Moment Of Truth

It’s OK.
You don’t have to survive all of it.
You have to fight, yes,
you must resist, yes. But survival is for
those who believe in a future
with them in it. Get free of that

and let your self-importance go;
do what you can and must. 

Don’t worry
about the ultimate triumph of your own
ideology when poison needs to be
ameliorated and 
removed from the suddenly broken veins
of the dying. Don’t worry if in the effort
you suck more death than you can handle.
Spit out what you can and keep moving
as long as possible. 

You’re expendable, always were, old man.
You were part of the problem long enough
to be suspect.  If you go, you go.
After all it’s not going to be
your world afterward. Move on with a smile.

You’re ancillary at best, a well-meaning nuisance
at worst.  Get out of the way of what must follow
once you’ve done your bit. Individual

survival is unimportant. You are 
not worthy of exception.  Move on.
This is the moment of truth. Live 
in it, not in the one that follows.


Four Scenes From A Weekend

Revised from its initial publication in 2014.

Originally, this was three separate poems written over the years 1976-1980.  Found in my ancient archives from that period.

I was a kid then, a teenager, and my reach was often far greater than my grasp.  I had an essay and a whole theory about what I was trying to do with poetry that when I read it now (of COURSE I kept it!) makes me giggle and blush.  But I was aiming at something, something larger than the individual Poem, even back then.  

Didn’t have the life experience or the skill back then to make it work.  Not sure I do now either, of course, but I am far more clear on my small abilities and my large ambitions than I once was, so…let’s say I think it’s worth a try.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

1.
Overheard from a dusk-dimmed driveway:

“Basketball’s simple — 
you take the ball,
you dribble it,
then you 
shoot…”

Father, uncle or big brother speaking.
There was no second voice.
After that, the flat notes,
rhythm of rubber on asphalt.

2.
Two worn men on the sidewalk ahead of me.

One says, “Every time I get my check
I try to hold on to the money.
They rob me at the bank
so I keep it all at home
but they rob me at home
but now I got them all fooled — 
I give all my money 
to the man behind the counter
at the liquor store.” 

His companion howls 
and slaps him
on his age-sloped back.

3.
On the bus
another old man, taller than I
by a head and a half, lighter than I 
by a body and a half,

muttering
again and again,
“…had a big 
fat fat 
fat fat 
fat fat 
wife, seven kids, forty years, 
I’d know her face now I think
but not her name…”

4.
By myself, in bed alone,
 
diving into sleep, into a prayer

that I never forget
the innumerable ways 
to get from one end of the court 
to the other;

that I never 
scorn a journey
for where it ends.


The Bank

Late last night I heard someone calling out in the street. 
Heard someone come down the stairs from the second floor.
Heard the door open, someone came inside,
and more people went upstairs than had come down.
There was talking and loud stomping for an hour,
then someone left quietly and I went to sleep

imagining backstory, drifting in and out of anger,
picturing someone hungry, someone thirsty,
someone done in by cold and impending snow,
someone done in by a longing to end a longing
by buying or selling themselves or their drug.
I kept myself awake far longer than I needed to
wondering and raging and reproaching myself 
for wondering and raging. It was no business
of mine beyond the nuisance of being roused
from two AM to three AM.  All the fear
and righteous thought I soaked in
for an hour after that

was a stale old problem I borrowed
from the bank of pain I keep
and owe and curse,
where I cannot seem
to close my account.


Waiting Out The Storm

To remain asleep in this storm,
waiting it out while the snow piles up,
is a white comfort in a whitening landscape.
You can lie there and think about

what you are going to do
when what’s outside
no longer matches up
to what you think you’ve been seeing.
When you find it’s all been a cover up,
will you die or explode? Or will you
step out and see the green and gold light
on the brown earth? When spring comes
will you allow yourself to be happy?

You think about that now while you’re seeing
the whiteness covering everything.
You think about that and stop pretending
it’s never going to go away.


The Older Artist Looks Over His Shoulder

I’m beyond the depths now,
at least beyond the ones
I’d always thought were my home.
I’m a skimmer now. I never dive.
I can’t imagine the pressure there
and know I would not survive it.

I watch the younger ones go there.
I do not always love how they go,
do not always honor what they return with, 
but that they can go at all, fearless and 
sometimes wrong and dumb but still
willing, is enough sometimes almost
to kill me when it does not make me 
swell with envy and pride for the work itself.

Now and then I stare back across
the surface I skimmed to get here
and tell myself that someday
I will go back for one attempt
to go deeper than before,
and then I look down at my feet
and realize I’m too often terrified
just to stand here
and hold myself upright
on the solid earth, and I know
that descent is no longer mine
to make, so I turn and watch 
the younger ones taking my place
and see them coming back up
holding what was never meant to be mine.


Survivalist

I sit up in bed and stare at the ceiling
as if it is going to sink down upon me
like a car compactor at any moment
and push me into two dimensions from three,

and at the side walls as if they would slide over
to meet each other and take me
from two dimensions into one,

and then toward the foot of the bed
to see if that wall will come up
and crush my newly linear self into a single point. 

A vanishing point, maybe. 
A pixel on a screen, perhaps. 

I have faith that none of this
will hurt, no blood will flow from me,
my bones will simply telescope shut
and compress into memory.

A single point seems indestructible enough.
A single point can slide through any catastrophe.
Infinite lines can pass through a single point
and it will remain indelibly itself.
I can do that.  I can be myself,
reduced to holding infinity stretching
in all directions. 

It seems far better to do that,
to enable that which remains,
to be a mere point
allowing others to intersect
and extend themselves,

than to wring these temporary hands
over the loss of my identity
to the weight of looming darkness.


Oh, Fuck It

oh, fuck it. you 
are not a mistake 
or a problem, not at all.
no matter what you’ve been told.
fuck it. you live in a society
that was built by shifting blame.
do not believe in it or accept it
as the way things should be.
delight instead in how resistance
can be framed as a dance.
delight instead in how you have survived
such things. delight in your own being.
you were not made to work this hard.


Conditioning

Stormbringer, supercharger, 
strong attractor, such memory
of how little I cared for consequence
in their presence. I was young
and loathed myself except when 
I exalted myself, and I had no balance
between.  Stormcharger, super-attractor,
strong bringer of past to present, memory
of what I gained and tossed; nonsense,
these things – storm attractor, superbringer,
strong charger – are words only, things
I mastered long ago, things I made up
for the purpose of raising the dead
from the tombs within me. I was young once.
I killed that youth six times over. I am old now,
still ready to kill that youth, superstorm, charge attractor,
strength brought to bear upon how sick I am
with nostalgia and regret for how I let myself go
and how often in recreation of those forces
I let myself go feebly into their streams again.


Sea Mammals

Manatees (AKA “sea cows”)
are favored for their cuddly bulk. Orcas
get a viral reputation for gang
action. Big whales are everybody’s
best mystical gymnasts, dolphins
sexy slick bobbers. Seals reek up
beaches and docks but damn,
they’re cute as hell. Sea otters
rock and carry rocks, lie around
floating handsomely.  We want them
all working hard to make us feel 
connected to something larger
than ourselves, our puny little
destroyer selves, and if they don’t
we’ll flutter our left hands in dismay
as our right hands snuff them out.


Mercy On A Cold Morning

The mercy of a calm cold morning
keeps me snug in my home,
safe from chaos.

I get to pretend I can’t hear
the roaring outside over the sound
of my comfortable furnace.

There’s not even a storm
to fret over. The sun’s bright,
the wind chill is rough

but I’ve seen and felt worse.
I can deal with that. 
It’s not the wind making the noise

that I’m hiding from. The roar I fear
is human, full of words
I can’t or won’t understand

that drilled through my sleep
and opened me
as screwworms might

but without leaving a visible trace.
The mercy of the cold morning
is that it keeps me

from stepping to the sound
and joining in. I can choose
to stay here and pretend

I hear nothing, can pretend
I won’t soon need
to become harmful as well.

From where I stand mercy
is a cold illusion I can indulge
as long as I stay inside,

so here I will stay 
for as long as I can, knowing
it cannot last and I am needed out there.


How To Be American

To be aghast 
at our ghosts
without admitting that
they remain among us
is to be willfully
American.

To be comfortable
in this haunted home,
oblivious to what 
some feel
in its most sunlit rooms, 
is to be carelessly
American.

To laugh off every
chill as merely historic
or imaginary,

to turn away from
the ancestral familiarity
of those faces of 
menace past and present,
is to be blindly
American.

Not to see
any of the ghosts,
not to see them
in every corridor, closet, 
basement, school,
prison, or mirror,
is to be resolutely
American, is practically

to define
“American”, is the
quintessential practice

of being
American.


Weed (I See You)

You. I’ve watched you
with them. You’re a weed,
an invasive, a non-native
sucker on the tree of their life
and I see you, see how

you entwined yourself
into the fabric of their life
and grew there impeded only 
occasionally by how shallow
your own roots were regardless
of how high they rose,
and that’s a damn shame.  

It would have been far more fair 
if you’d withered there, stuck on them,
and dried up and turned to twigs
and were then brushed off and left 
in the dust behind them as they
walked forward in light and beauty.

I wish I had something more to say
and I wish there was something more I could do
but some things are beyond fairness and 
justice doesn’t grow everywhere, so instead
I’ll just remind you that I know you’re a weed,
you know you’re a weed, and while in another field
you might have been a lovely bloom,

here you’re just a strangler on another’s vine
and I see you, and I’m not alone.


In A Time Of War You Seize The Nearest Weapon

There’s so little inside me
you’d think I was a balloon
if I didn’t weigh this much.

I’m not a balloon. What, then?
Maybe a hollow iron sphere.
Steel encapsulation.

Knock on me and I make
a pleasing sound. I’m a bell,
a closed bell, dark inside.

Knock on me and see
if you can understand what I say.
I’ve spoken an empty tongue since birth.

Now I’m old and resigned to it, but
there was a time when I tried
to crack myself open and become a full throat. 

It never worked. Here I am, then,
a hard ball of air. When things are hot,
it’s hot air; when things are cold, you can guess.

Things are hot right now and I’m boiling.
Not likely to crack but if you swing me, I’ll bust heads.
If it gets cold, I can break them just as well.

Understand one thing, though: I’m not one of you,
will never be.  I’m the big hard void and will be,
before and after your war. You need a bell like me.

I do tend to ring your way. It’s an accident, really;
a mistake 
in your favor. Think of me as eraser,
here to shift the ledger; to wreck it

and in the process of wrecking it
to crack myself open at last,
make my one rightful noise, then shatter.

I have no illusions. You won’t want me
then. Will have no need of my voice
once the breaking’s done. In a time of war

you seize the nearest weapon. I’m ready.
I’m your rock, your branch, your 
morningstar. Let’s swing. Let’s sing.


Inventory

Revised.  Originally posted 6/10/2012.

Hair, sifted full of gray.
Cut, less than good.
The scalp’s not flaking
with the new shampoo.

Face,
starting to furrow, starting to line,
starting to bag and sag.
Fuller than it was, much rounder.

Beard, uneven,
post-trendy, stubbornly
present for thirty years in this form —
the only thing the same from when I was,
arguably, at my peak of flavor.

Neck, undistinguished.

In fact, let us from this point on
use that word
as a frequent descriptor.
Let us say that as a whole,
the body is undistiguished
except where noted otherwise.

Shoulders, undistinguished.

Here and there skin tags
which some claim
are proof of heart disease
though they are not.

Chest, furry. 
Bigger tits than I’d like. 

Currently,
I have some great and knifing pains
in my right upper chest, strong enough
to take my breath, pains that slice
from front to back, from nipple to blade.
Right side argues against heart attack;
I go instead with pulled muscle, or strain
from sleeping wrong; part of me
hopes I’m wrong as it will add to the value
of this poem in my Body Of Work
if I die after writing this,
wouldn’t you agree?

Arms, undistinguished. Hands
weirdly lined, a palmist’s dream or nightmare;
joints stiff as dry sticks every morning.

My eyes barely catch light.
My ears do my best work.
My ears support my hands in whatever they do
writing, playing music, meddling
in others’ opinions and business.

I don’t know how it happened,
but I have a voice that to the ears of others
is far better
than undistinguished.

Brain?  Can’t we just
let the soup and stew up there
do for themselves? Perhaps that can be
left for another day?  It’s not a chemistry to admire,
to emulate or strive for.  It’s not like
I haven’t got enough documentation already on that;

look at the bottom shelf, all those
yet unpublished books I’ve written, all those
piles of poetry, all those lines.
There must be formulas somewhere.

Gut, prodigious, not at all
undistinguished but in fact
a salient and unmistakable feature;
all in all, these days the most memorable
feature.  Bullet hole scars all over it
from surgeries, not injuries.  I have not
been well, not at all, not for a while.

Genitals?
I have a partial set, a half empty
glass.  I will explain the next time
I’m drunk, if I remember, if
I’m in the mood, if you earn
the right to hear it,
and if I want to. For now enough to know
that what’s here works,
somewhat surprisingly.

Ass?  Undistinguished.

Thighs and knees and shins? Chickenesque.
Feet?  Cracked and horned and rimmed with callus;
they are undistinguished
if craggy.

All in all, not horror show,
not Chippendale’s. Not at all the worst ever,
not at all the best; mostly indistinguishable
from tens of millions of fat older men.

Asking me how I feel ought to be
superfluous.

I hope you are listening.

I feel exalted.
Think of a slice of heaven
as you would like heaven to be.
I’m that.

For me, it is a dark bliss bubbling over, a pot
of warm molasses, a scrap on the stove
I forgot to clean or put away.

This body may soon be forgotten
by those too pleased
with being young to understand
how an older body makes richer music.

They may think it plays a poorer score
no.  Every mad note of it, scoffers,
every mad note is still remarkable, 

and I am a Goddamn hallelujah chorus
because I am holy and wholly
who I am.

 


Martyr: Clarion, Shine, and Chime

The sole of the boot
approaching your face.
The air compressing
ahead of its arrival,
a wave of dim purple,
red, blue, diffuse.

What you want to say
to the power about to smash you
into the dirt won’t come out
of your mouth. You push 
hard, try to unclench; 
nothing. The air turns
to pure and solid shadow, 
then to hard leather, then
to explosion, red
and blurring. You still
have something to say
but are not sure it will be 
understood or heard now.
You choke it down though
you can still hear it, your clarion
and shine and chime.

Again it comes:
your clarion, shine, and chime.
Someone is crying it out.
Someone will triumph
where you did not. Someone
will rise from this same dirt
and remember you,

you who did not cry out
because you could not, and

you will not die.