Birch

Revised from February 2022. 

I’ve been birch,
the definition of bent.
Look me up. See how weight
falls from me. It is how I am 
able to hold myself intact
within my pock-scarred,
inconvenient bark.

I’ve been oak,
stubborn unhollowed pillar.
Hear the rain of acorns denting what’s below me.
I am seen as somehow admirable 
until I fall and crush others,
or until someone else falls and is broken
while trying to pass over what I leave behind
year after year.

Now, I wish I had been sawgrass or perhaps
wild oats or purslane, enduring, closer to the soil;
or maybe some weed I cannot name now,
less obvious, more or less scarce or extinct;

but instead I’ve been
more than once
one of the trees we lean on
to provide us with metaphors
for falling and breaking,
ending and beginning again
in the breaking that follows a fall. 
Whoever can say it ends here
will free me from a cycle
built from splinters.


Praise Poem Against The Grain

Revised from 2009.

There are people who think we should all write more,
one poem a day, one thousand poems a day,
five hundred fifty five thousand poems a day,
one for every thought that slips along our nerves — 

excepting only poems about poetry.
The belly full of meaning poetry offers should be emptied.
The places it lives should be cut out of us.
We should never write of it or speak of it.

What nonsense — to go into church
denying that church is worth discussing in church. 
To refuse to cry ecstasy when ecstasy is upon us,
to refuse to explain what it’s like to those all around.

I’m ill informed tonight, and half asleep.
I haven’t watched the news for a week.
I’m alone with no one but the cat
curled next to me on a fleece blanket. 

A documentary on Crohn’s Disease
plays unwatched in the next room. 
I could get up, or I could stay here
until spring.

All the poetry I have tonight is the poetry of poetry itself — 
a right whale inside me, dangerous, endangered,
rising island within my body reminding me of marvels
that could slip away and never return.

There may be something else to write about someday
and the poem I write then may be fibrous, luminous,
may hold together on its own
and pass from me without pain.

Tonight I write one poem about poetry,
write it over and over again, 
one poem for the blessing of knowing
that poetry still exists in me,

even if
it’s hanging
by a thread. Even if
it hurts.


Adjusting The Woke Curriculum

They live for 
their children
only through their
bullets.  

All they will grow to know is
how to love a bullet and 
how to scorn what a bullet
can cut.

They say we’re in a shorn world now,
skinned of warmth and softness.
No learning to be found in anything now
but tales of flame and steel.

So what’s with
that sobbing kid 
poking with a stick
at the just killed rabbit in the gutter 

in the front of the neighbor’s house?
Must be queer. Must be damaged.
Get him out of sight, root through
his books, then shoot or set fire

to what ails him.


Cures For Imagined Illnesses

the most common side effect
is nickels in your blood

other side effects may include
eagles overhead

metallic responses to stimuli
wooden responses to the scratch of dug-in heels

the most common side effect
is a darkness flavored dance step

other side effects may include
nausea and irrational amusement

thudding banging on love locked doors
creaking banging on basement couches

the most common side effect
is an inability to love as you once did

other common side effects may include
uncommon scents blowing through the neighborhood

thoughts of kissing a leaf or knife
thoughts of how to resuscitate a Sphinx


Once again…

“The Poetry Of Place” will be held via Zoom on Sunday, January 22nd, 2023 at from 2 PM to 4PM EST.

In this workshop, we will look at how incorporating vivid, arresting sensory imagery can stimulate and energize your writing. We’ll look at examples of such poems and at some ideas about why this kind of effort is vital to The Work regardless of genre. (While we’ll be focused on poetry, you can use this information in long fiction, short fiction, etc., just as easily.)

Although the workshop will include some writing exercises and opportunities to share, it’s not primarily designed to be a generative session; I hope that instead you’ll leave with some ideas and a sense of what is possible when you “ground” your own Work in a strong sense of place.

 

For the record? I’ve got 30+ years of experience as a trainer and workshop facilitator for various corporations, non-profits, and government agencies, but this will be the first time I’ll use those skills for a personally developed topic. It likely won’t be the last…

The cost to the general public* is $35.00 for the session, payable through:

Venmo:
@Anthony-Brown-95
(if asked for a # after that, it’s 4124)

or

Paypal:
tony.w.brown@gmail.com

Last day to join up is Friday, January 20. **

I’d love to see you there. Drop me a line through here or at the above email address with any questions.

T

*Patrons of my Patreon site in the $10/month or higher tiers may attend for free.

** For security reasons and to help prevent Zoom bombing, I will send participants the Zoom link once payment is made or (for Patrons) once a confirmation message is sent to me on the site.


Couple At The Corner

Couple parked at the corner, 
lights off, big gestures;
arguing perhaps, speaking of
love perhaps, or perhaps of money, 
talking loudly of how one
may stall the other, how love 
conquers money, how money 
straps down love.

A newer model car,
which means nothing. A younger
looking couple, as far can be told
in this light, in this darkness — which
means nothing.

Perhaps instead
they are older 
and reliving their shared past,
or their unshared pasts.  Maybe one’s 
had the love, one’s had the money
till now and they’re looking toward 
whatever comes next
and not between them.

Perhaps, 
perhaps,
perhaps — old song
in someone’s head. Old wounds
singing to new ones. The world
surging on beyond whatever
they are gesturing toward.

The streetlight 
sputters, then goes out. 


The Blessed

“then we move like tigers on Vaseline”  — D. Bowie

Guitars waiting on stage:
trees around a clearing,
glorious hazards
waiting there. 

Evokes
a forest rife with
stealthy predation,
camouflage, danger on ice.

Suggests
the existence
of a treated 
jungle floor, 

big cats
disturbed but adapting, 
beginning to enjoy
gliding about.

Regret nothing,
pray for no one here.
Sliding about in darkness
is freedom.

 

 


Yes, I’m posting it again…

“The Poetry Of Place” will be held via Zoom on Sunday, January 22nd, 2023 at from 2 PM to 4PM EST.

In this workshop, we will look at how incorporating vivid, arresting sensory imagery can stimulate and energize your writing. We’ll look at examples of such poems and at some ideas about why this kind of effort is vital to The Work regardless of genre. (While we’ll be focused on poetry, you can use this information in long fiction, short fiction, etc., just as easily.)

Although the workshop will include some writing exercises and opportunities to share, it’s not primarily designed to be a generative session; I hope that instead you’ll leave with some ideas and a sense of what is possible when you “ground” your own Work in a strong sense of place.

 

For the record? I’ve got 30+ years of experience as a trainer and workshop facilitator for various corporations, non-profits, and government agencies, but this will be the first time I’ll use those skills for a personally developed topic. It likely won’t be the last…

The cost to the general public* is $35.00 for the session, payable through:

Venmo:
@Anthony-Brown-95
(if asked for a # after that, it’s 4124)

or

Paypal:
tony.w.brown@gmail.com

Last day to join up is Friday, January 20. **

I’d love to see you there. Drop me a line through here or at the above email address with any questions.  

T

*Patrons of my Patreon site in the $10/month or higher tiers may attend for free. 

** For security reasons and to help prevent Zoom bombing, I will send participants the Zoom link once payment is made or (for Patrons) once a confirmation message is sent to me on the site. 


Updated list of available eBooks, January 2023

I have eBooks/PDFs of my work available for sale to those who might be interested. All were previously offered as rewards to various tiers of my Patreon subscribers (a program I will be continuing there, btw). If you want access to the most recent collections as they come out, I’d go there. Just sayin’.

The titles include:
Annual “best of the year” collections. Currently available: 2017, 2018, 2019, 2020, 2021, and 2022.

“Then Play On,” a chapbook of poems about music

“Pushpins and Thumbtacks,” a volume about icons and cliches of American culture

“Noted In Passing,” a revised eBook of a chapbook from 2012 that was a limited edition written for a single feature

“White Pages,” my collection of poems related to race and its role in my life

“Decay Diary,” a collection of poems about aging

“In the Time Of Contagion,” a collection of poems about you-know-what

“The Wrong Flowers,” a prose/poetry meditation on the state of the USA in 2020

“Show Your Work,” an eBook version of an earlier, out of print chapbook.

“The Day,” a selection from 20 years of poems about 9/11/01.

“Ideation,” a short collection of poems old and new about living with depression and suicidal ideation.

“Long Winded,” a collection of longer poems.

“songs for reluctant warriors,” poems for the US political moment of early summer, 2022.

“3 Quarters” released in October 2022. Random and recent.

“Owner’s Manual” released in December of 2022. Poems in the form of directions.

Minimal # of repeats among the collections.

All are available as either PDF or ePUB formats.

If you are interested, let me know with a comment on this post. They are 1 for $5 through Paypal or Venmo, 3 for $12. We can talk about more if you want more.

Thanks.


Activist Chic

I’ve punched up. I’ve punched back. I keep
punching though every blow busts my hands a bit more. 

I don’t much care about direction. All I feel
is a need to punch. Swinging is 

patriotic. Connecting is manly. Walking away
to seek a new battle is as natural to me

as a storm disappearing after shredding
everything, heading off to look for work elsewhere,

as staying home to rebuild is work best left
to those who won’t punch hard enough 

to level a field that needs clearing. I level up.
My home’s a bad place now; no one’s willing

to do dirty work. Dirty wet work is how 
I have become what I am: alone. Advancing

toward the next battlefield, then the next.
Making my way away from what I thought was home.


Out West

I wish I could get back to San Diego
where the breeze is full of distant danger
as it comes in off the waves and warships
sit forever ready, but for the moment I was there
all was at peace and all I had to do was sit and watch
the light and the water and the bright promises
of what was ahead, and put what was behind
out of my mind.

I wish I could get back to Seattle
where I slept on a hotel roof and raised hell
with all my friends on streets in the shadow
of the Space Needle. It pointed up, I lay there
looking up, it barely rained that week, but I had my cot
under an overhang so what if it did? They say
it’s all gone, all I learned to love in a week, all the dirt
that made it lovely, all the night that made it brighter
in the safe corners of the hotel roof. 

I wish I could get back to a carnival I loved
as it was when I was eighteen — 
to any of them, really; terrifying workers
in the booths, terrifying rides in the midway,
a field full of games built to seduce and rob us
of our last dollars under the bright lights —

then I wish I could get back to how it was
in the dark field behind the carnival,
beyond the last slat fence; the field where I lay
on my back, her long hair framing my face from above,
the moon visible behind her and above us both,
as our hearts at last began to slow down. 


Adjustments

People think these are poems
But they are more like adjustments
My bones crying out like
A door’s being shut

People worry my frame
sounds just like a breakdown
When comes the adjustment
You will hear me crack

If they call me to answer
they can call me in Hell
I shall have my phone silenced
for I break when it rings

People ask for more
and then more of the same
From a man who can’t answer
without crumbling within

They think these are poems
I’m stretched to create that
Stretched to create this
and I still can’t stand straight

If pain is a virtue
I’m topmost among angels
If poems are adjustments
why am I still so bent


The Nicknames

Five-thirty AM, a couple of days after Christmas. 
The street is grinding awake again as always,
as it did every day before the holiday pause.

Across from us the neighbor we call
“Jeep Lady” (to distinguish her
from “Escalady”) is trying to figure out

how best to pull her Grand Cherokee 
out of its tight spot into the road.
Her wheels grumble in the gravel

left by the sanders and salters
as she twists them back and forth
until she can pull out and drive away.

The black Escalade won’t be moving 
until later on when “Escalady” comes out
to take her baby to daycare before work.

Next door the cabbie on the first floor
gets his motor running long before he leaves
for the long day ahead. We don’t have

a nickname for him yet. They just moved in
in early December and there’s been no storm
thick enough for the bonding ritual

of pissing and moaning to each other
while shoveling out
our driveways. 

The junkie who lives upstairs from us
(who we unaffectionately call “Shithead”)
has already gone and come back from the clinic

as he does every day before dawn. His rotten 
Hyundai makes a sound when it turns over
like the slide whistle from a circus act. 

Here I am, at work before any of them,
my old but solid Subaru cold in the driveway,
my love’s Beetle parked until its repair appointment

next Monday. And nothing is moving here
but my fingers. What do the neighbors
call me? A bum? A writer? How would they know?

That fat guy with the fallow container garden along the fence
and the frozen solid compost tumbler?
I doubt that they think much of me at all,

as I don’t think much of me — one of those
who sits and observes and then talks about
sitting and observing and doing it again tomorrow.

New Year’s Day soon. 2023 looming ahead.
Gotta feeling ’23 is gonna be the same year
as ’22. It’s almost like the Who said years ago

in that obscure song from “Tommy”
except in the song they expected a good year,
and I’m not expecting anything anymore.

Not a nickname from a stranger.
Not a change in the view from this couch.
Not a chance in hell of avoiding a storm.


The Invisible Man

I once knew a man
who existed so completely 
within his own invisibility
he lived a lifetime
not as much in the shadows
as in the light which gave them birth.

He could go anywhere
and be anything. Often enough
that meant he’d be standing
in the halls of power, so to speak,
and being invisible he was able
to whisper into power-filled ears 
and make the ministers think
they had brilliant ideas
all on their own. 

Just as often he’d stroll about
among common folk
and listen to them, now and then
easing their minds with advice
and offering insight into their problems
which he’d gleaned from listening
to their loved ones complaining
about their foibles and faults. 

Now and then, 
he would push an evil one
into suicide. Called that
their due but never 
cheapened it with
pretending it came with 
glory for himself.

Acting as such a God
gave him a certain gravitas
he always tempered with wit
and a touch of sorrow.
“With great stealth 
comes great possibility,”
he’d intone.  And then
he’d vanish again
and I’d be left
to make sense of and act
on what I’d heard,
which was only a chore
if I forgot how easy it was
for him to be completely present
without being unduly seen,
and if I forgot
all he had ever taught me
about how to do the same. 


I Got Things To Do

I got things to do
and I can’t get up and do them
It’s too late to begin in this time zone
Too early to begin in others 
and the places where it’s the right time
are too far away to get to in time 

I have many things to say
and the time I have left to say them
is running short
Some of them I need to find the words for
and some of them I need to invent words for 
but most of them are likely to remain unsaid
and people will wonder
for at least ten minutes after the end
what was so important that I died
from choking on those stiff syllables

I missed looking into eyes
as much as I should have
I missed listening to undertones in other voices
and distinguishing them from my own head-voice
I should have picked fewer pockets for love
and laid my own meager holdings out to more people
We would all have been the richer for it

But now I got things to do
It’s snowing nearby and getting closer
Warmer is better than freezing
I’m freezing though the house
is warm and there’s little threat
that anything about that will change
The shiver within is from knowing
what won’t get done and said
before I slowly come to a full stop
staring at a finish line no one else can see