To Sit At Home Alone

To sit at home alone
and wish you were at home but
in a different home that looks
much the same as this one
but which feels instead like the starry center
of the spiritual life
of a distant world

is to open your mouth and speak
a dead language few people ever understood
and which has long been considered extinct
though it captured dreams and nuances 
not recalled since, things known then only to adepts 
and native speakers and 
now considered to be myths.

To sit at home alone and imagine
that you are not alone at all
and that the home instead is cozy
with others and the laughter and warmth
of bodies and souls are a fire
of fusion like a small sun
over a fertile land

is to fall upon a bed of salted snow
under a dim moon and pray 
for it to turn to sand and a full bright night
on an island no one comes upon
without a blessing from some deity
known to all, unnamed by anyone.

To sit at home alone
and create a song of that same home
growing full to the walls, the ceiling,
the roof and above with a sacred hum
of joy and satisfaction and all the angels
of a commonality not yet in evidence

is to wait for someone, anyone
to come to your home and make it
a home of dreams 
you’ve been dreaming, dreams
no one knows of except you,
dreams no one can translate except you,
dreams no one can enter except you.


An Open Letter To Blank

Dear Blank,

I’m starting this letter without knowing exactly who it is addressed to, figuring and hoping that your identity will become clear by the time I get to closure.  In the meantime, I hope you don’t mind me calling you “Blank,” do you?  

While in the past this may have been strange behavior, I feel that with the current pervasiveness of social media and the resultant increasingly public nature of formerly private communication, this feels like so much of what we see and hear today — a need to express oneself with little regard as to who the actual, tangible, physical audience for the letter will ultimately be.

So…without knowing who you are, Blank, let me get down to the business at hand.  I’m trying to parse out the nature of fear in 2018, and I feel like the only way to do it is through an intimate dialogue with someone as terrified as I am on both social and personal levels, because that is where fear lives for me these days.

I’m terrified for society, my unknown friend or friends; terrified because while I’m not naive enough to believe that the current national and world situations are new, or unprecedented, or even all that unexpected, I’m experienced enough to see as well that something evil has become commonplace enough in our dialogue that the overall level of it is rising as we focus on the greatest, most visible expressions of it.

For example, the current rise of Fascism world wide is stunning in its banality; as we think of the gaudy-greedy, gold-stained, over-eager hands of Trump meddling in, well, everything, we can’t help but focus on his taste and lack of finesse as the infrastructure of government thins dangerously beneath him and the judiciary becomes a imperialist rubber stamp.  It’s like a giant game of Jenga, with the players having no long term intention of trying to keep the structure upright at all.  

(I think the Big Guys are terrified themselves, of course.  Not for a moment do I think they are unaware of climate change and resource exhaustion as a looming apocalypse, whatever their public pronouncements. I think they are cashing out, taking what they can before the whole structure collapses…but that’s a story for another day…)

At the same time, I’m terrified on a personal level as a person with multiple chronic illnesses, a precarious income, and a support circle drawn largely from people much like me.  I’m terrified because if as we so often and so glibly say the personal is political, then I clearly have a vested interest in fighting back about what’s going on out there — except that my resources for doing so are fairly compromised at the moment in some ways by the stuff that’s going on out there.

I see my friends and family of color, my poor family and friends, my LGBTQ family and friends, my non-binary friends and family, my fellow artists…I see all of us being pressed these days in unprecedented ways, accelerated ways.  Ways not unlike those of the past, but aided and abetted and enhanced by the very ease with which every adversary from the government to their allied media to the private citizens who’ve become fellow travelers on the path of oppression may stick it to us on FB and Twitter, may compromise our very finances and privacy and identities with a little bit of work from the comfort and safety of their own anonymous homes.  

Part of how we got here is that we’re fed on falsehood from an early age these days.  We’re exposed to so much bad information, so much distortion, and so little practice in critical thinking that we often can’t tell Fascism from its opposite…but that’s beyond where I wanted to go with this, at least at the moment…because how we got here, dear Blank, is a long story, and I want to make this letter briefer than that. 

I want to say that right now, after history, after the past, we’re in a place of Fear that I think is indeed different than it was in past crises. I think we’re approaching a terminal moment that may last a few years, a decade or two, or a bit longer, but which will ultimately bring formerly unimaginable consequences to all.  And while it  may indeed lead to a collapse of capitalism, patriarchy, heterosexism, and all that as the most utopian among us believe, the world we inherit after will be unlike what we have now in terms of resources and infrastructure, and we will have such a long moment of suffering to follow as we rebuild.

Thing is, Blank, I won’t be here to see it.  I’m aging and somewhat unwell as I alluded to earlier; while I continue to do what I can to resist the worst of the depredations of the Fascists (after all, not everyone who sits anonymously at home, working in the darkness online, is one of their supporters), my reach is limited and specific.  My art and writing and music are tools and weapons as well, but I can only do so much. 

Blank, I thought at first I didn’t know who you were.  Halfway through, I thought I’d figured it out; I thought you might be my conscience and that this might be my guilt reaching out to you for my own purposes.

I was wrong.  

Blank, I still don’t know who you are, exactly.  I’m not even sure you’ve been born yet, if you can read English, or ever will.  But I know this: you will come along one day and you feel this same fear and know this discussion as if you’d written the letter yourself.  You and I will be in dialogue across space, possibly even across time.  Maybe you’ll be deep in the midst of the upheaval yet to come as I’ve pictured it.

All I want you to know is this:  you aren’t alone.  You’ve never been alone, as I am not.  We all do our parts and even if we never meet, somehow we must be comforted by the knowledge that we are not alone in the struggle.  We do what we can, we do what we must, and as long as we do what we can, even if “They” win in the largest sense, “They” will forever know that the victory will never be absolute as long as we can name and address and fight and sneer at the Fear that is their greatest weapon.

Don’t fear, Blank.  Not in the deep sense, not in the ultimate existential sense of ultimate despair.  Don’t give them the satisfaction of your fear.

Thanks for listening to this, however you do eventually hear it.  I have no doubt you will, and that you will understand. 

Love always,
T

 


A Perfect Ache

A perfect ache:
the recognition of 
the possibility that
you’ve just celebrated
the last New Year’s Eve
you’ll ever have.

It’s not maudlin
or self-pitying to do so.
You’re just applying simple math
to the question of

how many more full years
you are likely to have left
when compared to how many
you’ve had so far; 

you ache a little at the result
but are thrilled a little too
that at least this one was
peaceful and decent and 
done early and well if it’s to be
the last.

You stack silly borrowed hats and noisemakers
on the barroom table before you leave.
Someone can use them next year.
You might even be back.  Who knows?
Not you, of course. The odds
suggest otherwise but you place
your bets before leaving 
when you are so careful with 
such simple, disposable items as these.


Whatever Holiday

Someone’s in the street
with an uncased acoustic guitar
slung behind them on clothesline,
and a strap of sleigh bells tied
on their belt.

I see they also have
a mutty, cold dog
trailing behind.

The wind chill is below
hell’s lowest circles, and
it’s threatening to snow;
I think maybe the troubadour 
is in danger, the dog might
freeze, and I know damn well
this is no weather for
an uncased acoustic guitar
(I’m guessing the sleigh bells
will be fine),

yet the damn fool is whistling
the type of song
you won’t recognize until
spring, at which point you will slap
your forehead and say

oh, damn, now I get it.

Oh, damn, now I get it — 
it’s a song that works
like a heater inside them
even as the individual notes emerge
and chime as they freeze
and hit the ground. The dog
keeps up on its own, the guitar is
superfluous; today is 
as perfect as any beach day,

with the string of bells
ringing out 

for whatever holiday
this has just become.


335

Well, I have officially posted 335 new poems (including a few heavily revised oldies that were so altered I called them “new”) on the blog this year.

I think, based on the next few days’ schedule and a couple of projects I have to complete for my Patreon site patrons, that I will be calling it there for 2017.  No worries about being back in strength in 2018, though; plans and a couple of drafts are already afoot.  

Thank you all for reading my work this year and in years past, wherever you are. There are regular readers and followers here from all over the world, including large contingents from India and the Philippines, which always gratifies and astonishes me.  

I love hearing from you all, so don’t be shy — comment!  Let me know who you are  and what you’re thinking.

Again, many thanks and let’s look forward together to 2018.  

Onward,
Tony


December 2017

A year ago,
prayer for some,
drums for others,
glee in secret for some,
public fear
for others. 

Not so different today

as meanness walks the land
with a bared sword in a dirty hand.

Some words once whispered
are now shouted by those
raised up by fear and loathing
to seats of power.

Those opposed
barely know each other,
fight pessimism, share
sketchy rumors, grateful
for moments of agreement
while under suspicion
for our nods and smiles.

A year ago we didn’t know
how hard it would be to hope.
A year ago, we didn’t know
how vital it would be that we try,
how much it would cost us to try,

but a meanness
walks the land,

and we have no choice
but to try.


The Contrary’s Christmas Tale

Why do you think your savior 
came to you under cover
of the night, under sentence
of death? You will say he came

in darkness to show us
the Light. I will tell you in response
that he came to you in darkness
because he was most comfortable

there.  After all, he himself
was dark, his parents were
dark — the ones you could see
as well as the One you could not.

What we know of his life
is mostly nothing — think
of all those missing years:
dark rooms in which he matured.

He was at the end taken 
by soldiers in the dark
and on the day he died,
they say 
the sky itself

went black to welcome him.
All this talk 
of him
as light of the world
is misinformed:

he was dark embodied,
yet in the name of easy vision
you’ve made Dark Evil 
and Light, Good. You put his birthday

near to your shortest day
and claimed it was
to recognize the coming of light,
but what if he came at Solstice

to celebrate darkness and your longest night?
You’ve ridden for years against
the dark peoples of the world
claiming you were bringing them

Light, but we didn’t need more Light.
Before you came we mostly
had the balance right, yet you hanged us

like lanterns and set us ablaze

and called it salvation when we
fell to our knees and balled ourselves up
like black stones as protection against it all. 
You think your savior set this path

for you.  You think he’s out there
at the blinding white end of it.
No. If he’s anywhere,
he’s back here 
with us,

with living and dead
holding us tight to himself and each other
in the warm embrace
of the much maligned night. 


The Shapeless Dark Of Joy

— From a prompt by Thea Mann.

Whenever we reach for
peace in the night
and find it, 
whether in the reassurance
of the child still breathing
in the crib
or in the feel of a lover’s skin
still warm to our touch, even
if only when we place one foot
firmly on the floor
to prove to ourselves
that the horror of the dream
has ended, we understand
the shapeless dark of joy —
how it has no form, no
visible face, but instead
settles upon us like warmth
rekindled after a cold wind
has stopped blowing; how
it moves us from fear to comfort
without any apparent effort of its own. 


The Day I Was Born

— From a prompt from Barby Jane Lumb.

The world on the day I was born?

Oh, I can’t recall.

Eisenhower
was president. I know that much.
Nixon was looking for his seat,
I know that.  Kennedy wanted it
bad enough to steal it, not knowing
he’d die after getting it. 

Elvis Presley
was in another part of the hospital
I was born in that day, getting some kind
of physical before mustering out
of the service, leaving the building
as I was coming in, haha,
I’ve told that joke forever but
it’s the truth though it’s another thing
I don’t recall.

All this
was coming down — how things
were going to change was in the air —
Elvis about to lose his edge, Kennedy
about to lose his life, Nixon
about to lose — all that was going on

and there I was
squalling like a storm,
like I knew what was coming.


The Heir

— From a prompt by Jeff Stumpo.

in an anteroom the size of
a fairy tale palace

the prince of the moment
eldest son of the king

schemes in stage whispers
to burst out of the door

and tell a little white lie
the size of a gingerbread house

full up with cannibals
and unsuspecting victims

a fatal little story
about the trickle down effects

of shed blood
on dry skin

in hope that he will be
believed just long enough

to get his in the form of
a treasure the size of a dragon’s hoard

and all around
the people fall for it

and fail to notice how
he is as lizard-dry as any dragon

already and sweats not at all
neither water nor blood

as he lies and pontificates
and schemes and swindles

the way he learned to do it
from his father the king

whose wary, puffy eyes
are turned in suspicion upon his son

just as the son’s eyes are turned
upon his father with equal caution

though neither can see the other
through the greed that fills his view

while the world dies
before them in service to a hunger

the size of a mountain perched
on a larger mountain — 

two blind men defending
their precious darknesses


Final Wishes

If at the end of 
a long enough life you find
that there are still stories
you’d rather not tell yourself,

that would be the time
to sit down with your choice
of writing tools and put them
into someone else’s
imaginary mouth.

The storyteller you create
might look like you or not.
Might sound like you
or not. Might have every detail
perfectly recorded for playback,
might not. But the gist of 
what you’ve never said
should come through and
it had damn well better be
true, true enough

that when you listen
to the telling you can say
in utter peace
that you’re free of those tales and

you can feel something charitable for them
now that they’re loosed from prison.
Their new freedom adorns them
the way a cape laid upon
the shoulders of a hero endows them
with a certain energy. 

Listen: there’s so much
that gets left over in each life,
so much that goes to waste.
Do you really want to be a party to that,
to hold inside
what has stunted you and deformed you
until you pass on and it escapes,
snarling, into the dark to grow 
into something beyond all our worst fears?

Let them out.
Prepare to die empty.
Give those rotten fables a voice,
see who they might save.

If nothing else you might find room
for better tales within
before you go.


The Last Bottle

The last bottle,
once knocked over,
drained quickly.

When someone
set it right, there was 
less than a quarter remaining.

At that point
someone far less thirsty
than we were threw it away.

It drained its last 
into the trash bucket.
We were left wanting.

Any of us
would have taken that little bit
to tide us over.

Any one of us
would have shared it
with the others.

We died 
thinking of the one
who threw it away,

no doubt with the best
of intentions. No doubt
that they saw themselves

as virtuous, perhaps even
slightly messianic. 
No doubt in our fading moments

that had they even seen us
sitting there parched,
they would have pitied us.


The Meaningless Goal

I hit my Meaningless Goal for the year and beat last year’s posted poem total by 1.

328 poems posted for the year.

I’ll try and get to 330 by New Year’s Eve, but I think I’m taking a few days off for the holidays.  

Enjoy your holidays, and thank you for reading.


Spooky

Spooky
the black cat 
is missing 

the neighborhood
snoop who would
let you pet him

anywhere anytime
as long as it was only
on his head

Been gone a month
now and we’ve seen
a silver fox and coyotes

around of late
City predators 
bolder than in the past

It seems to be
a predator’s moment
right now so

I’m not holding out 
much hope for Spooky
However hope is

one of those things where
a little goes a long way
and tomorrow is 

the shortest day
of the year so it can 
only get brighter

and even if Spooky
is gone for good
we can hope that 

somewhere he’s
fine and thriving 
even as we look out

into the city night
for unaccustomed 
predators at the door

as we do every day now
peering into every corner and under
every rock

into every office in city hall
and into every Church of
Fox and Coy-wolf Triumphant

We treat it like a prayer
to listen to the news
and cross our fingers 

for Spooky either
to come home

or find a new home


No Lines No Seams

They keep asking that old question:
which half of me is 
Abruzzese and which is 
Mescalero — a question

as old as I am and
maybe older if you think
of how many generations
before me had to hear it —

and if you think about how often
I’ve heard it myself,
you’ll understand that it’s gotten
pretty Goddamn old for me as well.

Tonight I’m looking at myself 
naked in a full length mirror
and can’t decide — where, exactly,
are my sections? Am I

Italian waist up? Apache
waist down? Brown left,
White right? Maybe the divisions
are within? Maybe I’m

a blend — always in flux,
swirling like coffee with
milk? Maybe there are
no boundaries at all within me?

Dammit. No. I seek the physical
proof tonight that would 
contradict that — some slight
configuration to explain me

to the open eye. I’m tired,
tired of living inside this body
that screams one thing to the world
and holds another back —

I’m tired, tired of my entirety
being invisible, tired of looking
like a lie to myself, tired of how
ridiculous I feel for feeling this way

on days when I am not secure
in full knowledge of myself.
They cannot understand, when they ask
me that question, how old it makes me feel.

One more night before the mirror.
One more night in search of myself.
One more night trying to answer
someone else’s questioning of how it is

that I am both and neither, and all at once
I break the mirror and see it as
the beginning of becoming visible
as a whole being, no lines, no seams.