Monthly Archives: October 2017

The Always Wrong Forever Apology

You forget
I was born
and raised
as the always wrong
forever 
apology. It can’t
be helped that

I default a 
thousand
times a day
to regret and 
guilt. Not to say
shame because

with shame I might
correct the 
always wrong and
close the forever
apology but

this way I can 
boast of my unashamed
malfunctions. I can
be right by always 
being wrong. You

forget how potent
such contradictions
can be. The forever
apology as 

article of faith, the 
always wrong as 
myth or miracle, 
parable of the guilty
conscience for no
reason. You forget

how long I’ve lived
on this, what a religion
it has been. How large
its god looms. How difficult
apostasy can be to achieve —

how satisfying
the guilt involved in that 
might be.


101

In the works of
Quentin Tarantino
revenge and retribution
are frequent themes.

I think they reveal 
the fullness of 
recent American 
dreams.

This explains so much of
how we got here,
where we’re going,
why we can’t turn aside.

This is Tarantino’s world.
Think of all the casual
evil accepted within
his concepts high and low.

Think of how
with winks and smiles
they comfort and authorize
a stab, a shot, a blow.

Think most of all
of the one where 
an actor demands
his men bring him

one hundred scalps —
usually enough
to make me turn it off
and turn away.

Too long a history
for me and mine
to fantasize in comfort
over scalping once done to us

for bounties
much like this one. Still,
late nights or early mornings
when I sit and see the news,

when I watch
and wring my hands, sometimes
I whisper when I know
no one will hear

a phrase that tells me
I am part of his world now,
although I hate it: “One hundred?
Not enough. Let’s make it

one hundred and one.”


Make A Muscle

Make a muscle,
some uncle would say,
and you’d pop up an arm,
pump up a bicep for them
to squeeze.  Big boy, getting
stronger, they’d say.
You would be pleased and 
secretly you’d do this to yourself
whenever you could — cock that 
arm like Popeye and test the
rock under the skin.

There were times
where you’d work at getting huge
but then came all that pubescence and
things started happening in your head,
voices about how poorly your muscles
did in most things, urgings to stay
small before the bully radar,

and nothing happened with that
muscle plan.  You got thick and dull
and became more head-strong
and less body strong

and compensated with weapons
and wit for long decades to follow

and now you’re nearly sixty
and if you make a muscle in
your stroke arm, only you will know;
if you make a muscle
in your stronger arm, it would show
but not much. 

You’re nearly sixty
and if you make a muscle in public
someone 
may laugh at you,
perhaps with fondness,

perhaps not.  Big boy, you’re still
so strong, someone might say,
and it will remind you
that all your beloved uncles

are long underground.

In secret you roll up a sleeve.
You’re fourteen again but
there are no bullies left
except the mirror
so you make a muscle
and whisper see, see?
See how big I am getting?  


Rule Of Three

The questions, 
as always, are these:
if you have a choice

among being target,
gun, or bullet, who
would choose target

over the other two?
And if you have rejected
becoming a target, 

do you prefer being
ammo
or agent?

These questions
are asked of you and
predicated upon

the fallacy that
you will have
a choice.  Choosing

happens 
far above our pay
grade in this

establishment —
but if we make
our own 

home on this 
range, we could be
either guns or bullets

as needed. We 
would automatically
become targets as well,

as we already are,
of course, but at least
we would not fall

without at least 
some notion of what
free will feels like.


Bedroom Story

resting easy in the embrace
of clear definitions, and isn’t it
lovely? lounging about on
a bed of words that make
perfect sense. knowing always
that you’ll never have to eat them
because they’re perfect. 

then someone says excuse me, no, 
wrong, incorrect. you roll off
the platform to fight them. maybe
they hate the stitching, or they
loathe you for your comfort?
no matter, you come up swinging.
they challenge you as if this was not your bed
to make, with the audacity of
wanting to lie in it too and you’d have
to give up some room for that.

after a fierce battle you cower
in a corner of the bed. you’re aware
of the cold stickiness of every little
spot of blood and every little scrap of bone
left in the bedsheets grinds into you
like a pea, a boulder, a whole continent 
you never used to notice. from the corner
where you are you notice others in bed
with you looking just as miserable as you
and maybe it’s time to change the bed
but the memory, the memory of how soft
the old definitions used to feel when you
snuggled into them keeps you immobile
as you glare back at those people over there.
you’re certain it’s better over there.


My Own Lane

Here I am in the morning
with a head full of ricochet
and fragments tearing through.
Or so I imagine because this morning

there was a gun in the news 
and all I can do after hearing that
is choose where on my head 
I’d put the muzzle if I had one. If tomorrow 

there’s a bomb, I’ll be thinking
of putting a bomb in my own belly; if
there’s a knife, I’ll be sticking
myself full of little cuts.  

Some people say: Stop watching,
do better. Stop putting yourself
into other people’s skin.
Let them have their own hides

and all that goes with them.
Leave them their space.
Do you, do only you.
Keep to your own lane.

My own lane is a mess
and when I watch the news I seem to end up
somewhere else 
that is somehow also my own lane

and I can’t turn off this road
even if I turn off the TV.
I can’t be more sorry
for feeling me and only me:

I only know
two ways to stop it.
One is by writing what you’re reading.
The other is to do what you’re reading about.

Stop making it 
about you.
Stop centering yourself
in the narrative —
believe me, I understand.

All I’m trying to do
is put enough into the center
to cut myself
out of the target for good.


Rescue Diver

I filled my pockets
with my hands
after wringing them
just a bit, then

tied a thought to one leg,
a prayer to the other, 
jumped into a flood, and
sank to the bottom.

Down there were thousands
who had sunk before me.
I cut the weights from my legs
and handed them out.

It was like the Sermon
on the Mount — I’m no 
savior but it seemed like
one thought and one prayer

went a long way
around that crowd.
As I rose back
to the bright air,

I started to think
about opening my heart and mind
to what I’d seen
but became afraid 

of taking on too much weight, 
drowning, suffocating like those
below.  Breaking surface
I swam ashore,

grabbed another thought,
another prayer, tied them on
as I stood on the bank, ready
to dive again, to do my part.


Try

When people die
this way, taken 
from on high,
there will always
be someone who says,
do not speak

of how it happened
until we have wiped up
the blood and after
all the wounds are
bound and healed
or buried.

I confess,
I have been that person,
and in some ways I still am.
I cannot speak of
missile planes
and falling buildings
to this day.  I do not know
if I can be or ever will be
that person who can
argue or imply, 
speak truth or falsify,
dig snarling into another
over how and why —

but if you can, try.
If you can by such talk
somehow prevent
me and mine
and countless others
from standing
bloody and mute
among the dead, if you
can with all this chatter
open new doors and close
old ones, try.
I fail when I try.
I fail when I look
into a victim’s eyes — 

but out beyond the pain
of the moment, or perhaps
within the moment,

someone must try.


Dialogue With A Flag

You want to call me animal
for the blood breeze blowing through me
every time I see you these days.
By all means, call me animal, say

this anger redefines me
as uncouth or unfit
for your society.
By all means, cast me out

again.  It would not be
the first time or even the second
that you chose my role, made me
your choice of savage beast.

Faced with that again,
I feel ancient
abandon coming on.
Find myself suddenly indifferent

to your spell,
how you snap 
your name, how 
some snap to attention for it.

By all means, declare
that I am not under your 
cover. Let me admit, 
at last, to a lightness

in my step when I think 
of all the generations before me
who did not see you as 
a safe blanket.  By all means

let me be the threat
beyond your edge. Let me
pick up the old tools 
of the enemy’s trade

and recognize them
anew as my best defense.
By all means, let me go.
Let me be free of you,

your red, your white, your 
blue. Too many good people
smothered under those colors.
Too many years I loved you

as if they were not 
smothering me, too. By all means,
gasp in shock and call me
merciless, call me savage again.  This time,

let it be true.


Thinking Ahead

If today were to be
the day, 

it would be good
to close things out
as a white muzzled dog
lying on a couch
below a window full 
of lemon light,

but if that’s not to be
for me, then I want
my own departure
to offer something
that makes such peace
available to all, to more
than those who had it 
before I came here. 

When I go I want
my eyes to shut
slowly as I release
the final breath and
let that air carry
my memory off
to the unknown.

If it is not to be
that I fall in such
serenity? Then let
the violence pull me
down, let me take it
with me, let it sink away
from view as I sink away
from view.

What I think I want
the most from my death
is that it should mean something
for the deaths that follow mine —

that it may ease passage,
end suffering, shut down
as much inflicted pain
as possible — that it may
offer in its finality
the same comfort as is found
in the thick fur of the old dog
sleeping deeply in the sun,
waiting for waiting to end.