Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

I take my stand here as a warrior and a man

Fuck writing poems when you’re drunk.

When you’re drunk, you might actually say something truthful. It might be misspelled, it might have bad grammar, but it may say something you’ll look back upon in the morning and be afraid of, wondering who saw it, wondering what was exposed.

If you are brave enough, you’ll let it stand. No friends filter, no deletion, no rewrite.

Evidence:

I love you;

You gave me the best head I ever had;

You knew all along I was a bastard and it was the main source of lust between us;

I am still frightened by your smile, you knew me too well;

I wish it was not a problem between us like a shadow or a line drawn down the front of the Hoover Dam, forever putting us one hour out of joint;

If I had known who I was back then, understood the illness better, I would be with you still;

Killing is too easy;

There are responses to some questions that mean less than the fact that the question was asked at all.


New column’s up


Read The Zero Point Zero Regular Column!

It’s better than poetry!

In which I take a few moments to lay the ground work for future columns by discussing how I write a poem.


working working working

Just finished repairing and setting up a printer. We have a communal printer in the apartment, but with some of these consulting jobs, there’s a lot of printing — printed a 98 page document for my assignment in San Diego this Friday — and I figured I better have my own.

Now I’ll be studying and marking up the thing all night.

In addition, I have to finish the new Zero Point Zero today…it’s almost done, just have to spiff it up and haven’t had time.

If you’re in town and feel like it, please come distract me (lightly) tonight. Sit on the futon, see my gargoyle and Balinese dragon, make fun of my bachelor digs. Bring it on, punk.

(PS: there is also Glenfiddich.)


welcome to the poetic vortex…

well, hi there!

greetings from the Poetic Vortex.

for those of you not familiar with the Poetic Vortex of Worcester, here in the Poets’ Asylum it was our many-years-ago name for the phenomenon that led to so many poets over the years moving here — usually for a short time, sometimes longer.

the vortex has taken on new meaning lately.

let’s describe the west side of Vernon Hill, a tangled neighborhood of narrow streets and three-deckers.

let’s zero in on one small patch of the hill.

in one apartment:

chryslerpoet*
badgary
wormtown_mensch

two doors down:

myainsel
ocvictor

about a block and half away:

javabill
thisrabbit

and next door to them:

allan_inc

So not only has the vortex reformed, it is smaller and more concentrated than before.

all your poets are belong … eh. even i’m not that cheesy.

*for those not keeping up: i’m separated from my wife. it’s just what is. onward.


the collective unconscious

i needed
three beers
and two bourbons before
i could say this

there are more things worth imagining
than i usually bother to imagine
and when i do bend to that task
it’s not all that interesting

i fantasize like anyone else
power
sex
love
god and inclusion
we all have the same head
this is why freud got recognized
this is why people bothered to learn
how to pronounce
jung

i am not old enough to recall
those days before our brains understood
their power
i do not recall when it took
a cranky woman or grumpy man
with a mystical reputation
to tell us what these flashes in the night
might mean

now we understand
most everything
and forget it
before the first coffee

however
tonight i’m
loosened
enough to swear
i’ll not forsake
the fantasies that spring
unbidden from within
this head

i will lie down
and pretend at first
that the dreams i have tonight
are new and
personal
i will refuse the interpreters
i will banish the seers
as if this head were original

but then
somewhere in the night
i’ll recognize that i am
nothing
i’ll find myself in the fact
of my simple sweet
normality
and recognize that this
fantastic head of mine
is no more splendid
than anyone else’s
and my dragons
and flying carpets
and water
and naked assemblies
are the ones we all have seen
ridden on
floated on
feared

and then I shall
thank god that you are here
my friends
thank god for the prosaic nature
of all our dreams
for
it is good
not to be
alone with these things

when i close my eyes
and see the Shadow
i will reach for you
knowing
that you understand


settling in

for the first time in over twenty years, I have roommates.

i’m. relatively settled, and with the exception of storage space (I need a tall narrow bureau with drawers for clothes), i think i’ll be ok — picked up a decent futon cheap and there’s room in here for a desk and stuff, especially once the futon’s folded up.

needs in order of importance:

aformentioned bureau
container for bedding/storage
decisions re what clothes go in closet, what in drawers
still need good guitar solutions (walls look like a possibility)
SMALL night table near bed?

I think books will be at a premium. will have to think about this.

as well. new chapter.

see you at poetry tonight.


Rules for not sleeping here for the last time

Watch The Usual Suspects
and Reservoir Dogs
back to back
and become amazed at how
peaceful you feel.

Stare at the last guitar
in the room, but do not play it.
All the others have moved out
and it seems disloyal to play it here, now,
with its family far away. Wait until the reunion,
you whisper to it.

Keep petting the cat. Startle yourself
with tears. Startle even more when
at 5AM the other two cats stir in the bedroom;
they never sleep up here.
Thank them. Get up for a bit
and feed them earlier than normal.

Lie back down.
Listen to the outdoors: the cars
going up and down the road
again — out for breakfast, early work,
quick runs to the store for the paper.

Count the number of times
you’ve loved this life
in the last few years
on one hand.

Throw off the covers, and rise.


sleeping is not gonna happen.

can’t sleep.

last night in the house.

feeling scared and alone.

the cat’s here. i can’t take him with me.

this makes me utterly sad.

i know it’ll pass, but i’m not good tonight.


moving

i’m in the process of moving this weekend, so if i’m not around much, that’s why.

so little time, so much shit to figure out.

i am both excited and sad. 20 years is a long time.

complex emotions wear me out. i’ve got a headache as large as you can imagine, and the stomach is all tied up in knots, too.

still…overall? if i can figure out where to put all these damn guitars, I’m pretty much set. bought a futon & frame this afternoon so i don’t eat up the whole bedroom with bed all the time. moved up a couple of small pieces of furniture and sundry items.

biggest issue is a bureau for clothes — the closet’s pretty small, so i’ve got to get one, and then get creative. and ruthless.

off to Storytellers. see you later.


small

small words
can find us
a place to grip
that truth which slips
through our hands.

do not reach for
hard words that
use more than one breath
to get to the point;

few of us
have a clue as to how
to cut through the smoke
they give off and get to
a clear view of
what we seek.

tell the tale that should be told
in small tight words
and see what should be seen.
seize it at once.

then, with one hand
clenched tight on the scruff
of the neck of what we’ve caught,
we can call it as we see it in short
bursts, tell it
to stay or go, beg it to live or die,
and we know it will get what we say;

and we will know that what it does next
is what it should do and there is no
chance it did not get what we meant to say
of what it meant to us.

we can go home when we are done
and know we did what we could.
we will not cheer or cry. we will say:

small words can save or kill.
what they make clear stays clear.
what they kill stays dead.
what life they save shines.


beware of maya

too much to pick up and pack up.
knives and guitars, too many of each.
books and magazines and paper to sort.
clothes to donate, discard, fold, burn.
until now i did not realize
how much life i’ve lived alone in this room.

the bed goes, the table goes,
the flute, the hairbrush, the drugs go.
i ought to be able to find
some more of myself under all this
once I’m done, but what there is of me
wants to just up
and go, leave it all behind.
i don’t care to be that much more
than what i am
anymore.

question: how many knives
does one man need? question: how many
guitars does one man need? question:
how many books, poems, clothes,
does he need?

answer: apparently, enough of each
to make him forget all the others
for a while.

i want to close this door behind me
and run weeping from this house
until i lose everything, and that’s
where i’ll settle down.


buck up, little camper

your world isn’t ending, it’s just expanding.
the fact that you can’t see the boundaries anymore
doesn’t mean they have fallen, only that they’ve
moved out a distance.

it’s amazing to think
that you might have to walk for miles
to limit yourself now.
buck up, little camper;

bring water, carry a notebook,
don’t forget to write. the walls are somewhere
out there, in every direction. pick one and
don’t look back.


the internet dredges up a techno-ghost from tony’s hazy memory

Right now, KEXP is playing “Doriella DuFontaine.”

For you Hendrix fans out there…you’ve probably never heard this one. Lightning Rod, a member of the Last Poets, rapping about (among other things) a fine woman he steals from another guy, with funky bass and guitar by Jimi and drums by Buddy Miles. Definitely somewhere in the ancestral stream of hip-hop.

Last time I heard this I was probably 18 and at college; Bill Charlton, one of the guys on my floor, was a Hendrix fanatic with access to lots of bootlegs and we spent many, ahem, pharmaceutically enhanced hours in his room with his “quad system” (let’s see who bites for that one).

Damn, I still wish I had that stereo…we were on the 17th floor, and regularly got complaints from the 5th floor on weekends. (I shit you not. We were notorious.)

Excuse me, o digital ones…even if only three people get this, I must lay out the specs, which I can still recall, because I lusted for that system:

A German RekoKut turntable, liberated from a radio station
Marantz Quad Amplifier
Scott Preamp
Scott Tuner
Teac reel-to reel
Nakamichi cassette deck which, pre-auto reverse, used to flip the tape for you
Two giant custom built speakers; don’t recall the exact components — Bill made them himself
Two — oh, God, what were they called? I know — Allisons! These were a pair of speakers each about 4 ft tall which looked like the Transamerica Pyramid building in San Francisco. Super high end at the time, with a directional speaker system that was similar to what Bose does.

Note: no mention of the yet to be commercially available CD player. I think CDs existed in 1978, but no one had figured a way to make them economically viable.

I wonder what happened to that? Bill got older, probably sold his baby to fund some other toy. Maybe he regrets it now. I know I do.


hey…

anyone listen to http://www.bzoo.org ?

strange station…mix of odd music and spoken word.

I’ve been listening to an acoustic guitar version of “What Is Love” by Haddaway and it’s now Allen Ginsberg doing his tribute to Frank O’Hara.

They’re looking for spoken word stuff, by the way.


interstellar space (for john coltrane and rashied ali)

what is this?
this drumming
is not possible. this saxophone
repeats the impossible again and
again:

sound. unexpected
sound. heroic
sound, except heroes
are not conceived of here and
sound is alleged to be
impossible.

if there is a path
among the planets, this is
the map. instead of eyes,
use ears. instead of logic and one foot
after the other, take monstrous glowing
leaps, let distance be taken to task.

we exist everywhere at once.
space is a lie.
the lie of cold empty space
allows our detachment.
there is no
interstellar space, only misunderstood
presence.

a road is an object that doesn’t move.
we move. we open our doors and then
make a difficult road our excuse for not moving.

but when horn and drum convince us,
when we step out upon it at last, we will say:

who are these giants, these heroes, racing ahead of us
among these gargantuan stars?