Tag Archives: political poems

America For Dummies

Originally posted in 2010.

Shut up 
you finger pointing bastards
who try to to teach us who we are
and how stupid we are to be who we are
We know ourselves pretty well

This is the USA after all
A whole culture based in constant apology
“Sorry we don’t live up to what we claim to be”
It’s the most human thing we are
except that we work it harder than most

You think us
unaware of our dangerous contradictions
How we’ve got love for the kiss of gangsta hand
Yet sleep uneasy thinking of it against our cheeks
We’ve got mad love for the wrong side of town
As long it’s only a quick stroll to safety
We’re uneasy with what we love
but we just want to live without thinking sometimes
We’re big block dummies who love a straight road
and rowdy pipes in full cry from underneath the ride 
and out of its crank windows
With the black exhaust we leave behind its own explanation
With cock rock blaring and explaining
Country music simplifying and explaining
Dumb pop flashing gold and skin to explain
and Las Vegas winning for the best explanation of all

You finger pointing bastards
You agenda manacled studs of opinion
You scolds and scourges and professional sobbing consciences
You don’t understand us at all

From the left we’ve got smug
From the right we’ve got stern
We’re in the middle with the TV on
Plugged up ears and screwed up muddled hearts
Do you think we don’t know how screwed we are
with chatter and smoke obscuring the exits
and thick chains that have been set on the doors
but we’ve still got windows high in the walls to entice us
into believing the sun is still out there
though that light might just be another fire

Give us some credit

We know the powerful hold on to power
because that’s what we would do

We know the money makes life easier
because we don’t have enough ourselves

We know the earth is dying from a case of us
because we live here and can hear it cough

We know that wealth can be either poison or manna
because we plan to be rich one day and will have to choose

Right now we’ve got sick hearts
sick kids sick houses and cars
Not enough work and we’re numb from it
The wrong kind of work and we’re dumb from it
Give us liberty or give us convenience
Either way we’ll likely be here still
Give us social degradation or give us peace
Give us the comfort of our skin or give us death
We’ll likely be here still

Some point left to the door they think we should take
Others point right to the door they think we should take

We know in our guts 
that the only way out
is to break the wall down 
that holds both your doors

but we’re scared for the kids
the house
the car
and who will be standing on the other side 
when it goes

So we stay where we are
and pray to stay where we are
We stare at the TV and 
wring our hands and say

we’re not who we are
that isn’t who we are 
we aren’t who they are
stop pointing at us


Fear Of A Brown Planet

Originally posted 5/26/2010.  Revised again, 9/28/2014. Third revision, 8/11/2017.

Noah invited no insects onto the ark, but they came anyway;
flies, roaches, gnats, and ants covering every square cubit
in a confident carpet of stubborn, resilient brown.

American bison, once endangered, have grown numerous,
leaving Yosemite to roam their old prairies, leading to calls
to thin them out, gun down some stubborn, resilient brown.

In the Gulf, scared men drop chemicals, lower booms onto
oil surging from a breached torrent they thought to own,
stare in despair at the mass of stubborn, resilient brown.

In Phoenix, water pours from sprinklers into dry soil,
desert held at bay by golf courses and lawns of green.
Let the effort lapse a bit, see the return of resilient brown.

South of here, along a man made line, patrols 
stare south into a shimmering oven, guarding against
a surge moving north — people of stubborn, resilient brown.

In tidy homes the fearful see everything as a threat
but are ashamed to say that what they fear most is 
the pastel walls of their world being restored

to surging, resilient brown.


The Despair Couch

A man lifts his head
from his despair couch,

sees pictures of 
his family on the table

across from his seat,
imagines them seeking

comfort. Right out loud
he asks the empty room:

where will we hide
if the fire comes?

I grew up and away
from having to think 

about this, and now
I have to think of it

again, not only for myself
but for loved ones, 

wondering how
to keep them

from the fire if it comes — 
and if fire comes

will I be ready, will I
know how to shelter us

from flame
and storm and

the long night
that will surely follow?

The pictures
do not respond,

staring into his
numb, silenced face.

A breeze shivers
the house.

The summer air 
simmers.

The couch accepts
his face as he falls

back into its warm,
illusory hug,

the night still safely
dark around him,

no sudden spark out there
breaking the world into coals.


Work To Be Done

I rise early to start work
upon a treatise 
to be called,

“An Inquiry Into Not Being
Violently Sick To My Stomach From
Reading The News.”

I don’t have a clue as to 
how to begin this. There
is no talk therapy for it.

Every effective pill is either fatal
or so obliterating that
the rest of my life

would be swept away too.
I could do what some do and 
never open a book or paper

again and try to forget, sink into
coffee or beer or weed, play 
the oldest music I could remember,

plug into unplugging from the right now.
I’d be lying if I said I haven’t tried
all that; I’m not capable of lying

anymore. My stomach keeps me
honest, spits up truth in spite of my fear.
As convulsed as I am minute to minute 

it would be hard to say
I’m not a better person for it:
my gut’s well-toned enough now

from retching to take whatever
stab or blow or bullet that comes;
even if I am pierced, even if I am killed,

I will leave this work behind and survive.
I dip my head over the page,
fight back what’s in my throat, and begin.


The War Face Down

The war is lying face down
on a hard cot. Legs twitch, 
breathing gets hard. I think
the war is dreaming much as

a dog dreams. People always say
a dog dreams of running when
they see its legs jerk like that.
Truth is, we don’t know what 

dogs dream and neither do we know
what the war is dreaming about
except that it is not likely
to be anything good. Not like peace

offers much more than the war
to everyone, certainly not
to those who fight, not 
to those who die, not to those

left behind. When the war lies
there on its face, kicking and
whimpering, all I can think of is
hope and hate: hope it doesn’t

turn over so I can see
its restless, mashed up face;
hate the idea of the war waking,
turning 
face up, seeing me.


His Wallet

A bald brown man
is out on the curb with a black
trash bag of a kind disallowed 
by my city carefully picking through
our building’s recyclable bins
for cans and bottles, almost tenderly
placing those he cannot use
to one side on the pavement before 
adding to his bag with what little
he gets from us and then
putting the ones on the pavement
back into the bins, although
I cannot be sure
he puts them back into the ones
they came from they all go back
into the bins where they belong
without ever touching the yellow bags
the city makes us use for trash

and then he straightens up and 
moves on, up the hill, up the street
to the next three decker, then the next;
then he crosses over and descends
doing the same on the other side 
where I see him one more time, 
directly across from my window, 
picking through the plentiful options
from the green building’s bins,
and I note as an afterthought that
he’s new, not one of the usual crew
who come through on Wednesdays
or Thursdays if Monday was a holiday;
he’s younger, fitter, more neatly dressed,
stands up straighter, looks like he can carry
more weight as the bad black bag the city
won’t let us use for trash is full now
and he is tying it off and pulling
another one
from his back pocket
where you’d expect
a man
to carry
his wallet.


You Half-Unbuckled

You,
half-unbuckled,
verging upon 
dropping all your armor,
ready to take on what is coming
from out of those dark mists
before you, those charcoal clouds
boiling from eternal battles;
you, 
half-unarmed, 
edge dulled, bow unstrung,
arrows blunted, still
with your stance set to stolid,
holding fast before
what is coming toward you;
you,
trying to recall every word of advice
about how to meet this enemy
with no toxins in your grasp,
no arms to bear against it;
you,
trusting you cannot fall
or fail except by failing
to face it, even if it kills you,
even if it takes you almost
serenely, almost with grace,
lifting you into its maw
and swallowing you;
you,
refusing to let yourself
be absorbed, digested,
making it spit you out
or choke upon the weight
you carry with you into war;
you,
unbuckled, unshackled,
naked now as it approaches, still no
shake in you, no shiver,
nothing but the unsheathing 
of what sits at your core,
the one thing it cannot surround
or destroy: the essence
of what has answered
throughout history

whenever your indomitable name
has been called.


Getting Closer

When they first came
they measured themselves
against the trees, found themselves
less than acceptable; shrugged, cut down
the trees, built homes, built forts,
slid the scraps into their mouths
like toothpicks chewed solely 
for the soothing taste
of wood, of victory.

When they’d been here for a little while
they came out of homes and forts
to witness and approve
beatings, burnings, massacres,
displaced thousands marching from 
their homes, footprints freezing into memories
in reddening snow, baking into
blushing sands; they slid all that 
into their mouths, pills to be swallowed
for prevention, for nourishment,
for their great peace of mind.

When they had been here for a while longer
they began to imagine themselves
measuring up, full-rooted here, seeded here, 
forest primeval; shrugged, cut down memories
of those who’d been here all along,
slid those names into their maps,
their family trees, called them their own. 

One day I came out of my home
and saw that no matter how much
I mourned departures and raged over
shed blood, I was now mostly one of them
thanks to the long “whatever” and “so what”
of how casually they’d cut down and consumed
my place, my people, my places.

When I’d known that for a while
I chewed off a piece
of me, a huge piece of me as one might
chew off an arm or leg, a piece I saw only dimly
as it disappeared, as I left it on the path
and moved on, a wraith, with a mystery
taste of ashes, wood rot, metal flake
on my tongue; then I shrugged,
told myself I was getting closer to an end of this road

and said I was long overdue for that
and lightening my load in such a savage way
was a departure all its own
and nearly as efficient as any other.


100 Words About Where It Happened

I’ve seen stains
on the road where 
it happened.  I’ve seen
ambulance lights
heading away from 
where it happened.
I’ve heard weeping
and screaming, 
tortured explanations
of torture and death,
condescension turned to
terrorism, eventual drift
from truth to shrug, and
blue, blue winds blowing
any remaining truth like
so many dandelion seeds away
from where it happened;

if you want me 
to testify about where 
it happened, where
exactly it happened, 

we’ll be here a while
as I point and say
there and
there and
there
and there and
there

is where it happened.
Everywhere
is where it happened.


Taking Stock

My body,
deceiving me
in some new way
daily.

My main diseases?
Sugar sludge blood, 
moods lurching
from death sludge 
to joy stomp, sleep
a series of strangulations;
each of these a wee bomb
waiting to rend me.

My brain,
pummeling me
as it always has.  

My approach to life,
a recalibration loop
barely held together 
at a weak seam.

My upbringing,
gentle horror show 
wrapped in
soft white bread.

My heritage?
Half worlds away from here
in two opposed directions,
the vacuum in my core strong enough
to suck at them, too weak to bring them
smashing together into a good
cold weld. 

My understanding 
of that history?
Half book learning,
half frantic triage, all 
of it guesswork when 
push comes to shove
on the edge of the void.

My homeland?
An experiment in something.
Steal a medium and grow
a culture on it. Pretend
we don’t know 
what it feeds on.

My future here?

I’m not alone in the game,
in the approach to it,
thank all the small stones
in the earth and sky
for that; thanks for
a hand to hold while I wait;
thanks for the hope that
I make it easier for them
in my own way;

but I know I will have to
run it in alone, diving down
a slip and slide built with
rust-fouled water and 
undercover stones;

I know
I’m coming in too fast,
too hard, and in no shape
for the finish,

but I’m coming in. It’s
something to do, the only thing
to do; confusion and conviction
in action;

here I come
smashing in.


In The Wind

To the people who stopped dancing
after the Twist, after the Frug, after
the Robot, after the Dougie: pick up
what’s left of yourself from the doorman
and leave the club. Why are you here

when there are so many people waiting
to dance? You’ve crowded the floor, 
taken up a lot of space.
No one can move unless they do
a shuffle like yours. So many have

so much wildness to unleash
that this is killing them.
You might have known that feeling once
and you might want to know it again, but
what you’re doing right now doesn’t come close

to the free shake they long to do. Maybe
that’s why you want this. Maybe them dying 
without a leg to dance on is part of some plan
you’ve hatched to get your own rhythm back
but it’s nothing that will stand. So: get off the floor

if that’s all you’ve got. Get out, get
out the door without looking back.
There’s a new crowd waiting.  Stay
if you are ready to move again. If not,
there’s a wind outside. Go be in it.


Tattoo Dwellers

Whenever they buy a country
they have their names tattooed
all over every open patch.

We lived here before they got here
or got here after the inking up but
our names don’t look like theirs, so 

we have to hide in the spaces 
in the letters, the gap of the upper
“A”, the narrow rooms afforded

inside “D” and “O.” It helps your chances
if you are comfortable

living under a thin sheen of blood.


Poem To Be Read At A Press Conference

Hearing of your latest
spurt of hell, I wonder
who will ask the question
that will close your throat
at last.

I wonder if you
will be at a podium 
in the middle of some
hateful, stupid sentence
full of self-referential, self-
serving pablum for you that
will deal terror to so many others
when someone blurts out
the right spell, the right curse
in the form of an inquiry
you can’t deflect, or

will it come from a half-trusted aide
on a golf course
somewhere, mid-swing,
while you’re trying to forget
everyone else and focus on
your own perfection that’s always
just beyond your grasp, or

will it come from one of your children,
checking in on you  
long after midnight as you stare daggers
into the screen light between 
your soft little hands, or

will it come, most improbably,
from yourself as perhaps
a chunk of clot hits your brain
in the right spot to release you
from this unrelenting lust for 
the reverence and squat obedience
of all others. What question will it be

that takes you down, pours you
into a puddle of gray flesh on 
a public floor, terrified as always
but with a fading awareness
that this is what you always wished
for so many others, what you dealt
with so many of your labored breaths,
and now you may meet them face to face?

No one’s certain,
but rest assured,
we’ll keep asking
until we see you fall.


The Public

They are realizing at last, if only dimly,
what they’ve bought and what’s been
sold out from under them.

Sitting there slack, slumped against hubris, mouths
opening and closing, sounds coming out:
no sense to be had there. You would think

they’d get up and move, either 
trying to escape or beating a path
toward something better to come after

such an awful time; but not now, or not 
yet at least, in spite of the scent of urgency
in the air. Instead they hold harder to 

the prejudices and suspicions 
they’ve always been chained to, 
as if such things could save them

in a storm that’s only now begun 
to rise to full scream. They sit there
and scream along, they do not move;

as they are engulfed, they seek
a scapegoat and avert their eyes
from what they’ve bought, from

what’s been sold
from under them
with their clueless, ecstatic consent.


Song From The Genocided (Ironweed Tea)

When you reach the point
where you trust nothing
except your gut
and your gun

and the finest music
you know is simple chaos
accompanied by
percussion

and every pow wow poster
makes you weep for 
your parents and 
your broken feet

and when the news comes on
the television you
hear chickens settling
into their roosts

to await the divine weasels
who will come for them
in the night and take them
for some yet-unseen purpose

When you write such things
that readers insist you must
roll your pen in flour to make it whiter
before the next workshop

that you invite them to 
go bobbing for your ass
in a hot vat of grease rendered
from the killing fields of Everywhere

and the music shifts to 
four on the floor and tosses
a cumbia over that until 
your fear is overcome by rage

or transforms to something akin
to a detachment from the future
and the present is all still past
and you clutch your gut and your gun

and shoot out the news on screen
and shove your pen into your eye
and you look the curious readers up and down
and ask for nothing from them at last

When you get there 
you give me a call and we
can sit together sipping tea
made from ironweed 

a yellow tea that will taste
like rust-burnt bridges and tonic sweat
and maybe then
we can call ourselves

worthy of our bloodlines
worthy of our tribes
worthy of all the dead who came before us
and worthy of being ancestors ourselves someday