Tag Archives: music

For The Next Guy

one day
when I’m dying
I’ll say, long live
liberation.  I’ll say,
it’s good to relax.  

one day
I’ll realize in a flash
I’ll never 
step to the stagefront
bearing a flaming Gibson
and play a solo like something 
Robert Johnson forgot to offer
and Jimi left out of his will — I’ve got it 
in my head even now — 
but it will never happen.

when that happens 
I’ll say,

that’s enough, micro-
man, little
squeeze of flesh, tiny handed
mollycoddled
dumbass refusal to bend — 

and in response I hope
the world will say
it’s OK, Tony,
we know it was all you’ve got.
if after all this struggle 
you have anything left in your bag
it’s probably lint 
and there’s already enough of that
to go around.  

shuffle off, now. don’t forget 
to put that guitar back on the stand

for the next guy.


Big Joe Turner

Originally posted 6/13/2012.

Big Joe Turner 
could palm a jump blues
like an egg, handle it rough 
without breaking it.
The proof is right there —
find him on old vinyl,
open up that piano ripple 
on “Shake Rattle And Roll,” 
let Big Joe, long dead,
smite you with
the soft club of his voice.

I think I sound good,
as good
as Big Joe. 
The shell fragments
and the sticky yolk on my hands
say no.

The heart of me says no.

People are starting
to forget Big Joe.
Forgetting how he rolled
those notes across the room
with his bare hands 
on ivory — 

No.  This stained,
sticky heart

says no.  Forget that
wild noise, that man’s hands
and what they did?  How the world
was remade after that? How my world
was remade?

No. 


Stagger Lee

Originally posted 12/17/2010.

From the St. Louis Globe-Democrat, Dec. 26th, 1895:

“William Lyons, 25, a levee hand, was shot in the abdomen yesterday evening at 10 o’clock in the saloon of Bill Curtis, at Eleventh and Morgan Streets, by Lee Sheldon, a carriage driver.

“Lyons and Sheldon were friends and were talking together. Both parties, it seems, had been drinking and were feeling in exuberant spirits. The discussion drifted to politics, and an argument was started, the conclusion of which was that Lyons snatched Sheldon’s hat from his head. The latter indignantly demanded its return.

“Lyons refused, and Sheldon withdrew his revolver and shot Lyons in the abdomen. When his victim fell to the floor Sheldon took his hat from the hand of the wounded man and coolly walked away….

“Lee Sheldon is also known as ‘Stag’ Lee.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

1.

My childhood neighbor
was a fine painter
who painted nothing
but landscapes and barrooms.
In every landscape there was a stream,
in every barroom there was a hat,
in every painting there was a figure
with its back turned,
facing a corner
or a hanging tree.

One night he got drunk,
started screaming about the President,
and shot all his canvases
with a 12-gauge.

Somehow,
no cop gunned him down, 
and he was singing “Stagger Lee”
when they shoved him hard 
into the cruiser.

2.

On Christmas Night, 1895, in a St. Louis bar,
Billy Lyons and Stag Lee
were arguing over politics.
Billy fell gut shot by Stag,
eventually died, and
they put themselves on the hit parade
forever.

There was rumor back then that Stag
was a sheriff’s bastard son
and no one dared touch him.
It was a fact that he was a Black man
but a myth that he got away with murder —

he went to jail
but didn’t swing,
didn’t die for it before arrest,
or before a judge could have his say.

3.

The moon was yellow,
the leaves came tumbling down.

I remember hearing
my neighbor call out,
“Sheriff,
you son of a bitch,
keep your hands off
my damn hat,”

and thought I saw
a lean ghost in the shadows
making sure
the man was safe before

he coolly walked away
humming that sacred song.

 


Nostalgia Is The Opiate Of The Masses

Run home,
escape
from the slippery slopes of 
scarring work
and jostling street; come
into the shabby house

and stab the button on
the old kitchen boombox, bring up
the Chi-Lites, soothe
yourself on “Oh, Girl,”

get yourself in check
and bust open the last beer

to Busta Rhymes, power up with 
AC/DC, curse your exes
with George Strait…

if it gets you through the scant time
you’re not being offended and 
tortured, it has gotta be
enough.  

Close your eyes
for two minutes, it turns into
two hours — it’s not enough

but it’s gotta be enough.  

This is how
they want it, how they want you —

no matter if you are
joker, smoker, or toker; no worries
if you keep it at home —
come back to the office, humming
or not;

just make damn sure
you come back.


Rewind/Fast Forward/Eject

Originally posted 12/28/2013.

that’s the title
of a soca song 
so much fun to sing
a soca song
that is fun to sing

a song from an album
released in 1994
in 1994
on vinyl
CD
and cassette 

in 1994 that title
made sense
to a cassette owner
a cassette tape owner
someone who owned
and listened to cassettes
someone who fell
in love with a song

and rewound it 
and replayed it
until it broke
and had to be discarded
had to be ejected 
and tossed away

less than one
generation from now

no one will
understand this song

exactly the way a cassette owner
understood it
in 1994

watching the tape gather
on the left hand reel
thinking 
is that far enough?
trying to interpret

high speed backwards noise
hitting play to see

if it was far enough
hitting rewind
and fast forward
and play

then one last rewind
to position the tape
right at the beginning
of the wanted song

hitting eject
when the time came
changing reluctantly
to another tape
another song

love
and obsession used to be
analog processes
that took time and precision
took attention and
esoteric understanding
of what little you could
see and hear
how to read subtleties
how to fall back satisfied
and then
how to move on

love used to be
soca
played endlessly
over and over
beginning to end
to beginning again

it was never over
never over
was played over and over
until it was done


A Beautiful Saturday Night

Originally posted 10/4/2013.

A beautiful Saturday night in the city:

a punk fan
spits up on a classic rock fan
in front of a disco
and a country fan turns up her nose
at the hard, hard house music
her date seems to prefer.

A jazz fan hurries past everyone
because no one likes a jazz fan
except for the reggae fans — they
love everyone, mostly.  Mostly —

except for that guy
with “Tosca” leaking
from his earbuds.  

Meanwhile on the corner
two surprising kids
are committing a bluegrass murder,
hoping for spare change in the hat.

There’s a hint of bhangra in the air
and a hint of merengue in the air
and a hint of calypso and soca and mento
and someone’s got a ska torch lit too;

it’s a beautiful Saturday night
in the clamoring city,
making you wish
you could play everything
whenever you close your eyes.


My Dance, My Bad, My Deep

Originally posted 2/7/2013.

I give a sorrow
opening.  I
loose it on
a gap within. Soon come

ornery, tantrum, layabout and cry.
Going to victim this whole long day:
grow kudzu, a funeral bouquet
for neverending grief show.

Still, I got rocker hips,
roller hips, jazz groin and jazz lips:,
joy ends up somewhere
when pushed from head and heart.

Still, I end up one sad grinder.  
End up bad into more bad sinking,
but still with one way
to set it off and hold it back — and so,

on to music. Still in the hole, I give
my dance, my bad, my deep
some resistance. Rhythm’s a big mole digging in 
under the roots, a charged up winner

rubbling the dark; my earthly body
quakes cracking in the light.  Whenever
I, frightened, shake fear, I gotta dance
my dance, my bad, my deep — 

it’s my gotta happen.


The Gutbucket King

New Poem.

In our mitten-shaped city 
the poor neighborhoods 

cup the wealthy downtown 
like a thumb and palm

George lives in the palm
Crosses the rich streets every day

to make coin at a job in the thumb
At night he walks back just as poor

On Wednesdays he plays
gutbucket bass in the backing band

for a blues jam at a local bar where haughty boys
bearing new Strats and vintage Gibsons

come in now and then to try and finesse 
that muscled art with their prog-conditioned heads

but count on George (who lives by his rocking palm
and two-finger slam on old thick strings)

to steady them and calm it down
to twelve bar lope when things get floaty

George leaves the palm in the morning
and crosses those rich streets to his job

Now and then on his way he catches the eye
of some Richie Rich he’s had to school

who will nod
eager to catch a second glance from the Gutbucket King

George only rarely and incompletely
acknowledges this

as they both know which side of the mitten
he comes from and 

in this life
as is in the blues

nothing is likely to make either one
forget it


An Egg, A Mystery, A Blessing

New Poem.  

The usual questions echoing
in the empty night, but tonight
something’s answering

in the shape of a 
fat chord and an imagined
horn chart, answering

with the compassion of 
a tender mandolin strummed
as lullaby

on a sultry Southern porch
over the ghost
of the failed child 

you cannot forget, answering
blue, answering street joy
Saturday night, answering

in your own amazed voice,
the music you just made
beginning to fade

but not without
leaving the knowledge
that if it can be done once

it can be done again
nestled inside you
like an egg, a mystery, a blessing.


Blues

Originally posted 12/19/2012; original title, “Blue Sex.”

This early,
this warm.
This dark
singing,
a tangled
blues;

lemon squeezing, starter mashing,
rolling, tumbling,
juice runs down our legs blues;
“can’t be satisfied — ” 
challenge, not lament;

slide ice cube
stinging it,
gliding it
fast between mouths 
and bellies;

sun will barge in
soon enough — 
how humid it’ll smell then,
our hair torn up along with the room,
‘Sweet Home Chicago” in the background.

No matter how Mississippi 
it gets in here
this warm,
this early,
this dark,

we always end up
asking each other,
“baby —
baby don’t you
wanna go?”


Shuggie Otis Sunday

Originally posted 10/12/2008; original title, “Hearing Slapbak On A Sunday.”

Invitation to Sparkle City.
The bass a friendly hand opening the door.
The groove shuffling me along to comfort
with a shout to someone unseen
to break out sweet tea and a good meal. 

It’s not much — no,
it’s everything. It’s church
softer than any formal pew,
warming me top to bottom 
on no more 
than an ember. 
Big pillow for a sad head,

holding me like a cradle I never had;
this is no offer I can ever refuse.


Play Guitar In Five Easy Steps!

Originally posted 12/11/2012.

“he didn’t leave much to ma and me just this old guitar and an empty bottle of booze”   — s. silverstein

if you thought it was written by Johnny Cash
you are forgiven a little

if you thought he was telling the truth 
you are forgiven a little more

if you hate your name too and all you have to fight it with
is your missing bad ass dad’s old guitar

you are not only forgiven everything
you are blessed

and you should forgive me
for everything I am about to say

“they’re dead wrong I know they are cause I can play this here guitar”  — weill, mann, lieber & stoller

marvel at how it took four people
to write one line

about a truth every 16 year old
with a death grip on a maple neck

learns by osmosis
from the first chord

“well I got this guitar and I learned how to make it talk”  — b. springsteen

interrogate your guitar till it owns up
to things you have never done

“the bitter comes out better on a stolen guitar”  — d. bowie

you tell me: if you’ve not yet stolen a guitar
have we even seen your bitter

“your guitar it sounds so sweet and clear but you’re not really here it’s just the radio”  l. russell

dream yourself into being a ghost superstar
by dint of broadcast ominpresence

but even the superstars will tell you
that in fact

in truth and real life
we end up most often alone

in a small room with wood and wire 
pen paper bone pain and joy

this is
what that thing does to you

welcome and
don’t say you weren’t warned


Big Joe Turner

Originally posted 6/13/2012.

Big Joe Turner could palm a jump blues
like an egg, could handle it rough
and never break it even as he smote the air
with the soft club of his voice
floating over and through.

I try it myself. I think I sound
good, as good as that.
The shell fragments on my hands
and the sticky yolk say no.
The heart of me says no too.

Big Joe Turner,
they are forgetting you
and your kiss curled imitators.
Big Joe Turner,
I’ll owe you forever 

for the mess on my hands
and the mark on my bones.

They won’t dry or heal,
no matter what others

do or do not do.


The Prog Rock Airplane Of Your Love

Originally posted 6/29/2012.

You, flying the prog-rock airplane of your love,
make the crazy leap to stratosphere.
Something comes knocking on the hatch door.

It is the object of your affection, wearing a jet pack,
holding the ring you gave her in her hand;
she hurls it into the plane and swoops away.

Your crew secures the hatch behind her.
They turn to look at you,
stoic in the pilot’s seat.

How did she fly so high as to get to you?
Some questions are meant either to be unanswered,
to be incomprehensible without a life change,

or to be aged into
before answering.  It rarely matters which 
of these is true.  What matters is what the pilot does 

with the prog-rock airplane of his love 
after it has been rejected.  Does the pilot choose
to settle into an awkwardly worded

power ballad nose dive, or to surge higher
on waves of bass triplets and Mixolydian modal guitar runs
until the plane reaches its structural limits and explodes?

You choose another way, push a tear back into its duct 
through sheer strength of will; then,
as if in a coda, you head back to base.


Tiro De Cuerda

Originally posted 5/28/2010.

Tiro de cuerda: the Spanish term
for the perfect tension
on a guitar string,

the strain that lets it cry,
a tension found one or two
turns of the peg shy of breakage.

More than once I’ve sat in an audience
and seen a player, rock god
or flamenco acolyte, snap a string 

and keep playing,
plotting on the fly a new course
among those remaining,

but have never heard
a recording that included
that sound.  It seems odd: 

that snap
would seem to be
a sound we would adore

as we are usually most thrilled
when we can witness
death being cheated.