Tag Archives: poems

How New Religions Are Born

A priest
who had just heard confession
stepped out of the booth
and
staggered,
then righted himself.

Inside his head,
one of the sins he’d just heard
had raged about for a while
and slapped God.
The priest saw him slip off His throne
and slump against the wall
of his skull.

“What was that?”
said a lone parishioner
entering the church.  “What was
that cracking, that thud?” 

And the priest thought,
and almost said
to the woman,

“That was the sound of
God falling against
the dark wall of my skull,
and possibly also the beginning
of a new Bible,”

but instead 
he merely smiled, 
and told her it was nothing.

He walked then
from confessional
back to altar
in the empty room —
a straight line
he almost succeeded in walking
without a misstep,
without imagining
tremors.

 


Cease Dreaming

Ending now
a pursuit of knowledge
I once demanded,
I light up with the smile
of an idea: maybe
I know enough
to carry me forward
from here. Perhaps
there’s no need to sample
further, perhaps there’s no 
reason to inspect and codify
each speck and moment.
There are so many birds
and songs in the world,
so many people to know
that perhaps I should stop
and assume I’ve had enough
of them all, that any new experience
can be understood through applying
what I already know.  
This is perfect: I’ve grown tired
of unrelenting.  

Exhausted,
I lay me down on a cool bed
in this well ordered place,
and cease dreaming, comfortable
at last.

 


Knee And Stars

exuberance,
drunken joy,
running through unfamiliar yards
in the dark.

two posts,
and chicken wire knee-high strung
between them, part
of a forgotten fence
around a disused flowerbed
by the back hedge.

I fly —

a complete front flip!
couldn’t have done that if I had tried —

and now my back’s screaming insults,
left knee’s bent, left leg under me,
no breath in my jarred chest,
lying where I fell,
realizing no one saw the stupendous
if inadvertent feat I’d just pulled.

look.
stars.
no moon,
stars.
all of the stars at once.
it hurts, but…
stars.

worth it
still, thirty years later,
when my left knee chooses
to remind me
of the incident
as if it had just happened,
as if I’d never recovered.


Eating His Way Back To Old Rhode Island

He ate forgetful
of short, impoverished hills;
wool-filthy rivers; metallic, undrinkable springs;

ate oblivious
to how much he’d wanted to
escape milltowns, rotted

cities, abandoned farms;
ate ravenously, ate dumb
to the irony of how while growing up

he’d longed for anything
other than this
coffee milk, these stuffies,

this knife-blade-gray chowder;
ate to fill the hole
left by the demolition

of his grandmother’s house;
ate Haven Brothers’ grease
and bizarre New York System

wieners as if they were
manna, as if somewhere
in those mysterious meats

was a potion, and the potion
was corrective, and the correction
was selective amnesia, and

selective, stomach-borne amnesia
could erase his stone-dead memories
and leave only the blooming good times behind.


Lost Cause

Don’t you fear
that the battle we’re waging
is lost already?  
Already the sky’s red
with our cities burning,
with tearing rockets unstitching the night.  
Already the sea is lost
and the earth is awash
in spilled oil and blood;
already we’ve all lost good sense,
can’t explain why we’re still fighting,
other than to say we must
if only to keep
from slaying ourselves
in despair.  

And yet we stand
armed and ready,
armed to the teeth
on behalf of what will not return;

and yet we are here,
frontline desperate,
rear guard
desperate,
hands slippery,
feet horned and howling,
guts open to the fire.  

Here we are.  We still
fight, fall in love, fight,
bear children, fight, fight,
sling our fists balled up against
the incoming, sing, fight,
keep a bulletproof coat of colors
on the back door for going out,
wear it out to fight, say
we look good, look like warriors,
the cause is lost but now we’re found
in the war, the war, we’re here
for the war, we’re here,
here in certain harm’s way,
here, regardless of the urge
to give up, raising children 
not to give up even though
the war’s lost
and we have nowhere
now to be.  

 


Fear Me, For I Do

this drink’s
cold enough
for the thirst I have now

but in an hour?
will it be cold enough
for the thirst I know will grow
the more I drink?

it’s like my hunger
that gets quiet on crackers
now 
but will holler like a stevedore
in the night
awakening me
demanding entire cows — 

the more easily I’m satisfied now
the less satisfiable
I’ll be
later


Hot Universal Dog Crossbow Blues

Big Universal Dog
Big Universal Dog
Got those Big Universal Dog
Big Universal Dogs With Crossbows Blues 

Hot dog with a crossbow
Looks out for number one
Big dog with a Crossbow
Looks out for number one
Every dog got a crossbow
Nothing more ever get done

Big Universal Dog
Big Universal Dog
Got those Big Universal Dog
Big Universal Dogs With Crossbows Blues 

Mad dog with a crossbow
Makes a man look like a fool
Big dog with a crossbow
Makes a man act the fool
If every dog had a crossbow
You know those Crossbow Dogs would rule

God gave the doggies thumbs
Taught them how to draw a bow
Made them slaves to what he wanted
Now those doggies got to know
Everything we always knew
When we were the only ones
When we had all the crossbows
All the bullets and the guns

Now them doggies they can run
And they always run in packs
They remember all we’ve done to them
And they’re looking for payback
It’s the last thing we expected
Last thing we would have thought
Now them doggies all have crossbows
And we’re all gonna get shot

Big Universal Dog
Big Universal Dog
Got those Big Universal Dog
Big Universal Dogs With Crossbows Blues  

 

 


Fourth Of July Genesis

Explosions outside —
Fourth of July weekend
but that’s nothing new,
there’s always a big bang
at least once a night — the signal
of a new universe,
perhaps?  Makes sense —
who’s not looking for a new one
these days?   I know that after
each sharp report
I wait in vain for a fresh planet
to soar past my window, and
blowing something up
to get one seems
more and more attractive. 


The Social Order Explained

The dangerous people
stare out of doorways
at the safe people

on the streets
the safe people
call their own.

In some streets
they switch places. That’s how
we keep everything running:

call it a safety valve. Call it
the social order.  The dangerous ones
get to be the source of safety

in their own neighborhoods.
The safe ones get
everything else.

Sometimes
a safe one will love
a dangerous one.  They

keep this to themselves;
it softens things.  It makes
the streets sodden

and uncomfortable.  That’s
how we re-allocate the streets
from time to time: when a street

gets too sodden, it changes hands.
Another is chosen
to replace it, everything goes back

to normal, with the dangerous ones
in their doorways staring out
at the safe ones

until
someone in love with the Other
cracks it and the flooding starts.

 


Impending

There’s a nice small house
unfinished on the beach. There’s this

one last board to be held in place,
one last half driven nail.

There’s this hammer
on the shore, and a wave

coming in — in fact, there are
a lot of waves. Big strong

waves.  The wave
won’t pick up the hammer,

but you keep trying, though.
You keep putting the hammer

into the waves expecting one of them
to drive that nail for you.  

I say, you could just turn around
next time you’re holding the hammer

and finish this up,
drive that nail, you know.

Yes, you say,
but how will the world ever learn

to bend to my will if I do 
everything myself?  This is

the right thing to do, you’ll see,
and you go back to 

trying to float a hammer on the ocean
while your little house leans into the sand

behind you.  I walk away before
the tide starts to come in.

 


Thief, Interrupted

Big mistake,
entering the store late
and walking around not certain
of what I want —

I pick up the store detective
almost at once, hovering
one aisle over, his own certainty
about my larcenous desires
a tangible fragrance.

I lead him on.  Lean into
racks of shirts and swivel
my head around.  Duck down
where he can’t see me
and preserve the elements of proof —

dude, I used to do that job.
Not here, but elsewhere, and damn well.
I know you’re cursing yourself; been there,
done that.

I’ll take pity on you tonight.
Catch your eye, smile, shrug.
You look so angry! Isn’t it good
to know I’m not stealing anything?
Isn’t it good to be wrong about

another human being
who is not living up
to your worst expectations?
Are we both this far gone
that this is our Saturday night?


New page of old poems up here…

If you look at the top of this home page, you’ll notice a new page called “Poems From The Slam Years;”  it’s a one stop shop of poems written ten or more years ago when I was still actively competing in poetry slams.

If you’re interested, they are there, and there’s more information about why I did this at the page itself.

Feel free to check them out…thanks. 


Contrary III

If I’m ever given another name,
if they ever do fix the world,
I’ll be “Tony Wow-I-Got-That-Wrong.”
(I hope I get that one.)

If the activists ever make a difference,
“Tony Sad Old Bitterface.”  If they don’t,
“Tony I-Wish-I-Didn’t-Have-To-Say-It-
But-I-Told-You-So.”

I am “Tony Do-You-Think-I-Asked-
For-This-Role?”  I am assigned to
the dark chatter;
every people needs one. I am also

“Tony Longs To Fit In.”
I’m not happy to have to be this,
but it’s what I was given.  It’s
“Tony Afraid Of Smiling,” “Tony

Fucking Grump,” “Tony
Not With The Program.”
In fact, I’m “Tony Contrary.”
I don’t care what you say, I’m

officially, sacredly, not that.  The popular response,
of course, is to pull optimism
close and keep it away from me.
Good, because that’s the nature

of the job.  You like to say
hey, we’re all responsible for our own
happiness, we’re all allowed that,
a negative attitude is its own punishment —

wrong.  That’s just wrong.
I’m responsible for your happiness
and my negative attitude is your reward.
Everyone needs the dark chatter,

though no one will acknowledge it…Long ago
I had the dream of the thunderbird
and the clap of his stone wings
has muffled my ears to the brightness.

Carried this name, “Tony-Not-Ready-To-Agree,”
ever since…You go ahead and critique this,
you pursuit of happiness junkies, you perpetual
chasers of the perfect wave; it’s not like

I don’t understand or even want to be like you —
I do.  That’s part of the role; you yearn for a new name
even as you’re living up to your own.
I’m your backside to the mirror, call me

“Tony Blockhead,” “Tony Virus,”
“Tony Everything-You-Don’t-Want-To-Hear.”
It doesn’t matter what is and is not true.
Someone has to say these things.  Someone

has to test the rule.


Toast: To The Wake And Bakers

Here’s to you,
wake and bakers,
joint over coffee suckers,
hiders of whiskey
in “World’s Greatest Dad” mugs;

hail, hail,
pills at daybreak takers,
Marley rocking pajama stoners;

here’s a toast to you carpool dodgers
passing the buck in favor of lifting
the mood, here’s to your health
and the health of the children
you didn’t drive to soccer practice
on a Saturday morning
because the clouds were so…
cloudy;

raise a glass to you, 
shower tomorrow people,
maybe tomorrow people,
call it a day before 9:00 AM people;

here’s to you.

May you live long,
the liquor firing a thunderstorm
in your gullets, your eyes
red as sunrise flashing back into the dawn;

may you dance clumsily behind the blinds
and tell yourself, again and again,
it’s just this one time
as you slip into the folds of the comforter
and fall into a stupor.  

Once you’re past the morning
the day has always tended to crumble;
may you instead open the party and close the bar
before the rest of us even know you’re wrecked,
and may the sleep you enter
be dead, and may the death
be temporary.  

May you open your eyes
upon a new life
where you can swallow the morning straight
and never have to answer for these lost days.

May you find yourself drunk at last
on nothing but the good light
of the good day you believed, always,
would someday come
without having to coax it into being.


To Fingerstyle

To fingerstyle
is to put your prints
on the string.
To fingerstyle
is to lay your warm
against the cold.
To fingerstyle
is to say
a picklength is too large a distance
to put between
my instrument and me.
To fingerstyle
is to say
I’m not as loud but I’m
just as full.
To fingerstyle
is to answer the question
“who are you” by saying
“this is me
and what’s behind it is
me too, and together
we’re more me than
we are apart.”
To fingerstyle
is to let callus
do the talking.
To fingerstyle
is to say
the pick’s fine and dandy
if you want to be heard above
but the fingers will get a listener
to lean in.

I made a choice to play
fingerstyle
and it says

not too close
unless you’re inclined
to be that close
for a while

as the fingertip
covers first
and the nail strikes after
and together
they make one sound:

damn,
who knew that was in there?