The Wall

This wall they speak of
is not the one that counts.

The wall they count on
is the fourth wall.

The wall they count on
must be unbreakable.

The wall they count on
they must rigorously maintain.

Black lives matter
on the other side of the fourth wall

but if the wall breaks,
what then?

Water is life
behind the fourth wall,

but if the wall breaks,
what then?

A dignified memory of protest
is sweet behind the fourth wall

but if the wall breaks,
if you are slowed on the way to your job,

what then? 
The border wall is on the other side

of the fourth wall.
The South is on the other side

of the fourth wall. Methane
and drought? Behind the fourth wall.

All they dream of is you by yourself
with the fourth wall. All they dream of

is you seeing nothing on your side 
except yourself, you not seeing the fourth wall

at all. Most of all what they work for
is you keeping your eyes on 

whatever or whoever they’ve chosen
for you to watch behind the fourth wall.

Whatever monster, whatever ego,
whatever heartbreaker of a hug.

Whatever soul-crushing comb-over,
whatever lovely-boned daughter,

whatever fat little fingers spell
while traipsing through the air.

And all the while? There is no wall.
All the while you watch it

you are instead
watching a tiny mirror

that doesn’t show anything 
except your own horrified face.

Nothing of the background,
nothing of who stands behind you,

nothing of their smiles
and their own hands pulling strings.


How To Be Middle Aged

In dreams, the urge to give advice
when none has been solicited;

the ravenous desire for novelty and approval
at any level, for any amount of time.

The realization of being drenched with flop sweat
in the dark, in the bed, when coming up from the dream.

The rage at daylight transgressing
the last available peace.

Rising and trudging onward as if there were
a discernible destination.

Far ahead, on the road — figures.
Bandits, friends, fellow pilgrims; no way to tell.

Fantasizing camaraderie, catastrophe, 
blind ignorance, indifference; freezing in place.

All this dust on the body still soaked in
self-stench. Terror of how this will appear to others.

The internal debate over how long a stalemate has to last
before one can call it a home.


Something Under The Arrangement

I’m a pop song
once mistaken for holy truth
by someone who heard me
at a perfect fallow moment.

Does it matter that they
misinterpreted me
and believed me to be
greater than I am?

I doubt myself as a result.
I question their faith,
dismiss it as so much
transference, then a small voice

tells me I should instead
be living up to those
operatic expectations. Whenever I
have tried that, I have been

terrified of the responsibility
that weighed in with it. Still,
I have tried it; I have noticed
changes in rhythm, in melody;

something under the arrangement
that estranges me from my known self,
pushes me to ask what I am and
what I am missing.

I turn again and again
back to my memory of them.

See them listening to me
as if I held 
all meaning,

all truth for them. I listen,
straining to hear
the same,
and it’s good. It is fine.


In Service To The Struggle

There are times when I am fluid
and beautiful, when I lie exquisitely
in service to the struggle like a well-worn hilt
in a master swordsman’s hand; other times

I’m all spikes and protrusions when gripped,
and all the struggle can do
is drop me from its grasp
for fear of my damage.

I would tell you I am the site of the struggle
but the lie embedded in that is cold,
sharp, and slippery with others’ blood.
I could tell you I don’t want justice

but I do want to be fluid and beautiful,
and if that’s how I get there then by all means
I am for justice — but that is also a lie,
one as hot as the previous lie was not.

What I want is negation. I want to skip history.
I don’t want to be here. I don’t want 
to have been here. I want for neither 
cold nor heat.  I want the cup to pass from me

and then I want to skip all of it: not fluid,
not beautiful, not sharp and impossible to hold.
I want to vanish into the past and be forgotten,
to have no qualities at all, to be forever

unscourged and unpraised
for what I did or did not do for the cause of Justice.
Invisibility, insignificance, even in fact
never to have been incarnate, as far as

the world can remember. That would be Justice
I think — to be unremarked among the faceless
of history. I feel it every time, until I am seized by History
and then, with a sigh, with a moan, I give myself away.


The Official Version

I’ve often wondered why
on the night the Romans took Jesus
they didn’t round up all the disciples
and end it right there and then.

That would have been
the logical, imperial thing to do.
No reason not to.  No reason not to think
they hadn’t done it before

to other revolutionary cells they’d found —
they were at the time
a more political threat to empire
than a spiritual one.  Something 

smells off, always has.
Maybe we’ve got the story wrong
and Jesus cut a deal — leave them
alone, you can have me. Maybe

Jesus wasn’t taken, but instead walked in — 
maybe with the Magdalene by his side? Maybe
Judas hanged himself after in shame
or maybe he didn’t do himself in at all? 

It’s possible nothing is right in any of 
the stories, and it’s all a myth, an
official narrative. A blank slate
scribbled on in haste.  Whatever

the backstory, the official version
makes for good reading, good platform,
good grounding; still, I can’t help thinking
of someone, one of the original twelve,

sitting grizzled in a cave somewhere
during a later revolt, listening to myths
being made all around him and muttering,
muttering, that no one there knew the half of it,

then turning to the wall to sleep in guilt
and grief, thinking back to the early days
when they were all together and it all seemed
like a new world was only a burst of bloodshed away.


One More Before I Go

We all think 
it will be obvious that
it’s coming: a disease with
documented progression, 
an increasing need to escape
rotten biochemistry, proximity
to a deepening war zone, 
risky behavior rendering us
so top heavy we’ll clearly
topple very soon. Instead 

the moment comes
in an accident beyond
the sciences’ ability to predict,
an aneurysm previously hidden
from view, a random bullet
or stray blade slipped in
when we aren’t looking.

I pray to have a lover’s name
upon my lips when it comes,
or some poetic circumstance
to frame it if I am silenced before
I can get a word out — and of course,
I pray that whatever art I leave
as a last utterance or imprint
says something worthy of it
being 
my last.

I pray like that each time
I sit down to the Work, as if 
I only ever have one more to offer
before I go. It humbles me
that I never feel I’ve been right,
never good enough to be finished. 

Maybe I stay alive because of that,
though I am not
so vain as to think
I am kept alive 
for it by Something Larger —

no, not me. But I do believe 

there’s an organ inside me
that knows this, and as if it were 
another person within — sure, 
call it a Muse if you must — it keeps
shaking its metaphorical head, saying,

not yet,

I’ll let you know. You’ll know 
when I know, and when I know
it may or not be too late to be perfected,

but whatever the one before you go
will be, it will have to do;

so practice, practice, then let this go.


A note to the readers of this blog…

Dear folks,

I’ve decided to cut way back on my poetry writing and posting for the next month.

It’s important, I think, to lie fallow now and then and recharge. As it is, I’ve posted an average of one poem a day on the blog since 2010, so taking a bit of time away from it all doesn’t seem too outrageous an idea in the pursuit of better poetry.

This decision is also prompted by a really, REALLY busy work schedule for my business in April, including a fair amount of travel to handle multiple sessions for one client. I’m taking next week off for vacation and then plunging into the mess.

I hope my hiatus will not drive you away, especially those of you who are new readers.  Plenty of poems here to read!  

Thanks, and see you soon,

Tony


Patreon site…

Just wanted to call out the fact that of late, there’s been a MASSIVE influx of interest in the blog, with hits jumping from 20-30 a day to the 130-160 a day range.  Thank you if you’re part of the new surge.

If you like what I’m doing, you can support my continued efforts with a monthly contribution to my Patreon site. For as little as $1 a month, you can gain access to exclusive behind the scenes posts on my work, critical essays on the work, and special collections — chapbooks and eBooks for the regular patrons.

While I guarantee that all the content here will always be free and available to all, I think the extra, curated content is a valuable extra.  

If you’re interested, the link for that site is here.  Patreon site

Thanks in advance, and as always, thank you to my readers whatever your choice here.  Knowing you are out there is very comforting to me.


Everything I’ve Learned

Originally posted 2010.  A Duende Project staple from the duo days. Probably something we should look at for the full band…?

This is everything I have learned:

that I am nothing.

That as nothing, I am exalted
to be nothing. Deliciously
inconsequential, a part of the Machine
of Stars/Necklace on
the Throat of Creation.

That I
mean so little, anything is free
to hold me.

That I am peer
of leopard and dysentery,
of coconut palm and stray wrapper.

That the pattern of rejection/containment
is the warp of my woof. 
Woolly headed 
and slubby
as a pilled cardigan 
on a grandfather’s back. 
Only here 
for the warmth.

That I am song
under shower breath.

That I will be forgotten,
and this gladdens the non-ego
that fights my stick-wielding
caveman heart.

That love and robbery holler equally
in the alley of my elbows as I grasp
the always coming always receding days
I bore through in anger and dread and joy.

That joy itself
is a movie written by another
but I imagine myself
as grip and gaffer at once
upon its set.

That the skin I’ve stretched
and the blood I’ve pressurized
will look awful when I go,
my bowels a roaring ghost 
of past indiscretion,
my face a sagged charlie horse
in the leg of a loved
one long after my burial,
putting a hitch in their walk.

That every barking tree limb
in a forest 
laden with ice
knows its place better than I do,
and I am happy to listen and learn.

That a man’s
no more human than a tin can on a heap of worms
and that the whine of a bomb is a natural song
of the city of God.

That I am happy
and I am nothing, and
all is nothing,
and since all is nothing
and everything at once

it must be so
that nothing is important and
nothing stands out,
importance itself is nothing,
my 
self-importance
is the Ganges of my fierce greed
where I will burn myself to ash and crackle
in the consummation of The Wheel

as the last thing I say to another
is swallowed in the Great River
and I am lost to the sun and the voice,

and the Necklace that hangs
upon the neck of Creation
will be my shade against
the long night 
of what comes after
this life, 
this night of knowing
how small I was
and how much I offered to Completion

by simply being what I was:
a petty, magnificent animal.


Delicacy

There is a delicacy to the question
of how we are going to move forward
from this moment — at least for those who see it
as yet another vagary of politics, a moment
up for firm but cordial discussion.  

For me the delicacy of the question
is drowned by the blood
from those being butchered
to feed both sides,
and how it pools ever deeper.

The ones who think it’s time
to find common ground and strive
for mutual goals are terrified
that someone might choose instead
to point out the red footprints 

they’re leaving behind 
on their way to the conference table;
to say that the words in their mouths
form the echoes of death sentences;
to say that agreeing to disagree

is equivalent to agreeing
to sharpen swords and load the guns
of the butchers. For me,
the moment for fear
of plain talk is long past.

Nothing in this moment
is delicate. Look at how the blood
runs. Look at how we hunker down,
hollow-faced, pretending. There is
nothing to be said. Now’s a time

for something that is not talk.
I don’t even want to give it a word
because it doesn’t demand expression.
Talking, we save for listeners. Listening
is a delicate art. This is not the time for it.


Considering The Moderate

The way he stood,
schoolteacher
with a sharp agenda
up his ass.  

The way he smiled,
broken gray spoke
in an old wagon wheel
on the roadside.

The way he spoke,
a butter-tongued dance
of slick and smooth
couching a dagger.

The words he used:
some benign on their own;
some with their own
long poisonous tails
.

The way the air smelled afterward:
gentle, fragrant, warm; ashen
from countless bonfires,
house fires, church fires, and pyres.


Facing You

You say to me,
“don’t eat those foods, 
those chemicals
are nasty and artificial, 
your body is not made
for those…” and I eat them anyway
in full knowledge of how true
all of that is, simply because
I’m going to die anyway
and I have grown to like them.

You say to me,
“the bosses, the workers,
the system, the nature of
oppression, the means of 
production, how can you
participate…” and I agree, how
I agree from years of being
in that vise of steel, I can see all that
but I’ve still got to get paid
as long as I can because the rent is due
and I’m in need of a doctor,
because the vise
has crushed my willingness
to be afraid for righteous causes.

You say to me,
“the whiteness, the white talk,
the ignorance, the cluelessness,
the easy links between capital
and racism and patriarchy and
how can you still be here…” and
I agree, I agree, I have the arteries
and broken mind to prove it,
the slipped joints of incongruent action
and thought creak constantly under my skin
but I’m simply trying to get all the way
to death and oblivion
with as little pain as possible now.

You say to me, 
“how could you? how could you
do this, all of this…” and I agree.
I agree with your condemnation.
I do not avoid it. I do not 
defend myself from it, and 
part of the reason I’m bowing 
and laying my neck on the block today
is because the little I have left
in my power to do and say
is only going to be enough

to hold my own loathing of myself
at arm’s length for as long as it takes
to allow for my own death to be
clean and swift, a relief of burden on those
left behind to do the hard things
that I should have done back when I
was still deluded enough to believe
that working from within the vise
mattered in the slightest, and still able enough
to break free once I knew I was wrong.


The Path

When the edge seems close,
step up to it. Take a long view
over the land below. See waters,
trees, deserts, stones. Look hard
at the distance from your feet
to the bottom of the gorge 
that you must travel to reach
the paradise you can see.

You can choose to turn away
or choose the leap,
you can choose to climb down,
you can try to fly.

You will not likely get there

but the fact
that it’s still going to be there
whether you abandon
or die in the attempt to reach it
is all you need to know
to understand why this feels like 
the only worthwhile moment of choice
in your enfeebled life,

and that thin, crumbling edge
where you stand
suddenly looks like 
the Path.


Emergency Back And Forth

An emergency game
of back and forth
as I try to fix myself.

How much I depend upon
the vanity of thinking 
such things.

I still imagine I’m
repairable. I still put it
in writing.  I still put it

out there. An emergency
back and forth, a triage
disguised as tug of war.

Everyone who can see
knows the game i’m playing
and how played out it is,

how I have played myself.
There’s no real emergency
in this back and forth.

The tug of war as always ends with both sides
sprawled and defeated yet
I imagine tomorrow will somehow be different.


3712

My smartwatch says I am
at 1492 steps for the day
and because I can’t stand seeing that number on my wrist

a symbolic commemoration
of the year when things went epically bad
I get up at once

and start walking around the house like mad
raising and raising that number as high as I can
past 1523, 1607, 1609, 1620, 1680, on and on to 1890 and beyond

until I slow down when I hit 2018 and drive myself past that
to 2020, 2100, 2200, 3000, all the way to 3712 
when I stop myself and ask out loud the dreaded question

will that year when it comes offer enough distance from 1492
and all the rest of bad history 
Will that be enough time to repair us back to health

or perhaps to have created
something new to shine upon Earth
in the way that we’re told  

in every myth and legend we have
that the Earth once cradled us
Or will 3712 be desolate and messy

A forgotten grave tonsured in sparse grass
like an ancient scalp shedding its last hair
as it crumbles into undifferentiated dust

At the moment all I have to go on
is the memory of how I felt staring down at 1492
while thinking of its symbolism as a placeholder for pain

and of 3712 as a different symbol indeed
of how pain can drive you into hope
and how it all will begin again tomorrow from 0

when I will certainly come upon 1492 again
In fact I’ve got many more steps I could take today
I rise again from my seat and go ahead