Jim’s Rescue In Three Parts

1.
You are sitting on the edge
of a just-drowned firepit
waiting for the ashes to stop smoldering.  
Everything you own was in there
and most of it is damaged beyond repair,
by firehose if not by fire itself.
The firefighters are ignoring you
but the paramedics are beginning
a gentle interrogation,
determining their next steps;
here you are
shivering after having had
your gas soaked clothing
torn from you before it could ignite.  They’ve put
a blanket around your shoulders.  They’re telling you
you’re going somewhere,
they’re putting you on a gurney,
it’s fine it’s fine it’s fine — it’s going to be
fine.  You didn’t burn the house down,
you’re getting the help you need —

and then you look into my eyes and ask,

who are you, describing
what’s happening out loud like
I can’t deal?  I don’t know you.
You aren’t any help
at all. Go away. 

That’s a little hard to take, Jim —

it’s like you haven’t noticed at all
how much like a mirror
the night has become
since you dropped that match.

2.
You’re going away, you know,
and the wife and kids are staying
far behind, a whole continent behind —

you won’t be able to count on them coming
to see you, unless the movement
of tectonic plates counts. You’re going away

and your parents are staying far behind,
so far behind — how much of a lifetime
do you want them to spend on you? You

are going away and where you’re going
you are going to be alone with just yourself
and the gentle staff and the medications

and anyone they room or group you with —
and don’t forget me.  Don’t forget me, Jim.
We’re going away. It’s going to be fine.

3.
Would be sniper,
dream herder, monster
gardener, born to wonder
about God’s hands
and mortality.  Jim,

I keep telling you,
you’re going to be fine

with a pedigree like that.
It’s practically normal.  It’s 
all-American. It’s

just a question of building
the appropriate size firepit
when they let you out,
and then only burning our life down

a little at a time. It’s going
to be fine — we’re
going to be fine.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

NOTE: If you’ve ever heard the Duende Project, my poetry and music band, you may have heard us play one or more pieces from a suite called “Jim’s Fall,” about a suburban dad having a breakdown that involves a worsening psychotic break.  (There is also a suite of related poems about a woman Jim knows named Sondra, but those have never been set to music or even performed solo.)  

I always knew there’d be more to the story…maybe rewriting the music recently got the juices flowing again.  

Here’s the immediate follow-up to the last poem in the suite.


How We Winter

Keeping our eyes focused upon

trees that have turned on 
their other street-signal colors,
that have passed green for go,
gone deep

into slow, caution,

stop. Noting

that it’s not far now
to no color at all on those limbs,
save for here and there
an odd shot of rust 
that will not fall. Noting

that it’s cooling at night, though
not quite enough for the furnace;
thermostats are yet untouched, although
the batteries
have been checked.

We’re bracing for car care,
yard care, window sealing,
pulling out layers of clothes
and warner bed linens…now and then

watching the faces of those
who panhandle 
on nearby streets,
mouths tight
upon cheap cigarettes
cupped in still bare,
sun brown hands;

blessing them now and then
with thin coins and thinner bills
handed out the car window
before driving away.

This is how we winter,
how we warm ourselves.


The Store Manager

When the body decides it’s time to shut down,
it shuts down.  I can sleep fifteen hours straight
yet still wake with dead hands and feet

from the stubborn effects of how my blood 
stopped handling sugars well
some unclear number of years ago.  My brain’s

got more than a few holes in it from pure age
and all those drugs and all those depressions,
all those whipsawing snaps from high to low;

I can’t even speak to the ears failing, the eyes failing,
how weak I seem even compared to how weak I’ve always been,
how unsteady I am when facing up to where I’m going

and how fast I’m getting there. Waking up now
I feel like…a store manager.  Like I’m in for the early shift, 
walking from door to door, opening one after another —

or rather, trying to open all the doors and finding
the once reliable keys aren’t working or 
are even missing from the ring

where they’ve always been. I can run the place
just fine with what’s left but all day long
I’m wondering: what happened?  Where

are those damned keys? Stolen, lost,
or am I making them up and they never existed?
It’s enough to make me think about quitting.  Enough

to make me think about
fifteen more hours of sleep — the only time
I can’t feel. The only time I feel good.


Trauma Song, Minor Song

We have good things 
on our to-do lists:
take time to visualize a better world,
speak gentle ill of the rich,
dance like we’ll never
be asked to dance again.

A rising wind carries to us
a song of trauma —
no one singer, a plural song — 
beggars’ voices rising. 

We open
the blinds and the window itself
and hear a bit of it so, 
in just a moment from now, 
we can go out and drop coin into its cup

and then choose to ignore it. 

Granted, that song 
won’t end so easily 
just because we put cash 
in its loving cup
as it sits on the sidewalk keening,

but we feel better
believing 

we did something, 
even if it was something minor,

to keep
the minor song
in the minor key alive

a bit longer. 

“The country
seems so sad these days,”
we sigh as we turn away. “It sounds
so, so sad. It must be
the wind.  It must be something
in the air.
So much better when we couldn’t hear it.
We’re sad that it has to be sung,
glad that it’s being sung 
elsewhere.”


Clearing

There’s so much mud, so much 
shit. Nothing’s clean in there, nothing 
stays clean for long around it.

Sometimes the only thing to do
is root in there nose first and
start making your way to clear:

get all the mold and debris
and wet wet soil stirred into
a death-leftover soup.

Poke and prod 
at the channel,
break it up,

dig. It stinks, it’s vile, 
it’s got its share of wrong — 
and man, that’s yours? That’s

really in there, flopping in the 
ick, flipping in the muck? Get a hold 
of that and get it out

of there, fast.  It might bite,
might have venom — get it out,
get it out! Watch that water start

to burble clear. Stay with it,
clearing, dredging, deepening
the bed down to gravel. Till

you can see the bottom. Till you
can’t smell it flowing. Till you’d
drink from it, till you’d offer anyone

a drink from it.


Sitting There

see that fault line across
your well-being

take a silver nail in one hand
a diamond hammer in the other

pound the former with the latter
and nail those parted sides together

pretend it’s all better because
no expense was spared

to make broken look whole — not
to make it whole but 

to simulate wholeness
to the casual observer

and what lovely tools and 
materials were used 

such a shine one might think
it would last but

one silver nail won’t hold back
earthquakes no matter

how hard the hammer
used to drive it — in other words

face down in the most 
expensive whisky

is still face down
even if you look distinguished

sitting there


Up And Out

View from the backseat:
a head not facing you.
Climb over.  Make them look. Take the wheel.

From this side of the wall
it’s clear that there’s no gate.
Climb over. Break through. Tear it down.

Bottom floor, looking up.
No stairs, no ladders, no windows.
Climb the skin of it. Come through the roof.

No invitation in the mail.
No open hand.  No call.
There’s no climbing that.  Turn away.

Say no to all
of what they do bother to offer.
Climb up and out. Rise.


Before Ownership

in shops after closing
goods speak of their origins
in sweatshops
fine workspaces
or deep mazes
of monstrous factories

to speak of
where they might go from here 
is taboo

as this is one moment
they have to be themselves
before they are pawed
and examined
then purchased
then owned

and then
changed by ownership

into something else 

whether they become
utilitarian
and neglected
eventually broken and 
discarded or

heirlooms
precious holders
of promise
and memory

ownership changes them

charges them with others’ energy
that is not what they entered with

and that will take away
more or less
their own 

so while they can
they speak to one another
in dark shops
about where they came from
and what they are 

taking their moment
before
we change them

into ours


How This Poetry Thing Works

“Splashy examinations.”

First words encountered upon waking. 

Splashy examinations?

Maybe a misheard radio announcer? Maybe
a band name? Maybe it was something
entirely different
and the daffiness of those words
is in fact indicative
of some lost acuity
between the ears?

Sit with those words a bit. 

The work clearly ahead
is to take those two words 
for a ride.  Get on them and decide
on a direction they might be going
and go there.

Maybe there won’t be a path.
Maybe such passage as they demand
will require fire and sword. Maybe 
it will be all about going back to school, 
or about plunging into despair. Perhaps

that plunge into despair will make
a splash

and the subsequent need to 
describe the height of the water
rising as it is displaced by the plunge
will lead to a meditation in which 
the weight of the aforementioned despair
is examined

and that
will explain everything — 
that would be a splashy examination,
right?  

Maybe it will work, maybe
it won’t.  Maybe it will be 

perfect and save a life or
the world, maybe it will be 
forgotten. Maybe it’s already

being forgotten, sinking 
noiselessly into a deep lake.

Maybe it required more
than the poet could give
and the poet sat with it for so long
that it became a source of despair:

those baffling words, the anxiety 
of missing the God therein,
the near-certainty
that something had escaped —

sitting with all that
heavy within
like a damned, dry stone.


Me For President

Originally posted 3/14/2011.

I would make a good President
because I would have to be dragged
kicking and screaming to the job

because I am relatively free of the mental defect
that would make me want the job
and that makes me more qualified
than those who usually try and do it

I would make a good President
of these Disunited States
because of all the hot bones in my closet
I’ve been everything at one point or another
and everyone could find in me something to hate
or declare me unfit for the office

I would make a good President
My father’s right off the rez
My mother’s an immigrant
(don’t worry, she got here legally —
not so sure about my dad)
I’ve got the American Dream covered — 
was here
came here
am colonized and
colonizer

I’d make a good President
because I have inhaled
snorted popped booted swallowed
all the good national drugs —
money
fame
casual cruelty to my fellow Americans
I’m on the wagon now but
I still know my way around
a finger flipped in traffic
whether domestic or foreign
(I know my enemies can change
on a dime into allies and back again
from years of merging onto freeways)

I’d make a great President
because I’ve got the allegedly necessary genitalia
for the job
and I don’t look biracial
so I can be slotted without too much fuss
I know how to wink and nudge
and slap a back when a back
needs slapping

I’m not running
If nominated will not run
If elected will not serve
(but boy howdy I’d be good at it)

Oh man you’ll be kicking yourself
next time the vote comes around
that I wasn’t in the race

In fact
I’m thinking of changing my name
to None Of The Above

just to test the waters


Stasis

They are sitting on a bench
at one end of a long room.

They are staring at a far-end door
and speculating on where it may lead.

They offer thoughts: it may lead
outdoors, to another room, to a hallway.

They are only sure of one thing:
wherever it leads is clearly elsewhere. 

They cannot tell if it is locked or even,
possibly, ajar; this lighting is so terrible, who could say.

It seems so easy: walk over and see,
possibly leave this long dark room,

but someone has written
names of all their ex-lovers in Vaseline

on this polished stone floor and thus covered
the distance between here and there in hazard.

They are terrified to slip and fall
on such a surface. They aren’t getting any younger

and in this light they might
hit their head upon stone and bleed out unnoticed.

So they remain on the bench.
The room keeps getting darker. 

Somehow it seems
that the room is getting longer as well.


Suicide Prevention

He was bawling
as he crossed the line
to make it out
of October alive

as humble as a clock
with two broken hands
for whom time had stopped
beyond a dim recognition of its passage
a small whirring at his center

and nothing more

He had not planned to see November
but a single puff of wind
caught a maple tree perfectly
and moved it in a way he’d not considered
when thinking of reasons to stay 

When it swayed
a handful of red leaves
clinging to one branch end
lifted into a sunbeam
almost as a hand
might rise to bless one
in dire need of 
attention to their wounds

and while he never in general
was much given to seeing
such obvious and mundane moments
as signs
and indeed understood that nature
isn’t here for humanity in any sense
at all

he still found that rise
in the small spray of red
to be reminiscent enough
of a past dim moment of comfort
that for one moment he felt
more than the small whirring of time
in his broken movement

and thus moved
he broke down and cried
and chose
to make it through October
and at least see November arrive

to see what it might bring


Lincoln Drive (Teddy)

Teddy Pendergrass tonight — 
man oh man, Teddy on the radio, singing
“The Love I Lost.” Singing
“Wake Up Everybody.” Years ago

I used to drive right by
the spot where he crashed on
Lincoln Drive.  Liked to take that
deadly road through the park

on my fastest and most
reckless wheels.  It was
that kind of road I used to love
best — the kind that could

kill you with
joyous curves and narrowing
surprise lanes, assassin 
trees, radio roaring over

the hurricane of blacktop noise
and the occasional tire squeal
when you cut it too close
and had to back down from the rush.

I could use some more Teddy tonight,
but only in a fast car.  I’m awake and
longing and hearing it in the quiet house,
lying here so still listening, isn’t

cutting it quite the way I’d like;
not wanting to suffer what he suffered,
though, I’ll just dream of the road
as you might expect.  If you don’t 

know me by now, I should tell you
that I’m just the right age to talk big about
former ecstasy and do nothing 
to reclaim it — nothing, that is,

except listen to Teddy.

 


My Face Is Historical Fiction

Post pictures of three fictional characters to describe yourself.
— Facebook meme

If I were to post 
three pictures to describe me,
pictures lifted from fiction,

I’d have to reckon with
the fact that my face
already is itself historical fiction,

average white
superimposed upon
brown churning within — 

by which I mean that I already
look like Mom at first glance
with traces of Dad underlying that,

together creating this face
that I get to call My Own,
this more-or-less real face,

one mild pile of melting pot,
assimilated mask. This face
was already made from scratch

a long time ago, and now
I am being asked to find
three more fictions to name this — 

this half-and-half
all-American mistake of history.
So many to choose from —  

Lone Ranger, Tonto; Don Corleone,
Apache Chief; Mario from Donkey Kong,
Tom Sawyer’s Injun Joe — 

but what of that third picture?
That’s the choice that keeps me up 
at night, that keeps me sickly awake really late.

Calm down, you say.  It’s just for fun.
It doesn’t mean anything. It’s 
just a little something to pass the time —

but when your face
is historical fiction

and it feels like

there are only
twenty pages left,
you’ll try anything. 

It’s only natural.
I’m dying
to see how it ends.


Cut Bone

This artifact
dates to 1493,
seems to be

a response to some
discovery
or something.

A message
cut into
a bone

by steel, a sword
or pike
perhaps.

It almost 
took the bone
apart but

somehow
it’s held up
a long time.

We assume
this was
a killing blow

by lack of new bone
on the edges, and
considering

the angle of the cut
there was likely
a flood of blood.

Still,
the bone remains
in conversation

with discovery
and subsequent
conquest.

Does it
speak as Taino,
Arawak, Carib? 

In life, did it perhaps
speak Yoruban, Spanish,
Portuguese for a time?

It doesn’t matter
that much now. 
All you need to translate

is that huge remnant
of that unkind cut
and the sheer stubbornness

of the bone 
for not having dissolved
or crumbled.