Within Reach

At the end of a tangled day
I want a house that lets me in
when I’m tired, cold,
and ready to rest.

I want someone to offer me
the sweetness of kinks straightened
and knots cut or unraveled.  

I want a meal that does not feed on me
for hours after I’ve eaten it.

I want a few fine things to comfort
my bruised hands.  I want to touch
the good work of similarly 
bruised hands.

I want to sleep,
dreamless, 
for a whole unbroken night.

I want, I want, I
want.

I’m done with denial. Denial
cut holes in my hands,
and these things have slipped through.
Soaked in fatigue though I am,
I want to rouse my deadfall body 
to reach for those things,

and I want them to be
within reach. 


Bullet Points

Been sitting here in the chamber
a while now, looking down the barrel so
while I saw this coming,

that does NOT make it easier,
trust me.

Him finally putting the barrel to his head —
fuck no. I was not meant for this, so

when he at last squeezes that trigger
and the pin hits me in the ass,
I flat out refuse to fly;
I stop when I kiss his temple.
I just sit there.

He turns the barrel to his eye
and stares at me.
Bursts into tears,
shakes me free.

I’m lying on the carpet
twenty, thirty minutes
when the sumbitch decides
to try again…and I’m thinking,

ah fuck,
Tommy’s next,
I bet he don’t give
a shit how this guy
ends up —

and he doesn’t.


Prose

Prose, he screams
Prose
It’s all prose
Maddening straighforward
dog after cat after mouse after crumbs
Love after lust after like after glance
Sitck a condor in there, he rages
Wrinkle the cloth of living
so it mountains and valleys its meaning
Dam up the slow erosion of simple streams
then let it loose in torrents
I want to be excited
I want no story in the way of direct apprehension
of how it feels and means to be RIGHT THERE NOW
and that condor better make me want to soar

Prose, I tell him
Prose
Is what we have now
There’s a music in this madness someone ought to play
I like a condor as much as the next guy
But there’s nothing soaring here as far as I can see
I want our easy rivers to cut as they desire
And the land here’s flat and it needs a story to rise
I want to be excited but I don’t need to try for that
These people speak in storms if you listen
And right here, right now feels like a chest cold
Stops the breathing and strangles the throat
If I choose a poetry made from our workaday wheezing
If I choose a poetry that smells like discount soap
If I choose a poetry that wants a paycheck and not a treasure chest
I think I’m closer to the condor’s flight than you
Because the condor doesn’t soar just to make you swell with art
That bird’s looking for food
And I imagine he’s too hungry to care
if you want him for a metaphor just now

 


The Fellowship Of Christian Drunks

There we are, all together with our thick hands swollen around our bottles, the knuckles purple and white and brown like the rutabagas we sometimes gather from the ShopRite dumpster for making the rotgut that we don’t prefer but will on occasion settle into when all else is out of reach and one of us has found a place to set up a still.

We call ourselves “The Fellowship Of Christian Drunks.”  It amuses us, as most of us have only a couple of uses for the Bible.

Our motto is “When Hell starts freezing over, we’ll be the ones gathered around that last flame.”

Our first use for the Bible:

We seek certain Bibles in old flophouses and churches, in thrift stores.  Not the new editions, and no Gideons, but the good old King James and Douay versions with those thin, thickly-inked leaves…Tear a section from a page, stuff it with tobacco. Spark it, inhale, exhale. I have always found the Old Testament burns more slowly than the New.

People love our windy pronouncements, our crusty prophetic faces, our beards full of crumbs…They keep their distance because of our rutabaga hands, potato noses.  No one likes their vegetables.

Our second use for the Bible:

Our name amuses us because it promises redemption, but the truth is, we don’t know from redemption…truth is, most of us like having that Bible close at hand for its potential.  If Hell ever does freeze over, we’ll tear the pages from the bindings and start that last fire from the last embers of the Inferno…what pages we have, that is.  Most of us burned through Leviticus long ago; some of us have only Revelation left because we groove on the metaphors.

The Fellowship Of Christian Drunks!  Is there any other kind?  We don’t trust a non-Christian drunk, never let one in; how can you sink into vice without a ballast of guilt to make yourself heavy?

Rutabaga hands, potato noses, and in our chests the last beets of hope.  The ruby flesh, the pure blood of what once was healthy and growing…When Hell finally freezes, we’ll be gathered ’round that barrel full of quick-burning visions, rapt in our ragged hymns, sucking down the dregs of the poisons we’ve lived by.

At the finale, you will at last love us, if only for the sound of our singing as we fade into the ruins of the only warm place we were ever permitted to live.


Diary

All morning, the Work,
interrupted by a talk with an old friend
about the weird weather.

More Work, then more talk with another friend
about him fearing the future.
I have a lot of that to say, too.

To the store for dinner.
An old man counting out his wallet
while the cashier waits.

Late-day coffee.
The woman in front of me
clutches keno tickets.

Homeward bound
with a few bags of food
and new music in the car stereo.

Warmer now
than I was at midday.
Broke, wired, but feeling lucky.

Good things ahead, I hope.
I get the oven ready and begin,
still humming.

I can’t wait to feed another.
I can’t wait to be fed.
I cannot wait to forget the diary

and leave the entry
till tomorrow, when I may choose
to say nothing about today at all. 


Old Time Religion

I know what you want.

You want paintings 
of recognizable things.
You want poems that rhyme.
You want movies chock full
of doomed bad guys
and predestined matches
made in heaven.

Most of all, 
you want
a certain kind of music — 

you want “The Way You Look Tonight,”
you want “La Vie En Rose,”  you want
chanteuse and lounge and cabaret.

You want the Oscars and Grammies
to call to you
and you alone…

You want everyone
to stop laughing
when you ask  them to
but most of all

you want everyone to pay attention
to your faith
and follow your sacraments 
the way they used to.


Work

you let yourself fall on rocks
even if yet-unknown hands
are not there
to catch you 

and when they do not

you honestly rise
and honestly fall again,
honestly expecting
to be caught 

and when you are not

you get up again
and do not lie about your fear
but fall again
this time expecting
to be caught

and when you are not
you do it again
and when you are not
you do it again
and when you are not

you get up again
and fall

eventually you break the rocks


Locally Owned Coffee Shop

Bored with the couch
and the desktop,
bored with this particular
slant of light
this particular
winter morning,
I decide to work today
from the locally owned
coffeehouse.

This morning,
reassuringly,
there is obscure
electronic
music
in the air here.
I don’t know dubstep
from dimbulb,
but I do know  

this means
I won’t need to
think past something
I will be compelled to analyze,
like a folk song’s picking pattern
or a well turned lyric,
just to get work done.

Instead
there’s a completely reasonable
amount of squealing and skronking
and screwy rhythms,  
stuff I don’t care enough about
to dissect and be distracted by.

Hustle myself to a table
past two poets,
five bloggers, a rare G+
user of undetermined utility,
and one old cat
surfing for info on bedbugs.

As is the tribe’s custom,
the badge of the white Apple
glows everywhere.

I crack open the laptop
and begin —
a perfunctory spreadsheet
for my perfunctory consulting business,
a half-done poem,
a training manual in progress —
all on the screen at once.

I plunge in
to all of it at once
(so really, I plunge all the way
into nothing at all)

but not before noting
(internally of course, 
as none of the staff here
will care)

how much I love my locally owned coffee shop
and its dedication to not being
a pleasant place to get work done.
It’s good for my work ethic.
It’s good for training my focus.
It’s good for not distracting me
with eclectic atmosphere
or customers:  here there are
nothing but the semi-employed 
hoping the furious typing and surfing
gets them somewhere
else.

It’s almost the same 
as having an actual office
to go to once again.


Dust Storm

distraught parents
don’t know what to do

their children
have fallen in love
with dust storms

they reach for a bible story
god
is coming soon
come in out of the grit

the kids are otherwise enthralled
they aren’t waiting for that late god

instead they start a faith
borne up by watching the wind
bore holes in rock

for their parents’ faith
has bred in them the need
for something to judge


Last Stand

go tell it:

warn this buff fuck
on the corner
something’s coming,
gonna brush him back,
brush him up,
don’t matter how big he is,
he’s gone if he don’t
move;

tell that python-thighed lady
she has no good hold
on her step, no matter how
she clings she’s gonna be
taken;

gather every still-happy kid
and get them inside, away from
the windows, back in the back
away from the war side of the house
and put them on the floor
down low, low as they can
go.

and now, as for you:

right now, just stand
in the shadows for the moment,
just the way we always hung back
among the trees, watching for steel
and fire, listening for dog-hungry
men to come up the street pounding
doors, smashing walls, licking the ground
to get a taste of what they
seek.  

only a fool
can’t see what’s coming.
you’re no fool.

get a grip on something hard, and stand
until the moment comes
to swing it.

go tell it:
it’s coming.
again.


Da Capo Al Fine

To let your own blood with a straight razor
(whether by accident or not)
is to understand how easy separation
can become when you are not thinking

You say, is that ink
The line is so straight
Then it blurs
or perhaps you touch it

One side of the wound
leans away from the other
The brilliance spills over
as if from a jostled cup

Your heart speaks in drumline
as faster comes the flood
If it were not so terrifying
it would be such a danceable beat

You would dance
partnerless in the center of the splatter
as if that first scarlet line
marked the end of a page of music

There above it was the instruction
da capo al fine
take it from the top
all the way to the end

If it wasn’t so terrifying
at once it might be exactly
what you’d most
want to do


Piss In A Boot

It’s a new world out there
and while I’m glad to be alive in it
a lot of folks have left me behind
to see how far it spreads

so
sometimes I’m as lonely
as a drop of piss
left behind
in that proverbial boot
that’s been turned upside down
by an idiot reading the directions
on “pouring piss out of a boot”
that are written on the heel

it’s an old sad joke
but the idiot doesn’t get it
and apparently neither do I
since I can’t seem to fall free

it explains a lot 


Fire, Axe, Tears

A memory of fire,
stone axe,
and tears
wants your arm
to extend itself
in a sweeping blow
from time to time.

Something
about the sight of tears
hinting red in the firelight
on another’s face
still makes some part of you
sing, and you could swear
there’s a flake of stone
in your shoe that cuts you
at every step.

Pain, war, grief, anger:
with all this killer memory
loose in you,
tearing you,
wounding you,
I wonder if you’ll still be alive
when it finally comes time
for you to die. 


Squirrels

They strut their fur
on our streets,
tails rolling and breaking
in proud waves as if they believe

our homes, sidewalks, cables and poles
were built for them.  
That said, they scatter
when we come out;

apparitions of alien intent
walking among them, beings so unfamiliar 
that no accommodation
can ever be made for us.

Deep down,
we know
they’re in the right.


Nevermore

“What was the name of that poem
about the raven?”
she asks.

“It’s called 
‘The Raven,’ ”
I say.

“No, not that one.
The one about the raven
picking at a body.”

“I don’t know that one, Mom,”
I shrug.  “I don’t know the name
of every poem ever written
about a raven.”

She’s convinced me
to come back here
where I haven’t been for years —

back among the marred wood
on every piece of furniture
in the family room,

a dent
in the unpainted drywall,
perfectly placed at the level 
of a ten year old’s 
head.

She runs her hand
over the depression.

“You knew the name once,”
she says, as her hand flutters away from the wall.
“It was a good poem.  You knew a lot
of good poems, and all their names.”

“I know.  I used to have a memory for things,
Ma.  
I used to have a mind like a trap. Now..”