Tag Archives: meditations

Observations On Cats Inside And Outside Of Boxes

A truck goes by.
One cat sleeps,
the other runs. 

I do nothing but watch.
I do nothing but tell
stories — some are even
true.

Was there a truck? 
I think so. If not, 
I’ll make it so.
Such power in lying
if this is a lie.
Such resolute power
in sitting and watching
if one can tell a story afterward.

The cat who ran knows this.
The one who sleeps might know this
or might not.

I can choose
the stories to tell
about the cats and turn them
into fodder. One’s sleeping in a box
and maybe isn’t even aware
that I’m here. The other one’s
ears keep twitching at the sound
of my keyboard. Maybe. Maybe
they move at the sound of starlings,
or in fear of the truck returning,

if there was a truck.

Schrodinger failed to account
for the observations
of the cat in the box
regarding the nature
of living and dying. He knew
the discussion was ridiculous.
He chose his story without asking
the cat for its view. The cat was likely
more afraid of trucks on the street
than such a story as his.

It would be nice
to know the truth.
Truth be told, I suspect
it would be best for me
to just pet the cats,
both of them,
while we’re all still here. 


Routine

A backhanded prayer,
a promise made in a meadow,
a body twisting,
a whole zoo of animal thoughts,
small-town bravery
in the face of big town
midnight,
a teacher rolling dice that nothing
will go any more wrong,
vacated bodies handled 
gently by lesser superheroes,
no victory to be had, 
no power to which to offer sacrifice,
no reason,
no reason,
no reason.

 


Apathetic Ghazal

Say that phrase no one will admit they love.
Say it as if you are proud to say it: I don’t care. 

Say it with your whole body as you turn away from today.
Say it symphonically, as a string quartet might play it:  I don’t care. 

So much to think about when you stare at everything all day long.
So many people you don’t know want to discuss all this. Say it: I don’t care. 

Say it as if it could cure the poisoned air, as if our need to weigh in
has turned such an admission into Magick: I don’t care. 

As if your opinion matters without action, if it matters at all with
or without action. Let your tone of voice be your action. Say it: I don’t care. 

Give it a place beyond this one. Put it out, free yourself.
Once free, you will fly. Fly now. Say it: I don’t care. 

Eat better, sleep better, be more at rest while awake; make love
without overthinking. Stop fretting and say, I don’t care. 

You ask: but how should I push through the blood in the streets?
Dye your legs red and blend in with the surge. Say it: I don’t care. 


After Jericho

It might not be an immediate fall
but I can wait for what’s clearly inevitable
for as long as it takes.

No matter if I die waiting
as long as I can be buried
with my horn in my hands.

I want my grave to be close by
in case someone tries to rebuild,
in case we are needed again. 

Last thought: for those who remain,
give some thought to those whose loved ones
were buried under the ruins, 

who had gathered there
simply because they heard music
and thought the angels had come for them.


Don’t Write A Poem When You’re High

Don’t write a poem when you’re high.
The words might be marked with hard labor.
You might forget how to make it look easy
and the struggle will be real for the reader,
not just for you. 

Don’t write a poem when you’re high.
It might sound like you put in work
and any instructions you followed from within
will be written on your hand for easy reference
and anyone who wants to look can look.

Don’t write a poem when you’re high —
if it happens by accident, don’t show it around.
Keep that one to yourself until you can erase
all the signs of how hard it was to get it on paper
without coughing up everything you’d been holding in. 


Headstone

As soon as I heard
that they’d set
my father’s headstone
I went to see it

with my carelessly curated stack
of memories and imagined moments
that should have happened
but did not

wrapped up tight like a deck
of worn index cards
with the essentials written
in carpenter’s pencil on each one

rubber band
holding it all together
so they would not come undone
in my pocket

elastic so old and 
blackened from age
that to attempt to open the pack
and sort truth from lies from wishes

would have meant losing
the whole of it to wind
or vagaries of chance 
revelation 

I’d hoped to leave them
on the base of the marker
then turn and go 
but here they still are 

stubborn and uncut 
back in my junk drawer
thick writing in crude lead
unfaded cryptic but clear

I will touch them now and again
whenever I go fishing
for a tool for some stubborn home repair
far beyond my capacity to achieve


Sun And Sundog

On the way home,
north on the highway;
falling sun on my left,
dim sundog in the clouds
to the right. Pillars
between which I roll
until I see the sundog
dead ahead.
The sun itself
has moved farther
to the left now, 

and then they are both
to my left
and the rainbow spot
once on the right has almost
come level now
with the nose corner of 
my left eye.

It’s my trajectory
that moves, not the 
sky. I know this —
but this illusion 
of change being
a destiny being achieved
beyond my own efforts
thrills me,
today at least.
One small joy
on this too often
untrustworthy path.
Today, at least,
I’m at peace,
moving between 
lights toward rest. 


Or So You’ve Been Told

You cross your fingers
and tell yourself that
if you are lucky
you will not be asked 
to open your bags
for inspection. You tote
too much of the forbidden
to be comfortable with that
if it happens. You fear
you’ll betray yourself
with your sweat
and be turned aside
for further investigation, or
be turned away completely,
ruining your last chance to 
get good and get gone. 

Or perhaps you’ll then be taken
to a stage, stripped, and told
to perform rationalizations
and apologies for an audience
who will say nothing as they stare
at the mess you’ve become,
all illnesses and stresses 
having broken through your skin
to manifest upon the body itself.
Once done, you’ll be redressed
and set back on the street
with your offending baggage.

You could tell yourself
you could try again to get by
but the line’s so much longer
than it was when you first arrived
here at this — station? terminal?
You can’t even say. You just came
because it felt like the way out;
after all, that’s what you’d been told
and the ones who told you seemed like
they had it on good authority.

The bags will seem
suspiciously lighter. 
You will open them
and rummage around
but you won’t figure out
what’s missing.

All this and you haven’t even 
packed yet. You’re waiting 
for a sign that it’s time.
You’re crossing your fingers
and swearing an oath
to take as little as you can
and still have enough
for the destination’s demands,
though you can’t know
what those will be until
you get there. What if
there’s nothing there at all?
What if it’s all provided
upon arrival, one of those
all-inclusive deals? 

Your hands are so cramped
you can’t even think straight
right now. You can’t uncross
anything about yourself 
after a lifetime of this.
You can’t just give it up,
get going, get gone. Not now,
not like this, or so
you’ve been told.


The Little Table

A fat old man sits and writes at a little table
in his living room for a few hours
nearly every single day:  
most Sundays, most holidays, even on
his annual birthday, which he
always assumes will be his last
and therefore whatever he writes that day
will carry special poignancy for others,
even if it’s just a list of grievances,
even if it’s never published and only shared
among the few who knew him.

That fat old man, they’ll say,
shaking their heads before naming him:
he couldn’t get past this even in sickness and 
in death. (They will be correct, but then again
he never aspired to be anything, really,
except a poet — not a writer but a poet,
and we all know what cautionary tales they are
at heart,)

Fat old, stupid old man, they’ll say.
Dumb bastard could have done
so much more than dying broke and 
insufferably devoted to how to set
complaints to music.  Fat old
sickness-sodden man, they’ll say.
He had love and honor 
and all the rest of the beauty of the world
to pick from when he wrote
and this is what he left.

The fat old man sits and writes
at his little table, knowing
“fat” and “old” and “man”
and even  “poet”
mean nothing, really. He
means nothing either: all that matters
is the light in the tunnel
from here to the shaman’s world,
where the dragons at the far end
of the long hall wait in ecstasy
to welcome travelers upon arrival
and later to bid them grand farewells 
when they turn away to go back and speak
of what they’ve seen. You’ll be back,
they say, and this is why he sits
at the little table every day he can
for at least a few hours, even on Sundays,
even on holidays, and will until
he passes.


Ein Jeder Engel Ist Schrecklich

Revised.  Original post, 2007.

Ein Jeder Engel Ist Schrecklich (Every angel is terrifying). — Rilke

Close a door, open a door.
Write a letter, burn a letter.
Endings are as easy as beginnings
when there’s little potency attached.

What makes it hard to end or begin
is the Angel of Possibility
who hovers on the margin 
of each decision. 

Her scarred wings, her fruit-toned breath. 
Each time I have flown with her
I have been scared of the height
from which I might fall.

Tonight she floats at the edge of vision,
near the door, beckoning to me.
I pray for my feet
to remain on the ground — 

yet she is an Angel, after all,
and I begin to rise,
attended by all the terror
I can bear.


Wednesday For A Change

Heat’s off. Sun’s way up.
Just planted tomatoes and eggplants
are looking right
and upright, for a change.

Trash bagged and on the curb.
Recycling bins full but intact. 
Nothing got at anything left out
overnight, for a change.

Not a single dead opossum
or skunk on the road
in scent or sight, for a change.
The neighborhood can-hunters

banter pleasantly
as they divide the homes between them,
and everything gets put back 
in the right place, for a change.

It’s nothing out of the ordinary
when the ambulance arrives for
someone in the green house
across the street. But this time

someone is stretchered out — 
it’s been a while since that happened.
At least their face is showing this time,
for a change. Right up the street

await the tow trucks to move the cars
that block the path of the street sweepers
who finally have come to fulfill the prophecy
of the signs hung so long ago, no one

still believed it would happen; least of all
on a Wednesday trash day, can picking day,
garden getting started day, save the life of my child
day. All happening at once, for a change.


Settlers

They settle.
It’s what they do.
“Colonial” now is just
a settled style, a label
for what to them is 
a quaint moment
in their past. “Frontier”
is a counter spell
they’ve settled on
to counteract
the miasma around
“genocide.”“Antebellum” prettifies
their mouths and settles
raw old acid in their stomachs,
and “settler” itself is now nobler
and sweeter than history
would suggest. 

They tell me to leave it alone,
say it’s just a way of speaking,
aren’t you tired of talking as if
it’s so damn deadly out here?
Settle down and look at the lovely eclipse
or something more or less not
killing you or those you love right now.
So much beauty in the world. So much
to be said for that, you one-note note taker
on the warped order of the settled places;

try speaking instead of what you think
of the sparrows and starlings. Speak of how they settle
on the feeders or the ground to eat and eat 
and shit and eat some more, of how they do it all
so natively you’d think they were here all along.
Settle in, half-breed; after all, you look like you could belong.
Find some beauty round here and act like 
you are the poet we know you can be and watch 
the sun come up over the old farm pastures
where the surveyors and diggers have yet to roam.


Opportunity

We believe
you should know
that you could become
the face of the moment 

like a green-eyed girl
in a refugee camp
on the cover
of a magazine

or a girl kneeling over a boy
shot through the mouth
in a newspaper story
about an antiwar protest

You could be even be more
A whole country’s heart-sized hole 
A tear-trailed staring mask 
A death-flecked dirty suit of clothes

hovering by a mass grave
full of black plastic bags and flies
in the wake of a conflict
we’ve chosen for all to see

We think you have 
what it takes to be
the specimen needed
for such a time

We can even leave your name
out of it if you prefer — trust us
Ever hear of Sharbat Gula
or Mary Ann Vecchio

Just think it over
Sleep on it 
We’ll get back to you
when the time is right


Wires Got Crossed

Third floor neighbors 
had a lovely cat
who went nuts one day
and attacked and drew blood
from all who came near.
No disease, no injury
was found after they put her down;
no one could explain, the vet saying only
that no one knows, sometimes,
how wires get crossed.

I got up to pee last night
and grandmothers,
none of them mine,
were everywhere
in the house —
musty old aprons a-flutter
as they thronged the rooms
silently disapproving of 
everything. I came out
of the bathroom and they
were gone, with only the scents
of lilac water and disdain
left behind. I went 
right back to bed as if nothing
had happened, as if no sacrifice 
or offering could or should be made
in response.

It’s faintly ridiculous
to hear all this talk from all sides
about saving “the country”
when “the country” in question
is as dead as a roomful of 
broken disappointed grandmas
and as savage
as a cat in a third floor walkup
who hasn’t been
outside for years and
chooses violence and death 
as a worthy way to go. 

I don’t know why
any of this has happened
or why I don’t keep sage
in the house against such things
any longer, as I once did,
as if no one knows
how wires get crossed.


The Norway Maple

In a strong box buried
under a Norway maple
brought from Europe
when they first came here

they keep the old education
they refuse to acknowledge
in daylight. Knowledge
they leave to you to hold

as they smash away at your hands, 
ways of thought they turned off
and stashed in the box they claim
holds so little that it’s not worth opening.

Anyway, the box isn’t yours, they tell you.
The box holds Atlanteans, aliens,
Templars and old ones from 
everywhere else but here. Go forth and be

mascot, crisis actor, crystal-waving 
smudge idol for a generation of fakes. 
When we need you, we’ll let you know.
When the box rises from the ground

like a coffin displaced in the next great flood,
we’ll let you know. When the Norway maple
dies and falls upon us, we’ll let you know.
When it’s too late, you’ll figure it out.