Category Archives: poetry

Mexican Corner

This empty lot is called
Mexican Corner.
No one’s really sure why.

The name doesn’t show
on any map. Only the locals
say it. They all say it.

Corner of Elm
and Main. Used to be
a house here

but the brick-crumb
ground that was beneath
is all that’s left. A little scorched,

concrete dusted.
A messy spot on the edge
of what used to be downtown. 

Maybe there was a Mexican
there once? Living there,
happy there? There’s not one there

now, nor is there one
for miles around. All we’ve got
is the name, the earth

soiled with erasure,
and a lot of folks who shrug
when asked about history. 


A Dull Boy

I’m working
to spite 
the Furies.

I’m working
though their swords
keep swinging

and this is no
Bowie song — 
their blades cut.

I’m working
to get to the top
of what’s crumbling

so I may chance
the slide down
and hope to end up

walking away
at the bottom
while dusting it off

as a bad day
at the desk where
half my work

is already simply
praying for survival
and the other half

is about how
to settle the prayer
like a blanket

over others
so no one gets
too cold or is crushed

in the aftermath 
of the hideous,
inevitable fall. 

I’m working
to answer a call
that’s been unanswered forever.

I’m working 
to distract myself
from staring at my torn hands,

noticing they are
empty, imagining
how much work it will take

to fill them now
that they are so full
of holes.

I’m working
to shake it off.
Delusion is only useful

after work.
I’m working. It’s all
work and no play

and the only sword
I have won’t stay
in my hand long enough

to fend off a blow.
I’m working. Hold my beer.
Watch me work

Watch me work
as long as I can.
I am a dull boy,

it’s fine with me

if you turn away or yawn.

I’m used to it by now. 


Mixed Episode In Black and Red

Included as fuel
for my constant pirouette from one pole

to the other is now and then
seeing the shock of someone

who never knew till now how easily
my black and my red may blend together.

A mixed episode, they call it in the literature.
I call it a lively hell dance. I call it, wait,

don’t run away from me, please,
it’s not entirely my fault unless,

of course, it is; unless numbing sorrow
and its mad dash counterpart are my way

of living; is it a lifestyle choice?
Best of both worlds, worst

of your world? Come now, see
the acrobat tumble in mid-air

with both feet afraid to touch
the hot floor, afraid to fall through

into the falsely solid earth.
If you’ve never seen it before

let me assure you
those are indeed tears of happiness

salting my wounds, which are
mine all mine to either bind to heal

or push open and make over into mouths
crying in my skin. Maybe it’s a song

in dark and light to lead
a pirouette from verse to chorus.

Maybe you are right
to pull away as I cannot. 

 

 


Samson

Samson,
they’d say,

how your hair does float
like a river in noon light.

Samson, 
they would say,

you look almost Biblical.
Must be the name.

Samson,
they say,

looked like a promise,
raged like a broken oath.

Samson,
some say,

took a lion apart,
pushed down a temple.

Samson
has said

all he bears is the name
and none of the strength;

blind forever now,
betrayed by love. 

Samson
asks for a rest

from our expectations.
What do I look like,

he asks, some
inexhaustible myth?

Where is my hair?
What of the waves

I used to carry, what of
beauty, what of the real me?

Samson,
we say, your hair

is a river at high noon
now, a piece of mystery.

Samson, 
exalted, made into song;

Samson cries,
all I asked for was love. Not this.


Gravedancers’ Ball

Revised from 2011.

We all visualize 
certain graves
in our fantasies 

and imagine ourselves
dancing
tarantellas there

Polarity’s fashionable 
to bemoan
but honestly? 

We all long to sin 
the light fantastic
above some hated corpse

We can’t sit still
Itching to start stomping
Red, right, blue, left

Love that happy dance
How soft the ground
How haughty our heels

How good it feels 
to be swinging
our arms

as we prance upon them
and they can’t do
a thing about it

We sing
the beautiful American word revenge 
in a toe dance of righteousness

Everyone’s tapping
Some on top right now
Some waiting their turn

Every bastard one of us
wants to dance
that dance somewhere


Here And Elsewhere

Elsewhere is the place
I mostly want to be
The word I utter most often
The thought I hold up front

Here is all the ruin
and the whip snap of the storm
The broken glass in a bare foot
The dawning sense of wound

Elsewhere is the house
I wish was still standing
Open or closed as needed
Insured and strong and mine

Here is what I want to say
I have missed the train to elsewhere
The wait for the next one is so long
I don’t know if I can stay here


Advice

Young men, don’t speak to old men
if you don’t want to know
all the things you are doing wrong.

Don’t even look at us 
if you don’t want to know
what it looks like

after fear’s been washed out
of skin and clothes and
eyes. It’s going to look

a little different from one to
the other of course: maybe
we will look noble

or maybe empty,
or still look
as we always did,

but don’t risk the glimpse
of what may be coming soon
to a body and soul like yours. 

Sit back and let us be,
Trust me, in general
you don’t want to know

what we know —
and trust me, we will
tell you. 


Copy And Paste

Revised from 2017.

You must demonstrate
your devotion to The Struggle
through copying and pasting

You will bring down the State that way

Perhaps someone will be moved
Begin their own path forward
through your impassioned mashing of keys

There is a place for some of us there

I won’t deny that sometimes
I feel less timid after sharing
then seeing who liked it

and who shared it

I have a spreadsheet of justice
shorter perhaps
than Santa Claus’s

Mine’s labeled naughty nice and dangerous

It has columns
and pivot tables
where I keep track of shares and likes

Sometimes I make a little mark

about those
who never
do anything

My spreadsheet tells me who to love

Copy and paste this if
you want to end injustice
or stop cancer

Demonstrate it or be suspect

Someone is always 
watching
and listening


Aubade

A crow
with open wings
on the neighbor’s roof.

A beagle mix 
I do not recognize, trotting alone
down the far sidewalk.

Tracks
of squirrel, cat, maybe others
in new snow.

Cars parked in front
of homes with their curtains drawn
until their mornings begin.

I forget, sometimes,
that this is also a true face
of my country,

marvel at how many
have found a way
to sleep soundly here,

even in daylight. Even
as peace is failing.
Even as rough beasts

prevail, movement
apparently free from care
and caution continues.

I am afraid
to step out. Deal
with it, I tell myself.

Like the crow on the roof
with raised wings, look
bigger than you are.

The stray dog who 
trots free to spite the law
says, deal with it.

The tracks say
deal with it, be gone 
before you are seen. 

The houses and cars 
say deal with it; safety exists,
if only temporarily.

I am the fool here,
the crazy guy, the contrary
telling you what I feel. 

It doesn’t make me
less glad for peace
outside my windows

that I am
on edge
most of the time.

I just long
to sleep in
more often. 


Thrills And Chills

Once again
one is learning how close
to an edge — cliff
or knife — one can get
before committing.

Climbing down, coming back
from that leaves one
breathless, as if
the act itself would not
have done that better
and left one more stable and
arguably in better shape.

Let’s do it
again and again
till we finally blow it,
says the Other,
a diamond point tool 
in its hand
as it carves
another itty-bitty notch
on some weakened
crucial bone. 

Who’s we, another voice
asks the drill bit.

I’m carried along with you
unwilling, hoping for closure
when you finally slash or leap;

a sense of finality
that will then end
in minutes or seconds,
depending on your follow thru.

After that passes,
no one knows if it
will hurt or heal.

Not hoping
to learn it soon, but
I suppose
that if you come here again.
I will be there. 

Deal, says the Other.

One comes back
to dulled life and 
is whole again
for now. 


Patreon goals, new poetry/music album, and poetry workshops

I know I’ve posted all this before but I’m trying to consolidate info into one post and keep it current. So…here we go.  Includes a new payment option for the workshops.  

1.
I’ll be releasing an initially exclusive album of poems and music to Patrons subscribed at the $25/month tier on my site whenever I reach the goal of $1000/month in contributions (less than $200 to go now).

If you join or upgrade to the $15 dollar/month or above level by end of Saturday, tomorrow, April 1 — you’ll get it too. Little incentive for all.

Link to join: https://www.patreon.com/TonyBrown 

2.
I’m running Zoom workshops on: April 16 (The Poetry Of Place) and April 30 (Voice, Craft, and the Line)
that will be free to patrons of the site at the $10/month level and up.

Time for both: Sundays, 5 to 7 PM EDT.

If you want to attend without being a Patron, it’s $35 for one, $50 for both, payable through PayPal or Venmo. Links to both are now available and will be sent upon payment.

PayPal: tony.w.brown@gmail.com
Venmo: @Anthony-Brown-95
CashApp: $DuendeProj

Thanks in advance.

T


The Money Tree

A dozen bills
in my wallet
at the end of winter. 

Maybe now that
the sun’s shining harder
upon us, more
will grow— not on trees,
of course. I know
the proverbs too well
to expect such a thing.

I’d have
to change the world
with a violent shaking
to make that happen,
to bring us all
a true money tree.

Imagine coin buds unfolding
into tender notes, falling
into our open hands when they ripen.

Imagine plucking one or more
from an overhanging branch
as needed.

A dozen bills
in my wallet
at the end of winter.

Who speaks 
of money by bill count instead of
by total and denomination? I do,
today at least. Need to treat this
as if they are part of nature’s bounty
carefully chosen, lovingly
enumerated. To say:
I have a dozen bills today
saved all winter 
from the cold and snow.
They fold, they
take up space, are real. 
What they are worth
feels secondary

as I take them out,
clutch them in my hand,
then put them away
without looking at them.

It may be spring
but I don’t want to 
enter the pain of
the growing season
just yet. I don’t want to do
the work of abstraction
just yet. 


The Dream Of Order

Revised from 2010.

In this house
there is order

a cut above the order
in all other houses.

There is order in the hamper.
There is order in the drain trap,

order at the bottom
of the garbage disposal.

The compost heap
decays in step with a timer.

Even in the bowls of chaotic potpourri,
there’s order.

This is no place
you’d expect to find a junk drawer,

yet there it is right where
it always is in every other house:

in the kitchen, top drawer
below the most-used cabinets,

close to the most-used door;
there sits Martha Stewart’s junk drawer.

There are of course, the
old screwdrivers, twist ties,

an expired coupon for microwave popcorn
that in fact come with every junk drawer

straight from the manufacturer —
but they do not rest alone

in Martha Stewart’s junk drawer,
because it’s deep. Really, really deep.

In Martha Stewart’s junk drawer
there’s a red 1982 Ford Fiesta

with one black fender
and a donut on the driver’s front wheel.

Fifteen baby shoes.
A bootleg copy of “The Rocketeer.”

A tea-stained ticket stub
for a show in Branson, Missouri.

A purple thong, size M.
A blue hat made from a plastic bag.

A fibrous growth from a boar’s kidney.
A jammed .45 with a broken grip.

Hollow points loose in the bottom,
and a rust-caked cleaver.

A map to the stars’ homes.
A small address book bound in bonded leather,

blank except for the letter “K”
written on the page for “J” in orange crayon.

A broken rib she calls “Daddy.”
One old rose, 

and in the darkest corner,
something squirming

the approximate size of a human fist,
squeaking “I’m a good thing!

You touch it and
the wardrobe in the guest bedroom

begins to shake, the wildflowers
in the far meadow to tremble.

Martha’s far away, but somehow,
her stomach knows the danger

and she sits for a moment in fear,
twisting a paintbrush in her fresh aching hands.

When you shut the drawer,
everything falls back to sleep:

the house in perfect order,
the forks aligned in their trays,

the tissues in Martha’s body
nestling back into place, just so;

while in Martha Stewart’s junk drawer
the lovely chaos resumes its churning

and the house begins to dream 
of its brief sojourn as a home.


It’s In The junk Drawer, Maybe

The thing I thought about
for hours turned out to be

in the place I thought I’d left it
when I at last got up out of bed to check.

In fact it was in the place I have always
stored it, which I knew again

when I went there first in my hunt
out of sheer luck or some sense memory

and there it was as it always is,
except when I worry

about it being elsewhere. 
Maybe it travels on my insomnia,

riding my anxiety to see all the places
I have never left it, then rushes back home

when I stagger out of bed to search; now
I can’t remember what it’s called other than

the thing I thought about for hours that isn’t
where I left it until it is. A silly thing

to be crying about,
whatever it is.


Vessel

This room you are in
was intentionally built
as a circle on a turntable
with walls too high
to see what else is out there

so you barely bother to try and see
if they told you the truth,
since they have told you
for your whole life
that this room you are in
is the envy of the world;

it’s so dangerous out there;
everybody wants in
and here you are, allegedly
safe, clinging with your back
to the wall. 

Whether you believe the danger
will break in from the right or the left
you will act the fool 
running the other way
but you cannot run
on a swirling floor and you will
fall to the center. There’s a whole heap of people
just like you down there 
in the middle, clawing to get back
to the walls that are growing higher 
by the minute.

You suddenly realize
you are in a vessel being shaped
on a potter’s wheel.
Hands somewhere are doing the work
of raising the walls as you spin.
The opening at the top narrows
and less and less light enters.

You are hoping to live through 
the firing to come
long enough to see the flowers
this was made to hold
when you realize that if you do
get that far, with those flowers
will come your drowning
as you were never meant to be
anything but food
to sustain someone else’s beauty.