The Pebble In My Shoe

1.
Inside the pebble in my shoe
might be a universe.

2.
We don’t know
how much space a universe takes up.
Might be many civilizations in there,
colluding, working my foot into agony.

3.
Maybe they think
they are appeasing God,
and maybe they are.

4.
In the pebble universe
they serenely do not know
the nature of reality.

5.
In this universe we also know 
little of the nature of reality —
the difference being
that we know this and are rendered
far less than serene by the knowledge.

6.
Wait a second, you say —
if they know a universe and
are part of ours, why are we describing them
as separate from one another?
Isn’t this a case of scale
or compartmentalization?  All one
universe, broken into parts?

7.
Wait a second, I say.
Boundaries, walls, hard edges.
I’m in pain.  There must be
another universe. Our own
would never hurt me.

8.
In the pebble universe
they say
the same things we say here
only smaller.

9.
Turning on the news
again in this universe and
watching the news of this universe,
or the news from inside the pebble
that irritates me so, or maybe
it’s the news of the one universe
that holds us all.  I’m in 
as much pain as all of them can hold
and unable to stumble away from it.


Lacrosse

I never played lacrosse
but I often feel like
my brain’s been cradled 
in the throat of a stick 
since birth.

My dad’s goalie stick
is still on the basement wall
at the old home. He still
shows off the scar he got
playing in college.

People would ask him 
if he learned how
on the reservation
and he’d shrug it off in public 
then fume privately to me in the car
or the living room:

our folks 
never 
played lacrosse
and I wasn’t there

long enough to learn
even if we had

There are fading
teenage sketches
still on the exposed drywall
next to where the stick hangs,
the largest being one 
of an old man’s lined face, long hair,
eyes wide open, looking to my right.

I think I drew that face
one summer before
I gave up
that kind of pen forever.

I recall that summer
I rubbed witch hazel
over the mosquito Braille
of my sunburnt
forearms and calves.

The only way I could ever draw a face
was to have it looking to the right,
not head on or to the left,
and the face’s eyes
never looked into mine
or yours.  Always a little side-eye,
always indirect.

I never played lacrosse.
I’ve never lived on the rez at all.
I haven’t drawn a face in years.
My father is so very old.
I can’t remember how witch hazel smells.

I’m going to die one day and I 
will have to come at it faking all the way —
split roll dodge. That’s a lacrosse move.
I looked it up. I have had
to look everything up

except for the look in my father’s eyes:
always a little side eye.
Always indirect.


There Is No Why

If I say
I am depressed
someone always asks “Why?”

and sometimes
there is a “why” as simple
as saying there was a soap bubble,

a rainbow ball
that disappeared before
I could touch it, perhaps, 

or the thought
of an unrepaired mistake 
from fifty years back.

Sometimes the “why”
is a burned bridge or
a puff of smoke

from a ruined hope.
Sometimes, the “why”
comes surging up

from chromosomal
oceans, a wave of regret
for how I was conceived,

how I evolved, who my
ancestors were. All those
possibilities, yet now and then 

there is no “why” at all.
Now and then when 
I say I am depressed

it’s like saying I’m cold
in August, or lost
in my own bedroom.

I don’t know who
I become when it happens
that there is no “why.” 

Is that me on the floor,
me in the corner, me
with my hand buried

in broken glass? Why?
If there is no “why”
there may not be

an “I’ either. I don’t know
how it happens; there are times
when depression is an icy lake

I sink into and disappear,
asking “why” as you are asking,
getting the same stark answers:

cold, dark; unreasoning descent;
eventual surrender.
Which is to say, sometimes 

there’s no answer at all. All I can do then
is stroke for the surface and hope
for a fire on the shore

if and when I break through.
Something to light my way home and then
warm me back to life.

A fire like you, perhaps.
A fire in the shape
and sound of you.


New Slang

Swore off using new slang
some years ago as being
too much work for too little reward,

too much risk of ridicule, 
too much displacement
of beloved words

for words whose tenderness
I did not fully trust. 
Now I’m alone, 
silent in the dark;

nothing to say
that anyone 

seems to understand.

People my age
seem too stony to me, no longer
pliable or open to the moment.

People younger than I am
seem too stony to me, too ready
to catch me slipping.

People older than I am
seem too close to death for me,
resigned to waiting just a little while

before I’ll understand them,
but I do understand them. I do.
Lost enough people already

to have stopped being terrified
of how this journey ends
if not yet to have embraced the ending.

This fulcrum upon which I now sit,
moment of balance between
current and former selves,

moment in which
my darkening

and stiffening tongue

has been stung
by misuse, 
cheated
of its ability to change?

It’s finally a comfort.
I’m waiting to tip
away
from youth, slide 
into old age.

I am not in love with how I am,
but I am nonetheless alive.
I still have words. Still speaking,

even without a clear sense
of where I will be heard
or for how long.


Requirements

Start reimagining 
that flag
is a door anytime
you see it 
upended. See it
as a locked door
with a code
to enter. 

Start picturing
an eagle
in tears, starving
because it’s exhausted
and cannot feed
with its wings up
and its talons full
like that for all
these years.

Start wondering
what’s under 
your Uncle Sam’s 
hat, why he
looks so pissed
as he points at you:
you thought you
were tight, after all
you’re family or
so you were told.

Start wondering
where that dollar bill
has been, where
they’ve all been. Start
thinking about them
in your pocket, your hand,
resting on your bare skin;
who paid for what with them
before they came to you.

Start imagining
how hard
you will have to kick
to take down that door.
Think about what might be on
the other side
until your foot
twitches without you
willing it.


To Fail Again

Whenever he thought
he was on the brink of understanding himself
better than before, he would have 
the same vision of being buried deep,
carried by unknown people into a cave
in a procession lit
by a single white torch.  
They’d place him at the back of the cave, 
alone with the torch, laid out on the stone floor
in the dim light until the flame died,
at which point he’d get up and stare 
at the prehistoric walls
and see upon them fantastic pictures
of dancing beings of light and air
trapped incongruously below.
Then he’d shake himself
loose from the vision and come up 
to ground level and try and try 
to bring those beings with him,
or at least to tell their stories,

and he would fail
and fail again
but each time, he’d look forward
to returning to the cave
to try and fail 
and fail again.


The Wave

While working on someone else’s work
strictly for my pocket’s improvement

I’ve been thinking all day of
cresting a deep drone tone

played on a dark electric guitar
as if it were a wave far out at sea

racing toward land overnight
across the whole of an ocean

moving toward the shore of a stage
where it will break

and alter everyone in attendance
with a drench of black sound

I don’t know how to create it
and from guilt over things undone

I’ve touched no guitar today to try and learn
But tomorrow — come tomorrow

I’ll put in less time on someone’s job
and bettering my normalcy

Instead will surf the deep ocean
riding the imperceptible wave in my ears

from origin to end to see what comes with it
from abyssal depth or strange port

as if I were a brave sailor and not
a prosaic and mundane slump of a man

worried about bills and chest pains
to the exclusion of making the music I’m here to make

along with words to ride the wave
all the way 
over the shelves of shore

into the high tide line
so everyone there gasps and says

they were glad to be present when it came
to be present for such a sound


I Wake Up In Despair

Revision.  Posted originally in April, 2016.

I wake up in despair most mornings.
Each day slants uphill.
It takes everything I have to climb it.

I wake up in despair most mornings
but find comfort in knowing 
things that no Pharaoh can know;

how, for instance, to pick myself up
without an entourage to help me; how in fact
to get by with no entourage, neither in celebration

nor in sorrow; how to fall down back-broken
and get back up again next day for another round
with nothing but what’s in me to pull me up.

I wake in despair most mornings. Each day
bores me: sometimes with a dull drill, sometimes
with a chisel of same and same and same again.

I wake in despair most mornings 
but find comfort in knowing
things that a boss can’t know, or has forgotten;

how to do the dirtiest bits of a dozen jobs, for example;
how to take the next step when it’s time, how to 
fix the broken piece, how not to fail

from seven AM to lunch, how to stay awake
from lunch to three PM and longer
if three PM becomes 5 PM or later.

I wake in despair most mornings knowing
how little of my life is open to me, based on
how much time I have to spend recovering from the rest of it.

I wake in despair most mornings
but I can almost get to glee in knowing
what a king does not, what they may never know;

how to run riot in the streets to spite all my aches and pains,
how to run riot in the streets with all the others aching and pained,
how to run riot in the streets knowing how little time I likely have.

I wake and run riot knowing that ahead of me, somewhere
cowering, somewhere hiding behind mere walls, 
a king, a boss, and a Pharaoh are themselves in despair,

filled with the knowledge
of their lack of knowledge
about anything that needs to be done,

and in spite of the odds and the guns
and the war any of them could muster,
I no longer share their despair.


Ghost Apples

Look at you lamenting
the disappearance of apple pie.

Sitting around all day cussing
the bad apples you have to work with.

Muttering about the past, the crust,
the way it used to be.

No one talks up old-fashioned apple pie 
like someone who thinks

the only good apple
is a ghost apple.

Those good apples, you say,
made great pies.

You can till taste them 
if you try.  We need to bake them

again.  Need better apples.
Need a sturdier crust.

Make apple pies great again,
you say. Get rid of the bad, bad apples.

I’m a good apple, I promise, one
fallen far from your tree,

and I don’t want to be
part of any pie although

I’m as American
as you know what.

Keep longing, keep
imagining old-fashioned flavor.

Those ghost apples will leave you
hungry, famished, starving,

strangling on dry crust.
Meanwhile, I’m doing fine

on a diet
of what’s in front of me,

not on what’s long gone
and left behind, 

and there’s not a bad apple
in sight.


Taking Down The Ruins

a spider
in a corner
cocooning
a beetle holding 
remains of joy
in its jaws.

mice nibbling
final hopes
spilled across
a dusty 
kitchen floor.

masses of wind
fling themselves against
windows that are
slowly but surely
giving in
to the battering.

on and on,
house by house,
block by block, 
city after town
after farm after town 
after city. 

almost all of The People
have disappeared.
anyone left
expecting to hear
other voices
hears nothing

but the sounds of

earth scavenging
what’s left and 
taking down the ruins.


23

Somebody give me one of two things:
a top hat full of noble blood

or a statue of me wearing the hat.
You can call me lord of a lovely 

principality. Isn’t it the same thing?
Isn’t a statue of the imaginary me

the same as the red juice of privilege?
I hereby declare that they are the same.  

If you give me the blood
and the statue as well, won’t I be

regal and in charge?  Go get me
the title as well, something on parchment.

I want to choose who I am
and discard what I was raised to be.  It matters less,

it seems, than what I decide a scrap of me
has to report.  All that history to wrestle

that once could exalt or drown a person
and now all we have to do is check a box

or stuff one and we are what we claim.
Easy enough for everyone.

I’m enjoying the stony hat on my head now.
I’m enjoying the hell out of my pale marble face.

I’m dreaming of what it all means,
when all it means is that I’m dreaming. 


Take A Little Trip With Me

I don’t mind your drug full eyes
any more than I mind how cloudy
the steel of my own brain becomes
under the threat of smoke. I am 
no hypocrite. I prize the undue mix
of clarity and deep confusion one needs
to get by in this climate of insult and 
anger. You have to get ripped up like
a wrecked paper crane, unfold your awareness
in pieces on a desk, try to reassemble it;
if you need a chemical to make the glue stick,
use it.  You need an herb or a pill, burn it
or swallow it.  A clear head can mean different things
to sane people now and then, and now
it might mean survival to let it go. I do not mind
your sweet muddle, your gentle fog,
for the same reason I do not mind my own. 
I cannot embrace the world today
without acknowledging how illogical
one must be to do so.


Monologue: The Nature Of God

Now and then I am challenged
to define my spirit and my beliefs,
usually by someone deep in the binary.
I see dichotomies coming a mile away:

are you a good Christian or an evil Satanist?
Are you a stupid believer or a brilliant atheist?
Do you hajj? Do you kneel? Would you
have lit the pyre or been one of the burned?

I do not speak of these things precisely
to avoid the silliness of such talk, but since
you did not ask and yet seem curious
I will say this: whenever I come to a place

where my road ends in a choice of right turn
or left turn and everyone around me urges
their preference upon me, I turn around
and go back the way I came, or I sit down

on a spot in the middle of the road
and observe the land and sky all around,
see if perhaps there is a pond or ocean
nearby, or a river or stream. 

If you do not understand this
you could never understand what I might say
about how I apprehend the nature of God.
You would not learn enough of who I am.

If you decide that I must therefore be
among the ones to be marked for burning,
go ahead: burn me.  Burn me
for what kind of fuel I am to you. 

It seems that in your world there must be
a name for everything, whether or not
you understand it. Decide later,
after I’m gone. Name my ashes instead.

I’ll shrug off your name for me
as the wind carries me off
in small eddies and tornadoes,
in all directions at once.


I Sing The Body Selected: Paul Bunyan

I sing the body selected for its utility;
today, I sing the body of Paul Bunyan.

No one knows the truth about
Paul Bunyan, secret hero
of the self-made mythos;

born as vague folktale,
dim origin story explaining nothing;
originally only seven feet tall
then grown by design to enormous size
as slim basis for an advertising myth;

rugged, near deity, holy logger,
ravenous for trees and food, good-natured
giant, honor bound to his azure companion
Babe the castrated behemoth;

Paul Bunyan is having none of it anymore.

In this long-ago opened
once-forested land
there’s nowhere to be
huge beyond simple explanation.

In this wide stretched
mythos of exceptionalism
there’s no room for his real story
as it should be told.

Paul Bunyan puts down the axe,
releases Babe to wander, sits down,
wipes his face on his shirt
and says:

done. I’m done.

I didn’t make myself into this,
I did not write myself this large
and never did I mean to be so alone.

There were camps, you know,
There were teams and squads and
communal effort and internal struggle.
There were many of us

but they chose me. They made me into a story
to sell lumber, paper towels, a useful tale
of Big Whiteness conquering,

and now I don’t recall who I really was.

So I’m done.  I’m done.

I cede the flannel to whoever
their next lonely self-made man might be;

I cede the flannel
to you, Kurt Cobain, secret hero
of all my logging, all my
clear cutting, all my
footprint lakes and axe-drag
canyons.  I leave it to you,
another young man alone,
your being soaked through
with myth and image
as was mine.
Drag your axe
through the world and leave
a deep, wide scar.

This will kill you
but they will all soon enough love
what they think you were.

I cannot tell you it will be worth it
even if you lose yourself in it.

That’s just how things get done
these days. That’s just how
the place runs. It needs
its hardworking lost men.
It needs them to be alone
when they vanish
into history.


Singing the Vision

People say,
honor the light inside you.
I say, I do honor it.
I honor it by allowing it
to cast the shadows it casts.

People say,
it is better to light a candle
than to curse the darkness.
I say, why would anyone
curse such a warm blanket
as darkness?

People say, go into the light.
I say, yes, I do —
and then I turn around
and adore the spill of deep night
from which I came,
and I turn and run back into it.
 
People say, oh my,
why can’t you be happy?
I say, I am happy —
I am fully in the folds of joy,
though not without sorrow
backing it like a quilt,
like the lining of a curtain
which holds back the light
and the eyes of the prying people
who cannot imagine this
quiet, this sacred shade.
 
People say so many things
that turn life into a switch —
light on, light off, this is good,
this is bad. 
I say, here is the idea
of the dimmer, the fader,
the deepening. I say
 
I’m in the midst and from there
both sides seem to beckon me.
That I stand in one to better see
the wholeness of the other is my
role and calling. I cannot stop singing
the vision long enough
 
to take time to entertain
what people say.