Category Archives: poetry

Obligatory Christmas Poem, 2022

The signs
they hold up
say

homeless
helpless
hopeless

Many include a sketch
of a Christmas tree or say
Merry Christmas as well

They stand upon
the entrance ramps to
malls and big box stores

where shoppers have to wait
to get into the lot and when 
a signer passes their car

they look away or discard 
a quick buck out the window
then roll it up 

to keep private heat
and the hallelujah chorus 
in the car

and no better than that look at me
dropping a heavy metaphor obviously
onto this from on high

as if it ever matters what parallel 
anyone draws about jesus
blah blah blah

joseph and mary
blah blah blah
no room at the blah blah blah

merry christmas
or whatever you got
to offer

in light of the sight 
of her wet blue eyes
above her sign

his beard
combed out for the season
above his sign

the people
queued up
below commerce’s sign

tomorrow never comes
without posting a sign
of its arrival

regardless
of hopeful prophecy
blah blah blah


Play It As It Lays

The bones
were rolled for you at birth.
They chose your great adversary:
maggots, melancholy, militia…?

You decide
what’s next:
double down 
or bow and fold. 

How you come
to your war
once you’ve chosen
your battlefield

is the battle.
Is history’s gamble, not yours.
Listen: the house
is snickering.


A Razor And A Ring

cleaning out
an old apartment
(new to you)

unremarkable contents
of the cheap and shallow
medicine cabinet
include a straight razor
with one massive nick
in its rust-flecked blade

bottle of iodine
wood-shafted cotton swab
on the glass shelves lined
with folded paper towels

as stated
unremarkable
except
for a kid’s ring 
plastic shank
set with plastic gem
centered by itself
on one shelf

imagine that kid
now an adult wondering
where her ring had gone
although it’s more likely that 
she doesn’t remember
at all
her onetime treasure
left behind
for you to find
in an old apartment
(new to you)

you will
soon enough
toss those abandoned artifacts
into the trash
as you prepare  
the place where you
are going to live
to be your own

a new place
to leave your stuff
when you go


Happily A Worm

I think I could be
happily a worm

if I was not so terrified
of ending up drowned
on a concrete walk
after a storm

Forced to leave
dark soil
surrounded by roots
where I’d been
most grounded
or worse
desiccated upon
a blacktopped driveway

where even
the slightest sunlight
could take from me
my pink life
and leave behind
my dark leather corpse

Even the robins
will not take that

Will leave me instead
to disappear bit by bit
into a trail of ants
bearing me
down the hatch
into their small volcano
of a home
in the sand
along the fence

I could be happily a worm
if I knew I’d be 
remaining
forever or for at least a few seasons
away from all
grounded and blind
underground


The Poetry of Place: Formal announcement of the workshop

This will serve as the formal announcement of…my first virtual poetry workshop!

“The Poetry Of Place” will be held via Zoom on Sunday, January 22nd, 2023 at from 2 PM to 4PM EST.

In this workshop, we will look at how incorporating vivid, arresting sensory imagery can stimulate and energize your writing. We’ll look at examples of such poems and at some ideas about why this kind of effort is vital to The Work regardless of genre. (While we’ll be focused on poetry, you can use this information in long fiction, short fiction, etc., just as easily.)

Although the workshop will include some writing exercises and opportunities to share, it’s not primarily designed to be a generative session; I hope that instead you’ll leave with some ideas and a sense of what is possible when you “ground” your own Work in a strong sense of place.

For the record? I’ve got 30+ years of experience as a trainer and workshop facilitator for various corporations, non-profits, and government agencies, but this will be the first time I’ll use those skills for a personally developed topic. It likely won’t be the last…

The cost to the general public* is $35.00 for the session, payable through:

Venmo:
@Anthony-Brown-95
(if asked for a # after that, it’s 4124)

or

Paypal:
tony.w.brown@gmail.com

Last day to join up is Friday, January 20. **

I’d love to see you there. Drop me a line through here or at the above email address with any questions.  

T

*Patrons of my Patreon site in the $10/month or higher tiers may attend for free. 

** For security reasons and to help prevent Zoom bombing, I will send participants the Zoom link once payment is made or (for Patrons) once a confirmation message is sent to me on the site. 





The Poetry Of Place

I will be running a poetry workshop, open to the public/free to members of my Patreon site at the $10/month level and up, on January 22, 2023.  Time and Zoom link TBD at this point.

The link below will get you to a video that explains the workshop and what we’ll be striving to accomplish. 

If you are not a Patreon member, the cost for the workshop is $35.00, payable by Venmo.  Send me a message for the link.

I’d LOVE to have people there who are regular readers of the blog, so…let me know!

Thanks,
T

The Poetry Of Place


The New Tattoo

A new tattoo on my mind.
Simple banner: “I Am A Bad Person.”

Placement yet to be decided. 
Naked body in the mirror:

across my chest, above my heart?
Others could easily see, and I would too.

Would the message sink in from there?
I look myself over again.

Down my dominant forearm
where it would remind all 

of my strength and weakness at once?
Ah, but then I could pull my sleeve down

and no one would know. So,
forehead instead? Maybe doubled

in reverse so that my mirror 
would tell me the tale, too? 

Do I want that level of 
awareness? Instead of that

perhaps two banners,
one on the bottom of each foot. 

I’d walk that message everywhere.
It would not be obvious to others

but I’d always know
what was haunting my steps.

Maybe I’ll just keep it quiet and run the banner
right across my lower gut, right above my privates.

Only those close enough to already know
would ever see. By that point

it might mean nothing to them
and might only bring a quick pang for me. 


Talking About The Night

Originally published in 2002 in my chapbook, “In Here Is Out There.”
Original title, “Talking To My Son About The Night.”

I have been thinking:
what do I tell my children about the night?

Something wicked these days
stirs in the night,

and I cannot lie to them
and say shh, be still,

all is well, 
we are safe.

Instead I will tell them the night
contains both darkness and light.

I know the light may also hide darkness,
but I shall hold back on that, at least for now —

so what shall I say to them
of darkness in the night?

I will say darkness is a young man
holding a knife to a lamp.

He adores how it may separate 
skin from flesh, sinew from bone.

He knows
that when it is sharp enough

he shall see the body’s coherence
fleeing before its edge.

Darkness is a woman
leaning out of her window on her elbows.

She sees something she does not favor.
She slips out the back door

to carry her gossip
to the slaughterhouse.

Someone there will take the news
to the mechanics who will adjust

the wheels of the juggernaut
for maximum kill.

On her way home
she will wipe her face with a stolen liver.

Behind her she will leave a trail
of rumors and cartilage.

Darkness is a gaggle of children
trapped in a dream

where they are made to suckle straws
filled with their own blood.

They purse their pale lips,
draw the red up, columns red rising,

red cresting in their mouths,
falling red into their stomachs,

such sharp nourishment,
such a simple lesson:

living through the night
requires such a meal,

a simple meal for a simple terror.
They have learned to devour themselves.

We stink of rich meats, phobias, fires,
restless pride, secrecy.

We inhabit our stereotypes,
slowed to the speed of custom,

houses crawling with indignation,
ferocity unbridled by logic,

atomic proverbs to live by —
a man decides to force himself
on the next random passer-by,

a boy slits an ancestor’s throat;
we shake our heads, we cry out

for the light and get the darkness,
violent, clean cut, simple, fast:

darkness is thinking that we can live forever
by living this way.

And after that? After that,
what can I possibly say of the light?

I will say to them that it is slander
to speak of the night and only note the darkness.

I will say to them: children, my children,
look at the stars.

I will say to them: children, my children,
whenever you despair of this world,

lie back
and look at the stars.

I will say yes,
there is horror afoot in the night,

but always, always,
we have the stars.

I will say that one star
may singly pierce the darkness

but that one star cannot cut through
the darkness alone.

I will say that there is
light beyond the darkness.

I will say, children, my children,
if ever you despair, remember these words:

I am a star, and I do not
shine alone.


Whoever Shall Take It Up, Remember Me

The struggle to bypass the pain
of pressing strings to fretboard
is too much to bear now so maybe
it’s time to stop the music
long enough to allow
for an amputation of my
left hand if only to see
if the ghostly nerves 
of the missing piece
can play without pain

I’ve been told this
makes no sense but sense
has never guided me
all that well in pursuit
of my absolutes

and if anything is
an absolute 
then the need to play
is as absolute as 
the need to write
and speak and 

there are other needs
and surgeries to consider
but first things first
First the music then
the dance

Wondering

if I start at the base of the neck
to cut myself free of all ailments
will I become whole and if not
what parts will remain alive
and for how long
 
What will my music become
What will my dance become

Who shall take up my guitar 


Working Title

I’ve written a book I now pray
will never be published
Working title “Goddamn”
Subtitle “Fuck”

You think I’m joking 
but in fact the profanity
is the least offensive thing
about that book

I thought I was sweet 
until I wrote it
but the brain of one
who could write such a thing

(where the title and subtitle
were the least deadly words
the cleanest and sweetest
I could use to proclaim the rest) 

that brain grows from
a bitter root and I’m sitting
with all that means
in my little room

The air reeks from it
Disturbance on paper
Common vulgarity
announcing common dirt

I wanted more of my work
I demanded less of me than I was
What have I got to show for it
when “Goddamn: FUCK”

is likely to be my legacy
unless I burn it and start again
Unless I burn myself down while 
praying I’ll have time to start again


Blue In Sound And Hue

The place where I begin my work
rises from blue in sound and hue. 

I ease its lock open each morning
and go into blue shade and blue whisper.

Sometimes I cannot leave until
the stubborn lock releases me. 

Those days I cannot leave until
I agree to leave a portion of me there.

The place I go to keep working
might be brighter, might be — not.

But it will be blue, too. 
A progression forward, a run upon a fretboard,

a waiting for the light to change. It may blaze
or sputter, but it will be blue. 

The place I go to rest is dark enough
to let me sleep. It’s deepest blue

in pang and and riff, deep enough
to shake me through and soon

I am up and pulling
on work clothes, looking for

the key to the place
where I begin my work, the room

of blue, of sound and hue, of pang and riff,
of everything I thought I left here yesterday

and the day before and the day before that:
things whispering from concealment in the shade.


Poison, Venom, Infection

There’s danger
in poisonous lands and water;
simply being there
and breathing
is enough to make you
sicken and die.

There’s danger
among the venomous;
if you know
where to look
and how to armor up
you may walk there but

if you
blow your cover
and your armor fails,
a single sting 
may get through
and be enough. 

There’s danger
where the infectious
roam free, spewing 
plagues and slipping germs
past your defenses when you thought
you’d done enough.

You can’t stay safe inside forever;
you are going to have to leave
the safe house one day.
Down the block, all over the country,
you see houses with trouble flags
and deadly yard signs.

Is the air around them infectious?
Are your neighbors in fact venomous?
Are these signs that the whole damned world
is poisonous and this is what 
a mass casualty event looks like as it begins?
Are you enough for whatever comes next?


Leftover Chores

The dishes from
last night’s dinner
fill the sink and
whisper, “lazy…”

Blankets left
unfolded in a basket,
waiting to be put back
on the couch to protect

the upholstery from 
cat hair and spills and warm you
as needed; there’s a cat already
sleeping on them, of course.

Just this once, maybe,
leave everything as is? Sure.
That’s you. Unfinished business.
You are that. Guilty as charged.

You are the One
grounded in worry and incompletion.
Every letter of your writing is unfinished. 
Your hands quit on you

long before your guitar did.
Your bridges smolder but look
safe enough to recross. Of course
there’s a government to topple

and a culture to unlearn
but with furniture to protect
and dishes to do where will the time
come from? Not from anywhere,

it appears. Chop wood and carry water,
then drop the armload on the way
into the hearth and home and
spill the water where it will leave

the biggest stain. You have
formed around looking at
leftover chores and saying 
it’s enough to have started,

but you know better even as you
lie back and close your eyes to it all. 
You know sleeping will heal nothing.
It’s been forever since you made it through the night.


Owner’s Manual: Preface

Revised from 2009.

To build a defense
against insomnia
and enjoin it from
canceling you out,

you may purchase drugs, 
or just forget how it feels
to be awake just long enough that
you trick yourself into sleeping

and thus render it
harmless. You will have to do this
often. Relentless and vigorous
defense is required.

To choose a tattoo
that will not be an
embarrassment
shortly after its application

you may need to look at
how it feels to lack a thing
you’ve never had. It is
often difficult to imagine

how a patch of your hide
could be improved so deftly
that such a lack 
could be erased.

To reject a parent
is to demonstrate
a certain respect
for their historic presence or absence.

It is usually easier
to maintain some contact
even if only on
the highest holidays;

declaring that any bridging
of the distance between you unsafe
is a way to honor the place they have made,
even if that place is a hole or a wound.

To own your life
is a responsibility that demands
a certain acceptance of folly
in your self-care.

What may seem on the surface
to be harm may in fact be logical
(if not always comfortable) adaptations
to facts and environmental factors.

You will choose often.
You may not always choose
wisely or consciously,
but you will choose.


ICBM

is what 
we thought 
was most likely
to kill us 
when I was
a grade school kid

and why 
we believed
it was out of 
“stranger danger”
that the End and the Evil
would come

all the news
all the way
through USSR and PRC
to PLO and ISIS
initials that stood for
the Other

till one day
it became as clear to us
as blood
on a forensic slide
that MAGA could kill
without pressing a button

that without
a single ICBM launch
it had been war
against us from back
when it was called
KKK 

which I learned 
as a kid
we’d crushed or
relegated to history
with a hey nonny nonny
we shall overcome

what we learn 
out of school these days
is that nowadays and always
look next door instead of overseas 
for the End and the Evil
as your neighbor’s face

might hold
a loaded silo
a bastard flag
an LOL and a J/K
waiting to open
and let the Great Death fly