Tag Archives: poetry

With Fever

New Poem.

In meditation to starve
my greatest fever, I

realize suddenly
what folly this is

and lift my head from 
pose to say: not

for nothing is there
such fever. Not for nothing

do we let a little of it in
to raise us to just under

boiling point — a small
concession but

with that concession
comes relief from full fever,

relief I never found before this
when I denied that fever existed,

or by claiming that
it could be forgotten

by rejecting outright our true need
for at least a little bit of such heat.

I return to meditation
more easily now that I have

told this truth.  I am calmed,
whole, sated, and safe

knowing that full denial
of an appetite for what is natural

is neither my continued aim
nor my future false hope.


Strike (A Lesson From Afghanistan)

Originally posted 10/6/2012. Original title, “Drone Strike.”

Early fall,
window has been open for cleaning.
A fly’s gotten in,
sounds like 

one last big bluebottle
for the season with a voice like 
a Dangerbee.  Should look
twice to be sure, but no time for that;
I klll it with one smack

of an already read,
soon to be recycled
magazine.  
Done.  And lo —

it was a
Honeybee.  

How did it seem
so huge?  Tiny, golden thing…

quick: brush it
into the gutter of the window
and then push it out

onto the ground
along with my small regrets,

telling myself 
this would have been done
differently
had I recognized it.


My Dance, My Bad, My Deep

Originally posted 2/7/2013.

I give a sorrow
opening.  I
loose it on
a gap within. Soon come

ornery, tantrum, layabout and cry.
Going to victim this whole long day:
grow kudzu, a funeral bouquet
for neverending grief show.

Still, I got rocker hips,
roller hips, jazz groin and jazz lips:,
joy ends up somewhere
when pushed from head and heart.

Still, I end up one sad grinder.  
End up bad into more bad sinking,
but still with one way
to set it off and hold it back — and so,

on to music. Still in the hole, I give
my dance, my bad, my deep
some resistance. Rhythm’s a big mole digging in 
under the roots, a charged up winner

rubbling the dark; my earthly body
quakes cracking in the light.  Whenever
I, frightened, shake fear, I gotta dance
my dance, my bad, my deep — 

it’s my gotta happen.


It Is Only Without Understanding That We May Overstand

New Poem. (?)

Did there are there to be a rejection
Did there are there to be fancies
Did there are there to be a response to balked desires
Do there be a forget time

Forget time
Do the slide and fashion fade
Did there are there be
Experience open sky forgetting time

I’m a going rate
I’m a getting going late
Do the slide and open fascist gate
Do the fastest fashion slide to mate

Did there are there to be a mistake
Did there do there a being fine and clear
Did they do they mystery mystic mad big gate
I’m a going rate a getting going late an open fascist gate

Forget time
Do a slide and fade
Do the mad mistake
No one’s cool enough for that mate

 


We Shall All One Day Gladly Pass From This World

Originally posted 2/27/2014. 

Caught napping, nebulous, infirm,
soft edged, cloud-conscious.
You snap back to semi-solid — 
did someone knock?  

Jump to that door and pull it wide open. 
No one’s there but a wisp, bowing near invisibly.
You can see it only because you’re still
waking up, mostly wisp yourself right now,
so it’s kin.

It straightens up, slides
past you to the couch, and takes

your spot.  

You step out into the hall.
The door locks behind you —
what now?

Everyone for miles is sleeping.  

Start knocking on doors and bow
when one opens for you,
even if the occupant can’t see you;
slip by, take their place on the couch,
and begin again.

You are learning to be comfortable
as one of the cloud-caught,
as more thought than flesh.

When you jump from that couch
and are in the cold again,
you go out to the street and recognize
that the spirits out there with you
have the same indistinct and tender face
you now wear and you lose any desire
to ever knock on a door and change places
with the sad life of flesh ever again.


Diamonds Are Not Forever

New poem.

We have been speaking for minutes, 
decades, centuries
on the nature of inequality —

we have watched an entire
concocted history
driven by it — 

we have shown how 
blood
is the grease for it —

we have shown that
even the diamonds
used to symbolize
eternity and love
are greased in
blood —

and still,
things are bloody,
blood flows, blood rises.

in closing, then,
in sad and angry closing

we offer the truth that 
the four Cs —

Color, Cut,
Clarity, Carat weight — 

are artificial,
are designed to facilitate commerce,
are purely cynical exaltations

of a central metaphor;

in closing, 
what we oppose is
the unnatural,
flawless, 
white,
heavy diamond

as
the standard
for all stone,

and we are unwilling
to mine it
any longer.


Chant For Hard Times

Originally published on 11/14/2009. Original title, “Mantra For The Hard Times.”

It’s easy to weep, to be sad — 
praise, instead.

Find a purpose to the day.
Praise, instead.

Raise your dead upon your shoulders.
Praise, instead.

If you are cut, paint the gray trees with your blood.
Praise, instead.

If the crow slips into your veins, cackles, and you die a little —
praise, instead.

Flight into the desert, no water, no sign of shade?
Praise, instead.

Open a moth-haven billfold in the presence of a feast.
Praise, instead.

Love splits and draws away from your hard skin.
Praise, instead.

Praise, instead,
the levers that move you,
the gears of your throbbing head,
the dinky children born from your fears,
the light of fires burning the spars of pirates,
the hats of soldiers riddled with flowers in the long battlefield grasses,
the red charlatan’s grin as he slops his hogs with your fortune,
the skulls of ancestors empty of expectations,
the diversion of hunger,
the urging and prodding of want — 

all this is brought to you by the machine of living,
you are taut and combat tested,
you are honed to contest and create.

You can lament or

praise, instead,
the pain of painful life.
Lamentation is 
the snuffing of 
a lone candle —

praise is a fire set 
to feed on the joy of 
survival.

Praise, instead,
this work called life;
chant for it, burn with it
and
light the way.

 


A Little Cup Of Coffee

Originally posted 4/12/2010.

A little cup of coffee,
hot, black and unadorned,
would be good right now.

Now and then I’ll take a little milk
to ease it down, but not today; and I’ll never
use sweetener — no, not at all,

because I like it bitter and I like the heat.
I like the way it stains my teeth
so my smile’s not as happy-kid bright.

I like how it opens my eyes
to the day
as it has been made.

God may trouble the waters yet
and if so I’ll have to wade them;
that little cup of coffee will help me go.

A little cup of coffee now.
Perhaps another later, and then another,
depending on how deep and swift the water;

a little something to remind me
that the sweet life
is not the only one worth living.

 


Cartography

New Poem.

Set your pen upon
the following points
and draw lines

connecting dusty walls
to corners full of hair from long-dead pets

Draw a line from high-piled tables
to near-empty pantry shelves
and sparsely populated refrigerator

From bills in a heap
to nothing in the bank
with small hope of ever having more than that
from week to week

Draw those lines and
you’ll end up with a map
of seeming disintegration

that will somehow
never touch upon
how the people
who live in this territory
manage to smile
care for their children
imagine joy
and build toward a future
situated somewhere within
these borders


Teacup Blaze

Originally posted 12/14/2013.

You’re such a compact bonfire.

A little heat
would be welcome,
and yours
is no little heat.

Charring
can be a cleanse.
The healing that follows it
is your doing too.

I want to put you
in the cup of my hands
and hold you
away from
rain and snow,

hold you from sunset
to sunset again.

Such a teacup blaze.

I want to drink from you
and stay warm
for all our remaining years.


Whiteness

New Poem.

I’ve taken to calling it
“Whiteness,” that 

low hum,
that cloud of unknowing.

It just keeps running.
I don’t know how to turn it off.

It’s caused amnesia 
at a cellular level.

Try to put a finger on Whiteness
and it slides away

like mercury:
liquid, metal, baffling.

If I spoke magic I’d conjure it thus
and try to hold it still: come, be bound,

tsunami of broken mirrors,
snowfield of washed crosses,

tangle of lilies, thicket of oleanders,
angular dramas, spoiled seeds…

Can you truly say
it is not its own distinct thing?

It cannot be defined any longer
as absence or default.

If I stare into Whiteness
long enough and hard enough 

I lose myself in it — no surprise;
it was built in such a way

that one can’t help
but stare into it:

the far end
of a hall

of locked doors.
A television permanently tuned

to a news station that promises
your story will be read soon,

right after this word,
right after this word from our sponsor.

It’s not about the nature
of individuals, exactly,

except when it is —
except when

one of them doesn’t see how
they’re soaking in it;

except when they call it
“the norm”

to cancel out
“the other.”

It’s not about how hard or soft
someone has

or hasn’t had it, exactly,
except when it is —

except when
it silently opens a stuck door

and things are even a touch easier
for someone who denies

or doesn’t even realize that they
carry that key with them everywhere.

It’s not about
anything other than 

itself, really, and that
is the problem: how

slippery it is
with its privileges, how slick it is

without admitting it,
how invisible it is to itself.

But I can see it tonight
as I stand under the eaves

of my father’s house, rain coming down
just beyond my nose; there’s

Whiteness in my face, in my ear,
in my blood, all over me

whispering,
be one with me…

I don’t know.  
Maybe

it’s that flag
of bones it’s wrapped in,

maybe it’s knowing how many bones
were abandoned

in deserts far and near
under that flag, 

maybe it’s knowing
how many bones drifted down

to the seabeds
of the Middle Passage. 

Maybe it’s
the long goodbye 

I’d have to make
to my otherness

once I accept
the name for my own, 

or maybe it goes back, all the way back
to those childhood Saturdays 

where the question at playtime
was always

whether I wanted to be the cowboy
or the Indian

and I always chose what felt closest.
It was fine until

one day
someone asked

why I always wanted
to be the bad guy

and never
the cowboy.

Hello, Whiteness,
is what I should have said then

but I was young and uneasy,
afraid not to play along.

I hung up my cap guns
soon after that for safety’s sake — 

but we were just getting started,
Whiteness and me.

Whiteness started haunting me, needling me,
kept repeating:

why do you always want
to be the bad guy?

in that supple voice.
It spit that

a million different ways
and they all meant the same:

why celebrate
difference? why you gotta 

be like that? calm down
and sink into me

like you would a milk bath, 
like you would surrender to

a horizon wiping blizzard.
Go to sleep. I promise

it will be warmer
eventually.

That voice eventually faded into
a low hum, a cloud of unknowing.

Whiteness, let me tell you,
maybe I’m wrong, 

maybe it’s amnesia
at a cellular level,

but maybe I fear you so much
because

I can’t recall anyone
ever saying 

it made them warmer
to die a little.


A Master Of All You Desire

Originally posted 5/27/2010.

I made beautiful meals
which fell apart —
overcooked and fussy dishes
that crumbled into fibers and mush
as I set them before you,

so I made harder, plainer foods.
These curdled into leather
and hardwood — they proved
impossible to chew,
and you turned away.

I made an effort after that to balance
the artful and the hearty
in one meal, tried to be 
master of all you desire.
You just looked at me and said,

“It’s…interesting…”

Now, we just order out.
You seem happy. 
You seem to like this better. 
I am trying to consider this an improvement
although to be honest,

I’m feeling more than a little unnecessary.

 

 

 


The Gutbucket King

New Poem.

In our mitten-shaped city 
the poor neighborhoods 

cup the wealthy downtown 
like a thumb and palm

George lives in the palm
Crosses the rich streets every day

to make coin at a job in the thumb
At night he walks back just as poor

On Wednesdays he plays
gutbucket bass in the backing band

for a blues jam at a local bar where haughty boys
bearing new Strats and vintage Gibsons

come in now and then to try and finesse 
that muscled art with their prog-conditioned heads

but count on George (who lives by his rocking palm
and two-finger slam on old thick strings)

to steady them and calm it down
to twelve bar lope when things get floaty

George leaves the palm in the morning
and crosses those rich streets to his job

Now and then on his way he catches the eye
of some Richie Rich he’s had to school

who will nod
eager to catch a second glance from the Gutbucket King

George only rarely and incompletely
acknowledges this

as they both know which side of the mitten
he comes from and 

in this life
as is in the blues

nothing is likely to make either one
forget it


Greenspring Dark

Originally posted on 2/23/2011.

In the greenspring dark,
your foot finds a rock.
You trip and fall
as the neighbor’s daughter

skips down the far sidewalk.
Lying hurt on your belly,
you can’t get yourself up
to get inside, so you stay down.

You stay
while the grass
under the moon
swallows you.

Her mother calls her in
for the night and you’re alone.
Ah well. It’s warm out here
under the moon in the grass.

There’s a fence fifteen feet away.
Something moves along its base.
Possum or skunk, no telling.
No scent carries to you,

so something else perhaps. 
It stays away.
Maybe it smells the stink
of your draining health.

It’s getting cold out here
under the moon.  You’re on your belly,
you’re cold, you’re hurt — it’s fine. 
Under the greenspring dark,

it’s not hard to consider
ending here
among animals
who will eventually draw near to you

as at last you drift away.  By day
it’ll be so easy for the neighbors

to see you there, dead
on your belly,

never knowing that your last thought
was a memory
of their skipping child
in the lowering greenspring dark.


No Farther Tonight

New Poem.

As there are so many stories
in which nothing happens
either good or bad to anyone —

once upon a time,
etc., etc., 
everyone went to bed
and got up the next day
and they all lived
repetitively ever after — 

I will stop here and read no farther
tonight,
hoping the next page I turn

will offer the grand head of a lion
roaring in the middle of Main Street
while stars come down
from the day-bright sky
and dim themselves
to glow feebly around the lion
in honor of that sound.

I want to be in that story
evermore —
embedded in the midst of 

the roaring of a lion
surrounded by
a miracle of
humility before
the extraordinary.