Monthly Archives: June 2016

Man In The Jar

There’s a man in a jar
on the high shelf. Not preserved,
not pickled. Just sitting, 
alive (it’s claimed), walled off,
visible. Maybe he’s angry,
maybe terrified. Maybe
he’s feeling an emotion unique
to the walled off, the exhibited,
the left on a shelf. It would be good
to have such an emotion — not to
have it for yourself, not to feel it,
but it needs to be described.
It’s new to us, new to humanity. It’s 
a function of how so many of us are
connected without having any feelings
for each other. We fake it a lot, though.

Perhaps the man in the jar on the shelf
is tired of faking. He’s rocking the jar
now. He’s getting it closer and closer
to the edge. It’s going to fall and those
pieces are going everywhere
and chances are
he dies in the fall.  

Let’s watch.


Salesman’s Blues

Originally posted 6/18/2008.

In town for a convention.

When not at a meeting or the booth
lives in the back corner of the hotel bar,
alone over soup, a salad, now and then
a rare steak, always
the drink, always the glass.

Right now, running
a finger around the rim

of the tumbler: two rocks,
single malt, half gone.

Half gone as well
the old tie — worn as a slack noose,
silk darkened at the tip
from fiddling with it
under conference tables,
in airplanes, in 
traffic. 

Looks down,
notices the staining

and says, “Man, if I still 
had the money
for every tie
I’ve had to buy in a rush
from a hotel gift shop
before a meeting 
where I had to look my best
or risk losing my confidence or
maybe the account,
I could have retired
by now.” Strips it off,
a superhero changing
for battle. 

Downs the last
of the drink, slams
the glass, gets up to go 

back to the room, getting
far away from people
laughing at the TV,
flirtations, deals
wisping on the air
like smoke foretelling fire.

Says it’s only temporary.
Only till things get figured out.
Only till all the obligations
to others are fulfilled. 

Offers silent prayers
to whatever has made happiness
such an overpriced commodity
that one can survive
on selling it to others
while living entirely within
a fantasy of making enough
to buy some of your own
one of these days,
sooner rather than later.

Falls asleep
trying to decide
what tie to wear tomorrow.


That Poser’s Life

Disappointed that my body
has pushed through another night,
I flush with anger for harboring 
such desperate selfish longing 
for an end to this cycle 
of sleep and wake 
and sleep and wake
again. 
I live a poser’s life,
keep enthusiasm for living
a sword-arm’s length away.

It’s such a privileged life,
such a privilege to be alive
and yet want to die 
without moving a finger 
to further that desire,

a privilege to feel entitled
to an easy passage.

Once, years ago,

I took the steps — bought the pills,
bought the razor blades,
tried more than once to use them.

I learned from those attempts
that I am a coward when it comes
to getting what I want, or what
I claim to want —

for perhaps I don’t want to die at all?
There are those who tell me that,
who say that what I did not do
I did not do not from cowardice,
but through the body’s stone resistance to 
the fact of finality. Something
within held me back. Maybe 
that’s so, but I can’t shake off
another thought —

that the reason
I did not succeed
was not from fear of pain
or afterlife censure, but from
the suspicion that once I’d crossed
I’d find everything there
to be much the same 
as here,
and once I was on that side,
there would be no way out.

So instead I wake up daily
dimly disappointed that I have
done so yet again, ashamed at
my inaction and my lazy wish
to have it handed to me in my sleep,
embarrassed when I think of those
who fight each day not to pass,
jealous of those who die in their sleep;

now and then each day
I push myself to feel 
a modicum of hope
that tomorrow

I might rise and know
something of what it’s like 

to be glad you’re alive.


USA

Not so much
a hierarchy 
of classes
as one of castes here:

Greenback Caste, 
Faint Hope To Prosper Caste,
Edgewalker Caste,
Underwater But Bobbing Up Now And Then Caste,
Bottomed Out Caste;

solid, none too porous,
none devoid of nuance,

each with special provisions
for how 
you or your parents looked,
how you live and love,

how you are what you are;

not splintering, not 
softening, not becoming
more pleasant.

Easy enough now
to move
down the ladder. 

Harder than ever 
to climb it.

Nothing
this vertical can stand
intact forever — 

it cannot stand
but i
t will take more 
than talk 
and lightly scuffed skin
to tear it down.

It cannot stand,
and when it comes down
it will come down hard,

stone from the sky
falling in fire, wailing
a storm behind,
splashing everything
with ruin
right down
to the last greenback
and marble arch.

The Pyramids remind us

that even with massive slave-built bases
that made them strong,

that even while stripped and roughed
they remain impressive to this day,
after all is said and done
they are today
just empty tombs
for men who long ago
turned to dust.


Milestone

People find this blog and my poetry in different ways.  Some follow the page on Facebook and Twitter, where links to the poems are cross-posted whenever I put them up.  There are a handful of folks who’ve been diehard followers from back in the LiveJournal days who get it via RSS feeds there on the site and in their mail each day.  (Yes, people are still on LiveJournal.)  All told, those outlets feed to just under 1000 people.

At the core, however, are those of you who subscribe directly through WordPress. And as of this past weekend, we crossed the threshold and there are now 1000 of you here.

Thanks to all who read the poems, wherever you are…this extended effort at self publishing and making an entire body and process of Work available to all would not be possible without you. 

Onward…

Tony


Forensics

Originally posted 12/27/2012.

We’ve exhausted all leads;
the clock’s running out. People
died. Who and what
to blame is all we care to know

but we’re broke and broken 
and we’re out of time. 
If we want to get past 
who did what 
and learn how to stop it

we are going to have to start time again.
Build it all again differently —
more windows and doors,
fewer walls.  Most of all,

we’re going to have to
build a better clock.
Something with longer hours,
days, years.

Something based on
the Mayan model,
perhaps.  Something
with resets.


Not Enough

Not enough.

Does there really need to be
even one more line
explaining 
how little I’ve done
with my talent and 
soul? How little 
I’ve sweated, how small
my reach has been?

No.

Enough.

There’s still time.
There’s work.
There’s breath.


I Get Misty

Such a great surprise to become unbodied,
to find myself hovering above my own grave
once my loved ones had wiped their tears
and the diggers had wiped their hands
and all had gone away; such a great surprise
to learn then how much I’d been run

by the belief that I was my body, how many
wounds and acts of ill repute I might have avoided
if I had become aware earlier of my body only
as game piece and vehicle for what I truly was
and not fallen into its urgency and insistence
upon its own mechanical demands. Now
that I am no longer inside the creaky tyranny
of it, now that it is beneath me in the dirt,
only now can I see how free I could have been;

words like “walk” and “run” replaced 
by “float” and “seep” and “hover,”
words like “hunger” and “thirst” set aside,
words like “lust” and “flush” and “blush”
slipping from the vocabulary
of my still-conscious ghost until
all that is left is the mist of me

dampening the headstone at dawn,
darkening the rough granite,
my sodden name a remainder
and reminder
of what I once thought I was,
what I did not understand at all.


Feeding

I’m trying to break
my bad habit 
of depriving myself
of thick words.

I’m going instead to savor
yucca, saltimbanque,
muscadine, and
riprap. Lie back with mouthfuls:

jingoistic, marbling,
dysplasia, nave, 
sacristy, homunculus,
mellifluous, melisma.

As much as I love
the stark bite of small
and simple, there are times
when I want the rich silk

of long syllables and 
sibilance, diphthongs
flitting across my tongue;
a lateborn taste for complexity

turning my scorn
for haute linguistic plating
of easy thought on its head.
I shall fatten myself

on these words
until I loll back
sated, full with them,
into a new round slumber.

And when I wake? 
I cannot yet know the spells
to come from this, the soothing
afterglow of such gorging,

the possible combinations,
sounds, denotations,
connotations;
an entirely different man 

may rise from the bed
where I laid myself:
hungry for synecdoche,
new as an egg, humbled

by potential, awake to language
as if it was again
that first time being turned away
from mother’s breast

and introduced to 
soft, utterly
unknown nourishment,
and finding it good.


Sloth

It might be the dawn
of the last day I’ll be alive,
or it might not. Grand apocalypse
or 
tiny personal demise;
I can’t say when either or both
may arrive.

I’ve read of 
many who have said,
“today’s the day,” then turned
their sick heads away
from loved ones
with a last resigned smile
and passed. Such
foreknowledge 
seems to come
only 
when that last day
is already very near,

and there are of course
the tales of soldiers diving into 
showers of demise who 
also predict such things, tales
of sailors on sinking ships
and pilots and passengers on 
falling planes, or in colliding
cars and trains, who do the same;

I cannot forget
to mention those
who choose, alone
in darkness, a path
hacked through dense pain
into that final peace
by their own hand.

All of these know
by choice or chance
what is coming,
but only just before
it arrives. I cannot see myself
slipping into despair
were I to somehow learn
the hour of my death
well before it came.
Instead, I like to think I’d fall
into the worldview
and mindset of a sloth —  

hanging for days and months,
perhaps for years,

from favorite places
in my personal canopy,
moving as little as possible,
being slow and sweet with a 
perpetual smile on my
changed and perfect final face,

dropping to the floor below
in one last fast moment
when it’s finally time
to go.


I’m No Christian

“…Satan, your kingdom
must come down…”

Thinly voiced, static-creaky,
Blind Joe Taggart’s guitar 
drives the old tune down
a narrowly rising and
falling blue road — and
am I hearing a distant trumpet
in the background?  Not in the song
itself, not in the recording,
but out in the neighborhood
somewhere.  Never heard brass
like that around here before.
The ancient crank who lives 
across the street will now and then
play marching music, military bands
blaring from the second floor
in summer, but this is farther away
and not like that at all; it’s at once
more plaintive and more ominous,
fluidly expert, a dangerous snake
of a melody falling in behind
this old-time apocalyptic warning
of Heaven’s eventual triumph:

“…I heard the voice of Jesus say,
Satan, your kingdom
must come down…”

I’m no Christian, not at all;
I just like to hear a good guitar
driving a good road. 
I like the crackle
of old gospel blues recordings.
I like to stand apart
from dead voices and hear
what drove them to sing 
without feeling like I need to fall in
with their fervor for the subject. I like
that chance to pick and choose
my personal soundtrack
for what may or may not be

the End Of Days without feeling like
I have to despair and wail along,

but man oh man,
I did not count on that trumpet.


For Weeks

We’re out
in the meadows
hiking although
there’s a predicted
likely chance of
torrents and thunder.

Ahead of us hours
of waiting, walking,
hanging on the movements
of every breeze-turned
leaf.  

I suggest we
might not want
to get our clothes
wet, and it might be
a fine idea
to take them off
while we’re waiting
and stow them in our
packs (which also make
fine pillows when filled).

You smile like
the light behind a long,

low cloud full of rain
when the ground
has been parched
for weeks.


Door Dreaming

Originally posted 6/6/2012.

In half of my dreams
I see a door

sacred to no two faced God Janus,

but instead dedicated
to a three faced
unnamed god:

one face for out,
one face for in,
one face looking back to the world

that would have been
had I never seen this door,
a face that’s always looking away. 

~~~~

I always wake up angrier
than I was

when I went to sleep.

In the last dream of the night,
I am being beaten
by a masked man.

He asks me
how it feels 
to be beaten.

I lie that 
it is neither bad nor good,
that it has 
no flavor.  

Let me spice it then for you
with more blows, different blows,
he says,

slamming my hand 
in the door
as I try to push through.

~~~~ 

Always aching when I wake,
always wishing I could
just go through the door

into the day
happy, light
and smiling.

I live in
this wrong world

of in or out, this or that.

I hate walking
through that door.

Some days, I try not to.

On those days my hands
look like meat 
from taking the beating
as I try to stand in between the rooms —

fingers clawed into the jambs,
terrified of the unnamed man
doing the banging.

Choose, friend, he says.
Crawl through or hang back,
but the door is here;

you have to choose
now that you know
it’s here.

What of
the promise of the third face,

I ask.  

No one ever
gets to look that god

in the eye,

he says.
They all die 
trying.


Feet

When moving across 
yard or continent
toward peace, 
across a border
or a walkway
toward something
you hope will be better
than where you are,

you place your trust 
in an ancient wisdom 
that suggests your feet
know more than your head
and your heart know, or

that when and if those
are in conflict, the decision
should be turned over
to those who have always been
closest to the path.  

My own feet must seem dumb
to those who don’t walk
as often as I do, since
I have stumbled more than once
into swamps and piles
of refuse upon departing
what seemed intolerable
at the time, found myself
staring back toward
what I’d left behind and muttering
about my idiot feet; but then

I turned back to the direction
they’d chosen, and slogged on
to the next destination
that would soon become
the next point of departure;

I might have regrets now and then,
might have let my feet choose poorly,
but look how far away
the first intolerable place I left
is now; look at the meanderings
you can read in my footprints,
the magnificence of that often 
broken tottering toward this Now.


Zucchero

In my late grandmother’s pantry
a leftover box of Italian sugar,
sole ingredient: “Zucchero.”
That is also the name of
an Italian blues musician.
I’ve never heard his music.
I’m ok with that, not because
I don’t want to hear it but because
I’m happy enough just knowing it exists.
I don’t have to experience everything
any more.  Not, for instance, planning
to dip my finger into the box —
I know what sugar tastes like.
I know what the blues are like, too.
I can’t know perfectly all things
in every detail, although once I slew
several of my better selves
and some worse ones
in the pursuit of such knowledge.
Driven to know everyone and
everything; such knowledge was all 
I had. I didn’t feel pretty or strong
or confident or human but the more I knew
the more I could fake those things. I bet
someone thinks an Italian blues musician
is faking it but I don’t. I don’t
know everything but I know 
blues, blues and sugar,
sour and sweet; blues e zucchero,
aspro e dolce. I got the blues
for my lost youth and my vain
pursuits. I got the blues
for my grandmother’s cooking.
She’d cook and then sigh on a chair
in her kitchen, wishing my grandfather
was still alive. He died the same year
Robert Johnson did. So did she.
It was long before I was born.
I missed so much.
I can never catch up,
I can’t be satisfied,
and I’m done trying.