Tag Archives: poems

Thrashing, Seeking Something

Woke thrashing,
seeking something.
Science, perhaps? It makes
no sense but yes I think
science.  Sleek and solid
object of desire 
that woke me from sleep
so sloshingly full
of the clear sense
that something was missing
that I suddenly felt
an urgent, sleep-depriving
need to seek something.

So — I ended up 
awake with this 
under my fingers, 
rising into the white screen
science offers me —
and now I crave sleep
and the getting lost in it,
as what I’m doing here
begins to fatigue me
away from itself.  

You can’t win.  You can’t
get away from it —
whatever time it is
it’ll always be the time
for the Other Thing.

But I’m thankful for how
poems will come at those times,

when they slip out from in between
the worlds of sleek Science
and rough Unconsciousness,

like buzzsaws opening wood
that was never meant to be opened.

 


A Dream Song

1.
Re-reading
my previous night’s
scribblings, 
sinking again
into their deranged language,
their protest against
language’s power to
derange.

I’m calmer this morning
and the sky
has unsteeled
its war-grade gray.

I remember some trivial things
that I’d intended to say,
and jot down the raw specifics  
though I don’t yet know where they go
or if they go at all. 

2.
Insisting on coherence

is the white man’s way
of dismissing 
thousands of years
of deep brown knowledge.

I know, I know.

What I really meant to say was,
“don’t look for fair and balanced here.”

What I really meant to say was,

some things you know,
some things you know better.

Some things you know so well
you can tell right away 
who will understand them
if you speak of them.

3.
I know now
where yesterday’s trivial things belong,
and they are not trivial at all,
they’re of course the whole point
of yesterday’s scribblings.

The problem,
the eternal Problem
with these sorts of things,
is that there’s no one place
they fit best.  I don’t think
I even need to write them out.

In fact,
they might be better implied
or glimpsed in the cracks,
inferred from where they’ve been 
interred.

4.
As for the inflammatory
above:

my thumb’s sore,
but I stick it out anyway
to find passage
to wherever I’m going,

as I don’t trust
that my current ride
will get me there.

 


Hagiography

St. Teflon, patron saint
of bullet dodgers.

St. Tango,
source of comfort against
blind divergent storms.

St. Bullwhip,
defender against the wealthy.

St. Lifter, overseer
of the doomed in any case.

St. Angelcake, who strokes
the heads of the raped. St. Watchfob,
who picks fruit and cleans the poisons
from the flesh.  St. Linger,
warrior with no hard weapons.
St. Rollie Of The Bones,
bringer of square deals and luck.

Call up the old saints.
You’ll find them retired and
disinclined to help.  “Not our world,”
they say.  “Not our gospel.  You need

The Blessed Version, The Sherman
On The Mount, The Irascible
Conception, a new Bible written
by scribes drunk on the manic milk
of modern circumstance.  You need

St. Rattler of the found quarter,
St. Lobster of the century reboot,
St. Jack of the feast day
of unicorn meat.
Call that the long shot gospel
and hang on. They’ll make a saint
for you,
someday,
and maybe it’ll even be in time.”


Black Glass

In the interest of better bonding
we’ve taken to making love
on panes of black glass.

Roiling the sheets,
on and on,
tumbling through a longing
for something to crack,
for stinging
cuts,
for lubricant
blood.  

So help us,
pain is that feeling
accessible when no others are;

what’s been severed
speaks loudest
just before
it dies.


The Meaningless Goal

All are, in fact, meaningless
in one sense, 
as long as there is
death
to snicker at them; still, there are times
when a branch grows just long enough
to scrape the wall when it comes down

and that scratch lasts a while,
at least till the next rain,
and everyone points at the mark and says,
“Remember that?  Remember 
when that fell and there was that crash
and we thought the whole house
was about to fall?  Man, we dodged a bullet
that day.”  

And then those people move, or die,
or lose their minds, and no one
mentions that branch again —

but somewhere the wood decays
or is burned and the vapors rise from it
and are inhaled by someone who says,
“Hmmm…I think I’ll go for it.  What have I
got to lose, at least for myself —
and it might mean something to someone,
after all.”

The branches over your head all began at a trunk
and grew out.  The trunk started from a hole in the ground
and grew up.  The meaningless goal
grew up and out and reached and failed, 
or left a transient mark, or lasted eons.  
It’s all the same, all as pointless as any other endeavor;
in the end, it’s the growing that counts,
and not the place where it all ended.

 


Cante Jondo: When I Heard She Was Gone

My hands fell into my lap.
My palms
opened
face up.

I called out,
Who has a hand drum?
hoping to pound this
away from me.

I sang “Shenandoah,”
hoping to lure Death
far away, across the wide river —
but he stayed

for his flamenco moment.
Darkstruck guitar, dark heels and hands,
dark dance, dark jewel.
Cante jondo, they say. Deep, dark song.

Duende, putting a song into the air
to fill a hole
in the air. It’s not about death,
they say.  It’s about life.  And it is, and

they also say it is enough
though it is not enough.
But say it enough, maybe
it will become enough.

At the hospital, no music.
What sound they had for me was thin and cruel.
It’s nothing to repeat here.
I came home after I listened and heard enough,

and sat with
my hands
in my lap,
palms up.

Cante jondo, duende,
what can you bring to this,
to the hole in the air, to the not enough?
I am waiting to receive word

from far away, you rolling river,
from across the wide Missouri,
of dark eyes wide open,
a flash song in the deep, even just a chord.  That

will be enough,
even if at once
it is not enough again…oh,
where is my bright dancer?


Fragment: Naming

when you inhabit your name
hearing it as version of dragon lion or storm 

when you make a home within it
fortress for the stand you must make

when you are at last the embodiment of your name 
you will know that it is not a name

that is the source of
your power 

 


Grief

His fuel for today is
a short memory
of her hairbrush in motion
years ago.

Her hair silked in, stroke
upon stroke.
Her with back turned.
Her.
She’s how he goes around
and comes around today.
Not quite
inside, not quite out,
but moving.


Big Dog Woofing

A big dog woofing.
Chainsaws running all day.
Me?  I’m not smoking tonight,
too much to do in the morning.

God, sometimes a day
runs you over.  Sometimes
you’re killed almost by it.
That’s big dog’s fault;

gets loud and mean and then
chases the day right out of its yard
and into the street and over us.
Those chainsaws must rile him up —

right here in the city, all that northwoods noise.
Didn’t think there were that many trees here.
The big dog pissed on all of them
and now he can’t tell where his territory is

so he’s woofing and we’re all a little on edge.
Days like this you wanna curl up with a bowl
and fake dead for the daylight hours.  Can’t, 
though; too much to do, and the dog’ll be hunting

bright and early,
and that dog will hunt and bite,
and the day will crush us before he gets to us
if we don’t get a move on.

 


SK8RZ

It had stopped being cool when I was a kid
and became cool again as soon as I was not.

The only thing I know for sure
is that as practiced now it is a kind of low flight.

I know that you can move by grinding
or by sliding.  That’s the same as when you’re an adult.

I think some trick is called “gleaming the cube.”
Or perhaps there isn’t.  Some things are meant to be

obscure or meaningless. and that’s the same
as when you’re an adult.

But to fly like that, to ride handrails and swoop
through bowls and off ramps and dry pools?

To be in love with the thick clack of deck
and truck on hard surfaces?

To fall, again and again, and still smile and see it all
as joy and fun and purpose despite the blood and fracture?

Somehow, the appeal of that last bit escapes me
as I sit here looking out the window

at them rocking out.  “Damn kids,” I say.
Damn them and their flying where all I can do is plod.


Imagined Words To A Bass Solo By Victor Wooten

floral not
dense

concrete not
open

tear down
leviathan

object lesson
Georgia

pulled
start the zone
it’s already been pulled
start the zone it’s so
comfortable

what?
you’re the —
in plain sight?
ah go — ah!

what? in plain sight allegory?
mutual and interrogatory?
who’s to be believed? 

the only real
is not
concrete
in strong gully
what a weakness
a pity to be so late for the fall
and to run for them
run for them
shall I run for them
run for them

~~~~~~

music’s just about music
poems have to be about something

what a weakness


Ripple The Age

Ripple the age, dammit:
ripple it.  

Throw yourself in, not because you’ll be 
at the center of all those circles
for that instant, be a target, be a
bullseye; but because 
as others join you, the circles
will disappear, interlace,
turn to full disturbance,

and then what you’ll be
is all wet, immersed,
what you’ll be
is in it for the long swim,
part of the stream, the flow,
the flood. 


1929: Stockbroker’s Lament

After all the partying,
the exuberance, the Stutz
and the backroom booze,
the easy money, the luck;

after all that, what I’m left with
is the best blessing of the modern age:
that we built these buildings high enough
to make the flight I’m about to take

certainly fatal.  When I fall,
it may be that I will become
warning to those who come
after: don’t ever do this again.  Make certain

that those who make the money
keep the money.  Make certain that
we are safe from those we stole from
with promises and shell games,

and pad us well enough
so that if we fall we do not feel it.
Well enough that we will bounce.
Too late for me, of course — but 

get to work,
and make a world where them’s that got
shall fly if they fall, fly over
those that have not, that never had.

 


Old Hippies

Sparse-framed, reticent, particular,
the old hippies come in to the market 
on odd weeks
for what they cannot grow
or raise.  

A friend sneers at them,
calls them un-American.

I hear they’ve got a sod roof on the house.
Life underground:
a few acres
and a 1978 Ford pickup.

Here on the grid we’ve got
fear, troubles,
and the grind.  We all 
talk too much.

Hey, hippie,
go hug a tree.  Go
bathe in the snow.
Get a job.  

Sparse,
quiet, 
don’t associate with us
unless they have to —

un-American
bastards, get in the trough with us
and bring some eggs or something else 
to eat.

 


Heavy Metal, Heavy Tree

Metallica’s “Blackened”
is playing: loud, loud…Then
the tree breaks out back,
louder even than that.

Half of a two hundred year old oak
comes down
across the whole yard
with snow-weighted limbs,
tears out cables,
and only gently grazes the house.

Barefoot in the wet
checking for damage,
and
other than the tree itself,
there’s none.  The power
has even stayed on.

Back into “Blackened”
once back inside.

“Callous frigid chill?”
Only outside.  Life doesn’t always
imitate art.  In here it’s warm,
blistering almost.  I lower the heat

and return to the music
of promised disaster.