Leave It

An old show about an old story.
You know who wrote it.
You say you’ve never seen it?
That’s because you’re in it.

It’s been the same basic plot
from the start: eventually everyone
becomes either silent, dead,
or Ward and June.

Beaver and Wally? As long as they sell,
sell, sell and buy, buy, buy, it’s all good.
A hard hat for Lumpy. For Eddie Haskell?
A badge and a gun.

Except for June, they don’t need
named or memorable women, and as for
everyone else unseen it’s already
been discussed –silent, or dead.

You say you want to change the channel?
June looks worried. Ward puts down his pipe
and takes off his belt. Wally makes himself
scarce, Beaver waits in his room. Eddie grins,

and nobody gives a fuck about Lumpy.


One Sick Session

Remember how sick that session was?
We all walked out the door saying that was one sick session.
No idea now who played. No idea now what we started with.
I must have had a red guitar but which one?
I must have played my heart out but I don’t remember.

You were there. You’re shaking your head but you must have been.
If you don’t remember it I’ll try to remind you. Remember?
You offered me a smoke and I turned it down because no filter.
I smoked Winstons back then. Haven’t smoked in what now, a decade?
You say you never smoked? I could have sworn you offered me a Camel.

I know we started with a standard — maybe “Stella By Starlight?”
I don’t even recall how that goes now. You swear you never smoked?
I don’t touch my guitar anymore either. Maybe I never did?
The room I recall was full of smoke. Maybe it’s all in my head?
That sick session I rely on to remind me of who I was — did it happen?

Did I ever play at all? The room had gray walls and a ceiling fan.
Did it happen to me? I can just see five or six shadows intent on music.
Was it on TV? Everything is, you know. We were wailing, I promise.
No cutting, not us. We wove and bobbed and it worked, it just worked.
Did it happen? Did we play together? Everything used to just work back then.


Actors Unprepared

Imagine them told not to play
the only roles they understand.
Imagine them not having a script.

Nakedly standing there
without uniform or costume; understand
that they’ve been told to improvise,
that the play they’ve always played
is being shuttered.

They are just going to stand there
or grab a chair and sit down,
bury their heads in their hands or
pretend there is sand
and put their heads there.

More than a few
will grab props and lash out
with knives, guns, clubs: whatever
they can remember has worked
in the past to advance the action.

Poor things. Can’t say
that I blame them entirely,
or do not understand. Not every actor
develops a pure agency after having lived
as another’s dirty agent for a lifetime.

It doesn’t mean
we don’t still need them
to be swept from the stage
as soon as possible so we can
bring that curtain down
now. Not in due time,
not in a generation.
Now. Not eventually. Now.


1842, 2148

I tell you I long
to vanish into a year
where I am not myself —
1842, 2148, I do not care —
any year at all that holds out
a certainty of erasure, one in which
the person I am now
couldn’t possibly exist.

You ask how I cannot believe
in myself, in how I could be
a reincarnation of a past being
right now, and that if so
I was likely myself as I am now
back then; you don’t understand

how I cannot hope
that next week someone
will make a breakthrough
on immortality and I will indeed
remain myself far into the future.

You ask how I could deny myself
such possibilities. I lower my eyes.

I cannot look directly
into the face of someone
who dares to see me
as worthy of either.


Cookout Blues

A song is playing loudly
in the neighborhood, a song
you can’t stand hearing,
another person’s favorite song.

You worship at the altar of curation.
You can’t fathom why
they can’t use earbuds
to keep their atrocious taste to themselves,

dammit. This is America. You have
the right to be unbothered by
the presence of others. You have the right
not to find out who is who

through their music. Their food smells
good, though. If it were over here
you’d try it. But the music — the music’s
all wrong. It ought to be unheard,

and while we’re at it, they’re pretty loud
themselves. Too loud. This is America.
You have the right to call someone
and get them to do something about this.

You have the right not to know
one damn thing about the people
who lives up the damn block.
That’s why you bought the earbuds

in the first place. That’s the whole point
of a curated playlist. That’s the reason they invented
noise cancellation. You have the right
never to hear another voice as long as you live.


Method

there are no small parts
only small actors

he told himself
as he slipped into
the cemetery with
a can of spray paint
after midnight

there are no small parts
only small actors

as he hung
a blasphemous flag
outside his home

no small parts
only small actors

as he chose
a sticker for
his bumper

small parts

chose a gun

small actor

chose a stage

no small actors

actors in the background
who move with purpose
advance the action

no small parts
no small actors

he told himself


By The Side Of The Rotten Trunk

A reconciliation between
inner and outer storms comes
during a walk in early spring,

first warm day in a winter while,
pushing too warm for
these clothes; princess pine

beginning to push past
the winter leaves toward
long missed late day sun.

Stopped on the path by the sight
of a wide spray of fallen oak leaves splayed
upon the softly crumbled trunk

of a tree — not their source, one that itself fell years
before, its surface riddled now with ant-roads,
its flesh chewed and weathered nearly into sand.

The light upon the leaves bleaches them
to a pale brown. No doubt brittle to the touch
from death, but from here they look like

a snap shot of banners or kerchiefs
flying in a brisk wind — image from
a pageant, renaissance fantasy; then

I shake myself free, let nature be free
of my interpretation — layers here of past
becoming slowly, unstoppably new;

one more step and into view comes
more princess pine, green rising
by the side of and fed by the rotten trunk.


To Not Be Me

In one of my last decades now
(do not contradict, I know
where I am on the Path)
and still waiting to grow up.
What does that mean?

I’ve felt the same more or less
since late in the second decade.

They say it to everyone
and maybe it’s specious and
we never do, or we were already
but it scared someone
and so we were told,
over and over, that we were not
yet grown. That we still had
work to do, and we do, and we did,
but nothing really shifted.

I know I’ve walked the Path I was set upon early
and I’ve been much the same
for the whole time I’ve been walking
and I’m still ungrown,
still unseasoned into much
that is different.

So then, into
the last decades, still waiting to say
oh, I see now; I see
what they’ve always wanted from me
(do not contradict, I see clearly now):
to not be me.


I Said To My Hometown,

I’m just passing through.
I won’t live here again.
I can’t. I see too well
to dare to think it could be done.
Within weeks after moving back
I’d tear myself up, lay myself
in a hole in the ground, set myself in
cement for archaeologists to find
centuries from now. They’d say
I was typical of the townsfolk
of the era and they’d be so right,
but I wouldn’t care then because death
has always had a way of erasing truth
and replacing it with lessons.
If I am not already
a lesson about my hometown
and how to set things in cement
that were once alive, why would I care
about becoming one after I’m dead?
All I can do is strive to be alive now,
right now, while striving to stay
the hell away from you,
and let today become the past
when I won’t care about any of this
any longer. Today, though, I’m just
passing through. I will forever be
just passing through.


The Tree

Every time someone
tells the story
of a routine atrocity or
an ongoing oppression
on a big enough
and well-lit stage,

someone watching or listening
will wring their hands
and fall to their knees in anguish,
crying out, “why is no one
talking about this?”

so loudly that it drowns out
the creaking
from the death-laden branch
of the well-maintained
and perfectly manicured tree
in their backyard,

the one that came with the house,
the one that sold them on the place
back when they were looking for
their forever home.








No Excuses

I wake up at last, sweaty and deadly.
All the specifics of my big bad dreaming
have been erased, but I know it was all focused
on what I will do or will not do for
my own satisfaction.

Ancient, Biblical, archetypal;
clothed in the flushed skin of my history,
choking on fragments of mythology’s
crude dictates: I don’t kid myself
into some sense of personal nobility.
Not after that. Not after the angry
and wanton night-swamp
I just waded through that has left me
drenched in stink and horrible to behold.

This is a shamefaced confession,
not a boast: if I had been an apple,
if I had been The Apple in The Garden,
I suspect I’d have fallen into her hand and left her
with no choice but to bite down and learn.
There would have been no coaxing,
only coercion. I know this because
as beastly as it is to say it,
there has never been any need
for demons to make it happen,
to turn a man toward Evil. A whole
order of civilization, a machine
of enforcement, has made this happen,

and this morning I rise and swear to do my best
to shower, cleanse myself of it as best as I can,
scrub off the long wet dream of domination,
and forget about looking for a snake
as an excuse for my being a serpent.


Unfamiliar

Never imagined
that my memory could
disappear, but it is. The letters of words
are themselves becoming new.

Definitions seem fresh again —
you ask me for a memory of you
that makes me smile — what is a smile?
Those letters are unfamiliar.

I’m not even sure how I’m writing this.
Muscle-habit, maybe; the gross framing
of my body doing a better job
of it than my brain can now.

My world that has depended
on my being certain of what I already know
is turning into smoke so much of the time.
It’s fine. I’ll slip into a sea of forgetting;

I’ll be fine there.




Talking With Steve, Panhandler On The Median

You know, at least half
of the people you see are not
people, he says. And it’s not
like you’ll ever understand
the difference — no glasses
can help with that, it’s not like
that movie which only got it
a little right, mostly wrong. I’m
never sure. Not even about you.
I work it out in my head and the clues
don’t add up to certainty. The guy
at the convenience store, he’s not
one of them. Lets me use the bathroom
if I need it. I have to do him now and then
in return, you know what I’m saying?
That makes me sure he’s a human.
A man’s man for a man, you know?
That old this for that, that old scratch
each other’s itch. I’m not sure
you’re real — you never ask for
anything, just hand over a dollar
when you have one to offer. It’s good
to see you here. God bless,
even if you are one of the ones.
I’m not sure about you. God bless.


On The Ingestion Of Cannabis

To ingest cannabis when life
is apparently free of obligation
is to examine the word “obligation”
as it it were a spear pointed at your time.

Some of us can stand there
in front of the spear,
see it coming clearly,
then duck away with little consequence.

Others simply
catch the spear in both hands
before it can wound,
and fulfill what’s been thrust upon them.

I am neither.
I am of a different group,
those who will automatically step
from the spear’s merely projected path

unless they fear that they can not
avoid it — and if
they can not avoid it,
they do not partake.

This may feel like
trivial information
to you. If so you do not see
in this one small fact

how much of a life
may be ruled by a sense of
obligation as
unavoidable danger

and of even
potential pleasure
as a place
of near-certain death.


big wind

big wind
coming through with
built in tilt

its source in impure lust for
knocking things down
it thinks are in its way

refuses
to call itself
a hard wind

instead calls itself
a nation of civility
with a civil society

its civil society is not civil
no matter what it says
it screams in the big wind’s favor

civility here means talk nice or
we will blow you over
talk nice or be unheard

either way no one
will hear you
as long as the big wind blows

civility is
no weapon
against such a storm as that

to be heard over
a tornado inside
a hurricane

you had better
be prepared
to scream

and to grab that big wind
by its throat
when it bears down

and to set your mouth
and teeth
upon its ear