Monthly Archives: May 2015

Mercy

Asking, for a friend, for there to be a fast end.
Asking for a beloved to lower those crepe-paper lids.
Asking for a mere handful of tears, barely enough to water a seed.
Asking for the door to the dying-room to close firmly behind with barely a sound.

Asking for the body to be washed clean and gently smudged with herb-smoke.
Asking that it be dressed in its customary work clothes, so that it is familiar to those who saw it daily.

Asking for a swift service, a musical show, a feast, a dance.
Asking for there to be no long and loud mourning unless it changes into laughter and back again.
Asking for there to be no burial on land.
Asking for it to be raised on a rough platform and left in the open air.
Asking for the bones to be picked and gnawed.
Asking for the remains to be bleached and powdered in the gold-white sun.

Asking that whatever is left be placed into a river near its delta.
Asking that we spare those bones the tumbling from source to the sea.
Asking for enough time to let them dissolve before swimming there again.
Asking that the name be slowly forgotten.

Asking for someone to open the dying room someday.
Asking, for a friend, that this only should be done

so a baby may be born there.

 


Fence Post Sorrow

You call, thinking
you’d heard nothing
for so long,

you must have done
something wrong and
the fence must need mending.

When you learn that they died
a while back, long before
you had noticed their absence,

you think about how a fence post
leaves a hole when it’s gone,
an absence that never quite fills,

a depression
you notice
without noticing.


How To Be An All-American Adult

pinch enough
of your boss’s stash
to set yourself up as 
someone’s boss just so you

can guard against
a similar pinch
off your own meager hoard
while lying sweat-heavy in bed

worrying about
thieves like you.
you are that well-owned.
you have imprinted

strongly upon
the wings and claws
of those birds of prey
who tear you up only

to fan your open wounds
with their dirty feathers.
it feels like they care enough
to soothe the pain they caused.

it feels like rogue parenting.
a warm snuggly
smallpox blanket.
a red white and blue 

cartoon hero’s cape
stuffed into your mouth and nose
until you can’t breathe
from under all that love.

you’d better find someone
and do it to them quick because
the only way to get ahead here
is to step on one.


Salvatore

NOTE:  This is a radical rewrite of a very old poem not found online.  It’s different enough in meaning and execution that I’m calling it a new poem.

Sing a song of Salvatore,

who married
my grandmother Luisa
after my grandfather died.

After my grandfather died
she had to sell the candy store.
My mother turned six the day he died.

My mother turned six the day he died.
My grandmother tried to hold it together
for her, but it fell apart. She went for relief

to the Red Cross and they told her,
don’t let it fall apart.  Dress up pretty,
hit the street, keep it together.  Lots of women 

do it.  Desperate times, etc. She 
didn’t.  Married Salvatore instead,
her dead husband’s best friend, seemed like

he needed a maid or something with three
old boys of his own. My mother was lost
in that; she found a way out. Went

overseas, met my father, married, had me,
moved back to take care of Salvatore
and Luisa. I remember a rough man with just 

nine rough fingers, lost one young with a single stroke
of a mason’s hammer. Smoked rough cigars,
spoke rough Italian I couldn’t decipher

through his whiskey-soaked emphysema. When he died,
I didn’t much care.  When my grandmother died
I stopped caring altogether. 

Sing a song of Salvatore,

the scary nine-fingered drunk
I never understood or much cared for.
I wonder what might have happened

to his amputation, if the only place it lives on
is in those dreams where I find it
wriggling under my pillow, which happen often, which is 

no surprise as what’s missing 
from my history so often
shows up there.

Luisa wasn’t buried next to Salvatore.
She has her plot
next to Antonio,

my sixty-years dead blood grandfather,
instead. I don’t visit their graves
except like this, out loud, from a distance,

whenever I wonder 
what it must be like 

to miss someone for that long,

what her dreams
were like, what might have come to life
under her pillow, night after night.


Noted In Passing

Originally posted 8/5/2012.

I’m telling myself the truth
for a change.
I admit
that now and then

it would feel good
to swing a hand
and connect with a
hard yet crackable jaw.

I disregard the claims of
comfortable wisdom and note
that most criminals I’ve known
had mountain-high self esteem.

That war thing, the one
where we rush into it singing?
We’ve all tried for years to stop it,
yet it keeps coming up.

Anger, said the Dalai Lama,
is unnatural. Yet somehow
every baby I’ve ever seen
knew from birth how to make a fist.


Short Dialogue With The Ether Upon Waking

How are you today?
Broken, I say.

Are you ready to go?
I’m uncertain of every step,

so no. 
Can we help at all?

I don’t understand what “help”
you mean. Are you suggesting

you help me go? No,  
we mean to try and help you calm down,

steady your steps, get well.
I don’t know how that would feel.

Would I still be myself if I were not
this much fracture, this much moan?

Hello?


Spirit Animal Husbandry

Originally posted 5/9/2013.

After a short quest
best described as 
mythopoetic channel surfing, 
I choose the Alligator.

At first, he refuses. 
He roars his displeasure

like a reptilian Foghorn Leghorn.

“Son, your bloodlines are desert on one side
and mountain on the other. 
Not a bayou in sight.

How the hell did I become
your idea of a spirit animal?”  

I reply,
“I know, I know.
Blame Television, man. 
It fucks up 
your locality, morality,
and spirituality.  

But consider this:
I’m ‘murrican,
born and bred
to bite and swallow
whatever’s offered.”

Tail thrash,
jaw clap. He turns away.

Grunts back over
his shoulder:

“C’mon, then…”


How To Survive

You ask me
how I move in this
darkening world. You ask,
how do I pull through,
get by, survive?

I move as sandstorm: 
darkness rising 
in full light;

swiftly, bearing
both seen and unseen grit; 

enveloping homes, work;  in fact,
swallowing all journeys
and destinations. I pull through

while afire: consumed
by red.  Eaten by red.
Red in windows, eyes,
on the tongue. Get by as flood:

poured out, soaking in,  
flowing as though 
a wound had been torn 
in the silky, silver gut
of All.

Survival: 
I’ve had to be
so present
with survival

that I’ve had no time
to measure 
the past of it,
or to think about 
the future of it.
If I could, I would tell you.
I would tell everyone,
as it seems
that only some know.

If I knew
and if I could share
what I knew,
perhaps I could
save some of them.

I survive, I think,
mostly by realizing
from second to second that, 

until this moment at least,
I actually have.  


The Grandmothers

Around the bed
where I lie
and try to sleep

stand generations
of grandmothers,
soft gray owls speaking to me
in all my native tongues at once,
and I understand none of it.  

My shame at being unable
to take what they offer
grows a snow storm,
a white-out inside me.

How dangerous my dreams are —
so dangerous I strive to convince myself
that they are nothing, that the fantastic
does not exist,

that the grandmother owls
crowding close,
hooting softly,
calling out to me,

are wind in the trees
and no more.


Left And Left And Right (Family Home)

Originally posted 3/1/2010.

Left at the top of the stairs
and then another left
and then a right
takes me into the blue room
I lived in through junior and senior high,
the room I drywalled
and painted for myself
with my father’s help.

I chose the color
and the now-embarrassing
blue shag rug.
(Blue was my favorite color then.)

I laid the oak floors
that lie beneath the carpet — 
nailing through the tongues
of the narrow planks,
fitting the grooves to them,
beautiful unstained wood I covered
with blue shag carpet.

I chose these red and blue plaid curtains.
Dirty as hell, limp with fade and dust.
No one’s vacuumed since I left.
I just found a cannabis seed
in the rug under the side window
where I’d smoke late at night
from a homemade pipe
I made from an old steam radiator valve.

I had an FM radio then
that taught me how to hear 
Mickey and Sylvia played
after Rashaan Roland Kirk
and I tried to stop thinking the world 
was rigid and orderly.

One time I broke up with someone 
and dropped acid late that night
and stared at my squirming self
in the mirror for a long time.
Afterward I took a piece of paper
from a spiral bound notebook
and wrote a whole story 
that sounded pretty much

like this one.

If I lived here now
I’d tear up this rug.
If the oak still looked good
I’d sand and stain and polish it;
I’d change the curtains and
I’d certainly have to paint — 
not blue this time,

or at least a different blue.

When I was done I’d play
the modern, stale radio, 
smoke a big joint in plain view of the windows,
sit there and think about
Rashaan Roland Kirk
having the blues and one working arm and no sight.
Dig up a hazed memory of
“Rip, Rig, And Panic.” Then
I’d imagine him singing
“Love Will Make You Fail In School.”
That’s still true. It really will.
I can vouch for that
even if I can’t remember
more than that. Thank God

I’ll never have to do all that —
move back here
into this room
and cobble together
a new life
with the blue
and the dirt
and the leftovers. After all
you can’t go home again
when you never really left

and it never really felt like home to begin with.


How To Fly

She is
the leading edge and

he removes himself
from her wake

not from jealousy
or anger but to honor

how far ahead she is. She needs
no drag upon her and

it’s not important, he tells himself,
if I cannot move on alone.  

It’s not important that I am alone and behind her
as she moves on ahead and alone.

He says this out loud
without knowing he’s spoken.

Says it out loud,
a strong wind behind those words. 

Says out loud something
not easily pried from him;

feels lighter at once,
blown along, carried along, lifted.

Out on the leading edge,
she feels not the slightest

of any of this.  Unaffected,
unfamiliar

with such turmoil – and
why should she be? She

already knows
how to fly.


How I Fight

If I am,
then I am.  

You say, that’s ridiculous,
it need not be said,
is obvious.  

You say it makes no sense but
except to say it
is to force the issue:
when you say
I am not
in all the ways you say it,
I must say
I am.  Must present evidence, 
offer proof. No matter how tired I am,
no matter how weary I am
of having to say it.

So —
because I am, I am;
because negation
of such a thing
is 
evil, 

in spite of how unfashionable
that word is now, in spite of 
how hard we try
to find other ways to say it —
I say it.  I say it because

my insistence upon saying 
I am

is how I fight
evil.

Is how I fight Evil. 

Is how
I fight, how
we all fight.


For The Next Guy

one day
when I’m dying
I’ll say, long live
liberation.  I’ll say,
it’s good to relax.  

one day
I’ll realize in a flash
I’ll never 
step to the stagefront
bearing a flaming Gibson
and play a solo like something 
Robert Johnson forgot to offer
and Jimi left out of his will — I’ve got it 
in my head even now — 
but it will never happen.

when that happens 
I’ll say,

that’s enough, micro-
man, little
squeeze of flesh, tiny handed
mollycoddled
dumbass refusal to bend — 

and in response I hope
the world will say
it’s OK, Tony,
we know it was all you’ve got.
if after all this struggle 
you have anything left in your bag
it’s probably lint 
and there’s already enough of that
to go around.  

shuffle off, now. don’t forget 
to put that guitar back on the stand

for the next guy.


Nuggets

Originally posted 1/7/2006.

1.
i was 15
a man grabbed me from behind
i turned and cut him
did not stop to see what happened
ran as fast as i could back to the party

two friends helped me
scrub off the blood
someone else
lent me a shirt

i went home that night
my parents never knew
i have watched the news for years
still don’t know what happened

why nothing has ever happened

2.
she was really pretty and
if i could have recalled her name
i would have called her

i am still trying 

3.
at 17 i stole a book of robert bly’s poetry
and later had him sign it
this was wrong in so many ways

i still have the book

4.
i should have called her
i should have called her
i should have called her
who was she

who am i that i thought i could call her

5.
i should have hit him
i should not have hit him
i’m glad i hit him

i should never have pulled my knife
i am glad i pulled my knife

years later i saw the one
i should not have pulled the knife on 
in a club

he backed away from me
both hands raised

it felt good

you’re the indian, right
he said

it felt good

something like that
i said

i like indians, he said

i stepped toward him
he fled
it felt good

5.
there is only so much of yourself you can handle
before you have to start dividing and conquering

i will own this
but i will not own that

but i am this because
i was that
and was not that

you don’t really know me
and you never will

i know me
but not all of me
and not all at once


Ein Jeder Engel Ist Schrecklich

Originally posted 5/17/2009.

Ein Jeder Engel Ist Schrecklich (Every angel is terrifying). — Rilke

Close a door, open a door,
write a letter, burn a letter:
endings are as easy as beginnings
when there’s little potency attached.
What makes it hard to end or begin
is the Angel of Possibility who hovers
on the margin of each decision. 

I know much of her scarred wings 
and fruit-toned breath. Each time
I have flown with her
I have been scared of the height
from which I might fall;

tonight she floats 
at the edge of vision,
near the door, beckoning to me
as I pray for my feet
to remain on the ground — 

yet she is an Angel,
after all, and I begin
to rise, attended by
all the terror
I can bear.