Tag Archives: poems

Nunc Dimittis

Our time is come.
Bloodrain washes hard

over us all. I am one
holding on against it.

Would never have believed
at a lesser age

that I would live to be drained
by existence itself of 

a hope for salvation
yet still be hanging on

from habit, not from hope.
I look for light,

see a flash here and there
which may or may not be real,

which are so distant
and diffuse 

that they serve no purpose, 
offer no direction.

I am not alone, I know. 
I hear others out there,

calling.  Maybe that’s all we are
now: solitaries, crying out, 

waiting for a light,
clawing toward flashes

we think we see, unaware of how bloodrain
has stained us beyond cleansing.  

Once I longed to pray in joy.
I longed for my tongue to form

a prayer of peace.
Now I cannot speak

one happy word.
I cannot find a thing

to praise for fear
of being betrayed

or of being named
a betrayal by others.

Once I longed for light. 
I long for nothing now

except a silent end.
No prayer, no sound,

no rain upon me.
A simple drying out

from a deluge,
then rest.


Vapid

They took everything that was already white
and compressed it into a small cake.
Utterly slick, ultimately waxy,
as small as an ironic footnote. 

Laid that bit into a chamber,
set it on flameless fire as if
they didn’t care about it, raised it
from its crushed state into the clouds, huffed it, 

blew it out into the thickest shade
of pure chalk imaginable,
then stood behind it in deep admiration
and masturbated

over their skills
at being so unlike
the entire everything
that birthed them.

And oh, the beards they grew,
and oh, the monstrous foods they devoured;
the long nights of staring into the eyes
of the disposable past

with sucking love
and hot detachment.
Leafing through the edges
for paths to the dead center;

admirable little men in their circles —
circles that nonetheless
are still just men masturbating
behind vast, thick clouds of white.


Bombs

A fire in our house,
nothing to douse it with,
no safe elsewhere to run to.

If I break a window,
outside’s there’s burning too.
No rescue, no escape.

I’m a bomb staring into flames,
preparing to burn
and if possible,

explode, level,
and extinguish this blaze.
It may be all we have.

Looking around 
for fellow bombs. 
It’s grim,

smoky, hot, hard
to see each other,
but when we do

we nod. We know
more or less what 
we are capable of.

We join hands
to make shorter work
of it, hurry it along.


The Clean World

The clean world
smelled sweet. Bully free,
dogwhistles nonexistent. 

Ground unblemished, air
unremarkably clear, water ran free
or stood stagnant of its own volition.  

The clean world
had no rules but nature’s.
Had no history — nothing.

No monuments,
no memorials, no laying
of wreaths for war. 

That said, blood was shed
routinely there, savagery
to our eyes, 

seen there as normal.
Illness, starvation, 
unequal strength, 

denied opportunities.
Disasters for some
were windfalls for others.

The clean world
was full of ordinary
splendor and squalor.

No words existed 
for either. No humans
existed to speak them,

create the laws
to enshrine them, 
arm the soldiers 

to enforce them. 
Things happened
without us and 

the only difference 
was that once
they were done,

they were done.
No one’s god
ennobled any of it.

No king made
any of it regal.  
No songs, no poems,

no carvers to
make it into art.
No memory 

of golden violence.
No one deserved it.
No one justified it.

The clean world
existed once. Long before
we did. Long before

we came along 
to filth it up with
Utopian lies about 

our ordained places in it,
and how it will come again
with us making it happen.


Grays

If you are as colorblind
in your world
as you claim to be,

why are some things there
never just black
and white to you?

Right, wrong,
up, down,
brutal, gentle;

no obvious divides
between them,
only dissolutions 

from one shade of gray
to the next 
in your world.  

There’s always
an excuse, a reason.
You stress them to us;

not all grays,
not all of them,
you say.

Are you being
the shade of gray
you want to see in your world?

Have you advertised
and marketed and sold others
on the shades of gray of your world?

Are you being
the commercial 
you want to see for your world?

You don’t understand these questions?
There’s a translation.
It’s written in red, so it may not work for you.

But it’s not my place 
to tell you how to feel.
It’s my place to feel in as many colors as I can

and then to talk about it,
to be the feeling
I want to feel in my world.

You don’t see colors. I can see that.
You don’t see me. I can see that.
Exclaiming that I’m wrong to say that?

I can hear that loud and clear.
Clear as a painting.
Loud as an explosion of paint cans

being hurled against a wall.
A gray cinder block wall.  Red paint,
blue paint, siren-crimson,

gunshot-blue.  Redlined
neighborhoods. Piss-yellow
phone calls to the police.

Your burned coffee
tastes more wrong when there is color
peeking out of your gray.

You have gray parks in your world
and they get a little greener
when there’s a suspicion of color there,

not that you would say that,
of course, as you are color blind.
Only shades of gray in your world

which looks like my world
except yours looks like a fog
settling on mine:

a red pox blanket; a sheet
pinked by blood and fire; 
a blur of blue;

a spill of scarlet — 
none of which
you can see.


The Low Grinding

That sound you hear?
The low grinding

of work, all work
from paid to unpaid to
uncompensated in any 
fashion. That sound
you hear is broken people
screaming or more likely
offering up a low graveled
growl as they are
pulverized.  That sound
you hear when you lean in close
is the valves of a fatty heart,
the bones of a sinking ship,
the rush of sugarblood,
the tendons slapping back
a little less every time, and 
the invisible sobbing of the 
knowing, lost brain as it 
softens and hollows. 

Repeat a million, a hundred million,
a billion times and more 
and how the grinding rises
in volume and as it does
how it drowns and muffles 
joy and contentment in its
blanket of desperate survival,
and how soon do we get to call it
an anthem for the low ground,
the national song of the country
of brute living, this place of 
mistake and reinforced mistake
and unintended consequences 
becoming canon and policy,
providing a simple,
dishonest answer to 
the disingenuous query,
“Is this normal?” “I dunno,
I just work here. I guess
this is normal. I can’t imagine
anything else.”


Problematic

Originally posted 10/22/2015; revised, 4/2016; revised again, 5/8/2016.

I should burn this church
without mourning.
I light it, but I cannot smile while I do.

I have seen too often how much
of the holy I know was made by devils
that nothing’s shining now under the sun.

Felled trees row upon row,
and no one seems
to have heard a thing.

I should have known.
Should have been listening all along
for the sound of clear cutting.

Evil disguised itself
as birdsong and brook,
as hymns to the betrayed sun.

All the holy I know is devils’ work,
and it falls upon me now
with a roar like a deadfall.

I’m sorry, but I do mourn its passing
a little. I mourn it as it falls upon me.
I’m sorry for mourning,

but I do, even as I see
the need for this reckoning,
even as I join in a call for it.

Once-honored voices
have failed so miserably
at living professed truth

yet they are part of what I am, 
as is now my disgust 
at how I have loved them; 

as is my confusion 
at how can still I love them
knowing what I know.

I am problematic
as a result
of this imperfection;

unlovable,
confused,
on fire.


White Dog

Imagine yourself 
as a sacred object — 
ravenous white dog,
pink tinged opening
to the Other.

Your open mouth.
Your stance above the plate
from which you feed, which is
the whole expanse.

You take all the offerings
as your due. Over time
you are used to absorbing
everything

and then suddenly
you are called on it.

No, you say, this is not
at all what I want, I want to
love the entire world.  I want 
to make it over and fill it 
with my love. All these

offerings, so particular, so
personal, I never asked for 
and I only take what
is given freely. 

You keep feeding and
wondering why no one thinks
you’re telling the truth.

It is possible they’ve heard it before,
of course.  It is possible 
they’ve run up against a dog like you
before — you look friendly enough
until they take you away
from your feeding
and the flow stops

and then you turn
despite your protestations
and your professed love of all

and you bite.  Admit it,
you bite. It’s what a starving dog
does no matter how much
it’s been fattened.  When you’re threatened
you bite and when you’re hungry
you bite and when you’re
no longer on top
or feel you’re being challenged
you bite,

and the bitten step back.
They know you.  
They know your bark and 
your bite,

and they know which one
to believe.


Old Warrior

NOTE:  this is the 3000th poem posted on this blog since January 1, 2010.  

You know better
but you can’t help it:
you were a hard threat
for so long,
you maintain the fiction
that you still are

although you’ve been
diminished, so shrunken
by time and awareness
of your own limits,

that holding onto 
the past seems less intimidating
than adapting
to the new you.

Puffed up and packing.
Face carved into snarl.
Hand hovers by pocket
and eyes flick around
and up and down;

all a show,
all a memory play. 
No one buys it
except you.

You keep hoping
it will all come back to you
if necessary. That your hands
will regain speed, your legs
strength, the brightness
will come back to your eyes
and all the reflexes you treasured
will reset and 

in that moment
will remember how
not to be killed,
how to defend yourself,
how to do again whatever
you might need to do.

But let’s face it, sport:

if something happens
you’re not ready
and you won’t be —

so if we’re all going to be
at last on a war footing,
you’ll be fodder only,
at most a slight delay
in the path of someone
more able to fight.

It’s possible that small role 
is what you were born for —
no noble pedestal for you
after you fall,

perhaps for you not even
the gratitude given 
to the anonymous resister
long after the war ends;

it’s possible
you were born for no reason
except to be expendable,
old warrior,

and what more could you ask for?


Borderland

There are immeasurable things.

I don’t care what science says;
as important and respectable as it is
and as important and respectable
as we must be in rendering to it
all of what it deserves,

there are immeasurable things
that long for a scale made
from dragon tears, or for tears made
from dragon scales; there are tales
that are true with no evidence of their truth
and imaginary mountains as daunting
as any solid range.  

Scoffers will tell you otherwise, of course.
Skeptics will snap and snipe you silly.
Ridicule for breakfast, scorn for dinner,
a diet of derision all day long
and pretty soon you will start to starve
from all the trash bile you’ll be consuming.

In the midst of that remember
that there are things worth holding
that you cannot hold and beings worth knowing
who will not manifest before you. 
Among the mountains you cannot climb
are valleys where you can rest
and the map you must use to get there

is undrawn, unprinted,
as solid as dragon scales
and as clear as the fog 
around the tops of those mountains.

You’re in the foothills now
just by reading this. If you think
it’s nonsense and you turn away
it’s nonsense.

If you decide to follow
it’s still nonsense.

If you follow to the end.
If you follow it partway.
If you take one step toward it
it’s still nonsense,
an immeasurable country,
a borderland where you might belong.


My Day Is Breaking My Heart

My day is breaking my heart.

In addition to 
sparrows and starlings,
downy woodpeckers
and nuthatches on the ground
below the feeders,
today I have welcomed
one cardinal, one catbird, 
and a grackle to the yard.

My day is breaking my heart.

All these lives dependent 
to some degree upon me,
and more appearing all the time.

My day is breaking my heart.

I don’t have any desire to chase away
the squirrel who is hanging now,
inverted, from the double cage.
A sparrow on the top of
the spindle bush, waiting;
can’t see any other birds
but they must be close because I know
if I bang on the window
and the squirrel leaps away 
they’ll be back in no time.

My day is breaking my heart.

All I can do is look out the window
and do my part when the feed runs out.
All I can do is wonder if I’ve ever done enough
and know deep within that I have not,

and that is enough to break my heart
once a day, every day,
a thousand times a day,

though I know the birds
will survive without me
and the day itself
doesn’t care if I die.


Off The Blade

When I look at the television
and say out loud, “you’re a 
fucking moron,” I don’t mean it
literally.

There’s no one here,
for one thing.  Just the flat screen
and the flat face of the flat-out
fucking moron, as I’ve labeled him.

I know labeling is wrong but somehow
I need this. I need to stare into 
that reddish bloat and call him 
something or other, just to keep myself
off the blade. 

I don’t know his actual IQ
of course, for another thing — he’s not
smart, I suspect, more cunning, more
versed in sneaky, better at bulling his way
through the day than at figuring things out. 

And to disgrace the perfectly good word
“fucking” by using it in tandem
with my other words, by intensifying
my disdain for his cretin soul
through the colloquial use
of that beautiful, hothouse, slick-making
word –bah. 

I choose instead to
stare into the screen
while muttering nonsense syllables. 

I’m a person with better things to do
and better uses for my voice. I shall keep silent,
sharpen all the knives in the house,
dig trenches, stock up on books
soon to be banned, call every vulnerable
soul I know and invite them to build a fortress,
learn the rules of dirty pool, develop codes, 
fight as needed, take it to the enemy,
become as valiant as drama majors
on an empty stage waiting for the house lights
to go down and the stage lights to come up —

that’s how I play the game in my head,
and how I shame the game with the incantation,
once again.  “You’re a fucking moron.”
Staring into the screen, wishing I believed
in magic words, keeping myself
off the blade tonight.


Diabetes

No vicious handful of pain,
no breakbeat shatter of nerves when I step,
no cautious calculation of what I’ve eaten, in fact
no need to calculate at all beyond 
deciding whether or not I’m full:

I imagine life before diabetes
was something else,
if only I could remember.

It’s like recalling life
before I was born.
I know it happened
but I was different then.
Another form. Another body.

I’m doing fine in most ways
but every time I cringe 
and twinge, each time
I blast the naked nerves of my feet,
every time I cannot feel
a bottle cap, every clumsy second 
when I manage to turn a knob by pushing through 

the unnatural numbness in the fingers,

I realize I cannot imagine anymore
the time when none of these acts 
would have registered
as momentous. 


The Blessing I Once Called Home

Some say a city is a sin
and a farm is a blessing.

I know more these days
of city and sin, although 

I grew up near such graces,
spent little time there, knew them

only in passing from car windows
and bike rides. 

In my home town we had dairy farms
that grew corn to feed the cows, 

with farm stands built of scrap wood
selling vegetables on the edges of gravel lots

full of dusted cars and families
selecting just the right tomatoes and such.

Some of those stands worked 
by the honor system — leave your money

in the box, take what you need;
they weren’t robbed often, if you can believe it.

I promise you they were there, and they may still be there. 
They may still feed 
the people of my hometown 

and the small towns around it.  
I have friends who say they’re still there,

and I believe them no matter how far away
they seem to me now here where produce

is found only upon misting shelves in cold aisles,
or an urban farmer’s market once a week 

in a gravel lot full of people
from all over this city:

a blessing in the center of sin,
if sin it is. I will not call it a sin

although the dream of a farm
is powerful salvation when the asphalt

is steaming after a rain that falls
on ground that cannot grow a pure thing

if if can grown anything at all; maybe
a city is a sin and all the God there is

is only found out there in the smell
of fresh-turned soil. I don’t know.

What I do know is that when I hold earth
in my hand I feel something

I do not feel often here,
and when I do, I want to cry out

that I have missed this
for a long, long time now

and holding this
takes me somewhere 
close

to the blessing
I once called home.


Tzitzicaztenanco

I’ve stopped looking at certain magazine articles
about travel to places I’ve been 
because I will not likely go to any
of those places again: Los Angeles, 
Columbus, Atlanta, Miami, Fargo.

There’s no point in looking at travel brochures
for places I never went to
because I will not likely go there now:
Tenerife, Juneau, Kingston, Omaha,
Tzitzicaztenanco, Lagos, Cheyenne, Rome.

I look into each room I enter now
long and hard, because I will not likely know
which entrance will be my last entrance,
which entrance will not be followed by an exit;
not that my struggle to memorize the details of each

will matter, for if I do indeed pass in that very room
right then and there, no one will know what I saw
and noticed. I will take that work with me
to wherever is next, or it will fade with my own fading
from sight. I tell you this now so you will know

how much it matters to me now that I am present
wherever I am.  When I pass I will strive
to hold onto that moment as long as I can. 
If it vanishes with me then so be it.  It of course
will vanish for you then, and I am sorry for that.

Just know that I have already stopped thinking of
Paris and Tzitzicastenaco with regret
for never having been there. That I have no regrets
for never having returned to Atlanta or Chicago.
I got what I needed there and hope I gave 

as good as I got from each. Whatever room
I depart from now, I will try to grace it. I hope
someone turns from me slowly cooling there
with love for my having been there. I will work
to honor all the spaces where I have yet to be.