Tag Archives: poetry

Living It

New poem.

Thick paper.
A pencil. 
A pinpoint pen.
Keys and
a white screen.

Weak control over impulse.

Dysfunction or
ecstatic whirlwind 
in hand, taken as
a capsule waiting
to be swallowed and 
absorbed in pursuit
of a healthier next moment.

Willingness to recover
from such inspiration
in favor of following a path
cut by mistakes.

A vision,
a sound,
a word.

A move.

A first, a second,
a next,
a next.

A stop.

Rest.

Dissatisfaction.

Again,
again,
again;

never
a last.

Ever.


The Long-Sought Room

New poem.

Coming into this long-sought room
I find

small stones sealed
in a hollowed gourd.

Skin stretched
over a hollowed log.

Holes drilled
into a hollow stick.

Strings plucked
and vibrating over
a hollow box.

A sheet of
blank paper,
a trimmed quill
with a hollow tip,
an old well filled
with new ink.

All here is dependent upon
hollows, upon
vessels that have been
emptied,
refilled, and thus
redefined.

I have come into
this room

wrongly brimful with
unnecessary things.

I bow,
then step out
to lighten my self and
reenter
only when I can say

here I am, room —
present,
holding nothing,

ready.


A Beautiful Saturday Night

Originally posted 10/4/2013.

A beautiful Saturday night in the city:

a punk fan
spits up on a classic rock fan
in front of a disco
and a country fan turns up her nose
at the hard, hard house music
her date seems to prefer.

A jazz fan hurries past everyone
because no one likes a jazz fan
except for the reggae fans — they
love everyone, mostly.  Mostly —

except for that guy
with “Tosca” leaking
from his earbuds.  

Meanwhile on the corner
two surprising kids
are committing a bluegrass murder,
hoping for spare change in the hat.

There’s a hint of bhangra in the air
and a hint of merengue in the air
and a hint of calypso and soca and mento
and someone’s got a ska torch lit too;

it’s a beautiful Saturday night
in the clamoring city,
making you wish
you could play everything
whenever you close your eyes.


Ghost Dance

Originally posted 7/19/2012.

Urged by some
to believe that history
is not destiny so 
we should just forget it —

never believe what those liars say;
millions of ghosts
inside us
beg to differ.

There’s a dance, an old dance
I’m willing to try,
something to turn the world
upside down;

I’ve got a shirt, an old shirt
I’m willing to wear —
something designed for the big dance
and the afterparty.

There’s a song, an old song
I’m ready to sing —
something written just for the occasion,
a keening joyful sound;

it has a chorus, a swelled chorus
millions and millions strong,
singing of history
as prelude to destiny.

Stop believing what those liars say.
It’s time. Join the singing
and the circle
and the dance —

history’s proven
our ghosts
are more honest
than theirs.


Aging Nude Before A Mirror

New poem.

inside this 
clothing
an average wrapper of
slightly sagging skin upon
an average man
who’s been eaten smaller
by his age

he undresses himself
before sleep

stands in front of
a former enemy
a mirror

sees
wisdom about
and love for
himself
revealed in how
his folded hands rest
upon his loose husk
of a belly

those things
were once

so hard
to see

now they stand out
against approaching
Dark

and offer him
surprising 
comfort
before Sleep


Revisionist History

Originally posted 3/20/2012.

In the history of government
there are a million examples 
of how they begin, but only one
of how they end: they end

with the venal
gaming their way to power
and staying there regardless
of the labels they choose to wear.

In the history of nations
it doesn’t matter how the people love them.
They only love you back 
a little, and only at certain times.

In the history of history
it doesn’t matter what happens,
only what is said about what happened
or did not happen, or is said
to have not happened;

in the history of history 
there are but two nations —
the strugglers and the lords.

In the history of humans
there’s dancing and loving
and the making of art and music;
there’s good sweat, grand tears,
and a lot of laughter,

but do not confuse that 
with the history of government and nation.

If you want to pursue happiness,
know that government and nation
pursue happiness too — 

and they do it, always,
by chasing and catching
you.


Breakdowns And Attempts

Originally posted on 3/5/2014.

Stop
calling
what I do 
therapy.

Stop calling therapy
what exists to spite disorder,
what persists after breakdowns and
attempts.

Stop calling therapy
what I would do more of
if I were less 
a mess.

Stop calling therapy
what I call breathing.
Stop calling therapy what I call 
my self, spread on paper.

Stop calling triggers on guns
material.  Stop calling
triggers on others’ lips
material. 

Stop calling too-blunt knives
and weak pills and slender ropes
and bed restraints and hours
of paying to talk around agony

“the dark timber of my art.”

Stop calling.  
Stop insisting,
stop speaking
of therapy.  

Stop in fact your fantasy of why
and what and how;
for me this is no pressure valve
and verse is not surgery.

I’ve written
hundreds of thousands
of words
or more;

if it worked,
if it was
as you say,
I’d be fine.


“My Spirit Animal”

Originally posted 10/5/2009.

It’s one of those stolen concepts
that makes for easy internet memes
and casual adoption by everyone
from hipster ironists to hippie holdouts.

They choose the glamour critters
for their comfort and aggrandizement.
It’s all Hawk and Eagle, Crow and Bison;
none of it fits, all of it feels good.  If I were to play along

I’d admit there’s not nearly enough Wolf in me. 
Not enough ferocity, not enough
pack loyalty, not enough startle response and care
in the face of the world’s savagery and bounty.

As for Coyote, the smaller cousin,
the Trickster dog of dream and myth —
no, I’ve searched, and no bone of mine
holds a scrap of that holy canine.

No, I know my “spirit animal”
(if indeed I have such a thing)
is a snail or slug, unsure of which. 
Cold slimer, afterthought drip from a Creator

who gave up
on pinning me
to mammal ways
and instead said:

This one will understand
how progress is inexorable but excruciating.
His trail will always be traceable
to its source.  

He will understand
the nature of small and unnoticed lives
and the damage that can be done in the dark,
as ravaging as any drama and howling attack.

There are thanks to be offered
for such knowledge
but tonight,
it overwhelms me.

I have
no mouth or throat
to scream
for change.

All I can do is crawl
and hope no weight from above
falls onto me before
I get to where I belong.


I Became A Poet (And Such A Miserable Bastard Too)

Originally posted 2/22/2012.

Ever hear
that crack about
being cracked
that says
that’s how
the light gets in? 

I was fractured early
You’d think I’d be full
of sunshine but

thank Hell
a good flow
seeped in
Dark syrup
no light
no filler
It crusted thick
It sealed my fate within

That badly broken
That closed up that early
I could only become one
of three things

Artist
who makes it shine

Criminal
who makes it pay

Amateur actor
who makes it disappear

I was two of those by nature already

So onto fraud
Of thee I sling 
garbage in
and prophecy out
(or vicey reversa )

I said as much as I could
never stopping to breathe 

Still at it
Still grinning

There is an analgesic effect
to wordslinging 
You can forget a lot
by writing it down

If you want more
Buy the book when it comes out

This is the short con
You’re going to want the long game
for the full payoff
Trust me on that

Nod your head
Set the hook 
You’ll call it art 

I will too
if you’re still listening 

 


Last Hawk

Originally posted 8/30/2013.

The last hawk in this town
just lifted off from the Town Hall roof

and flapped straight over the river,
rising as she went.

I know somehow she won’t be back.
I know somehow we’re somewhat doomed.

I get an itch in my limbs just thinking of it.
It’s not going to be the same here without the hawks. 

I’ve been trying to empower myself
with other animals’ symbolic value

but they all insist on living their lives.
How dare they! They really ought to be

useful.  The hawks
have never understood that well.

Far beyond the river, a dim sighting
of many hawks plunging and soaring.

Such teases.  What are they telling us?
How should we respond? 


Auction

stiff-standing
antique figurines
are being sold
at auction

one’s an iron jockey
holding a hitching ring
clad in red and white
and blackface paint

another is 
offering cigars from a wooden hand
the old wood’s
brown through and through

people are bidding them up
for (they say) the sake of
historical preservation
and the marking of bad memory

hard to believe
the prices such things command
among people who profess
to understand the offenses they bear

it seems the privilege
of being able to buy and sell
the past
is not cheap


Charles LeVasseur, 58, Of Bridgeville; May 17.

Originally posted 5/18/2012.

Stupid you, cold drunk crashing
right through the knee-high fence
in your own front yard
and planting your face

among the weed-strangled old tulips.

Through the old weak fence
right on your old weak face 
in the front yard where the neighbors can see,
and you don’t seem to care enough
to run and hide in shame this time;
you seem content
to lie there ass up
for all of us neighbors to see.

You’ve been stupid since you were a kid,
a drunk since you were just past that,
and none of us can count how often
you’ve tripped over that fence stupid drunk.  
Stupid drunk, that’s what you are —
our object lesson, our signal disaster;
face down in the dead tulips with ass sticking up.

You’ve been in that position for a bit now,
at least an hour, and we’re all still laughing because
it’s likely the best job you’ve had, the perfect job for you —
no real effort required: just lie there,
let the neighbors point and laugh
and say things to their kids
about being drunk and stupid
and a public spectacle.

Now a crow, a real live crow,
has landed next to you and is inspecting you
up close and personal.  

Never gonna let you live
this one down, asshole.  
Priceless.  I’m gonna see
if I can get close 
and snap a picture —
if you can’t get up on your own,
you deserve this.


Lights

New poem.

This afternoon light,
picking up dust in the air
and the unmasked 
then hidden at once
secret sadness
in the faces of
co-workers — 

over the weekend,
the sudden spill
of light in the bar
at
closing time
that illuminates the writing
on the wall that says
“too long at the party” —

no difference in the light,
no difference

in the message.


Colonialism (Plastic Shaman)

New poem.

The road 
from my ancestors
to me
is grassy and grown,
as green as it ever was,
still kind to the feet of those
born to it.

I don’t recognize
this toll road you’ve made,
the one
you are calling
“The Way Of The Elders.”  

You read a book
of some half-understood
road maps
and made a turnpike
from it.
You’ve decorated the road 
in trappings you don’t own,
maybe tricking yourself into full belief,
at the least
into believing others
will pay to travel it

and maybe they will
but I’m not one of them. 

Those aren’t paving stones,
those are chunks of asphalt.
Those aren’t standing stones,
those are concrete falsehoods.

I know this weight you sell
and it’s not the solidity
of the spirit
but that of
a plastic shaman’s boot
upon my neck, upon
my ancestors’ necks.

Don’t,
says every gene of theirs
in every cell of mine.
Don’t.
Don’t pretend this is real.
Don’t pretend
that by stepping on me
and by stepping on them
that you are walking
any ancient path

except the one 
that led you to our soil
in the first place.


Traveling

New poem.

We travel too often into places
where deceptive shadows
promise mystery and romance
only to reveal teeth
when we lean in, eyes closing
before an anticipated kiss.

We travel too often into places
where springs that bubble forth
from those shadows
are cold and quenching but taste 
of that blood-filled ground 
in which they rise.

We travel too often into places
where we eagerly seek a home
before we understand
how where we’ve arrived 
is exactly like where we came from
and how much we brought with us from there.

There’s no moral to this. There’s no
simple lesson. We travel to places
that promise those things
because we cannot recognize 
that they will never be given to us,
that we have to take them where we find them.

To do that,
we have to stop traveling,
constantly traveling, in the hope
that what we find will be
well-fed, kindly, satisfied,
and waiting to meet us on our terms.