Tag Archives: poetry

Fear Is In The Details

Did I forget to mention in detail
the armaments of
the other side, how
they have guns to counter
us, even if we have guns
ourselves? How their guns
outweigh ours, how they laugh
when we struggle and die?

Did I forget the minutiae
of their blades and cuffs,
the stunted shortened imaginations
of their followers and supporters,
living in a land they call free
when all it does is trap those
who are truly wild, and totally free,
public with their wildness
and freedom?

I forgot to say it, how matter of factly
they sneer at those of us
who never wanted trouble
and offered themselves
as objects to be seen as
ordinary, normal, boring even;

how easily they mock us
and torture us and kill us
as if we were barely ideas
or shadows of ideas.

We fear them in our hurry
to be all we are;
they fear us in their panic
to shore up the edges between us;
they fear us
as we fear them —
this whole land is awash in fear;

there is a storm coming
in the details,
and no one here can say
when they will be swept up
in them, sanitized
for the comfort of others
~~~~~~~~~~~~~~~~~~~~~~~

T


Blue Jay Way

A Telecaster on the stand
next to me:
two single-coil
pickups, one three –
way switch, a volume
and a tone knob:
that’s it. A slab
of wood mass-configured
to amplify sound
and make sonic magic

and I can’t think
of anything
to do with it.

Saturday morning: old songs
on the radio — Beatles,
to be specific. The DJ
plays a rare German pressing
of “Magical Mystery Tour.”

Strangely don’t feel
the pumping urgency
to seize the guitar and struggle
on, and on, until
I tire of the work involved
and put it back —

instead,
I sit. As if
the black and white
of the Telecaster
itself makes the fatigue.
As if I don’t dare
pick it up and try.

This house is so
quiet except for
the Beatles and my heart
so loud I can barely hear
anything else,

anything worthy
of repeating,
anything worthy
of writing down.

~~~~~~~~~~~~~~~~`
T



On Writing

The screen says,
“Add a post.” But
I can’t write a damn thing,

except for this and perhaps
the next phrase, and
then the next.

None of it is
a poem, no matter
how much I wish it was —

none of it matters,
as does a poem when captured
in midnight and rushed

to a page. When one
reads such a poem
afterwards, I sit back

and sigh, “there it is;
there’s what I
meant to say,”

and then I seize my guitar
and play clumsy notes,
my hand stumbling.

I wrote something, though.
It is not a song. It is
a poor sort of poetry

laden with a lack of music.
I sit back and sigh. There
will be another chance

to get it right. There will be
(likely) another poem, a second
from now, an eon from now.

The poem yet to come
is the only poem
that keeps me alive.

~~~~~~~~~~~~~~~~~~~~
onward,
T


At The Piano Bar

With you there
at the piano making
music. Your pudgy
fingers somehow

impossibly stretching
to reach the chords,
the sure way you find
the correct keys.

I sit there
between jubilation and despair
inside — a brief pilgrimage
from one mode to the other;

a move from great joy
to an envy almost as great,
my senses slipping and bleeding
between the two.

Meanwhile you continue
to play. You seem oblivious
to my swinging to your music,
a beat behind the tones,

looking like a failure to
the outside but knowing
I am in there, right there
with the swing.

I continue to hear it
I find the beat for a few seconds,
no more — and as I connect
and make right with it

you do not see but continue
to play. We are in sync
for a few seconds and God
feels it and touches me at least,

if not you, though your playing
seems to agree and for that moment
when we are in sync,
it feels like the world stops turning.

~~~~~~~~~~~~~~~~~~
T


The Day Before The Day Before

First,
you go to the window
closest to the street
and open it
wide. Then you turn the radio
up, way up. Soundtrack
suddenly expands to
an acoustic guitar; simple,
resonant as last night.
There are
birds out in the trees
of indistinct species
who fall to silence for a
moment. You assume
they are listening. When
they resume — single
sharp notes, clipped
off at the end —
you know they aren’t.
They don’t care at all
as long as you stay inside,
and you do for now. You flop
into a faded armchair
to wonder at how you used to be
when you faced the world
entirely whole. Do you
prefer this quiet
before death, before breakfast
even, or are you just
tired of sameness now
as you sit, like you did
the day before and the day before,
back to the day you lost yourself
to a pounding in your head
and the word “stroke?”
You don’t remember that day
at all, you try to recall it
and you don’t even know
if there were birds.

~~~~~~~~~~~~~~~~~~~~~
T


Completion

Did you wonder much
about this when you were younger —
did you think hard about
where you would live and how
air would come to feel on your face
in your final moment?

If you are like me, you did not.
You worried about small things,
but never about
what might remain constant
and consistent in those misty days
when this past would fade.

Still, there must have been one day
when you sat under a maple
in you side yard, maybe
at sunset or under
a long shadow of your house;
four of you together or you alone
and immediate needs
slipped off your skin

until you were alone with
a future you, alone
or together
with different people,

and there were thoughts
and feelings and a hunger
and a thirst, a vague longing
you could not articulate —

did you long for it? Did you
wonder about whether anything
like this would happen to you?

It happens now, everything
in a rush, your tongue pressing
your teeth, your skin alive
with a sense of living, of dying,
one second of breath between
that moment and its recognition
as completion of your time
here and whether you are alone
or with friends or even
in a crowd of strangers

you will think back and say
oh…oh…

to yourself.

~~~~~~~~~~~~~~~~~~
T



Apparently So

Cat is asleep in the spare room.
Today is perfect, hot,
bright, and boring as hell.
I am tired still, five hours
awake, fed lightly, no drinks,
tired — did I say that? Yes,
I said that —

do I repeat myself? Yes,
apparently so.

Cat stretches
and spins, goes back to sleep
in the same spot she has been in
all morning, spins around to be
exactly the same as she has been

and the day is hot, bright, boring
as hell, hotter than hell too;

I am ready to sleep in the same place
I was in before I rose — did I do that?
Yes, apparently so. I can’t help
where I sleep, where I slept.

Cat keeps on sleeping as she has been
since before I got up five hours ago

and this day feels like all the others
except I’m aware of it and of my blood
on the pillow — just a small spot,
minute even, from the smaller wound
on my face where I scratched it
unconsciously in sleep. Cat

is still asleep ten minutes later
and this day is still hot and bright
and I’m aware of my bleeding
now being over, until the next time,
the next time I bleed apparently,

with the cat sound asleep and the day
not hotter — cooler even.

I’m not sure how I will ever
get to sleep again.

~~~~~~~~~~~~~~~~~~~~~
T


Threes

Wind, gale force
but tiny, lasting
less than a minute,

three seconds at most,
raising alarm for
just that long.

Three people
— a poet, a television star,
a rock star enfeebled

by age and illness —
die and make the news
unlike thousands,

ten thousand others,
who die unnoticed
except for the people

who know them.
It always comes
in threes —

three seconds of wind,
three seconds of notable dying,
three seconds of seeing and feeling

what is happening,
at least for me. It always
comes in threes:

things I notice.
I hold my breath waiting
for more, every time.

They happen, of course.
Thousands
of things happen.

I shake myself free
of wind, of deaths,
of counting.

In three seconds
there will be more.
Four, five…many more;

I fall into it,
close my eyes,
wait.

~~~~~~~~~~~~~~~~~~~~~~~
T



Wet

All day long
the wind still blows
all over the sky,
and I am powerless
to change things like that —

try to change the sky,
I say; I dare you. Try to make
the rain shift

and you and I will both
get wet, both of us
ending up soaked
to the skin under our
clothes.

The rain doesn’t care,
so why should I? Let it

fall, let it pour like
cold coffee,
let it drop its astringent
mercy on the impatient
folly of the folks below

like me, like you;
let it wash away any hope
left to us to think about.

~~~~~~~~~~~~~~~~~
T


Idle Speculation

A poem or a footprint —
ground beneath either one
shakes and forms around its edge,
its rim of influence.

What if it’s
a bad poem? What if it is
a toxic print, made by someone
who had evil intent?

No matter — a bad poem
will erase itself, lifting itself
as if it had been made
on one of those magic erase boards —

raise the clear skin,
it vanishes.

No matter — a poisoned print
will wear down, become
one with clean earth —
any trace of it will disappear.

As will I,
one day. Perhaps soon.

~~~~~~~~~~~~~~~~~~~~~
T


Strawberries In The Fridge

I ate the last of the strawberries
from a red bowl in the refrigerator.

Couldn’t have been more than
four teaspoons; unsweetened,

lumpy from improper processing
but still perfectly good, even without sugar.

I don’t remember doing this. I know
I did it — the evidence is there,

or rather is not there; it’s hard to recall this
action or string of actions. I don’t recall

the taste, just the record of tasting.
I don’t recall the washing of the bowl,

but it is back in the cupboard and clean
so I must have done so, though I have

no memory, not even a fragment.
It is like this now:

a moment is taken before an act;
blank time fills in the spaces;

I recall none of it, just
the clouds before the time,

and even that is uneven, irregular,
full of nothing. All I know

is that I ate the strawberries from the bowl
and washed the bowl after I was done

and it happened sometime in the morning
after something horrendous happened elsewhere

and I was part of neither occurrence,
was just present here and my memory

has let them both go. I’ll have to read
the news for the latter, if I choose to;

I will never recall the former even if
I try. I do try and try. And then I let it go.

But the bowl was red, I think.
The berries were red as well.

~~~~~~~~~~~~~~~~~~
T


Snapshot Sunday Morning

Two women talk
about sustainable climate change
and the like on the radio
and never tell a story
about what it might be like
in that world
with details or facts

The house next door to mine
is tidy and blue with
a chain link fence and signs for
private property and stay off
while the kids play
now and then
briefly
in the clean edged yard

Out in front of my place
there is a pair of huge bushes
with white and lavender flowers
running riot and bees and
a sparrow deep inside
now and then

I sit inside
the house next door
with failing feet and
a fucked up arm and
uncontrollable sorrow

If I had my way
I would tear this building down
with not a solitary nod
to fearful tidiness
or even a concrete story
about holding it close
and warm
till the flowers fell off
and another season came in
again

~~~~~~~~~~~~~~~~~~~~
T


Last chapbook

Well…my chapbook, “Mercy And Bullets,” is out. Free to take — either PDF or eBook. Or both, if you like. There won’t be another one. So, there you go.

Don’t foresee writing new poems much. It’s time to give that up.

My last effort will be to try and find someone to publish my volume of past poetry, “In A High Wind.” As if someone wants to read it as poetry, as if it’s not just a curiosity for someone to buy and then pat me on the head, saying: “Aw, nice job…” and then put it back on the shelf to admire till it gathers dust.

Do I sound bitter? I don’t mean to, and I am sorry if I come off that way. But I’ve changed a lot in the past year and a quarter since the strokes, which profoundly altered the way I see myself and the Work. It’s enough that I did it, and if it is read, then I am grateful; if it is not and I fade from memory, that’s OK as well. Really.

At any rate…enjoy the time you have left. I will.

onward,
T

PS: fuck Trump.


Sitting

Sitting very quietly at home
with reams of paper, with
insurance policies and
retirement requirements,
examining and judging
all the cheery pictures
of older folks looking happy
and serene with their choices.

I am also sitting
very quietly at home
in pain but not in pain, sad but
not sad, confused beyond it all
with a jumble of thought
in my surfeit of damaged brain.

All the time
the bushes out front
sit not as quietly
brushing against the windows
while a mockingbird across the road
tells her story over and over
like a mystery I need
to solve on this stunning day.

My eyes close, stroke-shuttered
and weary as the country,
demanding more from this land
than I have borne.

I am finally old and
realize
there’s something
in the voice of a bird
that I must listen to
from my own silence.

~~~~~~~~~~~~~~
onward,
T


Wringing Out My Head

At home I wring out
my hands, my head.

I wring them out flat and
dry them crispy afterward.

My hands you may understand
but why my head, you ask?

I have to dry my head
to keep the tears from being seen.

I have to dry my head
to keep the flies off the pools of sweat.

Little must anyone know
of what my head has become.

I need to keep the maggots off.
My hands don’t matter so much, of course.

Everyone’s got maggots on their hands
these days, what with all the casual death.

With all the casual need to pick up
the bodies from the street.

With all the nonchalance
with which we try to keep things tidy.

The people choose how they want things to look.
I know it doesn’t matter that much.

But my head they have to look at.
My eyes are on fire and focused.

My head needs to be seen for one brief shot.
They need to be shaken up, out of the stupor.

Out of the chill of the still damp hands.
Into the fever of the freedom-knowing brain.

So I wring my head out until it’s paper dry
and ready to be set ablaze.

I will be gone then.
Maybe they will follow me in flames.

Flames of red, white, blue.
Flames that burn down this — this thing.

I won’t be here to see it.
But someone will. Someone certainly will.

~~~~~~~~~~~~~~~~~~~~
onward,
T