Tag Archives: political poems

Scanning

Endlessly scanning
the car radio
seeking music
I don’t recognize.
 
Roll the window down
near every food cart
trying to guess what
they’re serving.
 
People ask why
I would ever want to do these things.
Why listen to music
you don’t know and like already?
 
Why allow the smell
of something foreign in?
Such an all-American
trait to assume
 
that the air around you
should only hold
your favorite scents
and sounds —
 
and while we’re at it,
to hell with your earbuds:
let the world in,
you cowards.

Grain Of Sand

I have so little 
to give

except my life

which I do not
routinely consider

large or of value

although in its current size
and worth it may serve

as grain of sand in a precision machine

as killing germ or worm 
as parasite in an evil host

You grab me by the arms
and shake me
and your own head
saying no no no
you have so much to live for
and so much more about you 
is golden than you know

Hush
Be still 

As sand or virus
I take part
in cosmic order
in a time when stopping
the Machine or slaying
a Host bent on death
is truly all
we all have left to do

and you say
no no no
to my being
even a nameless piece
of how that happens

Try to be serious

It would be an honor
to be forgotten
to be anonymous
in the future

for that would mean
that I and the rest of 
the nameless who say

let them take me
if it stops them

made the future real


Stripes And Spots

Zebras on your mind this morning
Zebras in the driveway, trying to get in

Leopards in your dreams last night
Leopards hidden in the backyard junk

Is that a giraffe looming behind the neighbors’ garage roof
or a jaguar on a crane conducting surveillance

You are wondering if you should call a cop
but they’re more like the suspects than they aren’t

Not what they appear to be either
Everything in the jungle wears camo

Zebras now on the back porch knocking
Leopards scratching the front door bell

You put down your phone and start painting your face
But it’s like doing nothing at all in the scheme of things

So you sit and draw the shades and cower like a rabbit
though zebras and giraffes aren’t threats it’s not certain

that the cops will bother to tell the difference
if they come when called at all 

You’re just another critter and your hole isn’t safe
Lions and tigers and bears and jaguars and leopards

and cops and there you are and who is who
It’s not like you can tell who might have changed

their stripes
for spots


Why We Got Here

A faith like
Al Capone’s:
a gun and a smile
will get you farther 
than just a smile.

A vision like
Charlie Manson’s:
love is all you need,
“love” spelled
“K-N-I-F-E.”

A discipline like 
John Gotti’s:
well-dressed, cracking
jokes and heads, bragging
and daring you to try it.

A truth like
George Armstrong Custer’s:
if you charge long enough
and often enough, you’ll become
a famous loser. 

A holy fire like
Cotton Mather’s:
find a scapegoat,
hang it high, pretend
the rope wasn’t braided out of fear.

A repentance like
Jimmy Swaggart’s:
public and eyes up 
to a heaven somewhere above
a cheap suspended ceiling.


Paid In Full

We lay our hope
these days

upon imminent endings:
the last mortgage check

slid into an envelope
and dropped into the mail;

the last “click”
on the “Pay Now” button

on the car payment
Website; the meteor

from on high
rendering the need for action

on everything at once
obsolete. 

O beautiful,
for fiery sky,

for closure 
on our pain.

Sing it, 
my countryfolk,

my weary troupe
of roleplaying warriors.

Curtain call,
final bows,

leaving the dark theater;
then, off we go to 

our debauched
after party.

Partings
are all we have to 

anticipate now;
do them drunk and

lawless. Do them weepy
and raw. Sit up

alone till dawn to wave at all this
one last time;

wait for the sound
of  “Paid In Full” 

being stamped on our notes;
lie down to rest.


You Liar

When you knew it was over 
you did nothing drastic,
did not weep or moan. 

You tucked
all your loves
into their beds,

went outside
into winter rain,
sat on the step

at the end of the walk
and got soaked through
listening to the highway below.

Late night traffic, still busy,
people heading home,
you tell yourself,

though in fact
you don’t know that.
They could be fleeing,

could be joyful or manic and
destination-free, urged along
by a wild compass within.

You had to make it up
as they went along, because
you weren’t going anywhere.

You had to believe
they must all be going home.
Home felt safe and solid

and someone had to be
as safe and solid, as
clear in their intent

and execution
as you were not.
The cars rolled on

and you sat still
in the rain, soaking 
through, still trying

to pretend all of us 
would be fine,
you liar.


On A Tuesday

There are three basic themes to manifest destiny:

The special virtues of the American people and their institutions
The mission of the United States to redeem and remake the west in the image of agrarian America
An irresistible destiny to accomplish this essential duty

Historian Frederick Merk says this concept was born out of “a sense of mission to redeem the Old World by high example … generated by the potentialities of a new earth for building a new heaven.” –

– from a Wikipedia article on Manifest Destiny

On a Tuesday.

A Tuesday.

A day so normal it couldn’t bother
to be symbolic. So not 
a weekend, so not a week’s 
beginning. A Tuesday. 

That is when it happened.
That is when we began to fall
for the last time. 

It was in every way inevitable
that we would at some point
stagger into history
feeble and angry, our shaking hands 
holding our most ancient swords 
to each other’s throats, but
because we did not call ourselves 
an empire,
we forgot how they have all ended
and so we missed it when that ending
started on a Tuesday. 

Which Tuesday? Which date?
No telling. Truly,
no one is certain and no one
is talking. The date doesn’t matter, 
the weather that day doesn’t matter,
the stars lie about everything
so why the date should matter
is unclear:

just say 
it must have happened
on a Tuesday,
the day built for 
anticlimax.


Centrism

Those cats are so full of kindness and love
that they sit at the window and watch over the birds
that come to the feeders to eat unafraid
beyond the glass in the holes in the wall.

They purr and they sleep and they watch the outdoors
for the beauty of nature and the love of all life
that they obviously have when I see how they watch
and watch all the comings and goings not ten feet away.

If the glass were to fall and those cats went outside,
I’m certain all would be well in the yard
as cats and birds would rush together as friends
as I’m sure they have longed to do for years upon years.


Sand

My ancestors gave me
a belly stuffed with sand:

some from desert north
of the Rio Grande,
some from stony hills
in Calabria. 

All my contortions
to shift this heaviness
led to this sand
abrading me
until it wore me thin, and now
the hole has widened,

sand has leaked free;
all that is left is

the hole.

I have filled it
with all manner of things

from whiskey to 
fire, from bullets
to monstrous tears.
Nothing has worked;
all I take in leaks away.

I’m so hungry now
but all I consume
tastes like sand — 
and not like my sand;
stranger sand. Sand
full of ash and broken glass.

You stare at me and say:

why don’t you get that hole fixed
if it’s killing you?

You don’t see
how large it is.
You don’t see that it is 
all of me. I am a ghost
from my ancestors’ lands,
made entirely of
emptiness and stray grains
of forgotten soil.
You don’t see 
that death, at this point, 
will be simply a gust
blowing me away. 


Attaboy

your dark-blessed mouth
moving without sound

your hands involving themselves
in matters beyond their grasp

attaboy
attaboy

your room glowing blue by burning
all your hardened regret

your screen full of targets
your attack rationale on dagger point

attaboy
attaboy

owning your enemy
you’re a pain collector

owning your arguments
tangled web connector

attaboy
you are top of the pops
attaboy
you are king and that throne you’re on

is lit

your hair’s a rude mess
framing your face

no one thinks of you ever
till you start to bark

attaboy
attaboy

if you had a dollar for
every sneer you’ve delivered

you still wouldn’t be rich enough
to want to let this go

attaboy
in love with your damnation
attaboy
toast of the distasteful 

attaboy
attaboy


The Look Of An Eagle

Some people love
the look of an eagle
so much they forget

the terrible things
an eagle
could do to them

with that
noble head
and those tenacious feet. 

The eagle
will be mostly unconcerned
with those people

until they 
pose
a threat,

and then, then
we will see
what happens:

the gripping and biting,
the tearing.
The panic. The blind support

for more of the same
as long as it’s not done
to them.


I Just Work Here

I just work here
with my feet on the ground
head on the ground
eyes just clear enough of the ground
to weep at seeing the sky
when I wake up for work
I just work here
cleaning up after the sparkle dogs
of the glitter folks
I just work here
on behalf of someone’s imagination
about the nobility of following my bliss
right into a pit brimming with broken backs
I just work here
not that far from the sky
and a sparkle dog of my own
(at least that’s what’s printed on my pay stubs)
I just work here 
work I said
but they say voting is my job too
I need to vote sometimes so I vote
(about work)
and they say I need to kill sometimes
in the work (for the work)
so I kill occasionally
I just work here
and I cheer the killers if I’m not kiling
I just work here
high on shrugs and winks and nods
I just work here
with my feet on the neck of another
and the blood of the past in my drinks
that taste like hell
(it’s work to choke it down
and I work here)
I just work here
in the forges of the gods
in the factories of the demigods
in the cube farms of the priests
in the bank vaults of the faithful
in the gardens of the dog catchers
in the still-faintly-blue seas of the mariner warriors
in the starved ranks of the indigent
in the desiccated homes of the criers and screamers
I just work here and vote here and kill here
and vote for the killers to do it in my name
and work is work and the sparkle dogs
lick my hand now and then
for love or for taste-test
I don’t know
I don’t ask
I just work here
where they barely
tell me anything
I don’t already expect to be a lie


The Ghost

If you dance with The Ghost in
a miasma of brown and red
If you stumble whirl
into their pit of mad violence
If you have no love
for those fallen underfoot
If you cannot bring yourself
to lift those broken to safety
If your fear of The Ghost
stifles your love of Living
If you cannot kiss without panic
and The Ghost insists
on tonguing your twitching mouth
If you cannot smile without screaming
and The Ghost demands
both smile and scream
If you fall writhing upon hearing all this
because you know The Ghost
knowing neither name nor face
If you are not yourself The Ghost
how can you keep dancing
knowing you are dancing in blood

merely because it is easy
merely because you know this music so well

you need not even listen


Anywhere But Here Looks Good Right Now

In this slim hole
named home

angels of discord
jostle for primacy, 
raise up fresh dreams,
conjure new hybrids, misshapen 
offspring of dreaded ancestors
and fearsome strangers
who somehow look familiar;
bring to mind names
we are afraid to utter
for fear of them turning,
smiling, nodding, 
calling us kin.

Do you find yourself
wanting to run away? Do you
long for new and open country,
unfenced, empty and clear?
Do you find yourself yearning
to move somewhere new
and become someone new?
To escape these bitter demons?

More to the point: are you certain
you aren’t one of them yourself? Are you
running from yourself? Is it possible
that you are at heart, when faced with
what you consider unspeakable,

a colonizer?


Early To Rise

I take a moment upon rising
to adjust my Whiteness
for the coming day.

Set the beard straight,
suppress irrelevant facets
of my core being, put on
the palest face I have.

I’d turn on 
the television
for background noise
as I fetch coffee
but I’m so damn tired
of Europe and its tropes.
Sick of Thor and Halloween, 
the fat man in the red suit
for equinox 
ritual. Sick of Jesus, 
sick of Karl Marx, sick of
donuts and latte, 
grand theft disguised
as industry, the right way
to walk, the proper way
to talk — 

I have so little of who I am
beyond that,
having been robbed
of most of my Other before birth;

after, found myself pummeled 
with family expectations
and contrary exhortations,
explanations as to why,
in spite of my White body 
and White schooling
and White Messaging,

I’m still Other and
don’t ever
forget it, son, said my dad
who tried not to forget
the little he had left of 
his Other.

Don’t ever
forget it, son, said my mom
who had set herself up
for never quite loving
her Other. 

Don’t ever
forget it, kid, said the members
of the family who couldn’t
forget it either though
they did not quite approve
of Other.

Before the year begins
I take one more moment
in the mirror
and there is all that Whiteness
spilling out of my pores and 
look at that hair and
diabetes and depression and
loveless moving through clients
and taxes and worry and
face it, I’m too near unto death 
to change; maybe it’s time
to just fall all the way into the bleach
since when I strain to hear my Other,

most days all I hear 
are gasps and screams
in a tongue I can’t understand.

They tell me
the source of my Other
met the source of my Whiteness head on
over 500 years ago
and did not win then but 
oh, it survives in me

in spite of Jesus and Thor and Marx
and John Maynard Keynes and 
white sale linens pressed hard over my face,
in spite of 
the Vikings and the chiseled superheroes;
the way they wear their hats;
the way they kill low-key.

No, I say as hard as I can, no, Europe;
no to your culture and your counterculture;
whatever it offers
I don’t want any more of that — 
I am Other. 

Except I’m Whiteness.

Except I am Other.
Except I’m not.

Like petals pulled
in that kids’ game —
love, love not,
embrace, repel;

I bet that game 
of destruction as play
came 
from Europe too.