Tag Archives: poetry

Philadelphia Story

Originally posted 12/8/2011.

Overheard words
on a Philadelphia street
a toothless woman

a rusty gun 

Been quivering for two full days now
as I’ve tried to decide
how to steal and reuse them
in a context of my own choosing —

how to create
a suitable conversation
not slanted
to redneck imagery

Perhaps I’m quivering because
I can’t decide
why that was the first context I imagined
to fit those words

Perhaps that’s why I’m working so hard
to ensure that you know 
that I’m putting someone else’s words
to work for me

Perhaps because I myself
have grown toothless and rusty
by making the original conversation an evil to rail against 
I get to feel smiley and shiny again

Whatever the words got caught on
They landed in my ear
Now they’re trying to leave my mouth
and having a hell of time doing it

I don’t know where they want to go
Per usual I never even looked up to see
who in Philadelphia
was using them


List Of Demands

“Wait, what? A
murder?

You want to call this
A MURDER?

Raise its font
to terror levels? 

Untwist its facts
so they lie straight
and flat?”

Yes,
that is what we want,

and it is our hope
that it becomes
what you want
as well,

because for it
to stop happening
this has to become what
you want.

There are more,
many more in fact, but 

long before
we talk about those —

this one.
This One.


Geopolitics

Mountain that is
above all and darkening
Valley and looming as if
it had invented that word. Valley
that opens out into Plain
south of here or so we’ve heard and
stays dark into late morning thanks to
Mountain and still shadows cool 
at midday. 

Those born
in Mountain’s shadow,
in this Valley, 
are blessed and also sheltered
and occasionally threatened when 
storm or errant sound triggers
a slide of snow or mud into villages,
taking homes, farmlands, pets, 
futures and pasts and 
oh, everything away although
when it is quiet it is indeed
perfect.  Mountain makes it 
perfect by adding danger
to peace. Threat to safety.
Dark to sunlight.

Those south of here
where Valley becomes Plain
don’t get to understand this ever.

Now and then we speak 
as one, in voice of Valley, 
and elect to send Plain
a touch of Mountain threat,
a touch of nation building — 
we bring them Shadow then
and wreck them for
their own good. Be like us,
we say. Be like us and like us
for what we’ve wrought — 

they don’t, though; stupid people of Plain —
apparently
understanding is not for people

not of Mountain, not for people
not of Valley. Perfection’s

not for them, ever.


Animals As Leaders

Originally posted 3/10/2013.

Once upon a time a wolf, a hawk, a dog,
a cat, a snake, and a pig

were hanging out together
outside of a poet’s house —

the one place they knew
they could be safe

from natural enemies
and from each other.

Each was waiting to be chosen
as a symbolic inspiration to others,

or to be pressed into service
as a metaphor for something else.

They spoke in low voices over coffee —
who might be chosen?  

Snake and Pig prayed for the writer to be
politically motivated.

Dog and Cat argued
for a sonnet on domestic abuse.

Wolf and Hawk, as always, took the
metaphysical angle; hoped

for someone with a natural bent
who could press them into aspirational role modeling.

When the door opened and the poet beckoned 
it took them but a moment to swarm in.  

It wasn’t planned but they were tired,
and damned if anyone was going to be asked

to be anything other than what
they were.

This is the poem they ended up in
and they lived happily ever after.

Well, perhaps it was not ever after, 
but for a moment at least they were happy.

Not as happy as they would have been 
if the poet had just offered

to put each of them into a haiku
without bending them to human need at all,

but pretty happy — 
for a while anyway,

at least until the next poet sat back 
from scratching on their pad.


Triptych For Polyphasic Sleep

1.
Not to be confused with insomnia
is polyphasic sleep where one sleeps early
and then wakes in mid-dark for an activity
such as sex or farm chores or writing or reading
or idle television viewing; 

when that is done
one returns to sleep and sleeps
until full waking. This is allegedly 
an ancient pattern that was common until
the advent of electric lighting broke us
of natural habits. It has enjoyed a resurgence
in the popular imagination
in recent years as we try to justify 

leaping from dream to awakening
in the middle of the night
without explanation. It sounds scientific
and right and logical and it’s soothing,
of course, to believe that there are reasons
for whatever happens to us.

2.
Portrait of a typical night’s passage
in the modern era:

evening comfort to later boredom to sleep aid
(such as cannabis or alcohol
or masturbation or exhausted rage
at the Great Unnamed)

to slumber to waking to staring 
at ceiling, at walls, at all of history
as preface to what is to come until this
kills enough urge to stick around
and see the outcome that we fall
back to sleep until the alarm sounds

and we rise unwilling to the New
that is the same Old.

3.
Polytheists might describe
the Mid-Night Waking as
a normal thing driven by local gods
at their shift change — they 
punch in and out and we’re the clocks
that register the bustle. 

Monotheists might say
it’s the moment we recognize our sins
or the glory of the One
and we can’t sleep through that. Atheists

might say we wake for biological 
imperatives long ago programmed. 
No one knows, say the agnostics.
All of them say we should try to make the best
of the time we have between the Sleeps,

although there’s something to be said 
that is not said well by any of them
or by any of us about the utility of sleep 
not merely for rest or for how it facilitates 
dreaming, but for how that unconsciousness
prepares us for and protects us from 
the fear we have of what we see
while awake; perhaps we wake in the dark
merely to take a breath before we plunge 
back into those better depths.

Maybe we’re meant to be whales, concealed
for long periods from the Light.

Maybe we’re meant to be comets,
passing through only at intervals.

Maybe we are multiple gods,
or multiples of

God, 

putting divinity
on the pillow for a spell,

learning to be comfortable
at letting it all Be.


Mashup

His mashup 
core’s two songs
run together a love song
and a death song and
how those beats collide
collude and now he is
one then another and
the mashup reminds him
of all the songs he is not 
so what the memory does
is originates and
a new bit of beat and
big tears is made from 
mashup a mix a pastiche
of what is heard over
a year or ten and now
until so many bits and beats
smash into born again and
again the yet incomplete 
core of him tells a mistake 
story and a moral is not
anything more than imposition
of a unity among elements
never meant to be found
in the same place and all this
before he gets out the door
first thing on his way to
the singular nature of
his job. On the way to work
he plays the radio because
he likes to take a risk and perhaps
add a little season to the stew
the mash the hash within and
they won’t know him maybe this time
and he’ll go through the dirty glass
of the lobby into the cubicles 
not looking like
the same guy and he’ll be 
tossed out for not matching
his ID pic and so get to go
home and this time
no radio as he has chosen not to
have ears anymore
in a bid for healing an end to 
the mashup he carries
at his core and stop
in a field and let the noise
settle long enough
as he lies there on the grass
trying to remember his name if
nothing else not caring how it is
pronounced as it can be
pronounced anyway
he wants if he can’t hear either that or
how another responds
and right now this stone
of silence sounds
pretty good.


Voicings

On TV
Annie Clark of St.
Vincent
playing and explaining
jazz voicings with a
vintage junk chic
Harmony electric
guitar

The host 
a fine player
is attempting to
play what she is playing
on a vintage not junk
Dan Armstrong
Lucite electric 
guitar but

can’t quite follow what
she’s doing to make
that slab ring and
sting such odd
angles in the air

She patiently explains
and demonstrates
for him again
and when he at last
gets it she
riffs against what he 
is playing

Guitars and
guitarists wincing
with glad effort 
Expecting nothing of music
but to be there as
music expects
something 
of oneself
to be paid before
offering any greatness
in any increment
no matter how
small

A bounty from each according to 
first ability and then 
need


Glass Or Stone

In the dirt, a gleaming bead.
He picks it up — is it
glass or stone,
valuable or
trash?

He wonders if it matters —
if it’s survived 
underfoot
on this hard trodden path
for any length of time,

it has proven itself 
worthy of at least admiration
if not adoration. Lifts it
to his eye; looks through;
all he sees is sky.

He chooses 
not to choose a price tag
to hang upon
this uncommon fortune
found in a common place,

uses the small treasure to see
the farthest thing he can see,
the farthest anyone can see;
drops the bead for the next seeker
to find; moves on.


Authenticity

Say

do you have a banjo I could borrow 

I sold mine
to the grocer’s son  

He said

he could afford a new one
but preferred to own 
one with a history  

I told him

everything I knew about mine
how it had been 

unplayed for years
sat
in a closet in my uncle’s house

My uncle didn’t know where
it had come from either
and gave it to me

It hung on 
my family room wall for 
a while before I put it in
the yard sale

It had the name “Buckbee”
stamped in the neck — manufacturer’s 
name
I looked it up once
It was
nothing special
They were not great instruments
A door to door
sales force
sold them in the 
1890s
Cheap instruments made
for folks who couldn’t afford
more — oh

the grocer’s son loved that
and gave me a lot more money for it
than it was probably worth

I don’t play
he said
but this way I’ll learn
on something authentic
thank you
thank you thank
you

so
getting back to the point

do you have a banjo I could borrow

I’d like to see if it’s something
I could learn to play but I’ll be damned
if I’ll spend money on something
I don’t know if I’ll keep doing

Be a shame to have it end up
in a closet somewhere
for the next grocer’s son to buy
years and years from now

If I like playing I’ll get my own

and that way the only history
it would have
would be ours
If you ask me

you can buy the banjo but
the history between player
and played
can’t be bought

but then again I’m not
a grocer’s son


This Has Been All

you have risen from
your accustomed seat
at the table

leaving behind
an empty bowl
once full of almonds

a few small scraps
of sharp cheese
on an antique plate
a drained glass of wine

you have left the room
and stepped

onto the porch
to watch moonrise
with new and old friends

turned from having
a simple dinner
into a life where simplicity
offers such complex chances
to glimpse the Divine

into the feeling
of satisfaction and joy

at having shared bread with others

and then under the full yellow disc
of the tide-drawing moon

to stand with them
arm hooked into arm

and shoulder
against shoulder

this night has been
a contained ecstasy
of perfected company

a peasant symphony played
behind the sharing of
almonds cheese and wine

this night has been all 
a soul needs from its body


Kill The Indian, Save The Man

The school they put my father in
cut his hair and his ties

to his past, but that is not
what it was designed to do.

The school they put my father in
cut his tongue and his ties

to his language, but that is not
what it was designed to do.

The school they put my father in
cut his voice and his ties

to his family, but that is not 
what it was designed to do.

The school they put my father in
cut his peace and his ties

to his god, but that is not
what it was designed to do.

Until you get to me and how loose
and lost I was and still am, how

untethered I am to any anchor
or ground, how much I yearn for

something binding me to something
that wouldn’t know me if I were to find it,

something that would brush me off as a poser
or a con and be half-right at least to do so;

not until you get to me and my angry peers —
half-present, half-past drifters —

do you see at last 
what the school was designed to do.


Playground Revisited

When there’s a will, there’s a way;
when there are two wills
there’s a weigh-in,
a preparation for contest.

I looked the other guy
in the chest and said
this wasn’t going to be
good.  But enough in me

claimed the side of right 
to feel that a fast first strike
would be enough, and so
I struck first, dirty-style,

the kick to the balls, 
the worst thing defined
under the playground code.
Down he went, but I’d missed

how many of his friends were there, 
had forgotten I was old now
and hadn’t been on a playground
in years; fortunately they took

more pity upon me than the code 
would have suggested I deserved,
and I came away more or less 
intact, at least for the long term,

but I learned something that day 
about what boys some men remain
long after they graduate
from elementary school; learned

how many years a sense of panic
gained at eight can last, learned
how badly I wanted to be eight again,
and how easily that could happen.


Documentary

A mother gray whale
watches orcas savage
and slay her calf;

she lingers in the red sea
for a moment, then
continues on alone.

The calf’s carcass drifts toward
the bottom of the shallows
where it will serve its killers

as a meal to be consumed
at their leisure. I don’t cry —
not for that calf

who after all was simply in
the wrong place at the wrong time
or the right place if you believe

all things happen for a reason,
nor for that mother who lingers briefly
then moves on, nor for the orcas 

who need to feed and are only doing
what they are designed to do. I think
I’m going to cry for the documentarian

who watched these things happen
without being able to affect an outcome,
without wanting perhaps even to try —

I don’t know if that’s fair, or true; maybe
they began this work seeking that
and slipped away from it the way a corpse

dissolves to gray when it is finished
with living. In moments of such drift
perhaps they turn back towards themselves

and say there’s still hope it will change
something, awaken a viewer into action 
on behalf of those things which can be changed.

I say this on a night when video
of Laquan McDonald’s murder by cop
on a Chicago street pushes throngs

into action. No one stood
behind that camera. No one watching can see
anything there that had to happen.

No one could say that the cops were doing
what they had to, although it may be
what they were designed to do. 

No camera shows
a mother lingering
over his body. 

Nothing in any film yet made
suggests anyone is moving on;
no natural order

here, no sweet music
of the circle of life.
It’s not that kind of killing. It’s our kind —

unnecessary blood
on the street, on our hands,
on all the surfaces of earth and sea.

Wherever the next camera will be,
wherever
the next killing will be —

right place,
wrong place, right time,
wrong time —

are you going to want to see
the documentary
someone’s going to make

about what you do
when a murder happens
right in front of you? If I say

a murder is happening 
in front of you now — in fact,
several murders, many murders,

hundreds and thousands of murders,
collateral deaths and even more casual
snuffings of spirit that sometimes leave bodies intact

long after they should have drifted off
to the darkness — what will you do then?
Will you chalk it up to orcas being orcas

or will you try to speak, intervene, at least
be witness to it all? Maybe turn away, step out of view,
and say shamefaced there is nothing you can do,

say there’s nothing to be done? I wish I knew
what to say to that.  All I feel right now is the sting
of spray from the cold face of the sea.


Sociology

Originally posted 9/4/2008.  Originally appeared in “Flood,” a chapbook from Pudding House Publications, now out of print.

All people can be divided into two groups:
those who divide people into two groups,
and those who do not.

We call the people who divide people into two groups
“them,” and we call those who do not
“us.”  Sometimes, we call “them” “the Others.”

Let us say everything we know about the Others:
they are grown fat with their unjust ways.  They
hate us.  They are the source of the Smell — ha,

they are overripe with it.  If you were to crack open
the “O” at the beginning of the word “Others,” it would be
as though a durian had been split in a closet and left to rot. 

In fact, the Others
are the splitters of all fruit,
the drainers of all carcasses.

We, of course, are the stitchers of that which is split. 
All people, then, may be split 
into two groups: the splitters of things, and those
who guard that which can be split. We are the Guardians, 

and we call the Splitters “the Others,” “Them,” “Those People.”
They are known for cunning, conspiracies, their inability to follow
laws.  If you straighten out the “S” at the beginning

of the word “Splitters,” you see that it is a snake’s spine;
they have been holding the serpent close to their breasts
since the beginning. Venom is their milk; we

are their silent milkmaids, the ones who carry
the venom to their tables.   It sloshes onto us and we are burned
daily.  All people, in fact, may be divided into two groups:

those who are burned, and those who do the burning;
or perhaps it is those who are poisoned and those who live on poison,
or those who 
worship division and those who pray for shielding and healing;

it’s as lamentable as it is observable
that this is how it is: lines drawn between us and them,
them and us, the People and the Others.

In the end, of course, we know that all people
can indeed ultimately be divided into two groups.

and the division falls as follows:

all people can be divided into two groups —
those who divide people into two groups,
and the dead. 


The Word

Originally posted 8/29/2010.

Your voice finds its word
and it’s suddenly bigger than you are.

You’re carried to the top of its eruption…
now you’re lava, ash, sticking to cars and walls.

The word builds a cone so steep, you’re going to slide off,
become a refugee fleeing it…then you stop and admit

that to be honest and ruthless with yourself,  
you always knew you were a nascent chimera, an embryo dragon. 

You just didn’t know how to exhale the burn,
or how to be
all your combinations at once.

You choose the next word,  your voice suddenly so ponderous
that settling it down is a little like asking Atlas

to move just a little,
just to make the weight bearable.

The sea is now boiling ahead of you.
It’s time for the next word.

Admit it.  You are lost to this, lost to
the hot sugary drug

of not caring
where the word goes next

or about how the voice
scars around it.

Whenever the volcano stops pouring
and smoldering is home; wherever it stops

is when and where you can claim 
the name you’re making of yourself.

You’re not ready for it yet though you can feel it,
a coal upon your tongue seeking its perfect fuel.