Tag Archives: poems

Wake And Bake

Wake and bake kinda morning
as I’ve tried everything else
I can’t stand the thought
of walking into dawn
unguarded within

Sweethearts of the Internet
see love messages in their oatmeal
and tarot callouts in the way the storm
has tossed my bird feeders to the ground
strewn around for the picking

like a Tarot card
like the Five Of Swords

Wake and bake this morning
as I’ve tried religion and atheism
in equal measures overnight
and I still can’t understand
the dark gifts I carry to my day

Sages on the Internet
claim everything’s so obvious
it barely needs explanation
If the windows don’t hold up in this gale
the shards will surely open me

make me readable
make of me a pigeon’s innards to scry

Wake and bake this morning
as I have nowhere to be
that requires patience and balance
neither of which I have in any amount
worthy of calling upon today

Tricksters on the Internet
will tell you what you want to hear
I want to hear shovelfuls of earth
trenches and moats being dug against
whatever may swarm up from within

the horde liberated and seeking to feed
the horde with opened mouths and here they come

Wake and bake so
I will feel less of it
when I fall

 


Toward The Summit Of Your Favorite Song

have you danced 
too much already, beloveds?
did it all when you were young
and had the legs for all night music,
the lungs to scream and raise your arms
toward the summit of your favorite song?
haven’t you aged into rest and being satisfied 
to have the dark bright memory
of how you moved along the walls 
of the basement club with the dirt floor corner,
the college bar with the lights out
on the long unused top floor,
the unlocked stairway up,
the corner full of the mushroom scent
of lovemaking and trepidation? 
haven’t you danced yourself to a point
where you don’t need to dance any more
than maybe one more spin 
through one more memory
of fresh human touch 
filled with the expectant danger
of rejection, or maybe just your body
not being able, not being close
to able to shake your leg or your ass
as you once did, the ecstasy of fast,
the ecstasy of slow, the ecstasy of 
memory, the replacement of current
sorrow with a memory of sweat?
beloveds, don’t you wanna dance
all the way to the end of your time?


Coal Tar Blues

Revised, from June 2022.

As if to spite my being human, 
I’m rusting. 

Age, diabetes,
long lack of self-care —

I soak myself in coal tar
for flaking on the surface,

the scent filling every space
in all my rooms; then

take pills and talk for
my internal disrepair,

each breakdown with unlikely odds
for repair.

Nothing about any of this
is temporary or acute.

Chronic is my name,
now — we speak of conditions,

not illnesses; talk of status quo or
increase and not of progress.

Coal tar and skin creams —
odors of one failure

to treat myself
correctly, or so I tell myself.

Others say buck up, it’s not
a fault or a punishment, you

needn’t club yourself with that one,
no matter how good it feels

to feel that bad at times — 
and indeed, there is a sort of blessing

in the hours after
I step out of the shower

onto an apparent path
to normalcy;

but then I lose my way as I start
the day. I tell the others, 

you think so? Then come live in here
and tell me I’m not right

to feel such guilt for becoming hollowed.
I need something to come alive 

in my old center, to build
there as I fall apart.

Comes a point when everything done right
is still not enough, and hope

becomes not a right but
a privilege, just a way

of passing time before time laughs
and then kills; as the scent

of sulfur becomes so strong
you can’t tell

whether it is coming from inside, 
outside, or both. 


Obligatory Christmas Poem, 2022

The signs
they hold up
say

homeless
helpless
hopeless

Many include a sketch
of a Christmas tree or say
Merry Christmas as well

They stand upon
the entrance ramps to
malls and big box stores

where shoppers have to wait
to get into the lot and when 
a signer passes their car

they look away or discard 
a quick buck out the window
then roll it up 

to keep private heat
and the hallelujah chorus 
in the car

and no better than that look at me
dropping a heavy metaphor obviously
onto this from on high

as if it ever matters what parallel 
anyone draws about jesus
blah blah blah

joseph and mary
blah blah blah
no room at the blah blah blah

merry christmas
or whatever you got
to offer

in light of the sight 
of her wet blue eyes
above her sign

his beard
combed out for the season
above his sign

the people
queued up
below commerce’s sign

tomorrow never comes
without posting a sign
of its arrival

regardless
of hopeful prophecy
blah blah blah


Play It As It Lays

The bones
were rolled for you at birth.
They chose your great adversary:
maggots, melancholy, militia…?

You decide
what’s next:
double down 
or bow and fold. 

How you come
to your war
once you’ve chosen
your battlefield

is the battle.
Is history’s gamble, not yours.
Listen: the house
is snickering.


A Razor And A Ring

cleaning out
an old apartment
(new to you)

unremarkable contents
of the cheap and shallow
medicine cabinet
include a straight razor
with one massive nick
in its rust-flecked blade

bottle of iodine
wood-shafted cotton swab
on the glass shelves lined
with folded paper towels

as stated
unremarkable
except
for a kid’s ring 
plastic shank
set with plastic gem
centered by itself
on one shelf

imagine that kid
now an adult wondering
where her ring had gone
although it’s more likely that 
she doesn’t remember
at all
her onetime treasure
left behind
for you to find
in an old apartment
(new to you)

you will
soon enough
toss those abandoned artifacts
into the trash
as you prepare  
the place where you
are going to live
to be your own

a new place
to leave your stuff
when you go


Happily A Worm

I think I could be
happily a worm

if I was not so terrified
of ending up drowned
on a concrete walk
after a storm

Forced to leave
dark soil
surrounded by roots
where I’d been
most grounded
or worse
desiccated upon
a blacktopped driveway

where even
the slightest sunlight
could take from me
my pink life
and leave behind
my dark leather corpse

Even the robins
will not take that

Will leave me instead
to disappear bit by bit
into a trail of ants
bearing me
down the hatch
into their small volcano
of a home
in the sand
along the fence

I could be happily a worm
if I knew I’d be 
remaining
forever or for at least a few seasons
away from all
grounded and blind
underground


The Poetry Of Place

I will be running a poetry workshop, open to the public/free to members of my Patreon site at the $10/month level and up, on January 22, 2023.  Time and Zoom link TBD at this point.

The link below will get you to a video that explains the workshop and what we’ll be striving to accomplish. 

If you are not a Patreon member, the cost for the workshop is $35.00, payable by Venmo.  Send me a message for the link.

I’d LOVE to have people there who are regular readers of the blog, so…let me know!

Thanks,
T

The Poetry Of Place


The New Tattoo

A new tattoo on my mind.
Simple banner: “I Am A Bad Person.”

Placement yet to be decided. 
Naked body in the mirror:

across my chest, above my heart?
Others could easily see, and I would too.

Would the message sink in from there?
I look myself over again.

Down my dominant forearm
where it would remind all 

of my strength and weakness at once?
Ah, but then I could pull my sleeve down

and no one would know. So,
forehead instead? Maybe doubled

in reverse so that my mirror 
would tell me the tale, too? 

Do I want that level of 
awareness? Instead of that

perhaps two banners,
one on the bottom of each foot. 

I’d walk that message everywhere.
It would not be obvious to others

but I’d always know
what was haunting my steps.

Maybe I’ll just keep it quiet and run the banner
right across my lower gut, right above my privates.

Only those close enough to already know
would ever see. By that point

it might mean nothing to them
and might only bring a quick pang for me. 


Talking About The Night

Originally published in 2002 in my chapbook, “In Here Is Out There.”
Original title, “Talking To My Son About The Night.”

I have been thinking:
what do I tell my children about the night?

Something wicked these days
stirs in the night,

and I cannot lie to them
and say shh, be still,

all is well, 
we are safe.

Instead I will tell them the night
contains both darkness and light.

I know the light may also hide darkness,
but I shall hold back on that, at least for now —

so what shall I say to them
of darkness in the night?

I will say darkness is a young man
holding a knife to a lamp.

He adores how it may separate 
skin from flesh, sinew from bone.

He knows
that when it is sharp enough

he shall see the body’s coherence
fleeing before its edge.

Darkness is a woman
leaning out of her window on her elbows.

She sees something she does not favor.
She slips out the back door

to carry her gossip
to the slaughterhouse.

Someone there will take the news
to the mechanics who will adjust

the wheels of the juggernaut
for maximum kill.

On her way home
she will wipe her face with a stolen liver.

Behind her she will leave a trail
of rumors and cartilage.

Darkness is a gaggle of children
trapped in a dream

where they are made to suckle straws
filled with their own blood.

They purse their pale lips,
draw the red up, columns red rising,

red cresting in their mouths,
falling red into their stomachs,

such sharp nourishment,
such a simple lesson:

living through the night
requires such a meal,

a simple meal for a simple terror.
They have learned to devour themselves.

We stink of rich meats, phobias, fires,
restless pride, secrecy.

We inhabit our stereotypes,
slowed to the speed of custom,

houses crawling with indignation,
ferocity unbridled by logic,

atomic proverbs to live by —
a man decides to force himself
on the next random passer-by,

a boy slits an ancestor’s throat;
we shake our heads, we cry out

for the light and get the darkness,
violent, clean cut, simple, fast:

darkness is thinking that we can live forever
by living this way.

And after that? After that,
what can I possibly say of the light?

I will say to them that it is slander
to speak of the night and only note the darkness.

I will say to them: children, my children,
look at the stars.

I will say to them: children, my children,
whenever you despair of this world,

lie back
and look at the stars.

I will say yes,
there is horror afoot in the night,

but always, always,
we have the stars.

I will say that one star
may singly pierce the darkness

but that one star cannot cut through
the darkness alone.

I will say that there is
light beyond the darkness.

I will say, children, my children,
if ever you despair, remember these words:

I am a star, and I do not
shine alone.


Whoever Shall Take It Up, Remember Me

The struggle to bypass the pain
of pressing strings to fretboard
is too much to bear now so maybe
it’s time to stop the music
long enough to allow
for an amputation of my
left hand if only to see
if the ghostly nerves 
of the missing piece
can play without pain

I’ve been told this
makes no sense but sense
has never guided me
all that well in pursuit
of my absolutes

and if anything is
an absolute 
then the need to play
is as absolute as 
the need to write
and speak and 

there are other needs
and surgeries to consider
but first things first
First the music then
the dance

Wondering

if I start at the base of the neck
to cut myself free of all ailments
will I become whole and if not
what parts will remain alive
and for how long
 
What will my music become
What will my dance become

Who shall take up my guitar 


Working Title

I’ve written a book I now pray
will never be published
Working title “Goddamn”
Subtitle “Fuck”

You think I’m joking 
but in fact the profanity
is the least offensive thing
about that book

I thought I was sweet 
until I wrote it
but the brain of one
who could write such a thing

(where the title and subtitle
were the least deadly words
the cleanest and sweetest
I could use to proclaim the rest) 

that brain grows from
a bitter root and I’m sitting
with all that means
in my little room

The air reeks from it
Disturbance on paper
Common vulgarity
announcing common dirt

I wanted more of my work
I demanded less of me than I was
What have I got to show for it
when “Goddamn: FUCK”

is likely to be my legacy
unless I burn it and start again
Unless I burn myself down while 
praying I’ll have time to start again


Blue In Sound And Hue

The place where I begin my work
rises from blue in sound and hue. 

I ease its lock open each morning
and go into blue shade and blue whisper.

Sometimes I cannot leave until
the stubborn lock releases me. 

Those days I cannot leave until
I agree to leave a portion of me there.

The place I go to keep working
might be brighter, might be — not.

But it will be blue, too. 
A progression forward, a run upon a fretboard,

a waiting for the light to change. It may blaze
or sputter, but it will be blue. 

The place I go to rest is dark enough
to let me sleep. It’s deepest blue

in pang and and riff, deep enough
to shake me through and soon

I am up and pulling
on work clothes, looking for

the key to the place
where I begin my work, the room

of blue, of sound and hue, of pang and riff,
of everything I thought I left here yesterday

and the day before and the day before that:
things whispering from concealment in the shade.


Poison, Venom, Infection

There’s danger
in poisonous lands and water;
simply being there
and breathing
is enough to make you
sicken and die.

There’s danger
among the venomous;
if you know
where to look
and how to armor up
you may walk there but

if you
blow your cover
and your armor fails,
a single sting 
may get through
and be enough. 

There’s danger
where the infectious
roam free, spewing 
plagues and slipping germs
past your defenses when you thought
you’d done enough.

You can’t stay safe inside forever;
you are going to have to leave
the safe house one day.
Down the block, all over the country,
you see houses with trouble flags
and deadly yard signs.

Is the air around them infectious?
Are your neighbors in fact venomous?
Are these signs that the whole damned world
is poisonous and this is what 
a mass casualty event looks like as it begins?
Are you enough for whatever comes next?


Leftover Chores

The dishes from
last night’s dinner
fill the sink and
whisper, “lazy…”

Blankets left
unfolded in a basket,
waiting to be put back
on the couch to protect

the upholstery from 
cat hair and spills and warm you
as needed; there’s a cat already
sleeping on them, of course.

Just this once, maybe,
leave everything as is? Sure.
That’s you. Unfinished business.
You are that. Guilty as charged.

You are the One
grounded in worry and incompletion.
Every letter of your writing is unfinished. 
Your hands quit on you

long before your guitar did.
Your bridges smolder but look
safe enough to recross. Of course
there’s a government to topple

and a culture to unlearn
but with furniture to protect
and dishes to do where will the time
come from? Not from anywhere,

it appears. Chop wood and carry water,
then drop the armload on the way
into the hearth and home and
spill the water where it will leave

the biggest stain. You have
formed around looking at
leftover chores and saying 
it’s enough to have started,

but you know better even as you
lie back and close your eyes to it all. 
You know sleeping will heal nothing.
It’s been forever since you made it through the night.