Monthly Archives: October 2016

Stooges

Larry, Curly, and Moe have become
childhood-eating ghosts. They taunt,
they haunt, they still slam heads with
an overhand fist, still gouge eyes,
still teach the young to giggle at pain.
I recall everything they taught me
about how art doesn’t always imitate life — 
something I learned by hours of backyard practice
of every Stooge-stunt on the neighborhood kids,
just as they learned by trying things out on me.  

We went out into the bigger playgrounds
allegedly having learned the difference between
a staged massacre and the real thing.
It’s hard to believe that now.

Maybe we learned a different lesson:
one about how little it hurts
to inflict mayhem on another, or one about
how quaint such ancient comic savagery appears
when given enough filter through time and grime

to forget how much we loved it once, how hard
we worked to perfect every noise they made
as they suffered so hilariously,  how well
they set the stage
for the world
we now call our own.


If You Have To Ask

There are people who think
it
is one thing and other expressions of 
it
don’t matter.

Some would seek to bind
it
by law or custom, some desire the death of those for whom
it
is defined differently.

Some can talk about
it
endlessly, saying
it
deserves endless talk, all agree
it
takes a village to make
it
happen.  

Did we sell
it
out to save our systems the effort of living
it?
Is there any reason to maintain 
it?
Do we need 
it?

I can only take processing 
it
so far. I can only discuss
it
for so long.  I grew up in a swamp of confusion about
it.
I live in a jungle of worrying about
it.
Was my divorce from the magic of
it
required for me to get this far? 

I can’t take
it
any place 
it
hasn’t been already, so I will leave 
it
here and walk away, a solitary sad dancer;
it
defeats me by its singularity.

That’s how
it
wins —
it
always wins by default.


If (Mother Of Moons)

If a window opens in a wall
where there has never been a window.

If you are standing there at that moment
and watch it open.

If a second or so before that
you fuzz out and cannot afterward describe how it happened.

If no bricks appear to have been displaced
by the appearance of the window.

If no sound accompanied
the appearance of the window.

If you do not show amazement
or fear upon the opening of the new window.

If the opening of the new window
seems as normal to you as the breathing of your newborn.

If you hold your newborn up to the window
to let them see the moon.

If you hold the moon up to the newborn window
and let it shine, shine, shine.

If you look out the window
and observe a maze of walls, windows, light from other moons.

If you recognize that none of the walls and windows
look anything like your own.

If the light from the other moons
changes you.

If you begin to call yourself
Mother of Moons.

If you have always been this 
yet are naming this for the first time.

If you go out 
to seek other windowless walls.

If you stand in front of them
until they change.

If every examined wall
becomes a window.

If all the windows
spring open at once.


The Search For God

People I know and love
kept saying there was no God.
I didn’t buy it. Could have sworn 
I met God once or twice.

I went over to the former God-place.
No one was home. I let myself
in. Looked through scattered papers
for a current address. Admired

some old family photos. There was a lot
of unopened mail piled up under the slot,
though not as much as you might expect.
Nothing offered a clue as to

the present whereabouts of God. I did see
an oak tree failing out back, a garden
of dried-up stems, a pile of brush
by a cold circle of ash. Began to realize

that God must have moved on long ago from
such settled addresses. Maybe God
bought an RV on credit and took up
a nomadic lifestyle, campground

to campground, put faith in
long ribbons of road under holy black wheels
in pursuit of happiness. Maybe no one
had ever offered God happiness. Come to think of it

God was never smiling when I ran across them
on those strange occasions when we met.
There was a grimness to those
moments. I was unsettled. Perhaps 

God was as well. I don’t blame God 
for putting distance between us,
now that I recollect that appalling neediness.
I cannot imagine how long I’d stand for that.

I left the former house of God and walked
a long way down the road seeking their tracks
until I came to my senses.  Let God be happy,
I decided. If I believe anything, I believe

they’ve earned a right to restlessness
in the face of our constant pressure — 
and I’ve got a home of my own. So
I turned back. 


Hopeless

It’s hopeless, you know —

everything is
pointless, there’s no
fault pinned on the right backs;

who is in charge, who pulled the pin,
who do I see about this, there’s no
good, what is this poison we’re being fed,
what is in the water, why are you
shooting me now and aiming later
or claiming hate, what’s this smoke
unchained to an obvious fire;

how is it that the news
has become an exquisite corpse,
a new exquisite corpse daily, and
why are you staring into such dead eyes 
while asking for solace — 

stop. All the same while,

people ask and talk
and cry about all these same things — 
people you’ve never met.  Let me
take you to them. When you meet them
you’ll embrace, you’ll clasp hands…then,

slowly at first
but with gathering, giddy speed,

you should stop calling
this pointless world
hopeless

and set to work.


Jim’s Rescue In Three Parts

1.
You are sitting on the edge
of a just-drowned firepit
waiting for the ashes to stop smoldering.  
Everything you own was in there
and most of it is damaged beyond repair,
by firehose if not by fire itself.
The firefighters are ignoring you
but the paramedics are beginning
a gentle interrogation,
determining their next steps;
here you are
shivering after having had
your gas soaked clothing
torn from you before it could ignite.  They’ve put
a blanket around your shoulders.  They’re telling you
you’re going somewhere,
they’re putting you on a gurney,
it’s fine it’s fine it’s fine — it’s going to be
fine.  You didn’t burn the house down,
you’re getting the help you need —

and then you look into my eyes and ask,

who are you, describing
what’s happening out loud like
I can’t deal?  I don’t know you.
You aren’t any help
at all. Go away. 

That’s a little hard to take, Jim —

it’s like you haven’t noticed at all
how much like a mirror
the night has become
since you dropped that match.

2.
You’re going away, you know,
and the wife and kids are staying
far behind, a whole continent behind —

you won’t be able to count on them coming
to see you, unless the movement
of tectonic plates counts. You’re going away

and your parents are staying far behind,
so far behind — how much of a lifetime
do you want them to spend on you? You

are going away and where you’re going
you are going to be alone with just yourself
and the gentle staff and the medications

and anyone they room or group you with —
and don’t forget me.  Don’t forget me, Jim.
We’re going away. It’s going to be fine.

3.
Would be sniper,
dream herder, monster
gardener, born to wonder
about God’s hands
and mortality.  Jim,

I keep telling you,
you’re going to be fine

with a pedigree like that.
It’s practically normal.  It’s 
all-American. It’s

just a question of building
the appropriate size firepit
when they let you out,
and then only burning our life down

a little at a time. It’s going
to be fine — we’re
going to be fine.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

NOTE: If you’ve ever heard the Duende Project, my poetry and music band, you may have heard us play one or more pieces from a suite called “Jim’s Fall,” about a suburban dad having a breakdown that involves a worsening psychotic break.  (There is also a suite of related poems about a woman Jim knows named Sondra, but those have never been set to music or even performed solo.)  

I always knew there’d be more to the story…maybe rewriting the music recently got the juices flowing again.  

Here’s the immediate follow-up to the last poem in the suite.


How We Winter

Keeping our eyes focused upon

trees that have turned on 
their other street-signal colors,
that have passed green for go,
gone deep

into slow, caution,

stop. Noting

that it’s not far now
to no color at all on those limbs,
save for here and there
an odd shot of rust 
that will not fall. Noting

that it’s cooling at night, though
not quite enough for the furnace;
thermostats are yet untouched, although
the batteries
have been checked.

We’re bracing for car care,
yard care, window sealing,
pulling out layers of clothes
and warner bed linens…now and then

watching the faces of those
who panhandle 
on nearby streets,
mouths tight
upon cheap cigarettes
cupped in still bare,
sun brown hands;

blessing them now and then
with thin coins and thinner bills
handed out the car window
before driving away.

This is how we winter,
how we warm ourselves.


The Store Manager

When the body decides it’s time to shut down,
it shuts down.  I can sleep fifteen hours straight
yet still wake with dead hands and feet

from the stubborn effects of how my blood 
stopped handling sugars well
some unclear number of years ago.  My brain’s

got more than a few holes in it from pure age
and all those drugs and all those depressions,
all those whipsawing snaps from high to low;

I can’t even speak to the ears failing, the eyes failing,
how weak I seem even compared to how weak I’ve always been,
how unsteady I am when facing up to where I’m going

and how fast I’m getting there. Waking up now
I feel like…a store manager.  Like I’m in for the early shift, 
walking from door to door, opening one after another —

or rather, trying to open all the doors and finding
the once reliable keys aren’t working or 
are even missing from the ring

where they’ve always been. I can run the place
just fine with what’s left but all day long
I’m wondering: what happened?  Where

are those damned keys? Stolen, lost,
or am I making them up and they never existed?
It’s enough to make me think about quitting.  Enough

to make me think about
fifteen more hours of sleep — the only time
I can’t feel. The only time I feel good.


Trauma Song, Minor Song

We have good things 
on our to-do lists:
take time to visualize a better world,
speak gentle ill of the rich,
dance like we’ll never
be asked to dance again.

A rising wind carries to us
a song of trauma —
no one singer, a plural song — 
beggars’ voices rising. 

We open
the blinds and the window itself
and hear a bit of it so, 
in just a moment from now, 
we can go out and drop coin into its cup

and then choose to ignore it. 

Granted, that song 
won’t end so easily 
just because we put cash 
in its loving cup
as it sits on the sidewalk keening,

but we feel better
believing 

we did something, 
even if it was something minor,

to keep
the minor song
in the minor key alive

a bit longer. 

“The country
seems so sad these days,”
we sigh as we turn away. “It sounds
so, so sad. It must be
the wind.  It must be something
in the air.
So much better when we couldn’t hear it.
We’re sad that it has to be sung,
glad that it’s being sung 
elsewhere.”


Clearing

There’s so much mud, so much 
shit. Nothing’s clean in there, nothing 
stays clean for long around it.

Sometimes the only thing to do
is root in there nose first and
start making your way to clear:

get all the mold and debris
and wet wet soil stirred into
a death-leftover soup.

Poke and prod 
at the channel,
break it up,

dig. It stinks, it’s vile, 
it’s got its share of wrong — 
and man, that’s yours? That’s

really in there, flopping in the 
ick, flipping in the muck? Get a hold 
of that and get it out

of there, fast.  It might bite,
might have venom — get it out,
get it out! Watch that water start

to burble clear. Stay with it,
clearing, dredging, deepening
the bed down to gravel. Till

you can see the bottom. Till you
can’t smell it flowing. Till you’d
drink from it, till you’d offer anyone

a drink from it.


Sitting There

see that fault line across
your well-being

take a silver nail in one hand
a diamond hammer in the other

pound the former with the latter
and nail those parted sides together

pretend it’s all better because
no expense was spared

to make broken look whole — not
to make it whole but 

to simulate wholeness
to the casual observer

and what lovely tools and 
materials were used 

such a shine one might think
it would last but

one silver nail won’t hold back
earthquakes no matter

how hard the hammer
used to drive it — in other words

face down in the most 
expensive whisky

is still face down
even if you look distinguished

sitting there


Up And Out

View from the backseat:
a head not facing you.
Climb over.  Make them look. Take the wheel.

From this side of the wall
it’s clear that there’s no gate.
Climb over. Break through. Tear it down.

Bottom floor, looking up.
No stairs, no ladders, no windows.
Climb the skin of it. Come through the roof.

No invitation in the mail.
No open hand.  No call.
There’s no climbing that.  Turn away.

Say no to all
of what they do bother to offer.
Climb up and out. Rise.