Tag Archives: political poems

Stupid Man In Stupid Town

smarter people
than I are needed
to figure out
exactly which numbers we need
that will come out to
creating something like equity
among the dispossessed

but even a stupid man
from stupid town like me
can see that if you start with
seeing only three-fifths of a human
then forty percent remains missing
and if you start with two words like
merciless savages
and end up with fifty-six million acres
of US land still run by Indigenous folks
(only two point three percent
of total US territory)
even if someone’s
massaged the numbers
along the way
and said that 60% is now 100%
so everything’s hunky dory now
and anyway we dig
the music
and even if someone’s said
it’s not OK to hunt
those redskins anymore
they’re good enough to be on
jerseys and
they’ve built some great casinos
on that 2.3%

even a stupid man from stupid town like me
knows lip service when they see it

and even a stupid man from stupid town
should be able to tell you
that original sins
burn holes in a nation’s insides
and if we can’t see
or if worse we deny
that something is still owing
we are just as
hollowed out
walking around happy to be
blissfully
stupid in stupid town



Footnote

True story: we have always hated others
as if it were possible to fix fractures
by denying existence to those
on the other side, as if what is left
on our side could be whole enough
to sustain us.

Now we claim to have turned the page
and are better than that, pointing with pride
at our story of our sound and strong nation
that is in fact teetering on a scaffold
thrown together on barely knitted bones;

it is insulting that we dare to say
we are bewildered at the agony radiating
from every aging, failing seam,
as if the moment we are in is merely a footnote
in a book about our truth,
as if any of the chapters is complete
with no mention of pain.


You Live Here

revised. originally posted 11/19/2020.

Last night you lay awake terrified
by the sound of this country honking
its changes, ripping the night.

So harsh, that sound of your illusions
soaring, diminishing, flying away.
You stayed up polishing weapons. At dawn

when you raised the living room blinds, what was
on the ground below the window? One cardinal,
three chickadees, two mourning doves;

all pecking, scratching, cooing. Far less noise
than the night before. This is your country
in daylight. You live here;

you are expected
to put up your sword
and feed those birds.


Unforgettable

I didn’t forget enough
of your words or blows
to be healed — how
could I? My arms
and chest have thick, inflexible
scars. My ears are bent
to take in some but not all
of what there is to hear. If
you can see that this body
has been changed
by past abuse
so much that certain
functions are inalterably
compromised, why did you expect
you could waltz in, hat in hand,
and ask me to your dance
without my turning
my wounded back
upon you? It’s not like
I can dance to what is being
played in the room — I recognize
that it used to be mine, I see
it now and then can make
my clubbed toes hop,
but you’ve done something
to it. You’ve made it as forgettable
as you and what you’ve done
are not.


Broken Arm

an inaugural poem

Healing can certainly knit
an odd bend into a bone
but even so you will have to
lay your hand on a book
and swear to go forward

although you may not be able
to reach as far as you
once did and even if you can
it will feel different
for a long time

There will be pain

That it heals stronger
might turn out to be untrue

You won’t know right away

You may think it’s fine and then
suddenly one day something
will remind you it’s not
the same

Maybe you’ll learn
to compensate

Maybe you’ll shatter again
in the same spot

The break is there
You can’t forget it
and now you will find out
what it will mean
to the rest of your life


Mud Season

It hit us all in the middle
of the second week
of an undistinguished month —
it was spring, mud season,
not yet dry enough
to make us feel comfortable
that winter was over;
everything was average,
and that was odd enough.
We had thought
it would be a mad season
and that there would be chimeras
alighting on all our roofs
after the insane weather
and raging plagues
we’d been through.
It was nearly unbelievable
that we could trust reality
to do what it always did:
keep boringly on track with
equinox and seasonality.
We kept waiting for
golems to come knocking
and when they didn’t
we started daring to hope mythology
would stay put in our memories.
Even though we saw people
still dying, even though
there were still insurgents
surging and guns were everywhere,
somehow the fact that we’d seen
mud before just like this —
thick and laced with ice,
concealing old snow under a jacket
of filth — somehow the fact
that it was mud season and it looked
the same as always made us feel
plagues and idiots were finite
and would pass as surely as
this muck would likely dry out
and go green.


Syntax

An idea needs a noun and an adjective
to cling to as it grows. So we say, “red rose.”
Or, “stiff drink.” Or “fascist state.”

We push it with a verb and name an actor
to do the pushing, as in, “He plucked a red rose
and, after a stiff drink, raised his eyes and put his hope

into the fascist state.” Or, “With his placement of a red rose
on the coffin, he closed his eyes and pledged
to never give up fighting the fascist state

and swore off stiff drink until
the fight was won.” An idea longs for
its noun and adjective in order to be born.

Verbs move willy-nilly, dragging
their adverbs with them, mighty prepositions clinging
to all the words, drawing things together

in spite of their tiny stature. People think
they make words do their bidding.
Ideas? Ideas run the people. Ideas make it all happen:

red rose on a white flag;
white rose lying muddy in red street;
near-fascist state casting about for a leader;

big gun full of leaden ideas;
steel jackets on wanton mannequins;
skinjob soldiers eating honey from open corpses.


A Question Of Love

When a question of love
is spoken out loud
a country may turn on a dime
swift as tornado, sink into itself
claiming a pain in its footing
makes it weak, or raise an alarm
of daisies as fragrant with blood
as with its own home soil; see

in this moment filled with
a question of love, of what and who
and how will it manifest itself, a country
refusing its own affections, some beyond
its acknowledgement, some more than it
can bear — how far it spins itself
away from embrace as it twists back upon
its old haunts and legacies;

a country slipping as it spins
avoiding a question of love, falls
upon that sword it has held to be
its best lover, turning bloody scars
back upon itself in a storm of petals
and fiery odor, how it imagines
high winds at its back instead of
blowing out from its core.


January Song, 2021

1.
A single quarter
falls out of my jeans
as I pull them off —
the usual Washington
on one side,
John Brown’s Harper’s Ferry fort
on the other. Once I’m settled
I put it in a safe place
as a token of
what was once possible
and now is just
small money.

2.
Chad proudly notes
that he dates women
of other races
but secretly admits
to himself that it’s
mostly as
a forensic
countermeasure.

3.
Can you see how
anonymous the streets are
now that they’re covered
in tossed-aside
masks?

4.
When the counting is done — counting
of cases, masks, and votes —
the dead shall surely come back
and shake us by the lapels saying
pay attention, pay us mind.

5.
It didn’t feel like anything,
really, after a while, and that’s
hard to understand. Some
seem more upset than others,
certainly, but in the last analysis
all clear emotion
is the privilege
of the involved
and I somehow
am no longer that.


Whitestench

The odor strangles sometimes,
merely distracts at others, always sets
my teeth to grinding.

I walk into a discussion where it flavors the air,
try to join in and I’m soon choking so much
the others can’t understand me.

I turn to art for solace and it rises from between
pages, stings my eyes till paintings blur;
even music reeks. That job interview

stank with it; this online forum — how is this
even possible — I cannot see its words
through the miasma.

The halls of Congress,
the trading floor of Wall Street, every tower
where a titan of industry schemes: all

are thick with it; they might be tombs —
one whiff of the air in there recalls
dead generations piled upon dead generations.

Now and then I even pick it up on
a breeze through a forest, a breeze
that must have passed over a pipeline.

Sometimes I can tell it is coming
directly from me — mouth,
clothes, being. Half of me wants

to flee myself; the other half
holds my breath,
pinches off my nose,

makes me duck,
get close to the ground,
look into myself for better air.


The Nested Country

Behold: a country of nested
borders.

Look at it and be awed by
the Big, the Bright, the Beautiful of it.

If you manage to twist it open and enter
you’ll find another within —

less Big, less Bright. (Beauty is in
the eye of the contained.) If you

go in, you will find another,
and then another; it will be dim in there.

At the heart, a battered core with two faces:
one, Black Kettle, the other, Nat Turner;

it is nowhere as Bright and Beautiful
as the Big Doll you can barely recall

now that you’re
all the way in and can see

that even though it is full,
it is also hollow.


Attention To Detail

Attention to detail suggests that
in order to complete the full circle
someone who looms large to all
will likely have to die before anyone
will admit this is over; a person
beloved or hated by large factions
will have to die to fuel a round
of theories and essays, violent reaction,
polarized grief and mourning; a person
chained while in this sphere to opinions
they will drag with them
into the next world, deafening us
and leaving scrape-marks behind.

Attention to detail suggests that
in order to come to what some will call closure
and others will call the start of a new cycle,
someone will have to die in some extreme way
that offers a chance for mythic explorations
and rejuvenated symbolism about royalty
and a snake swallowing itself
as it disappears in fire, only to become
a legendary bird upon its rebirth. A stone-tipped arrow
shall be found on the cooling stones after
and all will begin to argue about which direction
it is pointing, what it means, who should take it up,
set it on a bow, and let it fly.



The Great Conjunction

They will look back upon us and see us for idiots
looking for stars to do work we needed to do.

They will say the great conjunction
was not Jupiter and Saturn’s illusory closeness

but our own embrace of magical thought
in the face of the growing heat and disease

that took us down. They will say this
while shaking their heads at how

we ignored the mocking laughter
of the implacable science that runs the universe

as it rolled right over us. Our hatreds
spread like a plague even as a true plague

spread just as fast, as we choked the oceans and air
until we were choking as well. The Great Conjunction,

they will say, was not the doubled up light in the sky
but people down here, a black hole,

angry, scared, crowded
into one another so tightly

nothing could penetrate.
No light, no heat, nothing in there

but faith in the efficacy of crossed fingers,
crosses, and whatever the stars might say —

although the stars said nothing except
this one, dear people, is all on you.



Dinosaurs

This society’s been
huffing gasoline for so long
it can’t sense anything else

All those cells vaporized

It has killed its way
to this point and now
it has only itself left to kill

in the hope it will feel something then

Thrived on erasure
All those bodies left behind
that it can’t even see

The dead keep screaming for it to turn back

Maybe it hopes
that those corpses will compress and fuel
a future like their past

It imagines that it lives on dinosaur leavings

Of course it is wrong about that as well
but without full brains
the people it has sheltered will never understand

how all they have left is fire




Heresy

Some people say they just need
the paper. The scent of a book
in hand, the weight of it,
the slight bend of the page
just shy of creasing
between their fingers as it is turned;
to me it is as if they hold the vessel
more dear than the words within.
It is as if the vase matters more
than its flowers. As if the poems within
are less real if they can not be highlighted,
scribbled on, or torn out; as if the stories
only work if they can be burned
for warmth when society comes to
its eventual end, which will come
once its artifacts are worth more
than their contents.