Tag Archives: poetry

Bleeding Out

New poem.

The symptoms
of exsanguination
colloquially known as “bleeding out”
include

anxiety
blue lips and fingernails

unofficially sanctioned neighborhood demarcations
flimsy justifications of hair trigger rage

low or no urine output
profuse sweating

a profound distrust of received wisdom
easy to believe conspiracies and backroom handshakes

shallow breathing
dizziness

imprisonment
educational poverty

confusion
chest pain

the elevation of cultural assimilation
to sacramental status

loss of consciousness
low blood pressure

carnival barkers on the news
a camera on every corner

rapid heart rate
weak pulse

death upon death
upon no longer unexpected death

the echoes
of centuries of trickle and drip

turning into a flood
of names to remember

a cloven nation
drenched in blood
that should never have seen
the light of day


Unfolding

New poem.

Fold yourself into a circle often enough
Your back will stay forever a little bent
Your eyes will
stay fixed upon your navel

Fold yourself often enough
into a white envelope
and you”ll find yourself
mailed to somewhere out of sight and mind

Fold yourself often enough
into a genderbox and learn
that such things aren’t meant to hold
what’s yours and yours alone

Fold yourself often enough
into someone else’s origami 
in pursuit of your own flow and their love
and get neither

Unfold yourself
You’re a long awaited letter signed “sincerely yours”
You’re a long list of desires and needs
You’re creased and fragile but intact

A flag
A treasure map
A photo from long ago
without a seam upon your laughing face

Lay yourself flatly down
Come back to yourself
It won’t be as easy for someone
to slip you into their pocket


The Saints Of Our Household Shrines

New poem (draft — just getting it out there; it’s been in progress for a while.)

The saints of our household shrines are banding together to form a political party. 

Throngs of our beloved dead memorialized in table altars in gently shabby homes and clean-swept humble cubbyholes are massing to stand against officially canonized hypocrisy regarding who we should honor with supplication and offerings.

They refuse our tithes, saying we’ve paid enough in loss and pain to fund any campaign.  

The platform?
Chase down and face down the Founding Fathers, the missionaries of genocide, the greed-slurping apologists for bad acts that make a profit, the prophets of compartments, the sky-godmothers of assimilation, the go along get-alongs.  

The slogans?
“Behold the dead to understand the living.

“Behold the living who come to make you understand, 
but know we do not need you to understand 
before you stand aside.”

The saints of our household shrines march before us carrying no signs, wearing no buttons, adorned only in scraps of family photos, funeral cards, locks of treasured hair, newspaper clippings, the stains of generations of tears.

We will not lose. We cannot lose.

We, and they, have nothing to lose.


Rewind/Fast Forward/Eject

Originally posted 12/28/2013.

that’s the title
of a soca song 
so much fun to sing
a soca song
that is fun to sing

a song from an album
released in 1994
in 1994
on vinyl
CD
and cassette 

in 1994 that title
made sense
to a cassette owner
a cassette tape owner
someone who owned
and listened to cassettes
someone who fell
in love with a song

and rewound it 
and replayed it
until it broke
and had to be discarded
had to be ejected 
and tossed away

less than one
generation from now

no one will
understand this song

exactly the way a cassette owner
understood it
in 1994

watching the tape gather
on the left hand reel
thinking 
is that far enough?
trying to interpret

high speed backwards noise
hitting play to see

if it was far enough
hitting rewind
and fast forward
and play

then one last rewind
to position the tape
right at the beginning
of the wanted song

hitting eject
when the time came
changing reluctantly
to another tape
another song

love
and obsession used to be
analog processes
that took time and precision
took attention and
esoteric understanding
of what little you could
see and hear
how to read subtleties
how to fall back satisfied
and then
how to move on

love used to be
soca
played endlessly
over and over
beginning to end
to beginning again

it was never over
never over
was played over and over
until it was done


Shark

New poem.

to simply survive today
is to accept paradox,
is to accept without question
how chewed up
one must become
in order to be untroubled
by our world 
from birth
to death.

to begin to do more than that 
is to open a shark’s mouth
and peer inside  
at those teeth, that
stench, all
those mesmerizing details
that will try to seize
and hold you fast
long before 
those jaws
finally close upon you.

to awaken
and be fully alive
is to slash and thrash
against tooth and claw and 
seizure and capture
with all you have,
refusing to surrender
to such an appetite
until, bloody and wounded
but ready to heal,
you are free.


To Love My War

Originally posted 12/12/2011.

War
can make my blood
sing a little.

I know myself
and the animal somewhere
within.

If I pet it the right rough way
now and then,
it stays quiet  — mostly.

I’m at peace with my bloodsong.
I do not deem it necessary
to pretend I cannot hear it,

and I do not deny
that war is a part of me.
It has settled on my hands

as tightly as skin,
snuggled cozily
in my mouth,

and my blood
bursts scarlet from my wounds
as if it were the chorus of a grand opera,

glorying as much 
in being shed as I do
in my potential to shed it.

Revile me for that
as you will — I will be 
your paradox: at peace

with not becoming
the hypocrite who turns away
from the sludge he carries inside.


Limousine

Originally posted 4/25/2010.

According to my doctor
I’ve become
a limousine — 

I carry passengers,
and not necessarily
ones I’d choose on my own.

When first I heard I begged the doctor
for a uniform
or a very special hat.

“I’m afraid not,” he said.
“You aren’t the limousine driver,
you are the limousine.”

It was hard to accept at first
that I was no longer a vehicle
for my own journey

but I’ve gotten used to it.
It’s still a life
most of the time.

When the noise in the back
gets to be too much,
I raise the glass and forget it.

Once in a while
a voice will catch me right
and I’ll listen longer than usual,

maybe repeat
what it says
to myself when I’m alone.

These riders don’t care about me
as long as they get where they’re going
and the ride has some style all the way to the end.

I’m a limousine today but I don’t know 
what I’ll call myself

after I’ve worn out at last — 

a box, a rustbucket,
a shadow parked for good
in an unlit space.


Conversation

Originally posted 6/20/2009.

From the street,
the dense chunk 
of a slammed car door.

A hard, confident summons:

“Hey pendejo –“

Two men speaking.
I can’t hear the words.

Then,
the first big voice again —

“You never know.
When it comes,
it comes.”

After that,
nothing more —

no car door,
no house door,
no words.

I turn off my lights, 
climb into bed,
waiting for something
that never happens.

Whenever it comes,
it seems
it won’t be
tonight.


You!

Originally posted 10/18/2011.

You! You
tower of smart dirt, 
intelligent water,
column of excited minerals, whirling
storm of atoms, chattering prophecy
of the pure light
hidden in the darkest crevices — 
how is it possible
that all you want to talk about
is stopping the end of the world?

Get serious, you.
This world is not going to end.
Our species may shuffle off at some point,
other species will fall with us,
there will be suffering, it’s all a big mess — 
all true, all of
no consequence.

Your atoms are going to keep talking.
In a thousand years
they will come upon better truth
than you ever conceived,
or on to the same truth
you won’t acknowledge now:
we’re an extension of
the pure thoughts of stones.
Nothing’s ever going to stop them
from thinking, no matter how hard
we try to deny them the pleasure.

You! Get serious — 
yes, ease suffering,
redistribute wealth,
play fair,
establish guidelines, even
salvage as much of the planet
as there is in our remaining time
as you can
but d
o it because

it is in our shared calling
to do it
even though there is in fact
nothing ever lost
and therefore 
nothing to save.


Permission

Originally posted 5/31/2011.

Face up in bed,
wide awake,

waiting again to be impaled
like a bug on a pin
upon the memory

of the time I mercy-killed the squirrel
on the front lawn after its mauling
by the neighborhood stray
we all hated.

I pulled a strong knife
and slashed 
once, then twice,
over its tooth-mashed throat;
saw the spurt, saw it relax at once.
Then I reached for a stone
and nailed that dog in the ribs.

and it took off howling with me howling
after it, running it off, its shallow flanks
pumping ahead of me too fast
to catch.

I do not fear the memory for its horror,
but for its delights —

its promise of deus ex machina,
its flavor of massacres, camps,
and gallows blessed by others — 

its tang of permission.


On The Nature Of Masks

New poem.

The “I”
who writes this
is the “I” who is sitting with coffee
and a cat,

the “I” mildly sick,
the “I” a little irritated with being sick,
the “I” more than a little irritated
at politics,

the “I” angry
at the betrayals
of some friends
by other friends,

the “I” who is old
and tired although he
just rose for the day, tired
at the bone, tired of being this “I.”

This “I” will choose to write
some words to be spoken
by another person. The name
of that person will be “I”

as well.  You should not
confuse them with each other,
but neither should you forget
that the first “I” 

authored the second “I”
and there can be no second “I”
that does not extend from
the first

for it is in the nature of masks
to reveal
what they seek
to conceal. 

The mask
is not the face,
but the face
breathes through it. 

I set down my coffee.
I pet the cat.
I put a finger
on the keyboard — 

here is a mask
to delight you.  
Here is a mask
to frighten you.  

Here’s another mask
and another and another
and this last one that has
something stuck to the back — 

sorry, that happens sometimes
when the art
is separated too strongly
from the artist.

Oh, I put
a finger
on something
there.

I
bury my
face
in it.


Living It

New poem.

Thick paper.
A pencil. 
A pinpoint pen.
Keys and
a white screen.

Weak control over impulse.

Dysfunction or
ecstatic whirlwind 
in hand, taken as
a capsule waiting
to be swallowed and 
absorbed in pursuit
of a healthier next moment.

Willingness to recover
from such inspiration
in favor of following a path
cut by mistakes.

A vision,
a sound,
a word.

A move.

A first, a second,
a next,
a next.

A stop.

Rest.

Dissatisfaction.

Again,
again,
again;

never
a last.

Ever.


The Long-Sought Room

New poem.

Coming into this long-sought room
I find

small stones sealed
in a hollowed gourd.

Skin stretched
over a hollowed log.

Holes drilled
into a hollow stick.

Strings plucked
and vibrating over
a hollow box.

A sheet of
blank paper,
a trimmed quill
with a hollow tip,
an old well filled
with new ink.

All here is dependent upon
hollows, upon
vessels that have been
emptied,
refilled, and thus
redefined.

I have come into
this room

wrongly brimful with
unnecessary things.

I bow,
then step out
to lighten my self and
reenter
only when I can say

here I am, room —
present,
holding nothing,

ready.


A Beautiful Saturday Night

Originally posted 10/4/2013.

A beautiful Saturday night in the city:

a punk fan
spits up on a classic rock fan
in front of a disco
and a country fan turns up her nose
at the hard, hard house music
her date seems to prefer.

A jazz fan hurries past everyone
because no one likes a jazz fan
except for the reggae fans — they
love everyone, mostly.  Mostly —

except for that guy
with “Tosca” leaking
from his earbuds.  

Meanwhile on the corner
two surprising kids
are committing a bluegrass murder,
hoping for spare change in the hat.

There’s a hint of bhangra in the air
and a hint of merengue in the air
and a hint of calypso and soca and mento
and someone’s got a ska torch lit too;

it’s a beautiful Saturday night
in the clamoring city,
making you wish
you could play everything
whenever you close your eyes.


Ghost Dance

Originally posted 7/19/2012.

Urged by some
to believe that history
is not destiny so 
we should just forget it —

never believe what those liars say;
millions of ghosts
inside us
beg to differ.

There’s a dance, an old dance
I’m willing to try,
something to turn the world
upside down;

I’ve got a shirt, an old shirt
I’m willing to wear —
something designed for the big dance
and the afterparty.

There’s a song, an old song
I’m ready to sing —
something written just for the occasion,
a keening joyful sound;

it has a chorus, a swelled chorus
millions and millions strong,
singing of history
as prelude to destiny.

Stop believing what those liars say.
It’s time. Join the singing
and the circle
and the dance —

history’s proven
our ghosts
are more honest
than theirs.