Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

A note for all subscribers:

If you ever want to check out one of my solo readings or a show by my music and poetry ensemble “The Duende Project,”  you can always go check out a constantly updated schedule here:

http://www.reverbnation.com/TheDuendeProject

You can listen to tracks,  see videos, and generally keep up with what the band is doing.  Usually list my solo readings on that as well.

If you decide you want to purchase one of our albums, you can go look us up on Amazon.com, eMusic, etc for the first two, and go directly to this site for the two most recent ones:

http://theduendeproject.bandcamp.com

Poetry matched to excellent, jazz/funk tinged bass, nylon-string guitar, and drums.  

Thanks.

 


Taste Of Failure

Apparently,
failure is delicious;
so many of my hungry neighbors
seem to wait for it to show up
then dive upon it open-mouthed,
wet-jawed.

I can’t share that appetite,
perhaps because there have been
so many times when my own tongue
on my own skin caught a trace
of that flavor, and I looked up
and saw myself as prey.

The failures start screaming
as the raveners approach.
I do my best to get between them
but then I wake up. There’s a
taste in my mouth that’s worse
than normal, or maybe it is normal.


Solstice

August and it’s clear
that she’s aiming for autumn again:
dark in the early morning again,
dark in the early evening again. 

If you asked Gaia
what it feels like
as she turns through a solstice,

would she sniffle a bit
at how comet-hearted,
hard-headed time was treating you,

or would she point to Australia
and say 

it’s their turn now so stop whining.
How quickly you’ve gone sour,
nature lover, now that your turn
is ending.

Tomorrow, it will be
dark in the early evening, 
dark in the early morning — 
much as it was here today,
and it will be the same in Perth
as it is here.  

Gaia moves,
the Wheel moves;

you should prepare
for coming cold 
as your doppelganger in Perth
should get ready for summer;

your crestfallen sense
of wasted time should be balanced 
by your double’s joy in anticipation;

and you both should know
that to Gaia neither will make
the least bit of difference.

 


Unquiet Desperation

A formal peace
has descended upon me
after rejecting bondage
by my own expectations: for example,

daylight outside keeps changing
from clouded to bright.  Because
I had no television on this morning
I did not expect this.

Nothing that it is happening
has been anticipated.  I am free
to just react and then act.  I am free
because of refusal to do

what I always do. Stubborn
rebellion against what is expected,
no matter how small, is called for.
Living as others do is uncalled for

in a land of quiet desperation.
Every third person is dying
from slow suicide.  Yes, I may end up
dead more swiftly this way. Ah, well.

 


In Transition

Currently I am in transition

from easily visible, solid, and present
to softly hazed and hard to see.
You offer sympathy?
I turn it gently aside.
Nothing painful to this.
I am, rightly or not,
beginning to fade from view,
preparing to sleep through
a slow apocalypse.  

The sequence of expected events
is not important.  
How my time will slide out from under me
is not important.
I am in this moment, called now.
I remember my history, called then.
I don’t own either of them.
None of us
own any of it
and none of us
will decide what happens after us
and most of us
are going to be forgotten
in the moment
we’re done.

Currently I am in transition 

toward sleeping through
the rest of our slow apocalypse.
All the signs point to it
from the hot wind and the scarce bees
to the gray water in the Arctic and
the permafrost relinquishing its hold.

When it comes, that ending,
that curtain,
when it comes
it will come in obliquely.

It will not be swift.
It will take a long time to happen.
It has taken a long time already.
It is taking its time with us.

When it comes, that disaster,
that shaking off,
when it comes
I will be asleep
and I pray
I will not be dreaming.

Currently I am in transition

already asleep and waiting
in the now that will erase the then
eventually.  I am fading from view
and being forgotten.  

I am 
the harbinger of the slow apocalypse.
Perhaps
I am a whore or a broken seal
but I am
no horseman riding frantically,
no multi-headed beast,
certainly not a soldier in any army
evil or righteous.

If you want to know
how it will be,
see this body bloated and sluggish
and this mind resigning position after 
position. See how hard it is
to lay your finger on me.

Currently I am in transition.
I think, now, you might know what I mean.
If you want to, if you feel it,
go ahead and scream your eyes out.
I did that too, a while ago.
I got over it.
I will be here when you are done. 
Currently I am in transition
but I will wait for you.


The Burden

I let it fall.

When it hits
it leaves a mark — 
a canyon in fact,

one so deep I’m never going to get
to the bottom of the damage
it’s left behind, but at least
I don’t have to carry it anymore —

God,
it was the size of the sky,
the color of old blood,
and how it stank.

I’ve let it fall
and there’s nothing 
on my shoulders now — 

my lightened,
lonely shoulders.


When He Broke Us

when He broke us

our mystery belonging broke
our knowledge
of stone’s tongue broke
our river dreaming broke
river bed opened
and drained itself down
to its bones

when He broke us

we ended almost
couldn’t speak to each other
after war came famine and
our children were taken
they returned much later looking more
like Him
and no tongue to use with us
who were we then
without them 

but when He broke us

He did not finish it
we found glue among little stones
we found our old words there
we saw old life in new seams

when He broke us

we saw his self capitalization at last
for what it was
and gently took it from his hands

when he broke us

he began to crack himself
shame lines crazing his face
he tried to wear our clothes
they fell from him
he tried to steal our names
we called them back to us
his children learned to see him
as unnaturally starved though leaning toward obese
they are losing him in their own growth

they feel bad about when he broke us
it is not enough but it’s something
little breakers feeling sad
in their fancy hats
they still don’t see
as stolen property

 


Trajectory

All you have is trajectory
to sell you:

clear arc from
yesterday to now;

clean framing line
in mid-air revealing

origin, path, and
predicting destination;

but what are you now,
in the moment?  Freeze

a second, long enough
for us to see your eyes

and the lines around your mouth;
are they from laughter or anger?

Let us see because assuming
based on trajectory is not

sufficient.  Face us for once
as that arc behind you is smoke

and no one can tell
if you’re still on fire.


NSA

Let’s just hand over the water coolers
to the spies.  Let’s see them
try to process all the loose words.

In a place born for free speech
why are we all so terrified that someone
might be listening to it?

Let’s get over it.  Let’s
talk louder.  Let’s not relent
at all; talk about everything

at once.  Mention your
bowel movements in the same breath
as your passionate defense

of the right to violate a law
in pursuit of justice beyond it.
Give breakfast cereals credit

for insider trading.  Describe your car
as the perfect example of style so wild
it terrorizes the road under it.  

Don’t capitulate: overwhelm.
They won’t know what to do
with a firehose narrative.  If by chance

they come for you, laugh at them.
We’ll laugh with you, all of us.  Laughter
is the war they’ll never win. 


Remote Viewing

Session the first:

it looks like a pin. it looks like a needle. it looks like a sting. it looks like a pain. it looks like a reminder. it looks like a bad time. it looks like a place to go. it looks like here is there. 

Session the second:

a tube.  a tunnel.  a closed space.  veins.  arteries.  empty inside the vessels.  a heart pushing air.

Session the third:

it’s what I imagine the worst to resemble, but it seems peaceful.  a man is there.  a woman has just left.  

now the man’s leaving.  now the pin is in his hand, its point in the skin.  he’s not bleeding.  the empty veins.  the whistling out of a wind that was in him. it seems like here is there.  

have I done well?  has this been a success?

 


Resistance

what I was 
keeps breaking
what I am

what I was
reminds me
I’m not whole

what shall be
terrifies
what I was

what I was  
terrorizes
what I am

what will be
never minds
what I want

what I want
is to be
what I am

while never caring
for the pain
of what I was 


The Sensational Excuse

What, were you
sensational and I
missed it? Apologies
from my bottom core — I was
elsewhere, captive
to smoke and some
shackling dream of
complicated motives.
I was enslaved and
I don’t use that term
lightly –it’s too heavy
a word for that.  I didn’t
like my master and
hated my chains.  I
lay there wishing I was
with you, really,
it’s not an excuse but
truly all the forces
that held me were stronger than
my desire to be there.
And you were of course
sensational! Of course
it would be the night
I was laden with blue
stone, held down to the earth 
by its very bedrock, unable
to rise for you or me or anyone,
it’s purest coincidence that
I’m up and about now, a freak
emancipation raised me up 
and I know it’s no excuse but
that freedom came too late
to let me get to you, and
there you were being sensational,
as I was being crushed, as I am
crushed now, figuratively
but still I’m crushed, it’s no excuse
but crushed really is the word
to define the blue granite basalt marble
nature of what kept me from you,
you being the sensational you you are
or so I hear, it’s not an excuse
I know, it’s not an excuse, it’s
really not about you,
you were I’m told and I’m sure
sensational and it’s
not an excuse, not about you,
it’s about me. 


The Feast

To begin, for each guest
a gift of honey in a small jar.  

Broad leaves laden
with sticky-starchy rice, a bed for 

cloud-white fresh fish, steamed
and spiced. Tall tumblers

of cool juices, a good wine
of unknown provenance

in a thick-walled carafe.
After, unfamiliar fruits

placed within reach
to be eaten at leisure.  

Then I woke and this all became
a rapidly fading dream —

don’t recall, ten minutes later,
what the perfect conversation was

that accompanied it, do not know
the name of she who sat across from me

and made me feel small and
as full of future as if I were a seed.

I remember her eyes,
the taste of that fruit,

how the honey in glass
glowed in the sunset, 

and how much I wanted
to call that place home.

 


Shabby Mansion

Shabby mansion —
we’re so tired we are
starting to shake
more than usual;

afraid
of icecaps and ice tea,
we fear
children of various kinds

whether they’re on
magazine covers
or on our streets
after dark.  We justify

anything from Listeners
to Watchers to
Robot Killers based on
our need to be

Absolutely Safe.  Of that
we sing, reiterating
that the banner 
continues to wave

through it all: 
our very theme song
derives from
a siege mentality.

But the view
from the windows,
the view
from the porch:  

still a prayer worth
raising, a waning
wilderness but still
worthy of awe —

what say we burn
the old house down,
camp here, build something
more modest?  

Maybe this time
we can treat
our neighbors better,
give up our fear of Dark?

Maybe there’s something
to be said for dancing
around a fire?
Perhaps its light will validate

the ash left when we burn open 
gates and walls.
Think of what faces we see
within the word

“us” — how many
do we let in?  The children we kill 
by gun and by drone
are children we ought
to call our own, no matter

who bore them or where 
we find them — they
are in our hands,
in our yards,

waiting 
to enter the light
from the cleansing fire,
and they’ll come

whether we invite them
or not, whether or not
we keep the shabby mansion
intact or burn it down.

 

 

 


Damselflies

(From a prompt in the GotPoetry Live reading series Facebook group)

My favorite loving 
to watch
is that of damselflies,

him arcing abdomen back
to clutch her, her looping 
abdomen forward to seize him;

lighting for hours
on the edge of marsh grass,
then breaking free of the spell

to fly off separately,
not to meet again,
everything fulfilled there.

I could look up formal
names, describe this in 
minute words, kill it as biology lesson,

treatise on the aerodynamics
of mating, essay on metaphorical
images to be used in romantic poems,

but honestly? Would much rather
lie here in sunlight with you, practicing 
such poses, delighting in the sensation of flight.