The Body’s Intentions

This plane I’m on
is falling to earth,
and I’m still growing.

This train I’m on
is swerving from the track,
and I’m still growing.

This car I’m in
is aimed at the wall,
and I’m still growing. 

The needle
and the hot shot are waiting,
and I’m still growing.

The bullet and the knife
are prepared,
and I’m still growing.

How clogged I’m becoming
from poisonous food.
I’m still growing.

How angry the liver,
how broken the aorta.
I’m still growing.

If I fade into the couch
and stop moving today,
I’ll still be growing

until all the hair and nails
and bones and fat cells and organs
decide to call a strike.

This body is
unfinished business
until it decides otherwise.

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You’re Artsy Because

You’re always imbuing
everyday stuff
with meaning,
like that strawberry shaped bruise
on your forearm
you got God knows where;
you keep calling it
a sign.

You’re artsy because
you want to commemorate
the oddest holidays:
Festival Of Dolls, National
Eat A Licorice Gun Day,
International Toilet Paper Tube Week.
You want to wear their banners
instead of your coat
in a blizzard. 

You’re artsy because
you actually think my world view
can be improved
and you keep trying to improve it
by being utterly yourself.  Whoever
heard of such a thing? 
Everyone knows
we’re better off
being more like
other people,
right?

You’re artsy
because if it’s nothing else, it’s art,
and I don’t know
what else to call
the improbable twist that is you.
I’m saying that’s you
being artsy,
creative, inspired,
though none of those words
means a damn thing close to the truth
of how electric the air is close to your skin,
how luminous surfaces become near you,
how the seeds of new things
are everywhere you step,
how much a lover of art
you make me.

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Supermarket Muse

From the yoga pants
to the pretty hemp bag,
she’s the very model
of the modern conscious mom;

if we walked together
there would be wonder at how
we’d found each other,
and how the child came to be

because I am anything but
that match you’d expect for her,
and all my fantasies are unnatural
and full of folly;

we don’t pass through the same circles
and a guy like me is the furthest thing
from her mind.  In fact, she’s the furthest thing
from my mind as well; one moment

of wonder does not a crush make. 
I can’t see me being that close
to anyone that clean and honest
in her enthusiasm

for the care and feeding
of family and the rest of the world.
I’m a dirty bird with a bad heart
and a trail of smoke in my mouth

almost all the time.  Women like her
set me to thinking
how I got here, that’s all;
I like where I am, as she must like

where she is.  Any thought
of connection is silly.
Any thought at all that contains
the both of us in it is sillier still.

So I’m headed for the beer aisle
instead of lingering near her,
and that’s a good thing for both of us
and for that kid she’s pushing

in the stroller that costs more
than I make in a week.  I’ve got
my own stuff to do without taking
a single moment to do for another.

Anyway, if we were somehow to meet
I’d probably have to quit smoking
and get a real job, and I imagine
neither of us would like the guy

who’d be left in my skin
once that had happened.
Best to not even entertain
such thoughts.  Best

to pass as ships in broad daylight
with plenty of distance between us.
I don’t even know how I got on this,
and it’s time to let it go.

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Immigrants, Settlers, Etc.

Borders
previously thought to be
mostly symbolic
are hardening.

See them from above and
you might begin to believe
in them, they seem so solid —
fences, towers, narrow war zones —

but crossings still happen:
tunneling under, vaulting
across, cutting through
the wire.
Something there is
that doesn’t love a wall?
Yes.
Good fences make good neighbors?
No —

all fences make neighbors
out of family, and we long
for family. 

Every frontier ever
was born of a longing for a real home
unlike the one left behind. 
Maybe we’d create one,
maybe we’d meet one — maybe
we’d kill for one. 

Every one of us who’s ever sought
one
cuts through something to find
one.  Immigrants,
settlers, etc.;  they made a home,
someone drew a line,
blacked it up on a map, and
now they build it up on land and sea —

what in history
could ever have made them believe
it would work this time?

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Home For The Holidays

Re-gifting:

the Christmas tree burned
in a barrel
by six homeless men

who are feeding from
discarded party platters;

earlier, one crumpled up
discarded wrapping
collected from many recycling bins
to insulate the refrigerator box
he’ll sleep in.

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A Man Learning Things About Himself

A luxury car in a mortgaged driveway.
A sleeping family down the hall, up the stairs.

A shark’s head mounted on the den wall.
A fat ass in the leather desk chair.

A sandwich and a beer on the desk.
A porno on the computer screen.

A shift in his eyes.
A wriggle in the seat.

A possibility?
A way out?

A moment before the flickering scene passes.
A forearm wiped slowly across his damp mouth.

A second click.
A replay. 

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Poem

I don’t need your slogans
or the umpteenth recitation
of your mythic pain.  I’m not
unsympathetic, but truly prefer
you stay out of your poem.

Tell me instead of the raw roots
that are ripped out by bombs
to dry in the flesh-stinking air,
and tell me of them
in their voices.  Make them sing

in the filthy wind.  Make me
cry because you’ve listened to them
and then gotten out of their way
to let them sing.  You and I can speak
when they’re done.

I know you’ve been hurt, been loved.
I know it because we are humans
and sharing is human.  Tell me instead
of the shape of pain in such a way
that my own pain takes that shape.

Step aside from your own story
and tell me my own, our own.  Mix it
with pain and joy in equal parts,
toss in boredom and impatience
and acceptance for flavor. 

And for the sake of all that is real,
don’t just say “boredom” or “suffering”
or “joy” and expect that to be enough.
I want to feel them like stones in the road
under my bare feet, unshod because

I was compelled to slip them off
when I entered your poem, as if I’d entered
a small church or the home of a
holy spirit and knew at once
I had to humble myself to hear.

Tell me of the crank on an old pump
that brings sweet ice water up
from the skin of the earth.  Put my hand on it
and then step back.  Let it come up
and splash me, and let me drink

for myself.  I’ve been parched for a long time
but I have not forgotten how to drink
from such a spring.  I will love the poem
more for the space you’ve left inside it
that holds the water.

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A Dog

Spilled anger
wets his mask
until it sags.

What you see underneath
is blue, reddened, splotchy,
and gaping open;

those are big teeth,
and those many, many spots?
Blood, his own.

His hands jumbling
up the scraps
of previous charade (as if

it could be replayed
now that the rage beneath
is so obviously out

in the open) — you know him,
in fact you know him very well.
The mask always has meant next to

nothing.  You were not fooled.
That was no real face visible
on his head

and you always suspected
what the face beneath
would look like.  You

are not disappointed, exactly,
by the revelation.  Yet somehow,
you pity him for this: it seems the monster’s

a dog, a mad dog perhaps but still
a dog.  And dogs?  Dogs
can be put down with very little fuss.

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How To Establish A Legacy

To remove your clothing
in public
is dramatic, perhaps even brave
or useful; to put clothing back on
when one has been
publicly nude
is also dramatic, but
this is not usually done
for an audience, as most
prefer the end of mystery
to the resumption of mystery
and see the latter as deception;
when one resumes a deception
before the world,
those who became naked as afterthought
and did not participate
in the original drama will feel cold
and cheated.

All this is to say
that to decide to swim naked
in the main stream
ought usually to be a final choice.
One should not go backwards from there;
indeed, it is made nearly impossible
by the ever-judging audience.
They know you too well,
you see,
for any of them to not picture you
naked ever again.

Still, there are those
who do pull it off,
but it takes time and patience
to be among them,
and you must wait
for an entire generation to pass
before you can walk out clothed
as you wish again, out there
among your disowned heirs, the nude
public, in all their skin
and bare finery. 

No matter how wonderfully
you are arrayed,

it feels a little hollow
when you step out that way.

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Introspection

It’s a shuttered charm school
in here: a lot of ghosts learned
in the arts of restraint and poise,
but not much that’s still alive.

All I can taste is smoke
from the butt-end
of a burned heart.
It’s all I can do to stay inside.

If the door I used to come in
is still clear and still leads back
to clean air, I can’t see it.
I should have left a trail.

As it is, I’m stuck here, I guess,
learning to make sense of this;
drinking poison with my pinky raised,
choking on it with my lips sealed.

It’s all I can do to stay inside.
The whole damn place is still alive.
I should have left a trail; better still,
I should have left this sealed.

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Making Progress

The simplest approach
to the remaking of the world is to
let go of the tug of war

between past and future
and let Now happen: unavoidably,
there will be pain.

Someone holding on too tightly will fall,
become bruised and filthy and angry.
Someone’s going to make a lot of noise.

It happens each time we do this,
and it doesn’t matter that it happens.
It has to be “we,” and it has to be “now.”

and there will always be tears.
Even if nothing’s being done.  Even if
it’s still the same old world as always,

there will be tears.  Trying to pretend
that no one ever cries is dishonest,
avoiding change to prevent crying

is being dishonest with ourselves.
We just have to let go the rope
and fall if we’re ever going to stand up again.

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Christmas Eve At The Airport Lounge

The rumpled
training manager from Grand Rapids
is clearly one sheet away from
three sheets to the wind when he blurts it out:

“I don’t care what you think
about the divinity angle — it’s
a heck of a story.  Think about it:
child bride, older man, infant
in a bed of straw, animals (there HAD
to have been animals, man, it was a
freaking stable), and then those kings
and the fancy gifts and the comet
in the sky above:  even if the angels
were a fabrication, the whole damn cosmic order
shows up in that little tale — and there’s death
and taxes, courtesy of Herod —
that’s a heck of a story, as if every element
from human royalty to the plant kingdom
(if you count the straw)
was in communion with the homeless
and the galaxy and the myrrh and all.”

He lifted the glass again,
poured the last of the bourbon
into himself.  “I get tickled
thinking about it.  I mean,
here you and I sit in an airport bar
like we’ve known each other forever,
brought together with all these other nomads
and there’s that bird stuck in the terminal rafters
and the lights on the runway like stars —
I think of the story
and I see it happening
all the time;
and all I have to do
to make it real
is look around wherever I find myself
and find out what’s being born.
I’m not saying
I believe it all happened that way,
of course; and I’m fine with you
believing whatever you want,
I’m just saying
it still keeps on being
a heck of a story,
no matter what you think
of the Virgin Birth part:
something to think about
while we sit here stranded
a long way from home.”

I don’t want to be here,
listening to this,
staring out the big windows
at huge, immobile planes.
I just want to be home.

I don’t want to know this guy
or think about the story
while billowing sheets of snow
scoot across the tarmac
reminding me
that even if there is a hotel room
out there, it’ll be sheer misery
getting to it;
I just want to be home.

But we’re here, the training manager
and the nice young couple with the baby in the corner booth
and all these other random folks,
and I’m here too, and while I’m not going
to take a census of us all,
I bet no one wants to be here right now
hearing this
so far from home.

He’s so loud,
so drunk and getting drunker,
and he smells of something sweet
and pungent, and he keeps talking
while home gets more and more distant
even as we’re sitting still.

I’m not going to tell you
there is any redemption here —

there’s just the story
and the telling
and the wish for the messenger
to keep it to himself
while I wonder about that sparrow
who can’t fly out of here
into the cold of the dark winter storm,
but who will evidently try
till he can try no more.

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Derailed, 3 AM

I am trying to get sleepy
but time is refusing to budge
from the track it’s on
and there are after all many hours of the day
we waste numbers on
considering how often most of us see them
I am trying to get sleepy
but the night’s flexing its muscles
showing me how strong it is
by holding me by the lapels
and not letting go
I am trying to get sleepy
without aid of alcohol or weed or heroin or death
and it’s a no go tonight for the straight man
who seems to be stubbornly awake and alive
when sleep is the most important task before him
I am trying to get sleepy
but the damn sheep are singing
at the top of their woolly lungs
I am trying to get sleepy
but the sirens outside
sing as well of other people who aren’t asleep either
it’s criminal how they torture me for their sleeplessness
arrest all the waking rascals
me too
I need to be imprisoned somewhere boring
with gray walls
and nothing to stimulate me
it’ll be like sleep
even if I’m awake
losing track
to time

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Meteor

The meteor never knew
how hope grew from the light
it gave to the watchers below,
or how they hung their wishes
upon it. 

It did not know
how alive it made those people feel,
how for a few seconds
they put aside their envy
of those around them
who seemed to have had all the luck
and told themselves they now had
a little of it themselves
because of what they’d seen.

Someone will no doubt say
this is an argument
against suicide, how you never know
who will be lit by your passage;

someone will be wrong,
someone will have missed the point
that awareness or lack thereof
would have changed nothing
for the meteor, which fell
into vapor according to the rules
which also gave the people below it
the light from the burning
and the hope is always
a secondary and unintended
effect.

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In Such Small Words

It is said that
once,
we had
myths
we lived by.

One myth told of a rock
that shone in the dark
as if it held a star.

All wished to see this
but it was thought
that to view that stone
was to die.

But one night,
back when we lived in camps,
a young girl found it
and took it home
for all the tribe to see.

Its glow,
a wine on which
they grew drunk,
raised them all to joy.
They danced, they fell down,
they were spent.

While they slept,
a thief came and took the stone.

At dawn the tribe rose,
still drunk a bit
on stone wine and shine of myth,
and in rage and grief
surged out from camp to find
and kill that thief,
take back the glow
and the source of the glow;

but he was not found.
We seek him still.

In such small words as these
we tell all our truth:
if the girl
had not found the stone
we would not have known
joy, if the thief
had not seized the stone
we would not have known grief.

We still blame the girl
and kill her each time the dark falls.

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