Tag Archives: political poems

Warning

Pay attention: they’ve put a new hit
out on us. Anyone holding something other
than their Sun-bright view of this world
has a target on them now no spell alone can erase.

One eye out for the ambush, one eye
fixed on possible sniper’s nests; once again,
we must learn to live in the Sun’s kingdom
where Gray means nothing to the keepers of White.

Look out, my folk: there’s an ancient contract
with our names upon it. All their scopes trained
upon the time between twilight and dawn;
they only love the Sun, allow for nothing else.

Eyes wide open, all: as always, they wait in daylight
to seek those who step aside from their plain view
and their easy explanations. Under the light
of their Sun, we have dared to have shadows. 


Cats And Politicians

The morning writing I’d conceived overnight was going to compare cats and politicians. It isn’t going well. I like cats too much to do that to them and in fact I don’t think they are that much alike

until Coco, the elder of my pair, black, long furred, cranky, loyal to me above all other humans, once again sticks her claws into my bare foot to remind me of my morning routine

and to insist upon a spell of chasing the red dot until she is done with the exercise. I almost always submit to the demand but soon enough grow tired and stop until she huffs away

to find another annoyance — pawing at the bookcase doors, pawing at a yet-to-be-opened window, yowling in the kitchen for some yet-to-exist perfect food I’ve refused to offer

then coming back to where I’m trying to work to fall sideways before me and purr, illustrating her continued support regardless of my many failings. Sometimes I sit back and close my eyes

and pretend it will end if I ignore her, but it never does. 

All this time Miesha, the younger cat, sits and watches. Never engages unless I break down and offer more food, then shows up to eat and leaves to return to her observational duties. I worry

that she is half the age of Coco and is absorbing knowledge for her own future shenanigans, working through potential changes in her calico head
to make herself both more adorable and more successful than Coco

who is back from the catnip now, poking my foot. “Don’t you want to be immortalized in these words I am fashioning through your behavior?” She just pokes my foot again. I resort to the spray bottle,

thinking about the unopened window, the cold outside, the yowling in the kitchen. Miesha is watching birds now as I’ve obviously become stale. Coco comes back in and falls at my feet

and I’m still trying to think about politicians and cats, but the nagging and the constant insistent pain of Coco’s claws is making me so hopeless about ever living up to my promise as an artist

that I do not think
there is much left
for me to say
as one morning soon
(unlike any politician I know of)
I will likely die of despair
for never having done enough
to satisfy any being’s needs.


Before You Blame The Former Guy

Before you say
this is all new

Before you blame 
the former guy for launching

this parade of coffins
this festival of sneer then shoot

Before you thank
your current stars and future votes

and press keys or buttons
to share a lazy meme or simple choice

look at any shadow
you fear today and then

tell me it’s not just the same old darkness
taking on more weight

Shade thickening shadow slipping out
from behind what has always created your comfort

Coming on from behind
bank redlines and yellow crime scene tape

Coming on from behind reservation borders
and internment camp barbed wire

Coming on from burning bars
and raided social clubs

Coming on from surreptitious clinics
in a perpetual rain of blood

Before you blame the former guy
for everything you loathe about today 

look at all the former
that drew up the latter

Look at the throng of ghosts
massed behind that big bright flag

you like to imagine ever meant 
the same to others as it does

to you who still love to hear it snap
in the breeze

like a symphony of boots
coming down on necks almost like yours

but never enough like yours
to keep them from becoming dead


This Ain’t It

This place, my home,
narrowing to the width
of a sick dropping falling
from a sick hole. 

Or, it was always this way
and I’ve gotten bigger —
not much, but enough
to see difference 

between what I used to think 
was vast and what I see now as
already small  but tapering off even more
before it falls to the bowl,

the smell noticeably
more acid than rose,
now that I know
what a rose can be.


Sick To My Stomach

Sick to my stomach — is it
bad milk or White Male
Death Cult shockwaves, 
bees in my right brain,
yellow jackets in my left,
the stinging from one struggling
to overwhelm the other 
and the battle rolling, rolling…?

Sick to my stomach — is it
their laughter or their disregard
or both, the buzzing of all
the insects around me disorienting
the air itself so it all smells
like vomit, the coupled scent of roses
and lead, the flavor of
how long the disappearance of good
will be, can be, might be…?

Sick to my stomach…is it
the year? the news? the unexpected
drama from so many who should 
have known? This is the Church
of Worship of Churches. Its incense
opens nausea windows in the world
we have known, people voiding
their rights, the bees making
a last stand against it all, 
enraged, fighting, going for 
their eyes, their balls…their unholy
conception of a god’s will. 


CRT

They don’t want you
wreckdiving
for fear, they say,
of sharks. 

For fear,
they say, of you
getting trapped and 
being swallowed.

Somewhere
in the wreckage
maybe an explanation
and perhaps a breath

of truly fresh air.
It makes no sense 
but maybe under the waves
there’s a better flag there,

one you could stand for
and salute in a clean
upright way in spite of
all the ocean above you

with its weight of
drowned history. Or, 
maybe it won’t be
that way at all for you

and you’ll come back up
struggling and gulping
but at least you’ll know.
You’ll know how the bodies

went overboard and how
rescue was forbidden or at least
restrained. You can decide then
whether or not you want to swim back

to the shore you left where
they’ll be waiting for you
with the same faces 
they’ve always shown you,

and what you want to say
and do as you come up on shore
with new eyes for them
and their own suffocating fear.


Everyone Is Burning

Common wisdom says
if you find yourself on fire
you must stop, drop, and roll
until there is no more fire,

but no one follows that up
with any wisdom at all about 
what to do with all these ashes
and hard charred hunks
left behind by the flames.

It would be good to know.
There’s so much of this
going around
it’s hard to distinguish
smoldering people
from the land on which
they suffer,
the land onto which
they’ve fallen

rolling in agony 
until they either 
put the fire out
or spread it to
another,
and then another.


Walk Don’t Run

Soundtrack:
“Walk Don’t Run,”

but I’m running.
I’m always running. 
Do the ironists
care? How should I decolonize
my shoes
when I can’t stop
to take them off?

There’s a fucking settler
everywhere I look. I can’t
get them off my back, or my 
mind. How does “Land Back”
work when the land
is thick with them and their
history? When half my genes
are settler genes? Maybe
the truest part of me
is settler. I feel
broken settling for that.
Maybe I should surrender to it
and just run through the colony
waving and smiling
till I drop dead and then that hole
they put me in
or  the land where they scatter my ashes
will become land I get back.

And how do I stop
being a capitalist asset
when I’m so damn hungry
and money is so short?
Do the ironists care? Are they still
laughing, calling a dead man like me
who’s running in capitalist shoes
from capitalism and colony and
the endlessly fucking settlers
a lackey?

Maybe the problem is that I’m
running down the top of a fence
barely an inch wide and I can’t decide
which side will cradle me when I fall. 
Maybe I should listen to the words
of the song. 

I don’t trust anyone 
who had a hand in building this fence,

especially me. No Marxist,
no Libertarian, no capitalist 
apologists…settlers all,

and no one able to explain
how to soften the human cost,
how to even partially break
the looming fall.

The fields on either side
are too wide to let this fence
define them, but here I am,
running like it matters 
which side I will die on.


News Feed

something’s
breaking not like glass
but like a bone

one can take this
as being something
no one can take or

one can take this
as how things
grow

one would be
wrong on both counts
something breaking

not like a ceiling or
a floor after a bomb
or meteorite

it’s more like a bone
or lots of bones
and more damage

than just bones
more shards afterward
sticking out sticking into

flesh and 
look there’s no blood
how can that be

after such a crash 
as this where something’s
broken perhaps forever

no healing from this
and still so little blood
perhaps the victim

was already close to 
drained when the break
came after falling

from such a height
will they stand up again
will they rise after this

the crutches
are sawn almost through
after all 

yet another broken aid
upon which hope for this break
must fall


Whitestench

Revised from Jan 2021.

I’m not sorry to use the word
as it’s the only way I can describe it
that also explains in fetid detail how it works:

it is an odor that strangles sometimes,
merely distracts at others, but always sets
my teeth to grinding.

Walk into a discussion where it flavors the air; 
soon enough, I’m choking so much the others
couldn’t understand me if they had been able to try.

I turn to art for solace and it rises from between
pages, stings my eyes till paintings blur;
even the music reeks. That job interview

stank with it; this online forum — how is this
even possible? I cannot see words on a screen 
through the miasma.

The halls of Congress,
the trading floor of Wall Street, every tower
where a titan of industry schemes: all

are thick with it; they might as well be tombs —
one whiff of the air in there recalls
dead generations piled upon dead generations.

Now and then I pick it up on a breeze
through a forest that must have passed
over a mass grave, a lynching tree, a pipeline.

Sometimes I can smell it on a friend’s breath 
or loved one’s skin. I step back
and never close in all the way again.

Sometimes, too often, I can tell it is coming
directly from me — mouth,
clothes, being. Half of me wants

to flee myself; the other half
holds my breath, pinches off my nose,
resists the urge to let myself drown.

When I’m at my best it makes me duck,
get close to the ground, look into myself
for better air.


The Original Goof

1.
I’m a game piece. Have been
forever, all the livelong day.
Body designed by compulsive Goof,
I move into spaces for moments
at a time, hurt or enjoy the time,
then move on.

I assume it’s not my place
to understand the Game,
for I don’t know
how to win,
how to play to a draw,
how to lose.

Someone else, 
the original Goof, gets
to know that. They will
shove me into a box and
walk away satisfied or not;
I’ll be in the dark even then.

2.
If it sounds like
I’m ceding my autonomy,
bemoaning my anatomy,

know that no part of me
indulges in hagiography
for myself or others. I did

hard damage here and own my 
long decay — but something put me
here and twisted me this way;

original Goof chasing laughs
or the joy of play, and as I said
I’m thinking I’m the game piece

who doesn’t get to know
how the Game ends,
or even how it does end.

3.
Rotten old songs stuck
in my head, all the livelong day.

Their baggage’s loaded in 
and I’m embarrassed that it won’t go away.

Lyrics in the background,
the Game and the moves right up front. 

I still see the Board as a playroom
where I’m too clumsy to use the toys

as intended. It hurts now more than it
pleases, but as I was never meant 

to be either Winner or Loser,
it does not matter.

Original Goof or whoever’s holding it,
won’t you blow

your horn? Fee fi fiddly,
pay me what I’m owed.  I’ve been

your gandy dancer long enough. 
I’m ready to take that bow.


Steel

Before I walk out the door
I steel up, remembering
that there are people out there
who would prefer I was less inconvenient
and who might even think
I should not have been born
and therefore to see me die
would be either terrific
or at least a relief in terms of 
how much real estate their fear
takes up within them — one less
hell to answer, amirite, one less
mongrel to flay?

Some of those same people
who would disavow this if you asked
say nice things to my face,
might even categorize me
as one of the good ones to my face,
at least until I pop off 
over something they say or believe
and they get me better than they did

and then comes my time to shine
to their faces and I admit
all their wanting me to die 
or never to have existed is not 
just reflected in how I’ve steeled up;

some of that shines forth
from within me.


Freedom

The bodies in front of their former homes. The homes themselves burnt to hell. The bodies face down, some with their hands tied. The homes no longer tied together by mortar and nails. 

You could say this has been an action devoted to freeing the bricks from the tyranny of structure. When you look at it from the point for view of the property, the land the structures sat on, this is an exciting new opportunity. Anything may happen now.

As for the bodies? Find a little property for them. Dig a pit and lime it, put the bodies in, cover them up, tramp the dirt down. It’s a simple process. It will be repeated, from bullet to bulldozer, as long as there’s property to be set free. 

I don’t know how to say it but to say it plain: freedom largely is defined in a point plotted between the axes of property and bodies. I don’t know how to say it but to say it with a dirty voice of truth: your freedom is largely defined by your comfort with that math.

I don’t know a place on earth where there have never been bodies lying dead in front of their former homes, where the property mattered less than the bodies, at least for a time, sometimes forever. 

You may or may not have put the bodies there. Whether or not you did, your freedom actualizes upon finding your comfort level with the faces on those bodies — the color, the shape, the time between their deaths and your realization. 

Did they die because they insulted the rights of the property around them? Did they die because their property wasn’t handled right? Did they die in order to keep you safe, protect your freedom? 

Ah, but your home is lovely, filled with artifacts from your travels and your long and happy family life.  You occupy such lovely property, my friends, my darlings. Freedom has been good to you. 


Tales Of Lost Treasure

Spending the scant treasure we have left
on the mundane. Breathing’s now as expensive
as sleeping. How we’ll balance the books
is unclear. Feels like we will owe forever.

They gave us a cursory accounting, 
said there would be no full reckoning 
until after we were done with being;
we accepted these lies. Accepted this decline.

Silver and gold, folding bills, 
electronic ghost money; even our best lives offered up
on collection platters to the liars we have always 
honored who claim destitution is freedom.

So: they call this broke. They call this
poverty, poor, bereft and adrift. We call this
now.  We call this eye of the needle;
exit of the labyrinth; birth canal.


Regarding The Recent Unpleasantries

among us:  there is no time 
to fully explain
how things have come to this pass
but whether because of

a fear of differences,
an unresolved history of slights,
a record of injuries sustained by parties
brightly recalled or dimly suggested;

a daily microcosm replicating
galactic collisions of culture
alloyed with equal parts suffering
and misunderstanding of the Other;

small unending matters of rape upon rape,
murder for entertainment, mayhem
as amusement, enslavement and subjugation,
genocide on behalf of profit motive,

and the reimagination of Creator
as Personal Injury Attorney seeking to pull
whatever it can from Creation itself
until it implodes, or all of the above, here we are.

Regarding the recent unpleasantness:
we endure and shake our heads as if
this can go on forever because of how long
this has gone on, because of how

we have built our home upon this 
as if it were a foundation and not
a pile of sharp rocks soaked in old blood
and new flesh — but oh, the stench of it.

How it burns the head from inside out.
How it chokes our children.
How this decay has become
our banner. How we have died away

from each other. How leaves shrivel
as roots loosen. The sun and moon
turning from us. The earth and ocean
say: Together now, or pass from us.