Monthly Archives: April 2023

Against Nature

Screed upon screen upon screed
of near-animal demands at full voice.

Involuntary opposition every time
at first blush of what we are sure we loathe.

We rise from bed into this
and only tumble out of this when we sleep.

If we notice a truer life in our yards
in the night, it’s only when we look up

from the steel glow of our own devices.
Out there are worlds cooperating 

beyond our wars. An opossum slips by
and a coyote chooses not to hunt

as it trots through in tandem with a mate.
What on earth can we think of

to say of such things
that is neither for nor against?


Hedging A Bet

My cat demands 
an open window. It’s
spring, she insists. 

I tell her she’s right
but she’s missing
the cold point that today

is not especially warm
despite the date 
and the recent equinox.

She herself is not especially warm;
her fondness for me
seems purely transactional

much of the time; true,
there are moments when her purring
as she lies there in the sun 

might betray affection unaffected
by treats given or favors granted,
but I never can tell for sure.

Maybe those times are payment
into a bank of future work
on her behalf.

Maybe she understands
how desperate I am
to hear it

in these up and down days
of early spring when cold
is still as much a presence here

as it has been for months
and years. Maybe 
she’s just hedging a bet.


Patreon and Workshop info

If you like what I do here, you have a couple of options to support the Work. 

First off, there’s always the Patreon site where I host exclusive readings and offer eBooks, recordings, and videos of and about the Work. As little as $1 a month will get you there. Any amount is appreciated. 

https://www.patreon.com/TonyBrown

Second, I periodically run workshops for both Patrons and the general public. Here’s a workshop I’m running to close out National Poetry Month…

https://www.facebook.com/events/616902663639634

I hope you’ll consider becoming a part of one or both. I’m working very hard to make my poetry a larger part of my life and a bigger part of my support income.  If you like what I do, these are ways to help make it all happen. 

Thanks,
Tony


Prep School Days

Measure once, cut twice:
terrible advice
for a carpenter,

perfect advice
for becoming
a bully.

We took Duncan’s measure early. 
Smart mouth, weak chin.
None of us were carpenter’s kids

except for him;
I was more like him
than not,

but had somehow
gotten tight with
the rich right crowd.

I grabbed Duncan
while Dickie swung
and Carl and Nick laughed.

He tried to get away
but I held on to his coat.
He hit the ground face first

when he pulled free of the sleeves
and momentum took him down.
He got up bleeding; we let him run.

Measure once, 
cut twice. Dickie
got him again

the next day as we
watched and laughed
from across the quad.

Duncan didn’t come
to the class reunion.
(Not many of us did.) 

I don’t know what happened to him. 
I only know
what has happened to me:

forever staring at my past,
getting smaller
in my memory.

Can’t say that
I’ve grown much
since. 


American Hymn

For the broken people
on the side of the road
by the shopping center
with their signs and hope;

for the lost people
in the crap apartments
on the side streets high upon
the hills above the highway;

for the terrified people
staring into the news-abyss
and knowing the edge is sliding back
underneath their feet;

for the self-loathing people
sitting crumpled,
dying to be and do no more,
dying to be forgotten;

for those somehow happy
in spite of all this, moving
at their own speed above
the misery of this town, this world;

let’s have someone sing one song
for all of us, let’s have someone
lead a round of voices murmuring
or shouting, no matter; 

whatever the melody
let’s have someone sing a song
to bring it all into one place
and pull us all into that place with them;

for those somehow
thinking we are not all under
the same song, let them open
their eyes

and at the least
behold the rest of us singing,
even if they do not choose
to sing along.


Cold Morning

1.
Thinking all night about these things…
about how

I tell them I’m cold.

When I’m pressed to say more
and they ask if it’s fever I say
no, not that. Not this time.

I tell them I’m broke.

When I’m pressed to say more
and they ask if I’m lazy I say
no, not that. Not this time.

I tell them I’m lonely.

When I’m pushed to say more
and they ask if I’m crazy I say
well, I’ve been that, but this time…?

I tell them I’m going.

When I’m pushed to say more
and they ask when I’m leaving I ask 
if they ever knew I was here in the first place.

2.
You say it serves me right.

You say this is not
the right thing to do.

You say this is how the mighty fall
and I’ve never been mighty
but still I’m going down.

You say I’m just
not applying myself
and this is all
in my head.

I know where it is.  
Exactly where it is. After all
I live in here. I’m making room,

my old stuff is flying out
the windows

and the right thing to do may be to follow. 

3.
Cold morning
after what seems like
a year of heat.

I’m sitting now as I always do
in full daylight where I’m supposed
to be telling you the truth and making it
stick in ways beyond simple comprehension
of what words mean.

I’m not sure
it is working.
Not sure it ever has,
at least not the way
I wanted it to. 

I’m sitting
as I always do
regardless of season,
blinking in full daylight
after a whole night

of staring at the pale ceiling
of a dark bedroom
that I could only see
because of ambient light
from the flickering
security beacons on the house
next door.

Something was moving
in the yard, in the dark, 
something large enough
to trigger the sensors
but small enough to be unseen
when I rose now and then
to check.

Something was moving
out there in darkness
and there may be 
nothing left to do
but follow it.


Burning Hands

Anyone musing
about burning their hands
on fire itself or even upon
the stones stacked carefully
around flames
ought to consider
the follies of what they feel
and how long it may take to gain
skin and feelings back
after the burn has ended.

You’ll be rubbing
the scars long after
they were supposed
to have healed.
You may never get
all of the sensations
you once gloried over 
to fill back in.

You do not have the vision
to see the whole truth of a beach
between tides
where the holes left behind
where children once dug
are slowly vanishing,
their walls seeping and crumbling
until they are full
of forgetting.

You have no ears sharp enough
to understand all the messages of wind
between trees in a forest.
The sound you thought was music
is gone now and all that’s left
is silence over
the browning green
on the ground below.

You have no tongue
upon which you can savor
all the lingering tastes
of a grand feast.
It’s bitter and foul
in between your teeth
and you won’t approach
anyone this way face to face.

You ought to know
that what seems grand
as you approach flames
held fast in their stone ring
is just certain fatality couched in 
gentle warmth from a safe distance,
looking like celebration
until it can consume all.


Repeating info on Patreon, Workshops, etc.

I know I’ve posted all this before but I’m trying to consolidate info into one post and keep it current. So…here we go.  

(Includes a new payment option for the workshops.)  

1.
I’ll be releasing an initially exclusive album of poems and music to Patrons subscribed at the $25/month tier on my site whenever I reach the goal of $1000/month in contributions (less than $200 to go now).

If you join or upgrade to the $15 dollar/month or above level by end of Saturday, tomorrow, April 1 — you’ll get it too. Little incentive for all.

Link to join: https://www.patreon.com/TonyBrown 

2.
I’m running Zoom workshops on: April 16 (The Poetry Of Place) and April 30 (Voice, Craft, and the Line)
that will be free to patrons of the site at the $10/month level and up.

Time for both: Sundays, 5 to 7 PM EDT.

I need payment for this first workshop by Saturday, April 15. Zoom link will be sent upon payment.

If you want to attend without being a Patron, it’s $35 for one, $50 for both, payable through PayPal or Venmo. Links to both are now available and will be sent upon payment.

PayPal: tony.w.brown@gmail.com
Venmo: @Anthony-Brown-95
CashApp: $DuendeProj

Thanks in advance.

T


Taking a break

I hate to do this to you all in the middle of National Poetry Month, but I feel that for my mental and physical health, I need to step away briefly from the practice of writing daily. 

Extreme financial, hard emotional, and low-grade-getting-stronger physical stress are making it hard for me to focus on anything other than getting solvent and feeling better. It’s very hard to write right now.

I’m a little surprised that this is the thing that needs to be set aside right now. But I do feel like it’s the right thing. I feel like my entire being is saying “enough for now.”  I’m going to listen to it.

I’ll be back. As it is, I’m doing a feature reading this week and running two poetry workshops via Zoom (on the 16th and 30th), so I’m not abandoning poetry work completely. (Contact me if you want more information on any of that.)

Until I see you again, be well. 

T


Long And Sour

To say it will be
short and sweet
is to lie to yourself.

You know this now.
Whatever comes out of your mouth
will be neither. 

You can’t use the words
without turning away
from the mirror inside.

Nonetheless: you lie and say it.
Short and sweet. You are glad
you never had kids. Glad

you never became the doctor
your parents and teachers 
said you should be. 

Glad you have never
succumbed
to the storm within,

that you stood strong
against the long and sour 
and are still here. 

 

 


Mexican Corner

This empty lot is called
Mexican Corner.
No one’s really sure why.

The name doesn’t show
on any map. Only the locals
say it. They all say it.

Corner of Elm
and Main. Used to be
a house here

but the brick-crumb
ground that was beneath
is all that’s left. A little scorched,

concrete dusted.
A messy spot on the edge
of what used to be downtown. 

Maybe there was a Mexican
there once? Living there,
happy there? There’s not one there

now, nor is there one
for miles around. All we’ve got
is the name, the earth

soiled with erasure,
and a lot of folks who shrug
when asked about history. 


A Dull Boy

I’m working
to spite 
the Furies.

I’m working
though their swords
keep swinging

and this is no
Bowie song — 
their blades cut.

I’m working
to get to the top
of what’s crumbling

so I may chance
the slide down
and hope to end up

walking away
at the bottom
while dusting it off

as a bad day
at the desk where
half my work

is already simply
praying for survival
and the other half

is about how
to settle the prayer
like a blanket

over others
so no one gets
too cold or is crushed

in the aftermath 
of the hideous,
inevitable fall. 

I’m working
to answer a call
that’s been unanswered forever.

I’m working 
to distract myself
from staring at my torn hands,

noticing they are
empty, imagining
how much work it will take

to fill them now
that they are so full
of holes.

I’m working
to shake it off.
Delusion is only useful

after work.
I’m working. It’s all
work and no play

and the only sword
I have won’t stay
in my hand long enough

to fend off a blow.
I’m working. Hold my beer.
Watch me work

Watch me work
as long as I can.
I am a dull boy,

it’s fine with me

if you turn away or yawn.

I’m used to it by now. 


Mixed Episode In Black and Red

Included as fuel
for my constant pirouette from one pole

to the other is now and then
seeing the shock of someone

who never knew till now how easily
my black and my red may blend together.

A mixed episode, they call it in the literature.
I call it a lively hell dance. I call it, wait,

don’t run away from me, please,
it’s not entirely my fault unless,

of course, it is; unless numbing sorrow
and its mad dash counterpart are my way

of living; is it a lifestyle choice?
Best of both worlds, worst

of your world? Come now, see
the acrobat tumble in mid-air

with both feet afraid to touch
the hot floor, afraid to fall through

into the falsely solid earth.
If you’ve never seen it before

let me assure you
those are indeed tears of happiness

salting my wounds, which are
mine all mine to either bind to heal

or push open and make over into mouths
crying in my skin. Maybe it’s a song

in dark and light to lead
a pirouette from verse to chorus.

Maybe you are right
to pull away as I cannot. 

 

 


Samson

Samson,
they’d say,

how your hair does float
like a river in noon light.

Samson, 
they would say,

you look almost Biblical.
Must be the name.

Samson,
they say,

looked like a promise,
raged like a broken oath.

Samson,
some say,

took a lion apart,
pushed down a temple.

Samson
has said

all he bears is the name
and none of the strength;

blind forever now,
betrayed by love. 

Samson
asks for a rest

from our expectations.
What do I look like,

he asks, some
inexhaustible myth?

Where is my hair?
What of the waves

I used to carry, what of
beauty, what of the real me?

Samson,
we say, your hair

is a river at high noon
now, a piece of mystery.

Samson, 
exalted, made into song;

Samson cries,
all I asked for was love. Not this.


Gravedancers’ Ball

Revised from 2011.

We all visualize 
certain graves
in our fantasies 

and imagine ourselves
dancing
tarantellas there

Polarity’s fashionable 
to bemoan
but honestly? 

We all long to sin 
the light fantastic
above some hated corpse

We can’t sit still
Itching to start stomping
Red, right, blue, left

Love that happy dance
How soft the ground
How haughty our heels

How good it feels 
to be swinging
our arms

as we prance upon them
and they can’t do
a thing about it

We sing
the beautiful American word revenge 
in a toe dance of righteousness

Everyone’s tapping
Some on top right now
Some waiting their turn

Every bastard one of us
wants to dance
that dance somewhere