Tag Archives: political poems

Crumbs

Aren’t you tired
of living on crumbs?
Aren’t you tired
of fighting for crumbs?

Of waking up 
after three hours’ sleep
and lying awake 
until morning?
Of rising and aiming
your heart at a job
that takes all you’ve got
then returns a few scraps from
some folks at a table 
you won’t ever see
that hangs above you
like a solid cloud —

aren’t you tired
of waiting for crumbs?
Aren’t you tired of 
living on crumbs?

Of hearing three words of praise
for your being and doing
for every four hundred 
you hear in rebuke?
Of seeing the horizon
as some kind of carrot
to keep you running 
with the stick right behind?
Of becoming the person 
you dreaded you’d be
when you thought the horizon
was a sweet dance away?

Aren’t you tired 
of scratching for crumbs?
Aren’t you tired
of living on crumbs?

Here comes day
and then night
and then day
and then night
and every hour
falls into gray
till you can’t tell the difference
anymore

Here comes something
falling from the table
One atom of sleep or
one atom of comfort or
one atom of peace or
one atom of how to get by

And just as you catch it
It melts into memory
Then it grows in your memory
That’s how you survive
By turning those bits
into magnified moments
Turning those moments
into amplified stories
Fantasies of joy
you claim to believe
and try to believe
and want to believe — 

A whole culture feeds that
even while it bleeds you
Makes it hard to get past it
and realize that
it’s the dark of the day
and the dark of the night
at the same exact moment
and it is every moment…

you know you are starving
though you can’t admit it — 

and aren’t you tired
of living on crumbs?

Aren’t you tired?


Getting Past It

Three fractured heads 
in the crotch of a tree.

Dog-torn infant arms
strewn in a ditch.

On a dirt road, 
dark wet sand.

New genocide and massacre
glimpsed on a screen.

You can’t look away
even as you say

“it can’t happen here.”
It has happened here.

Here is here because
it has happened here.

You didn’t do it. You had
nothing to do with it.

But you are here, in part,
because it has happened here.

This is why 
you can’t look away

even as you say
“it can’t happen here.”

You want to know
what it looks like,

want to toughen up.
It can’t happen here

but who knows where
it will happen tomorrow

and if you are there
by chance or design

your today could be gone
when your tomorrow gets here.

You keep an eye
on the screen

and make plans and promises
about what you will

and will not do 
if it happens

where you are:
how you will stay upright

if the road runs slippery
with blood, how you will avoid

tripping over flesh
on your walkway, how you will

get past it. How you
will thrive in the aftermath,

how you will raise a family
there.


We Ought To

You don’t have to 
say anything, really.

Stand there as yourself.

We ought to know
that it is likely, probable, that
the chances are better than even
that it’s happened to you

simply because
we ought to know
this place 
operates now as
a carry-on from 
all kinds of horrible
places, and 

we ought to know
that whether or not you tell a story
of how it has been for you,

currents and channels
carrying polluted water
dirty every person standing
in them, and
it’s likely, probable, 
the chances are better than even
that you’ve been soaked
in certain poisons

for as long as you’ve stood
in the flood and we ought to know

who needs to get upstream
and dam the river
and clean it up and 
we ought to do that
without jabbering on and on

about not me and not all
of us and not now and not
true and not that dirty.

It is, and it is, and it is,
and it is, and it is, and it is.

Shame on us. We ought to
hang our heads. 

More to the point,
we ought to

get to work.


The Season Of Beginning

In most overheard remarks
on this first frost
is a sense
of saudade — a sweet sorrow —
for an ending

when one could instead look forward
to the dying off of weeds that have been
strangling the yard and air
with gnarled vines and snarling
pollen,

or to the cooler, cleaner
air and light pouring through
branches now clear
of leaf clutter so one can see
what can no longer hide
as easily. It’s true that soon

shrouds of snow will follow, but for
a few weeks this naked clarity will 
offer more opportunity
than was available in the dank 
and overgrown summer;
do not forget that this year
there is war
and this is the season

when enemy and ally alike 
come into open view,
when battle lines
are drawn,
when the fight
truly begins.


Earworm

1.
Early afternoon
and I’m glad I’m unheard

tunelessly humming
a current popular song

as if I liked it or it had
meaning beyond

its currency on all
media when in fact

tomorrow afternoon 
it will be displaced

from the odd cranny 
where it has lodged itself

by the next hot tune
or turn of phrase that

offers a sense of immediate
connection among those

who hear and repeat it
(although in my case 

nothing could be less true
as I take its presence here

to be a sign of how I have failed
to resist the dicatorship

of the official soundtrack
of these days) even when

no one’s listening as
is happening now

2.
No one is listening
as I hum this ditty

which is likely for the best 
as I carry the shame

of knowing it
better than I carry the tune itself

3.
This unheard song
of mine is not mine at all

but was likely crafted by 
committee

across continents
via the Internet

with the sole aim of
ensuring that it would be hummed

in all quarters
by all people who hear it

whether they want to
or not

not in response
to an emotional need or

appropriate situation
which would bring it

obviously to mind
but instead

simply because 
repetition and songcraft

have stuck it into
so many places and 

so many ears that
to hum it or sing it

becomes involuntary
even if it is hated

by the one
humming it

4.
Imagine what else
a committee

capable of such
manufactured taste

could make you do
and you may understand

why I am tempted
to slit my own throat

when I realize that I
am humming a song

whose name I do not know
only because it has driven

all else from my head
and I don’t know what else

is in there
hiding behind it


101

In the works of
Quentin Tarantino
revenge and retribution
are frequent themes.

I think they reveal 
the fullness of 
recent American 
dreams.

This explains so much of
how we got here,
where we’re going,
why we can’t turn aside.

This is Tarantino’s world.
Think of all the casual
evil accepted within
his concepts high and low.

Think of how
with winks and smiles
they comfort and authorize
a stab, a shot, a blow.

Think most of all
of the one where 
an actor demands
his men bring him

one hundred scalps —
usually enough
to make me turn it off
and turn away.

Too long a history
for me and mine
to fantasize in comfort
over scalping once done to us

for bounties
much like this one. Still,
late nights or early mornings
when I sit and see the news,

when I watch
and wring my hands, sometimes
I whisper when I know
no one will hear

a phrase that tells me
I am part of his world now,
although I hate it: “One hundred?
Not enough. Let’s make it

one hundred and one.”


Rule Of Three

The questions, 
as always, are these:
if you have a choice

among being target,
gun, or bullet, who
would choose target

over the other two?
And if you have rejected
becoming a target, 

do you prefer being
ammo
or agent?

These questions
are asked of you and
predicated upon

the fallacy that
you will have
a choice.  Choosing

happens 
far above our pay
grade in this

establishment —
but if we make
our own 

home on this 
range, we could be
either guns or bullets

as needed. We 
would automatically
become targets as well,

as we already are,
of course, but at least
we would not fall

without at least 
some notion of what
free will feels like.


Bedroom Story

resting easy in the embrace
of clear definitions, and isn’t it
lovely? lounging about on
a bed of words that make
perfect sense. knowing always
that you’ll never have to eat them
because they’re perfect. 

then someone says excuse me, no, 
wrong, incorrect. you roll off
the platform to fight them. maybe
they hate the stitching, or they
loathe you for your comfort?
no matter, you come up swinging.
they challenge you as if this was not your bed
to make, with the audacity of
wanting to lie in it too and you’d have
to give up some room for that.

after a fierce battle you cower
in a corner of the bed. you’re aware
of the cold stickiness of every little
spot of blood and every little scrap of bone
left in the bedsheets grinds into you
like a pea, a boulder, a whole continent 
you never used to notice. from the corner
where you are you notice others in bed
with you looking just as miserable as you
and maybe it’s time to change the bed
but the memory, the memory of how soft
the old definitions used to feel when you
snuggled into them keeps you immobile
as you glare back at those people over there.
you’re certain it’s better over there.


Rescue Diver

I filled my pockets
with my hands
after wringing them
just a bit, then

tied a thought to one leg,
a prayer to the other, 
jumped into a flood, and
sank to the bottom.

Down there were thousands
who had sunk before me.
I cut the weights from my legs
and handed them out.

It was like the Sermon
on the Mount — I’m no 
savior but it seemed like
one thought and one prayer

went a long way
around that crowd.
As I rose back
to the bright air,

I started to think
about opening my heart and mind
to what I’d seen
but became afraid 

of taking on too much weight, 
drowning, suffocating like those
below.  Breaking surface
I swam ashore,

grabbed another thought,
another prayer, tied them on
as I stood on the bank, ready
to dive again, to do my part.


Try

When people die
this way, taken 
from on high,
there will always
be someone who says,
do not speak

of how it happened
until we have wiped up
the blood and after
all the wounds are
bound and healed
or buried.

I confess,
I have been that person,
and in some ways I still am.
I cannot speak of
missile planes
and falling buildings
to this day.  I do not know
if I can be or ever will be
that person who can
argue or imply, 
speak truth or falsify,
dig snarling into another
over how and why —

but if you can, try.
If you can by such talk
somehow prevent
me and mine
and countless others
from standing
bloody and mute
among the dead, if you
can with all this chatter
open new doors and close
old ones, try.
I fail when I try.
I fail when I look
into a victim’s eyes — 

but out beyond the pain
of the moment, or perhaps
within the moment,

someone must try.


Dialogue With A Flag

You want to call me animal
for the blood breeze blowing through me
every time I see you these days.
By all means, call me animal, say

this anger redefines me
as uncouth or unfit
for your society.
By all means, cast me out

again.  It would not be
the first time or even the second
that you chose my role, made me
your choice of savage beast.

Faced with that again,
I feel ancient
abandon coming on.
Find myself suddenly indifferent

to your spell,
how you snap 
your name, how 
some snap to attention for it.

By all means, declare
that I am not under your 
cover. Let me admit, 
at last, to a lightness

in my step when I think 
of all the generations before me
who did not see you as 
a safe blanket.  By all means

let me be the threat
beyond your edge. Let me
pick up the old tools 
of the enemy’s trade

and recognize them
anew as my best defense.
By all means, let me go.
Let me be free of you,

your red, your white, your 
blue. Too many good people
smothered under those colors.
Too many years I loved you

as if they were not 
smothering me, too. By all means,
gasp in shock and call me
merciless, call me savage again.  This time,

let it be true.


Time Has Come Today

I’ve stopped talking out loud
about the fate of the nation

having decided we’re stuck with it
until it breaks more of the people

who do not believe
they could ever be bent over

the knee of the nation’s
loathsome mythologies

Those are not my people
I do not know if they ever could be

Right now I know who hears me
and to whom I will listen

I know who loves me
and to whom I will return love

I know who will fight beside me
and to whom I will lend my sword

These are
my people

Beyond them already 
comes the war

as it has always been 
only louder

It has always been
at my door

yet somehow it seems a new time
has clicked around

a time to stop seeking
civility among the gray ranks

The time for talk
is done


As They Will Forever Be

It’s John Coltrane’s
birthday 

and Ray Charles’s
birthday 
today, September 23rd,
as it will forever be.

Ought to be
a national holiday —

but I’ll bet the damned President
of the USA has never heard
of them, or if he has
he thinks they’re 
just more
of that nuisance noise

that suits nothing and no one
until he is suited by it,
him and his suits and ties,
him and his ears
turned away from song.  

I’ll bet
he never sings “What’d I Say”
in the shower. I’ll bet
“Interstellar Space” is just
a mining venture in his head.
There is gold out there for the taking
among the stars, says the damned
President Of The USA, and it’s 
blessedly silent there, as silent
as he hopes and dreams

his enemies
will forever be,
as his friends
will forever be,

as his wives
will forever be,

as his sons
will forever be, as

his daughters
will forever be.

 


Sleep Deprivation

Four hours of sleep,
five days in a row.

Five minutes to think
between fatigued stupidities,
and still they spill 
out of my mouth
as if carried on 
a swift stream that cuts
through without stopping;

such a splash each one makes.

Three hours of sleep,
ten days in a row, and

I don’t even know 
the current name of the country
I live in.  Trying
to put my finger on how else
it has changed, I drop
another clumsy chunk
off my lips into water
everyone has to drink. 

I’m trying to figure it out
even as I make it worse.

Apologize and then say no,
it’s not that, no,
it’s not that, no,
it’s not that.  

I am not afraid of
offending, only of offending 
by not being clear.  

Two hours of sleep,
ten weeks in a row;
two hours of sleep
ten months, ten years,
for a few decades now;

this place I’ve always called
America, to be honest,
is only comfortable now

for those who get 
all the sleep they are allowed

with no alarms to wake them
and no lumps in the bed 
and no noises to rouse them
into night terrors.

As for me?
One rotten hour a night
hundreds and hundreds
of years in a row;

I can’t tell you 
who I am.


The First Strike

Noticing
the twin flags 
on your car — 
flag of Confederacy,
flag of Union; seeing that

you’re heading into
the same bar
I’m going to; letting

my hands brush
my pockets —
clipped-on knife,
cell phone; checking for
pepper gel snapped to
belt loop;

calculating 
whether — and when —
first strike will make
more sense;

choosing to recall
that there’s no accounting 
for The Dumb who fly
the flags of 
betrayer and betrayed
with equal pride;

choosing to recall 
that both flags
are red, white, and blue;

returning to calculating
when the first strike
will be required of me —
perhaps not today

but soon.