Tag Archives: poems
These Are Days
Possessed By Golden Hearts
I have been
possessed by golden
hearts and owned but
let free to roam and
I have been a mistake and
a good try. Left alone
I may have been empty
and dirty, a bottle
in the gutter. But thanks
to those, worthy of
all my praise and thanks,
who lifted me. Even when
I was of no obvious value
to anyone I was picked up
and held and now
I am the mistake that worked out
and am not wrong for existing.
Even when I seemed
most evil. Even when
I stank of wrong, I was
held as all should be held
as capable of redemption
and golden as any who held me.
Lift me, my saviors. When I land
I will do you proud.
I will shine, light the dark,
be your hope incarnate. I will
offer you a place
to mount your pride
and let it stand.
The City
From ten miles out of town to here
I pass a half-dozen donut shops,
two smoke shops, one
liquor store. You get what
you pay for and clearly
there are those ready to pay for
some form of altered state
just to enter this town,
never mind to stay here,
to live here.
As for me? My mind is clear.
I do not need a cloud
of sugar or fat,
of smoke or drink,
to be here.
I admit to stopping
at one or more of those
stores, but only now and then
is it anything more than
a small enhancement
that I chase,
for here’s a view from my porch
of nothing but more porches,
a view from my back door
of nothing but more back doors.
There are times when I long to see
tree or stream with no one near them,
or hear surf, the smash of sea
on shore or rock — of course,
I’m human, there are moments
like that when I want to climb
back through the past to
primacy.
But the view from here
is people and more people
and all the variety sings to me
and all the street sound is symphony
and I cannot want to blunt that
when so much worth knowing
is there within my reach.
Keep the donuts, the vapes
and pipes, the sips and nips
and bottles in need of draining.
Drunk and stoned
and stuffed on the city,
I am at peace.
The All-American Halloween Poem
It’s like we’ve been having
a forced Halloween forever
in this country,
what with all
the villain masquerades
and stolen
identities, what with all the handouts
we have grimly provided
to unnamed shadows.
Ordinary folks sit at home
with the lights on
afraid of the vague threat
of “tricks” as defined by men costumed
in camo, in blue, worst of all
in gray or navy pinstriped
suits. We give all we have to them,
and when we turn the lights out
for the night we still sit there waiting
for late, ominous knocking, for our doors
to be kicked in. The beloved dead
do not return to us,
ever; the ancestors
vanish in a haze of
genetics and whitewash.
It’s All-American Halloween,
disguised as always
as the Fourth of July.
Though the dawn
is red, it does signal
that it’s almost over.
Time to ask: Halloween America,
we know what your real face
looks like. What mask do you think
will save you? What face
will you be able to hide behind
once our after party begins?
Crumbs
Aren’t you tired
of living on crumbs?
Aren’t you tired
of fighting for crumbs?
Of waking up
after three hours’ sleep
and lying awake
until morning?
Of rising and aiming
your heart at a job
that takes all you’ve got
then returns a few scraps from
some folks at a table
you won’t ever see
that hangs above you
like a solid cloud —
aren’t you tired
of waiting for crumbs?
Aren’t you tired of
living on crumbs?
Of hearing three words of praise
for your being and doing
for every four hundred
you hear in rebuke?
Of seeing the horizon
as some kind of carrot
to keep you running
with the stick right behind?
Of becoming the person
you dreaded you’d be
when you thought the horizon
was a sweet dance away?
Aren’t you tired
of scratching for crumbs?
Aren’t you tired
of living on crumbs?
Here comes day
and then night
and then day
and then night
and every hour
falls into gray
till you can’t tell the difference
anymore
Here comes something
falling from the table
One atom of sleep or
one atom of comfort or
one atom of peace or
one atom of how to get by
And just as you catch it
It melts into memory
Then it grows in your memory
That’s how you survive
By turning those bits
into magnified moments
Turning those moments
into amplified stories
Fantasies of joy
you claim to believe
and try to believe
and want to believe —
A whole culture feeds that
even while it bleeds you
Makes it hard to get past it
and realize that
it’s the dark of the day
and the dark of the night
at the same exact moment
and it is every moment…
you know you are starving
though you can’t admit it —
and aren’t you tired
of living on crumbs?
Aren’t you tired?
Against The Angels
Your upbringing has you convinced
that when angels come at last to visit you,
they will be immense and will dominate
all your senses and being. It’s hype —
they’re tiny,
house pet scaled nuisances,
unnerving
at their worst.
This morning
I woke to one perched
on the bedside table
and at first, I thought it was one of the cats.
Once I knew better, recognized it by its gray wings and
solemn demeanor, I said: how come, angel,
your resemble a cheap gargoyle from a garden shop? How come
you aren’t robed in storm, an elemental force?
I’m only mildly put out to see you here.
You picked the wrong bed to sit by. Get out.
Go scare a sick kid or comfort an old man, take
your burst of petulance at my lack of fear
and put it where it matters. Take
your European constraint, your
European deity feather-bound by committee,
and go. Go tell those that want me
to send tornado hearted eyeless giants, send
thunderbird riders, send the deep green-red sky itself
to hover over me if they must; something
I can bow my head before and rise into
with honor and agreement. Angel,
archangel, seraph: go. You’re not
worthy. I smell that book on you.
I read it once. I don’t care to read it again
and I’m not leaving till the earth itself
deems me ready to go and holds
all the continents and oceans up,
like a robe, to wrap me in as I go.
Older And In Costume
Older and in costume
I parade up and down because I know
this will make a difference
in how I feel about
how I am seen from here on in.
It’s possible that no one
will see me anyway
no matter how I am
dressed or arrayed
but as a slowly vanishing
man, I must take
all the chance I can to be
visible. Even if no one
notices, I notice. Even
if I am ridiculous,
I shall vibrate inside
knowing I chose such
silliness. Even if I
were to in fact
disappear from here
leaving the costume
empty in the aisle
before all present,
I will go knowing
I took this chance to
feel alive, saturated
with nonsense, joyful
as a true clown,
unafraid, saying to all:
This. I am this
as much as I am anything
else you know of me and
it’s as much a part of me
as what you’ve always
known, even if you have not
seen it till now. I am this
and that too. While I do not
and have never contained
multitudes, I was more
than you knew and even
more than I knew. Older and in
costume, I can see that now.
Telecaster Grimoire
That open D turnaround
we’ve all heard forty thousand times,
the Chuck-riffs done to death,
the pentatonic lockbox…
did you forget all were designed
as magic spells? Don’t blame
the weak impact
they have upon you
on anything but weak magicians
weakly casting them.
Last night I heard a master
play everything right out of
the text book of how you are
supposed to do it,
and it wrung me out like a rag
sopping sweat from some ancestor’s
forehead between sets;
I long now to stay home
and sit over my Telecaster grimoire
through as many midnights as I have left
in the hope of getting beyond
just getting it right
once in my life.
Overwhelmed
As if every melody
is being played at once
and you have to sing along
unerringly to one from that
swarm of sound and if you don’t
you lose, you fail, you die.
As if every movie
must be watched at the same time
and you must answer questions
about the credits for all of them
and get all of them correct
or you die, you lose, you fail.
As if you were clutching
a lifetime’s worth of photographs
of you family, friends, lovers, haters
and told you must reduce the pile
to the one picture that holds all for you,
you have an hour to choose that one
and memorize the rest as best you can
or you fail, you lose, you die.
As if for a decade or more
you’d woken up and stretched
and reached for the phone at the bedside,
dreading the blinking light that says
you have mail and news and messages
and you were about to be inundated
with urgency and insistence and importance
and no matter how you stand against it
you must fail to stay upright,
you shall lose your footing,
to stop it from hurting you must die.
Getting Past It
Three fractured heads
in the crotch of a tree.
Dog-torn infant arms
strewn in a ditch.
On a dirt road,
dark wet sand.
New genocide and massacre
glimpsed on a screen.
You can’t look away
even as you say
“it can’t happen here.”
It has happened here.
Here is here because
it has happened here.
You didn’t do it. You had
nothing to do with it.
But you are here, in part,
because it has happened here.
This is why
you can’t look away
even as you say
“it can’t happen here.”
You want to know
what it looks like,
want to toughen up.
It can’t happen here
but who knows where
it will happen tomorrow
and if you are there
by chance or design
your today could be gone
when your tomorrow gets here.
You keep an eye
on the screen
and make plans and promises
about what you will
and will not do
if it happens
where you are:
how you will stay upright
if the road runs slippery
with blood, how you will avoid
tripping over flesh
on your walkway, how you will
get past it. How you
will thrive in the aftermath,
how you will raise a family
there.
We Ought To
You don’t have to
say anything, really.
Stand there as yourself.
We ought to know
that it is likely, probable, that
the chances are better than even
that it’s happened to you
simply because
we ought to know
this place
operates now as
a carry-on from
all kinds of horrible
places, and
we ought to know
that whether or not you tell a story
of how it has been for you,
currents and channels
carrying polluted water
dirty every person standing
in them, and
it’s likely, probable,
the chances are better than even
that you’ve been soaked
in certain poisons
for as long as you’ve stood
in the flood and we ought to know
who needs to get upstream
and dam the river
and clean it up and
we ought to do that
without jabbering on and on
about not me and not all
of us and not now and not
true and not that dirty.
It is, and it is, and it is,
and it is, and it is, and it is.
Shame on us. We ought to
hang our heads.
More to the point,
we ought to
get to work.
The Season Of Beginning
In most overheard remarks
on this first frost
is a sense
of saudade — a sweet sorrow —
for an ending
when one could instead look forward
to the dying off of weeds that have been
strangling the yard and air
with gnarled vines and snarling
pollen,
or to the cooler, cleaner
air and light pouring through
branches now clear
of leaf clutter so one can see
what can no longer hide
as easily. It’s true that soon
shrouds of snow will follow, but for
a few weeks this naked clarity will
offer more opportunity
than was available in the dank
and overgrown summer;
do not forget that this year
there is war
and this is the season
when enemy and ally alike
come into open view,
when battle lines
are drawn,
when the fight
truly begins.
Two Woodpeckers
I used to robe up before writing,
slapped on a wizard cap to make of myself
a mystic, kept a wand under
my clothes to wield when I needed
to drape clouds around my words.
Then one day I stood at my window
and watched two downy woodpeckers,
male and female, perched on opposite sides
of a suet feeder. They fluttered
back from the cage and landed again,
having switched sides. Returned every day
for a season and repeated this swap
at least once per day. The world is already
a miracle and a mystery. Why overdecorate it?
Earworm
1.
Early afternoon
and I’m glad I’m unheard
tunelessly humming
a current popular song
as if I liked it or it had
meaning beyond
its currency on all
media when in fact
tomorrow afternoon
it will be displaced
from the odd cranny
where it has lodged itself
by the next hot tune
or turn of phrase that
offers a sense of immediate
connection among those
who hear and repeat it
(although in my case
nothing could be less true
as I take its presence here
to be a sign of how I have failed
to resist the dicatorship
of the official soundtrack
of these days) even when
no one’s listening as
is happening now
2.
No one is listening
as I hum this ditty
which is likely for the best
as I carry the shame
of knowing it
better than I carry the tune itself
3.
This unheard song
of mine is not mine at all
but was likely crafted by
committee
across continents
via the Internet
with the sole aim of
ensuring that it would be hummed
in all quarters
by all people who hear it
whether they want to
or not
not in response
to an emotional need or
appropriate situation
which would bring it
obviously to mind
but instead
simply because
repetition and songcraft
have stuck it into
so many places and
so many ears that
to hum it or sing it
becomes involuntary
even if it is hated
by the one
humming it
4.
Imagine what else
a committee
capable of such
manufactured taste
could make you do
and you may understand
why I am tempted
to slit my own throat
when I realize that I
am humming a song
whose name I do not know
only because it has driven
all else from my head
and I don’t know what else
is in there
hiding behind it
The Always Wrong Forever Apology
You forget
I was born
and raised
as the always wrong
forever
apology. It can’t
be helped that
I default a
thousand
times a day
to regret and
guilt. Not to say
shame because
with shame I might
correct the
always wrong and
close the forever
apology but
this way I can
boast of my unashamed
malfunctions. I can
be right by always
being wrong. You
forget how potent
such contradictions
can be. The forever
apology as
article of faith, the
always wrong as
myth or miracle,
parable of the guilty
conscience for no
reason. You forget
how long I’ve lived
on this, what a religion
it has been. How large
its god looms. How difficult
apostasy can be to achieve —
how satisfying
the guilt involved in that
might be.
