Stormbringer, supercharger,
strong attractor, such memory
of how little I cared for consequence
in their presence. I was young
and loathed myself except when
I exalted myself, and I had no balance
between. Stormcharger, super-attractor,
strong bringer of past to present, memory
of what I gained and tossed; nonsense,
these things – storm attractor, superbringer,
strong charger – are words only, things
I mastered long ago, things I made up
for the purpose of raising the dead
from the tombs within me. I was young once.
I killed that youth six times over. I am old now,
still ready to kill that youth, superstorm, charge attractor,
strength brought to bear upon how sick I am
with nostalgia and regret for how I let myself go
and how often in recreation of those forces
I let myself go feebly into their streams again.
Category Archives: uncategorized
Conditioning
The Meaningless Goal
I hit my Meaningless Goal for the year and beat last year’s posted poem total by 1.
328 poems posted for the year.
I’ll try and get to 330 by New Year’s Eve, but I think I’m taking a few days off for the holidays.
Enjoy your holidays, and thank you for reading.
Three Chords And the Truth
The problem with
three chords and the truth
is always that third chord
When the first one
lays it right out there
where anyone can see it
and the second one
simply points
at what the first one did
why do you need one more
when all it does
is nods at the first two
and brings you
right back
to them again
Maybe it’s in
the nature of truth
that we find the answer
that it’s not as much about
how three chords fill the void
better than one or two
than it is about
which three chords you choose
to carry which truths
You reach out endlessly
for the right ones
with two or three fingers
on keys or strings
and end up hearing either outright lies
or mere cartoons of that truth
and then you reach out again
and this time you find
a truth you weren’t expecting
which you follow and
there you go with those chords
and that truth
but the one you started with
gets away and one day
you come back to it
and stare at it and say
was this ever true
You puzzle out three new chords
and try to answer that
until one day that truth
blares out of a car radio
flying in on three chords
you never even considered
and it’s a hit and you shake your head
at how simple it should have been
to do this and then
you crank it up
regretting nothing
of how this mystery passed you by
as you shout and you sing
and try to figure out
that third chord
that was the key you never found
Getting Past It
Three fractured heads
in the crotch of a tree.
Dog-torn infant arms
strewn in a ditch.
On a dirt road,
dark wet sand.
New genocide and massacre
glimpsed on a screen.
You can’t look away
even as you say
“it can’t happen here.”
It has happened here.
Here is here because
it has happened here.
You didn’t do it. You had
nothing to do with it.
But you are here, in part,
because it has happened here.
This is why
you can’t look away
even as you say
“it can’t happen here.”
You want to know
what it looks like,
want to toughen up.
It can’t happen here
but who knows where
it will happen tomorrow
and if you are there
by chance or design
your today could be gone
when your tomorrow gets here.
You keep an eye
on the screen
and make plans and promises
about what you will
and will not do
if it happens
where you are:
how you will stay upright
if the road runs slippery
with blood, how you will avoid
tripping over flesh
on your walkway, how you will
get past it. How you
will thrive in the aftermath,
how you will raise a family
there.
Worms
The earth in the front yard’s
worm-broken as always
after the rain.
So many castings on the surface,
thick red threads squirming
on the sidewalk.
I still don’t understand
how anything lives here,
myself least of all,
but I do, and they do.
They seem in fact
to thrive somehow.
I don’t, not at all.
I’d go so far as to say
I’m bad at living;
worse at it than
these worms are,
anyway.
It’s odd
how it happens
that one can end up
envying worms. I hope
some nice ones eat me
when I die. I know
it’s not worms like these
I should be counting on
for that. These worms
aren’t the right type.
These worms look like
survivors, like they’d know
that you are what you eat.
That’s a good enough reason
for them to avoid me.
It’s raining, I’m waiting to die,
worms have come up from the wet
all over the yard, and I’m watching
them from the window. If you need
anything beyond this
to understand me, be like the worms:
steer clear.
Dawn
I said I shouldn’t have to prove
my exceptional nature and skills
to be valued, that I am human
should be enough to make you want
to care about me and not think of me as
a heap of dirt to be danced on
like some grave.
Then I looked around:
when has being human
ever been enough?
I said that everyone came here
from somewhere except for those of us
whose folks were here already.
Then someone reminded me
of the Bering Straits and someone else
pointed at carved heads and said Africa
and another one laughed
and said Irish monks and let us not forget
the sky people from Sirius or
Alpha Centauri,
and I realized
how much people
love the colonial buffet.
I said something about
a living wage and
not having to fear that
a broken turn signal
might get you beaten
or jailed or deported or
killed. I said something
about people who had no choice
about coming here, about people
born here with no voice to be heard
here, about people burning here
and drowning here.
Then it struck me
that no one could hear a thing I’d said
over the sound of locks being locked
and deadbolts being thrown, guns
being cocked and hands being clapped
over ears and eyes.
I stopped talking long enough
to consider the possibility
that perhaps they heard me just fine
and that was why they locked
and loaded and shut themselves away.
I stopped talking.
I looked up.
There was
dawn in the air. It was lonely
but it was new. It might not have lasted
long but it was clean. It might
still have been night
but that hint of sun
felt sacred.
You Have Three Minutes To Answer
Originally posted 1/14/2013.
Actual question from a test designed to assess creativity: “Just suppose we had the power to transport ourselves anywhere in the world in the blink of an eye. What would some benefits, problems, etc. of this power be? You have three minutes to answer.”
First
I would move
six inches away
and rewrite my entire body of work
as if I had always been
six inches away from it.
Next
I would move back to where I had been
and rewrite everything again
so all of it would be so unlike
how it began
that it would be like starting over.
Then
I’d move
six inches
in a different direction
to see how it looked from there.
I’d end up
moving swiftly
around the house
without ceasing:
desk
to bed
to kitchen
to shitter
to shower
to desk
to bed.
Then
I might burn all my poems.
Go buy some expensive paper in Venice.
Write them all again
even shorter,
one word per pricey page.
So
six inches away from the desk.
Back at the desk.
Six inches away from the desk.
Back at the desk.
Somewhere else far away.
Back at the desk.
Somewhere else again.
Back at the desk.
I’m
not really sure
how different
it would be.
Not really certain
there would be powers
or benefits.
Not really certain
how much of a problem
it might be
except for the wear and tear
on my body
and the slippery possibility
of ever living
a grounded life.
Not sure it would be
that different. Not sure
at all that this has not
already happened,
is not still happening
every three minutes
for three minutes at a time.
Small plug…
The music site “Bandcamp” is where my poetry and music group, The Duende Project, sells its work.
Today, Bandcamp is donating 100% of its profits to the Transgender Law Center.
If you’d like to help out, and maybe grab some of our recorded work as well…
Our site is at http://theduendeproject.bandcamp.com .
While you’re on Bandcamp, check out the vast variety of music offered there. It’s a great site that does a fine job of helping music creators to make a little money from and promote their work.
Thanks in advance for your time.
My Gods
You come at me
and come at me
as you have for years
with gods
you brought with you
from your land
and tell me I am
cursed, doomed,
blighted.
You cast spells,
toss masses;
lay ghosts under my feet;
offend with talk of
how wrong-soaked
my soul is.
You brandish
the things you stole from us
as if they were your own
wands or censers or
crucifixes,
as if your hands
upon them are
enough
to use their power?
Listen to me,
missionary;
listen to me,
pagan colonizer;
listen to me,
plastic shaman,
thief,
dog
so unleashed from
your own stone and sea
that you cannot feel
how lost you are:
you are
on ground where
my gods live and
no matter how far yours
traveled to get here,
they’re still
tourists, they’re surely
tired,
they certainly
do not
belong;
I have gods
at my back
rested and waiting and
grounded deeply
in this earth.
Nothing of yours
has ever
shaken them.
Nothing
ever will.
Life’s A Beach
In the morning I wake up
dripping and soaked in
politics or what
some of you call
politics when I think
politics is a code word for
the ocean
I live in and I can’t
get out and don’t really
care to try.
I know a lot of people
who drown in it. I know a lot
who tread water
and even some
who thrive and race here.
Some of you think I’m weird for staying here.
You say hey, life’s a beach. Get out of the water
when you can. That ocean
is fun to look at now and then
but all in all you say gimme
sand and land and sun and fun.
Time to turn, you won’t burn.
You call me out for staying
out here. You call me
obsessed or fussy with it.
The only reason you have a beach
to get out onto at all
is because of this ocean that
would just
swallow you in an impersonal
flash or splash
while you lie there.
I stay dripping with politics because
having been on the beach in the past
when a wave broke over me
I prefer to feel
what’s around
as it’s happening
and not be caught
by surprise.
Will
My people
I tell you
I am a broken bottle
and though I can hold
neither wine for celebration
nor water for survival
what is left of me
is yours to use
as decoration
(let my shards
be shattered further
into mosaic bits) or
as defense (let my ends
be cemented into walls
to serve as teeth) or even
for offense (take me in hand and
swing me
as needed)
Though I hope
I will be art for you
I will not flinch from being
fang or blade
for you my people
who will have need of all
of what little I can offer now
in these latter days
Patreon page added
I’ve added a page to the main menu here.
If you look at the header on the blog site, you’ll find a page labeled “Patreon” which has information and a link to my monthly crowdfunding effort.
Again, I’ll never make the blog anything other than free to all. If you’d like to join the community of folks who’ve gotten involved in funding any of my other work, the information to do that is on that page.
Thanks in advance.
A direct link to the page itself:
Big Step
Hi, folks…
I’ve made a decision and wanted to let you all in on it.
In an effort to make life a little easier, I’ve gone ahead and created a Patreon site. Patreon is a site that allows artists to develop a monthly income to help them create freely with less financial pressure.
You don’t need to sign up; the Dark Matter blog is going to remain free regardless of whether this works out or not. I’m merely presenting the link to you if you’re interested.
All the background and information is here.
Thanks in advance,
Tony
Self-Care
Not summer yet
not for another month
yet too hot already for
all the pets
panting in the house so
I replace their water constantly
and add ice to their bowls
and now and then check on
the new kitten for her tolerance
to this high temperature
She seems fine
so all I need is to watch her
and join her play and try to avoid
her minuscule claws and teeth
as she learns her limits
as I have learned mine
The other animals around me
have learned theirs more or less
with the big kitty sprawled near a window
and the ferrets in their cage sound asleep
As for my limits
I’m staring into a famous suicide
while thinking of slow-motion genocide
and a billionaire imploding dangerously
from the weight of his wealth and utter Whiteness
and his ego and his sleep-starved outbursts
none of which trouble the kitten
or the cat or the ferrets
at all
for them it’s all about the heat
and me being simply present at the right time
while I’ve got to sit here worrying
that I am not fighting hard enough
in the slow roll of this clumsy war
by writing and raging and staring
into famous suicide
that feels like a possibility except
the kitten wants to play and
who am I to say no
to such a hopeful thing
as her face staring up at me
while she waits for the future
A Performance Note: the Rip-Up Reading
Keep the nature of the show secret. Don’t share the poems with anyone, or the nature of the show itself with anyone but the host prior to the show. Nothing online, no workshopping — nothing.
Write the set. This takes a while, because if you’re going to do this, you need to have poems that you have a significant amount of blood and investment in — they have to be at least good, and hopefully it’s the best work you’re capable of. In all three cases, it was a set of eight or nine poems. Already, I don’t recall for sure. Age has made the porosity of my memory worse than ever; usually a curse, in this case a blessing.
Before the feature, print one copy of the set, then wipe out the file for it on the computer, so there’s only one copy of the poems in existence.
At the start of the show, ask for everyone in attendance to shut off anything they can use to make a record of the performance. Cameras, cell phones, video, etc. Gotta keep up with the technology. There was some sketching last night, but I let that slide; no good reason, just felt somehow OK.
Ask for an audience member to volunteer to help you during the set. Don’t explain why, but assure them they don’t have to do anything on stage; they just need to sit up front.
Explain what you’re doing (I’ll explain the rationale below in more detail) — that you’ll be reading a set of poems that no one’s ever seen or heard before, or will again. The set last night addressed the political moment — but more in a sense of the spiritual aspects of the moment. I’ll not say more than that about it.
Explain the volunteer’s role — that as each poem is completed, the volunteer rips the copy of the poem into tiny pieces and puts them into some receptacle — a bag or an envelope (last night, a Ziploc bag) . At the end of the night, the host gets the ripped up copies to do anything with that they want — as long as they don’t reassemble the poems.
9.
Do the feature.
10.
Last night, we actually did a Q & A with the audience afterward. Never did that before. Most of what we discussed is covered below.
Collapse internally if you’ve done it right.
A audience of storytellers, versus poets, lent a different flavor to it (part of why I did it there). Less anger, more appreciation. Hard to explain. (Also, a much older audience than ever before — average age was probably closer to 60; the other two readings were the usual, younger poetry crowd.)
I am deeply, deeply grateful to the Maine Organization Of Storytelling Enthusiasts (MOOSE) for asking me into their space to do this.
