Tag Archives: poetry

Target, Pronounced “Tar-Jay”

Well, aren’t you
remarkably flexible —

being so nice to her
when you secretly despise her
for being so nice to you?

What a dumbass she is,
what a sterling specimen
you are
to not show the contempt
you feel for her

in her smock and name tag,
waiting on you so pleasantly
as if she actually enjoyed
contact with others, almost as if
she didn’t know that she’s a wheel
in the Cosmic Rejection Engine
of The Great Corporation
and her willing wage slavery merely reinforces
the efficiency of the Grand Scam?

You, on the other hand,
are so magnanimous you’d even
stoop to doing her
if you ran into her somewhere
and made a connection
because you both were wearing
ironic Pantera T-shirts.  Such a blessing,
you and your urge to admit
a certain attraction as she rings up

your stuff that she smilingly
puts in a Big Red Bullseye bag
you’ll discard as soon as you can
in a gas station trash barrel
because you don’t want that showing up
in your trash — what would the housemates say
if they knew you’d shopped there,
even ironically, buying
the first thing that caught your eye
and not even seeking country of origin
on the screen printed label in the neck.

You’re hoping she’ll be there next time.
Maybe you can chat a bit.  Try to sympathize
over her plight.  Check out her ass
again.  Suggest you attend a party
at the local co-op on Friday, pray
she doesn’t have a kid.  Maybe you’ll
get some.  Maybe she’ll remember you
and think you’re a hero, a Prince Charming
in Converse and Mossimo,
skulls and bands blossoming like heraldry
on your knightly vegan arm.  How sweet
you’ll be to her.  How flexible
you’ll hope she is.

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Mathematics

Six thirteen PM,
ten PM, midnight
or just before dawn,
the rhythm of what I am
pulls me to the desk,
drums me
into the seat,
and there I stay
until a poem has come.

If you pluck two guitar strings
that are close to unison tuning
and watch, you will see the waves
of one splitting the waves of the other.
Sock them into tune and you’ll see
the waves become the same.
The math of music is reliable,
and so is this arithmetical
process of mine that brings me
back to the work and tenses me
until I sing in tune.

If everything is math,
it follows that if every word has its purpose
and every purpose must have its word.
I’m solving for purpose in words.
Apogee, perihelion, parabola,
terms of art; heart, love, passion,
common denominators; walnut,
cheese, mold, cheekbones, leaf,
veins, all the possible numerals
for use. 

No logic here worth following,
no rules but the bare need
to follow what seems to be
a path, a proof of hypothesis.
An elegance in the solution
is worth the loss
of breath
and sleep
and time. 

And in the end, after
the ciphering is done? 
It should sing.  It should sound a note
or two or more in harmony,
or dissonance that opens irrational
music for thought; what I hear
may be different than I thought I would
but it will be music and if you see me
in the poem
I should swing and thrum
in time to what you hear.

So rhythm will pull me
again and again to the desk,
to the equations and the harmony,
back to the axis through my spine
and the one through my groin
around which I plot the curves
of how I will sing when the tension
at last is equalized
at six AM, ten AM,
dawn or noon or just before,
whenever I am pulled toward song.

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The Poem I’m Going To Write After This One’s Done

It will be full, no room for air.
It will call out every offense I’ve suffered
as if all were equal.  It will offer
no image not in the public domain.
It will taste bitter until I spit it out
and then it will taste like triumph.
It will be loud as a windstorm
on an already-scoured plain.
It will connect invisible dots
wherever I can find them.  It will have
moments that make you swallow
other moments that are inedible.
It will be musical and disjointed
with leaps across ages and countries.
It will focus a floodlight on a broad area.
It will call up recognizable names.
It will follow sense with nonsense
and mix the two.  It will insist
and cajole and exhort and define
and coax and seduce and by the time
it’s complete it will deconstruct
and exhaust and reject
and stick with you for minutes and
you are going to love it in the moment
and never think about it again
but it will be printed on a T-shirt you can buy
and the letters will flake off early
so it ends up as a shadow in your wash
and you’ll give the shirt to Goodwill
and that’s my distribution network.
It is going to be something,
I promise you that.  It’ll be done soon
and you’ll see.  You’ll see.

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Cursing That Genie

Walk into a store full of junk
and start looking
for your fortune.

Rub the wrong lamp
and get
the deeply messed-up genie.

He grants one wish with the stipulation
that you can only ask for a secret blessing.
No one can ever know you have it or you’ll die.

The request for the large penis
is right out the window, along the ones for good looks
and wealth and health and everlasting youth.

You think for a moment and choose the ability
to put into words exactly what you’re feeling
so you can understand it yourself.

You walk out the door of the store
not changed, except that people start calling you
“Nick Drake.”  Confused as to who that is,

you start writing and singing about the confusion —
again, mostly for yourself, but one day
people hear it and start to talk, and then you die

for a moment, and you come back
when they start calling you “Ian Curtis,”
and it happens again and they call you

“Kurt” something, and then “Elliott”
something, and another name
and another name

until you barely know what to think,
but you’re going to keep writing about it,
cursing that genie the whole time.


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Mourning The Gulf

Mourning
the Gulf —
what do we mourn?

The sea turtles,
the moon jellies,
the phytoplankton we cannot see?

The tarballs cutting our vacations
short, or ending them
before they begin?

The fishermen
staring
at loaded guns?

Sunsets that hover and dip
into rainbow sheens
and brown slicks over our memories?

Do we fear the oily hurricanes
and greasy storms
yet to come? 

Are we grieving
the Gulf, or how our own
experience with it

has now forever changed?
Do we even know what grief is
when it comes to such a thing as this —

for I do not believe the Gulf is grieving
as past extinctions
surge into view.

I do not believe a pelican
mourns as it dies, or that a shrimp
faces death with stoic resignation.

The earth feels nothing today
as it bleeds.  What we feel
is unimportant to the earth

as it turns, as it adapts
to this.  In five hundred years
it will be as if nothing happened here,

except to us if we are still here.
We mourn for that, not for the Gulf,
but for ourselves.  For what we learn

about how small we are, understanding
for the first time again
that when we break the Earth we break only ourselves,

how the planet always heals, cleans itself up,
but never fast enough to save us from what we believe
of our own omnipotence.

 

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Publication notice

Tiferet, a journal of spiritual literature, has an online presence that includes a Poetry Corner. June’s featured poets include G. Drew Hunter and his guest Tsultrim Serri, Tony Brown (that’s me, of course) and Melinda Lee, my guest.

Click on “Poetry Corner” on the left hand side of the page to read the work.

I’m thrilled to be in here, and especially thrilled for Melinda — her first publication!


Tiferet, A Journal Of Spiritual Literature


Critique

It’s the kind of art
that makes you
contemplate its meaning
for hours
before taking a hammer to it

The kind of art
that boils water
and that’s all it’s good for

The kind of art
that flies avoid landing upon

The artist is a rube
who has stumbled into genius
once
and sparked
slapdash rebellion

It’s the kind of art
that prompts us to say

“everyone must be good at something
once”

Duration is beside the point
Talk of legacy is laughable

The kind of art
that shines when the right light hits it
and come closing time
doesn’t show up at all

but it’s working right now
and when that light gets itself lined up
just right on the piece

it’ll be like a drunk hobo is all over your lapels
spitting unintentionally foul aphorisms
and you’ll tell everyone about it the next day
and keep the story in your party repertoire
for a long time

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Home Alone Again

Once he dared to think
he could be delivered from this,
but it has always pulled him back.

The neighbors stare at his car
all the way to the parking space out front.
One gives a perfunctory wave.

In his childhood home
the air is thick and sugary.  Old songs
cling to his new shoes.

His mother is still waving food
at him and Dad’s still
outside

waiting for the obligatory
visit to discuss the tractor and
the shed.

A quick sandwich to keep the peace,
then back to the car.  He waits
until the turn off from Main Street,

into the back roads leading back to the highway,
to roll down the window,
turn up the radio, and scream.

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At The Boundary Of Symbolic Thought

A woman sees a dragonfly.

She creates a dragonfly oracle
from it as it rises, hovers
where she can point at it.
Says, “It’s a sign.”

A child, bandaged
and slightly broken,
takes his crutch to be a sword
and slays the dragonfly,
acting as its name recommends he act.

A man sees the dead dragonfly
on the sand. Sees the beach as
a long gravel road heading south
and knows he will reach the end of it
one day, alone, no one by his side.

These three
will carry what they saw with them
for as long as they live,
dragonfly oracle, adversary,
and talisman each moving, flying,
carrying them forward.

The dragonflies see it differently.
In the Dragonflies’ Great Vision,
everything is broken out, held in a facet
and each facet shares its truth with the others.

A dead brother
is just scrap. Its brothers brush
its existence to one side
as just another moment that has ended.

And the woman, child,
and man are just moments who have ended.
What they mean is irrelevant
to the dragonflies.  Their wings
are always spread.  They already
know how to fly.

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Great Being

The apparently uncaring
Great Being
(named God by some)

is resting unconscious
among the peas
and the snails in the side garden,

never letting the trouble
of any one person
intrude.

All those books
and churches
that say we are important
mock
this divine sleep

which tells of a faith
that all will work out
without prayer or salvation
if it is allowed to continue.

The Great Being
wishes we’d shut up

so that the silent burst
of the leaves from the soil,
the patient searches outlined
in silver among them,

can testify to the perfection
of a totality
of all things taken
as they are.

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No More Talk Of Dream

If you are an animal
at night,

you are an animal.

Because that is
unacceptable,
you call yourself as animal
a dream.

But you had fur
or scales, you were beaked
and open-mouthed
hunting then,

or you were prey.

Enter the nature
of yourself, slipping
your ties to humanity,

and say it, honoring
the truth:

I was tiger
or turtle, pelican
or slug.  I am

not always separate.
There are times when I am whole.

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Uninhabitable

Someone I know
always says
“the darkness is habitable.”

I don’t think we know
the same darkness,
or at least

his monsters
must be more tamable
than mine. 

My monsters
say that they love me,
but I think this is a statement

that is more like
my own lip smacking
at a good menu.

There are nights
when I can smell
the hunger, others

when I can feel
the teeth.  There are nights
when I feel masticated.

I think my friend’s darkness
is full of monsters
he doesn’t know.  He assumes

any of them might
turn from predator
to pal if he welcomes them.

He might be right.
When I try to see beyond
my circle of weak firelight,

I know everyone who’s waiting there.
They whisper, “Remember that time
when you…you know…and you liked it?

You wouldn’t tell a soul how much
it jazzed you, but we know.”  They
rip at the fringe of the shadow

with sweeping arms, as much
welcome as threat. I know
my darkness is terrible and

full of monsters, that no one
could possibly live there,
because if pressed, I could.

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Love

Energy stored
in a chest
is nothing at first sight,
practically invisible.

Then we call the chest
a “battery.”

It becomes
worthy,
we seek connection.

We are batteries
in series
channeling the energy
held in our chests.

We charge the night.

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Dilemma

I wish I was a rocket
opening the next frontier.

Wish I was oil
conquering the ocean.

If I were to become a microchip
I’d be inserted under perfect skin
and ride there tracking the travels
of flawlessness.

Wish I had
superpowers — how could I not
considering the way they’re drawn?

Maybe I could take on
the anima of a tiger
and slink my power
through forests seeking
to change lives.

Longing to have some effect
leads me away from wanting to be
human.

If I could talk to animals
would they tell me
they wanted to be me?

If I could be a rocket
or a computer, if I could
ride the waves as oil,
would I feel my being?

I desire technology
or shamanism
for myself, want to erase
the big old man I am
who can’t make anything happen.

Would I still care
that things were changing
around me and because of me
then?

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John The Bastard Prays As Night Falls

All in now,
admitting

to being a big bad
boomer with a
bawdy voice,

callout captain,
dwelling dimmer,
electric eel tongue
flung free,
gagging on the gape
of my own mouth…

sharp and flat
applied as necessary…

They didn’t give me
this name for nothing —

bastard.
Bastard!

I didn’t know my father,
my mother never knew me,
so I’ve made myself up as I went along —
music to my own ears,
note on my note,
strung up and burning open or closed,
roar of child fantasy of power in my vein,

you’d better hope I never come into my own
interrupted passions
and longing —

my head rolling off my shoulders,
my body caked with sweat and dirt like fur,
no longer quite human but geographic,
my own country, my own continent,

and pray that you don’t live here when that happens…

for I’m hungry,
I sing my hunger,

and you look like nothing but a meal.

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