eBooks available!

Bumping up…

I have eBooks/PDFs of my work available for sale to those who might be interested. All were previously offered as rewards to various tiers of my Patreon subscribers (a program I will be continuing there, btw). If you want access to the most recent collections as they come out, I’d go there. Just sayin’.

The titles include:
Annual “best of the year” collections. Currently available: 2017 — 2023.

“Then Play On,” a chapbook of poems about music

Pushpins and Thumbtacks,” a volume about icons and cliches of American culture

“Noted In Passing,” a revised eBook of a chapbook from 2012 that was a limited edition written for a single feature

“White Pages,” my collection of poems related to race and its role in my life

Decay Diary,” a collection of poems about aging

In the Time Of Contagion,” a collection of poems about you-know-what

“The Wrong Flowers,” a prose/poetry meditation on the state of the USA in 2020

Show Your Work,” an eBook version of an earlier, out of print chapbook.

“The Day,” a selection from 20 years of poems about 9/11/01.

“Ideation,” a short collection of poems old and new about living with depression and suicidal ideation.

“Long Winded,” a collection of longer poems.

“songs for reluctant warriors,” poems for the US political moment of early summer, 2022.

“3 Quarters” released in October 2022. Random and recent.

“Owner’s Manual” released in December of 2022. Poems in the form of directions.  

“Worksongs,” March 2023. Poems about the world of work.

“3” or “Tercets.” July, 2023. Poems with stanzas of three lines. An experiment in craft.

“Missing.” October, 2023. Another craft experiment. A chapbook that’s missing…something. Or a couple of things. Up to you to figure out what…

“Incredible Roses” which dates from September 2024 and contains post-stroke work.

“mirror, mirror” is from April, 2025. Random pieces from pre-stroke and stroke work.

Mercy and Bullets”: coming soon!!


Minimal # of repeats among the collections.

All are available as both PDF and ePUB formats.

If you are interested, let me know with a comment on this post. Right now? They are 1 for $8 through Paypal, Venmo, or Cashapp — 3 for $16. We can talk about larger quantities and discounts if you want more. Message me for the details.

Thanks.


Wishing Doesn’t Matter

I wish I had a wall to lean on.
I wish it stood tall among the pines.
I wish it held back something;
maybe it does.
I don’t know what it could be.
It’s that good at its job.

I wish for so much I do not have.
I wish for peace, a shower, a moment to think.
I might get the last one, maybe the last two;
I know better than to expect peace
from anything in this world;
it’s a crock full of imagining, of lost causes.

I wish the coffee would migrate to my lips.
I wish the wall I dreamed of earlier would vanish
before the hot migration of the hot liquid up
and up, out of the mug, into me.
I bet neither of us knows how real that might be
but we keep wishing for it — a form of quiet, perhaps.

I wish I indeed had this wall to lean on but in the vision
it keeps falling, devolving to rubble, vanishing.
I wish its ghostly history mattered more
than it does. The history makers have swept it aside
and sweated it out. It’s gone, gone for good
or at least for my lifetime; nonetheless its symbol stands

among my souvenirs, my tchotchkes, my
useless rebellion of artifact; more useless
memories. I wish I had more than memories,
in fact. Wish some were still coming true
but I close my eyes against them. I drink the cooling coffee
with a tear in my eye. Useless. Useless.

~~~~~~~~~~~~~~~~~~~~~~“
onward,
T


Fight

They clench, they clutch, they fight the cold.
Baby fists, mighty in the moment; they fight.

Old hands, clawed up within themselves, scrap;
fight cold eyes and guns, pull themselves to fight.

Brown eyes and blue eyes fight. Their shade of skin
stops mattering with the entrance of a bullet. They fight.

Standing on the sidewalk with a poster in their hands.
Standing there wondering what to do – hell yes. They fight.

Did you wonder what you would do if it came down to it?
Did you marvel at how far away it all seemed? They fight

and you would, too, if it ever came to that; you’d yell
and scream, blow a whistle, sing a warrior chant. You’d fight

as if your being depended on it — never mind your life.
Afraid in your soul, cowering with your tongue; you’d fight

and fight until you fell covered up or exhausted or dead
to the earth below. It would honor you. If you fight,

people who matter and the very earth itself would honor you;
that is a promise. Rest and then wait for the immediate fight.

~~~~~~~~~~~~~~~~~~~~
onward,
T


Snow Day

Coffee and a world’s worth of books.
Silence elsewhere in the house.

A cat drowsing on a bare floor
before the heat source. Paws tucked in

as she’s got nowhere to go, not right now
anyway. The nominal master of ceremonies

chooses to sit with a pad and write something,
anything really. (That would be me, of course;

who else? I know you know.) Outside it is
damn cold and snow erases all there was

to see before it came yesterday, last night,
this morning. Now with daylight it covers

everything. Like a blank page made to write
on; another story, a new letter, maybe

one more poem? No matter. Whatever
comes out matters less than all that —

just sit there and look at the coffee and the books
and of course observe the silence; take it all in.

Of course, I have vital things to do in silence.
I should do them but instead I reach for the cup

and sip. It’s a good cup. Damn good coffee.
I should recall the making of it for next time

I should do a lot of things, I should.
But I close my eyes instead.

Tomorrow. Maybe I’ll get to them
tomorrow. Maybe not. I’ll have coffee instead

and think about what I should call this, this
waiting to see where I go from here.

~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Fade

It doesn’t matter what I think
or do. No matter what I think
or do I am incorrect —
just another fool demanding
correction from the facts
of the world.

It doesn’t matter what I think
or do. Doesn’t matter
whether I understand the orchids
bought from the supermarket
or how to get them to rebloom
once they are done —

doesn’t matter that I spent too long
before the video explaining that,
that the explanation took too long
for me; involved fermenting rice water,
hosing down the leaves, above all waiting;
I watched it all and even that took too long

so I turned it off and resigned myself
to it dying untouched; that I
would enjoy the remaining flowers
wondering how long they would last
before I had to toss the entire plant aside
like so much trash and move on —

focusing instead on something else,
something I hadn’t yet thought of —
my own thinning hair; my fingers’ clumsiness
on the antique guitar; my creaking groan
every time I bent from the waist;
my shrugging off the death of the plant

and everything else
that I carried.


Your Dead

When your dead come up to you,
sidle their way inside you, you have
a choice — not always obvious but still
a choice to keep them or let them go.

You don’t feel them inside you
the same way all the time, you know.
You don’t feel their surprising teeth
and can’t know the difference. No,

you need to speak of the dead
more calmly. You need to talk
gently to them, ask them
with compassion to let you go

and after a while, a short while
or a long time — they do. You sit back
and let them go and calmly watch them
as they go and then turn back

to your own affairs, to the business
of your busy life. You are unbothered
by the departure and after a while,
you sleep unbothered as well.

You are their ghost, after all.
You left this life long ago for theirs.
You are a ghost of their lives
and will be forgotten when they go

into whatever
they go into
as you will be forgotten
when you go.

~~~~~~~~~~~~~~~~~
onward,
T


Ridiculous

This poem is ridiculous
in its intent
It presumes too much
as it dances around the truth
It doesn’t address
the source of it
It sings of its intent
without meaning a word of it
It deals in syllables and meter
without decision as to why
those matter
Shifts them from my hand
to your hands
And again doesn’t matter
in the slightest
Except for the truth
in its very marrow
That you need
to sort through
to get to
the back of the bone
This poem is ridiculous
except for all the others
I have written
that tried to do the same
and failed
like a butcher who failed to cut meat
like a child who forgot how to cry
like a man who looked at his hands
decried them as having failed
in their intent
in what he intended for them
to do
~~~~~~~~~~~~~~~~~~~~
onward,
T


What The Cat Must Think

All the radiators are speaking to each other.
They burble, they hiss, they speak in secret tongues.
If there is a language to it (and there is) I do not know it.

I know it has secrets — some obvious to figure out;
some less clear and maybe more destructive;
some so far from my knowledge I cannot begin to know.

Meanwhile the cat fountain in the kitchen keeps it up.
A constant burbling, an argument perhaps, maybe just muttering:
the content unclear, the language soothing; the cat pays no mind.

I know it has secrets, mostly in the guise of unformed chatter —
one of them is a pleading: drink me, drink me, please drink from me!
Something like that. As I said, the cat pays no mind.

If I didn’t know better, I’d say the whole house is speaking its mind.
I do know better, of course. Don’t you? Don’t you know
the voice of an inanimate object doesn’t speak words at all —

not to us at any rate. Not to us, not to the animals we keep,
although the cat seems to ignore it all in favor of punching me
in the headside, through the covers, begging me to get up

and tend to her tender needs, her ferocious longing for food
and water and something else: something like understanding.
I deliver something but it’s not strong enough. It never is.

The cat always expects more, of course. It’s in the shoulders,
her back turned toward me on the floor. Get a load of this,
she sighs to the rest of them. He can’t understand a thing.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T



The Walk

( for Logan)

I’m honored to be
part of your sunset,

touched to be gently
ushered forward to the breach

of this road — not to go alone
but to be assisted as I go;

moved that we are together
on this though I am unsure

as to who ushers who
on this road, pushing quietly

yet inexorably toward a closure
that will send one of us forward

and one alone and back
the way we came. I am touched

and honored by the sunset itself,
finally; that those level warm rays

strike you almost as much
as they do me; you go forward

into them — my memory fails me
and I don’t know who goes forward,

who goes backward, which of us
stays in place, watching the other one go;

I only know darkness
holds off long enough

as I, certain at last, turn back from it
into fading light.

~~~~~~~~~~~~~~~~~~~~~~`
onward,
T


Levon, Dock, And George’s Coney Island Dogs

Levon Helm sings
an old Dock Boggs song
that I don’t know the name of

like I don’t know
the name of the smiley face
that’s painted on everything around here

or the name of the Valentine’s Day card
with its lace and formality of love
cut to fit upon a card

I do know they are in Worcester today
on a Sunday that’s as cold
as Levon’s grave likely feels within

or as colder still is Dock’s grave
Everything seems cold to me
here in Worcester

The local residents seem to mind
and are staying indoors
listening to their own music

I think no one but me
is likely listening to this music
listening to Levon and Dock

here in Worcester
I don’t feel much like belonging here
but I seem to have little choice

I’ll fight a battle between
the ragged blues of Levon Helm
and the cotillion of the Valentine ladies

I will fight a Worcester war
in the cold of a winter day
where my coat’s too short for a formal dance

so I think I’ll go down to George’s later
Have a Coney Island dog and a half-sour
Dream of blues and formal music

and thank God I’m here in Worcester
where the divide between them
isn’t enforced ever or even much at all

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T



Kinda Sorta

You speak to me
and I realize suddenly
I don’t know what that means,
what it might mean
over the course
to the end of this road.

Maybe some day
I’ll be replaced. Maybe
you won’t feel a need to speak.
Maybe I’ll even have no need
to listen to it. We will sit
in comfortable quiet

with nothing to say. Or maybe
there will be another person
sitting here in my place,
seat warm from my ass, wondering
what happened, how he got here?
That’s kinda sorta how I got here.

How I got here…it’s a puzzle.
after all. One minute I was elsewhere,
remember; next minute I was here
and not a clue of how it happened.
But I carry on the conversation
as if I was here all along…

One minute I’m here
in my place and the next minute
the someone I am not
is not here now and I’m still over there
in whatever place you and I agree to call
that place.

I don’t know where I am.
I nod and smile in the right places.
I touch your arm with my right hand.
I touch my own face with my left hand.
Feeling nothing, I sit back.
I am in my element: comfortable quiet,

or so I’ve been told.

~~~~~~~~~~~~~~~~~~~~~~
onward,
T


The Radio Makes Me Weep

A rippling acoustic guitar,
thick male voice over that
and a bass note underneath it all —
is that really there or is it just
an undertone coming forth
unbidden? Unexpected tone —
you can imagine the sound engineer
hearing it, liking it, nodding
and saying, “Let’s leave it in.”

Of course I know nothing
of these mechanics of engineering
a song; can barely handle a rhythm
anymore, what with the
accursed disturbance
of the muscles
in my fretting hand,
my left hand,
my strong hand;
but I can close my eyes and dream
of the possibilities there,
I can surely dream of them.

My guitar dreams
of them, certainly;
my hands twitch
under their influence;
my still-shut eyes
twitch as if they weren’t
going to weep.

~~~~~~~~~~~~~~~~~~~~
onward,
T


Patreon update

I will be doing another review this weekend. Doubt it will be of one of my poems; thinking of doing an Emily Dickinson piece…namely, “258”.

onward, T


Minneapolis: January 2026

I ask you, beloved:
what will my killer look like?
Will they come
at night or in wide daylight?
Will they be
in finery stitched from silk, from satin,
dressed in Queen Anne’s lace?
Will they wear
simple cloth, broadcloth,
Kevlar, rags from an old body?
Will they curse
me out for being so much
or so little of what they expected?
Will they feel
it — plunge of bullet
into flesh, easy slip of a blade,
choking hold on my neck?
Will they feel
resistance build, conflict,
bite of holy arms I took up
for glory, for defense, simply
for something to do that felt right?
Will I be scared
or unknowing of what will happen,
what could happen?
Will I turn
toward children nearby, near the old,
the new to this country who did not ever
expect this, the longer term residents who
knew this in their bones, knew it was coming,
the old ones who did not expect this ever?
Will I wring
my hands as they do not, sneering
or worse yet turning away with
a notch in the belt, a nick
in the butt of a gun casually
keeping something like a track?
I ask you, beloved:
where did they come from?
You may go home all a-quiver,
praying for an answer,
wondering about them and their
casual loyalty, their boots
caked with asphalt and a friend’s blood;
asking yourselves as well:
where did they come from? Because
it certainly wasn’t here.
It certainly wasn’t here.
~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T




Phoenix Song

I seize you by the neck
politely but firmly and whisper:
I don’t know if I will see you again

and you pshaw me in
a gently disbelieving voice, scoffing
uneasily at the words.

Later that night comes the vision
of a lab assistant, mine though I am
without a lab; on fire, vividly

on fire; his name is Michael,
but he seems all right, says:
what of it? We will see each other again.

Later yet again I see upon midnight waking
a manticore screaming, a gryphon howling,
a phoenix squabbling then singing

in a stunning voice that melts
the very rocks upon which we are cast.
Later still I pull thin covers over my head

and am enveloped in a form of quiet
broken only by a random pop from
a kitchen radiator. The cat

licks me
fully awake…
what of it?

I will see this again.
I don’t see how
I will see it, but I shall —

I shall hear the song of the phoenix,
improbably sweet; you shall hear me backing
into a distance both next to you and distant;

I will hover like dew above long grass
before dawn; you shall hear me speaking as if
I could forget. I will see every thing again.

~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Seeking five people

to offer a topic upon which I will write a poem to bring the total poems on the website to 8600.

Make it funny; make it lugubrious. Just make it hard, complex, etc.

Yes, I am planning on quitting after writing them. I probably won’t but I am going to slow down dramatically. The bulk of my work will be done then. I can close out easily, die satisfied, etc, etc.

So… come on and shut me up.

~~~~~~~~~~~~~~~~~~~~~~
onward,
T