plenty of older stuff to read, of course…


That Lost World

that lost world
of revered light
and startling beings

prim grandma
stealing sugar packets
tucking them into an old purse

odd uncle
pulling quarters from nowhere
as if the air were a bank

fading faces
of mother and father
and siblings barely to be seen

but sharp pencil sketches
of schoolmates recalled
as if drawn yesterday

kissing till breathless
in dark corners found
throughout that lost world

that lost world
of plentiful work
and good sweat

party laughter
on worn porches
all weekend long

rare moments of petty anger
dispatched with handshakes
after flurries of small punches

music that made
laughter and struggle
easier somehow

sound sleep
unpunctuated by thunder
or trauma 

what seemed to be
hope sifting over all
of that lost world

that lost world is
now rolling out of frame
a stray marble

later to be stumbled over
sending a body flying
to hard landing

never as ideal as imagined
it was built
to hide itself

even as it swallowed all
in its illusion
of raising all at once

still it held
much joy and much love
in its pockets

as that lost world
fades from sight

it does not feel wrong to weep


Ending

What else is there
for him to say except

that an ending can be as lovely
as any beginning

that not all endings are
also beginnings

that some things end and
there’s beauty in recalling

what is gone
and shall not return

He says these things
in fear of the next morning

that he knows
will not come for him

says these things
as the sky lowers toward him

says these things
as the light begins to flee from him

says these things as if they were
spells 

They are not spells and
there’s no magic anywhere

that can resolve this ending
into a fresh start 

But he lies as always
as if it will be true in time to save him

as if truth were as much to be feared
as ending 

as if truth mattered at all to the narrative
happening here