Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

Batter Up

Underneath
what you see of me,
what you think you see
but can’t imagine, really:
the Big Anger, much of that drawn
from what you don’t see. 

Underneath 
what you see:
hard to describe, really; let’s
manifest it this way — 
I’m a chain smoking demon
sitting out a rain delay
in a ballpark where
I can’t light up.

Underneath 
what you see,
what you can’t see but
maybe you can hear:  let’s go,
batter up, America’s Game,
batter up.  Let me take 
a swing if you’re not ready — 
and man, are you not ready.


Muse

Go,
lie down.  

I turn it
into a chant: go lie down
go lie down go lie down.

It’s a prayer of course:
for the love of God,
go lie down.  

It’s a hit song
in this house:
go lie down
go lie down
go lie down and
go to sleep —

cat,
wild lady,
dark storm,
PLEASE
go lie down,
you must be tired after chasing
this ghost prey you’ve been seeking
since 3:30 AM 
that has flown from window to window
ahead of you, that has demanded of you
total attention, that has caused you to hang
from the breaking blinds, that has made you
oblivious to threats and the squirt gun, 
that has evoked from you a litany of squeaks
and small cries, that has at last led you
to leap onto the bed and rouse me
for good at dawn —

go lie down go lie down go lie down
GO LIE DOWN!  If you dream,
continue this there; if you don’t
there’s no problem, of course.

If I have to I’ll try
and find what it is
and take it down myself —

just 
go lie down, please;
what you want is your business,
stop making it mine.


Wake-Up Call

America, why
aren’t we ashamed

to look out the window
and find the same scene
this morning
as we do every morning?

How is it that we slept
all night,
resting up for the future,
and woke up to see

driveways and homes
much as they always are — why

aren’t we ashamed
that when we look out
the window

this country’s morning 
does not resemble
a scene
from Brazil
or Turkey?

 


Workshopping

If your wind starts rustling
through trees
end it.  Cut the wind off.

If at any time you feel compelled to speak
of your soul, if you feel it stirring, joining, seeking
its mate — end it.  Cut the soul free. It’s damn tired
of doing those things and it will embrace you for this.

What else?  Skip dusk, skip dawn.
If you can’t get down with
two in the afternoon, or three fifty-six AM —

please, end it.  Stop.  Cut the clock free.
Nothing wants to do this same old same old
forever, except for your genitals

and even they get bored occasionally…
so, workshop it all right out.  Bash
a cliche in the head till it blooms.  Skip
eyes, crystalline, waves, skin, moist — 

give us instead conveyor belt, chatter,
soapy,
 saw bladematch heads,
horse tooth, chipper, mess, orchestral.

Listen: we need you.  Be you. 
Only you are standing where you are. 
What’s it look like,
sound like there? 

You can start by realizing
that none of the above
is about how to write a poem.


Jill And Dave (And Social Justice Poetry)

(–radically revised from an earlier version)

This is a social justice poem

about Jill, 
hanging up and staring at the yard
for so long that it breaks into pixels
and shimmers through tears.

This is a radical empowerment poem 

about how at the shop
her husband Dave, 
after hanging up,  
cries into his sleeve
as he cleans out his tiny locker 
and walks to his truck 
with a box full of 
suddenly unemployed tools.

This is an anticapitalist poem

about a perfect day  
royally screwed up;
about how the last five minutes
have become exactly like
the evening news.

This is a revolutionary poem

on how when Dave gets home
he is met by Jill in the driveway,
and they hug for a long time.

This is a social justice poem

for all those who delight in their gardens
after the world tries to kill them;

this is a war poem

for all those who go inside
and pull out paper and pencil 
to redo the budget;

this is a social justice poem

for Jill and Dave
who have never heard of 
social justice poems, revolutionary
poems, radical empowerment
poems.  For Jill and Dave
who don’t care for poems.
For Jill and Dave
who might lose
the home and garden
to the bank, and who cannot 
pay the mortgage with poems.

This is a poem for Jill and Dave
and like them,

it has no idea what to do right now.

 


Note to regular subscribers: The Duende Project

Wanted to suggest to all the regular subscribers to the blog that you might want to take a look and give a quick listen to the new CD from my poetry and music band, “The Duende Project.”  

It’d be great if you thought about purchasing a track or even the whole album, too, of course,  but mostly I’d love it if you gave it a listen. Performing and playing with Steven and Chris is a critical part of how the poetry gets out there for me.  I’d love it if some of you who read the work regularly got a sense of what that is like.

Thanks in advance,

Tony 


Notes Left Behind In An Empty House

Went to borrow
skin from Johnny —
back soon. Call if you need
anything — will be going by
the Louvre on the way home so…

~~~~~~~~

Have the kids the dog and dragon
Back by 3
Left something black in the fridge for you
Better than it looks! 
love

~~~~~~~~~

Did you pay the ferryman?
He called twice

~~~~~~~~~

Had to run to the ice pack
Forgot the reason why —
hope to remember
before I get there
Don’t wait up

~~~~~~~~~

Don’t open the cellar door!
Will explain when I get home
Remember I love ya

~~~~~~~~~

Peaches
We needed peaches
That’s right, peaches

~~~~~~~~~

I left 40,000 dollars for you
under the eaves of the old shed

I spoke kindly of you to Them
I hope it is enough

We aren’t likely to see each other again
for a long time

You would be best served by
forgetting me

as I shall forget you
I promise

 


Pearls

It is morning, someone says,
though I could tell that by myself.

My first thought is of the landscape
near the closest football stadium.

My second is of a scrap of paper.
Upon it these words: “your prime

is seven.” My next thought is of
an esoteric cabal of crushingly

huge men chanting prime numbers
as they thunder across the world,

because this early I’m primarily an engine
for cobbling together random things.

It is morning, someone says,
though it’s obvious to me.

My next thought is that I ought
to sit up in bed and see how I feel.

My first action is to sit up in bed
and see how I feel.  I’m still lightly

furred and a little clammy, drier
in some areas than others,

afraid of social media, angry without
cause, desperately in love.  

It is morning, I am saying it clearly now,
I am the new carrier of the disjointed day,

next up in the relay.  My first true action
upon others is coming soon.  It will be

angry or loving or based in fear — wait:
it will be angry and loving and based in fear.  

Don’t be afraid — it won’t be large.
It will not assume the guise of a linebacker.

It is morning, my leaping little thoughts cry.
Count to seven, push aside the covers.  Get up.

The world needs me.  People like me
are the sand grains outside the oyster:

we are many, we all have pearl potential,
some become random irritants, but most likely

we’ll just be the bed upon which
beauty happens, mostly without us.

It is morning, someone says. 
Get up, dreamer. Make yourself useful

or at least practical. Useful
will be a stretch at best.

 


Hard Up Early

Early
and hardly up
with the light and
the clatter of the  
cat beating on the blind
to try and see outside.
Birds, squirrels, then someone
starting a loud car — must be
the red van two doors down,
know that rattle and growl
by heart by now, it has taken
all spring to get this loud
and now it’s distinctive as
any robin’s liquid call.
I don’t blame the cat
for being a cat when it’s
this busy this early.
She’s trying to tell me
some creature surely
ought to care
about the bustle,
it’s too much for dawn
to contain, and 
who can say
what will fall apart
if such vibrancy
goes on unnoticed?
She has a point, 
so I feed her.  
As she eats,
collar clinking
on the plate,
I sit by the window —
she’s right, oh
how right.
 
 


In Community

Start by giving until
you are hollow.
Hollow is the given
here, the expectation.
You’ll soon be empty
if there’s any good 
in you to give.

Speak as spoken to
and be heard as well;
love it as you are loved,
or oppose it and be
ignored, despised,
or shunned.

(If you are already
the Other,
a role will be
chosen for you.)

As for full membership
and its privileges: of course
it’s open to all
and not hard to achieve —
the hurdles are few and low.
Start anytime.
We will let you know
when you’re finished.

We will let you know.

We’ll let you know.

I promise, we’ll let you know.

 


Backwards In A Mirror

“Every angel is terrifying,” said 
Rilke, and I love those words, 
and I long have agreed.

I have them tattooed, you see,
across my back
right where wings would be. 

I thought a long while
about the language I should use
for this — English, or original German —

and settled for English, so that no one
at the beach or gym
with All American monolingual ignorance

will ever assume
that based on the look of the words,
I must be a Nazi — instead,

they’ll maybe think I’m a lapsed Catholic
or troubled Christian of another sort,
with a blue-black charm across my skin

to fend off the possibility
that I might be terrible too, someday.
I’m certain most will still not understand.

How is it possible, most will say,
that what God created for His comfort
and support could scare anyone?

Isn’t it supposed to be lovely in Heaven, isn’t it
peace beyond understanding
expressed as real estate?

And I’ll laugh, and say that
it’s ‘personal,’ and at any rate
I’ve only ever seen the words on me

backwards in a mirror, so maybe
that way it means something else?
And they will move away from me,

which is all I’ve ever wanted.
Every angel is terrifying, even one
without wings, even one waiting

to return home.  I must keep the people
away from me, I cannot be responsible
if they discern the truth and begin to scream.


No Confusion

the hands 
are the instrument,

are the guitar,
as the lungs and lips

are the horn, as the heart
is the drum and

the teeth are the keys and
the core equivalent is

the dark bass.
as is the gut the woodwind,

as is the voice
a wingless angel, seeking.

how is this confusion?
how is this not the greatest clarity.  

how true is the nature of music
that it cannot be better said than this

except as music.
except as itself alone.


Inappropriate Questions To Ask Your Nemesis

It’s not polite to say this
Why don’t you go away
We want you to die
or to not have ever existed 
would have been better

It’s not right to say this
Why aren’t you a memory
or not even a memory
We want to not know you
We want you to be fictional

but who would
have written you
Whose idea could you
have been
Where would you have
percolated up from
What oily bed would
have given you birth

It’s not possible to understand
why are you what you are
Why aren’t you extinct
We’d love you more were you fossilized
We’d love to ponder if you were real

 


Family Colors

The hot wars, acid suspicions
and other pleasantries
of our families both blood and chosen

keep boiling into the fabric
of our robes and threaten
to scald the threads,

stripping them bare
of any color and half or more
of their strength.  

We are soggy and scared,
burned, either afraid to stand up
or defiant and ready to scream.

What are we going to be —
the same cloth as always,
or something new

that drapes us naturally
and shows us off with deep color
and soft hand? 


Elders

The noise passed.
We were left behind.

We were lonely at first.
We became accustomed to it.

The noise had been young,
made of all the things of youth:

insistence, shouting, imploring.
We’d gotten over these.  We’d

changed, or the noise had become
anathema, or the shouters had

decided against us.  (That last one hurt
as certainly as abandonment always does.)

But we moved on by standing our ground.
We didn’t stop what were doing: noticing,

affirming, finally growing moss, attending to
the deeply worn grooves and paths

that the noise had used to pass us by
and then left behind.  Look,

we whispered to no one, here’s a stone
I’ve never seen, here’s a new flower.

It was quiet when we said these things.
We could hear first ourselves, then each other.

Now, the noise has become
distant.  We sometimes hear single words

rise above that faraway clamor:
“elders,”  “honor,”  “legendary;”  

words for someone else
to ponder and debate,

as we have our work to do and fierce,
stubborn love for this new quiet we do it in.