Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

IWPS Paradox:

I’m hearing a lot of the same poetic stuff I’m always decrying, but enjoying it anyway.

Still, it’s folks like Esme Vandraager who are still rocking my boat the most, because they aren’t doing the same old things.  There are others, of course…she’s just the first one who came to mind.

For those of you keeping track at home, Lizz Straight and Chad Anderson are tied at the top of the leaderboard after the first night’s bouts with…um…everybody else behind them.  If you were expecting more details on numbers from me, you don’t know me very well.  😉

Have to toot my own horn a bit:  read "Total Recall" at the Cultural Identity reading this afternoon and rocked the house.  i’ll have more to say about this later, I think.

Went to the Erotic reading tonight, heard two poems and turned around and came home.  Sucked in again.

And for those keeping track at home…yup, I’m a little drunk once again.


The Last Chance SLam for the final slot at IWPS was won by CP Maze (formerly Maze Forever), but any of the final three (BPE and Curtis Meyer of Orlando were the other two) could have taken it and I would have been fine with the judges’ decision.  In the end, Curtis rocked the house but came up 0.1 short of the final two who tied with 30s; the slot was decided by adding the cumulative scores, with Maze winning that by just 0.1. 

A decent slam over all  with some brilliant moments.  Curtis, especially, rocked the non-judging house across the board with great written work, although he was slightly outperformed by the two vets; that made the margin of victory.  Totally worthy victory by Maze, and again, any outcome among those three would have been more than fair.  Curtis has got a fan club here in Charlotte now though, I’ll tell ya.

I’m a tad drunk from the afterparty at the Breakfast Club, an 80s themed club.  I even danced (don’t tell anyone). 

Later, all… it’s bedtime…

 PS:  One weird note: three separate poets did pieces tonight featuring tales of sexual abuse of a child that happened on Sundays — one, the story of a brother who abused his sister while mom was at church; one, a male cousin taking advantage of the family’s absence on Sunday to rape his young cousin; one of a priest abusing an altar boy.  Strange and unsettling.  None made it to the final round…


It’s raining in Charlotte…

and poets are arriving.  I’ve seen Steve Marsh, Henry Sampson, Stacie Boschma, BPE, Brian Ellis, Erich Hagen, and Cassandra from FL whose last name I can never recall; I’ve heard from Mike McGee, Cyndi Keeley, and Dawn Gabriel.  I know there are others here — Missy thinks she spotted Pilote from a distance earlier. 

Let the games begin.


Charlotte report/Macho? What the hell is that?

IMPORTANT:  If you’re coming to Charlotte, bring rain gear. I hear tell of a potential two inches of rain on Wednesday and Thursday…

We’ve had fun with our non-poetry events so far — got in Monday, goofed around at a music store, ate dinner and sacked out early; spent Tuesday as stock car tourists, driving around to various NASCAR speed shops/race museums and the Lowe’s Speedway. Today we drop off the car and get to the host hotel to check in for the rest of the week, probably going out to a good dinner at night, but skipping the Last Chance Slam.

Looking forward to seeing everyone — especially my soon to be upstairs neighbor, Mighty Mike McGee!

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johnnylexicon has an interesting discussion going on over on his LJ about who the most macho poets are in slam right now.  I showed up on nerak_g ‘s list, which I find a little strange (not in a bad way, Karen; no offense meant by this)…

I suppose I can see a certain residual, superficial machismo in my public presentation…the knife, the leather jacket, the NASCAR fandom…but I kinda feel like although a LOT of my poetry touches on issues regarding male gender concerns, I’ve spent a lot of time distancing myself from a really poisonous machismo that I was intimately involved in for a long time when I was younger.  My father was and is a "macho" guy; ex-military/POW, that whole "warrior" thing he drilled into me at a young age down to teaching me various hand-to hand combat stuff and knifefighting tricks; the whole "suck it up and get on with it" thing; the stuffing down of feelings.  All that.  And of course, there’s more I don’t talk about publicly…

But honestly…what the hell does "macho" mean any more?  Is it those things I’ve listed above?  Is it the immediately obvious representation of a traditional, stereotyped masculinity?   If so, what is expected of a "macho man" in this day and age that could be considered worthwhile?

When I think of relatively positive representations of "machismo" in current popular culture I think of someone like Jethro Gibbs, the character Mark Harmon plays on "NCIS."  But he’s such an oversized character that it’s hard to see him as anything more than a cartoon — a decent cartoon, mind you, and one I enjoy watching most of the time; but he’s not real — too perfect too often.

What does it mean to be "macho" these days?How should we define "machismo," especially if, as Christian suggests in his post, we need more of it?  If there are positive aspects to machismo, are they limited to men?  Is there some reason women can’t be "macho?"  If a woman is "macho," is it still "machismo" we’re seeing?  (All questions designed to provoke thought, folks.  That’s all.)

All this to say the following:  I don’t think I’m macho.  And I really don’t want to be, at least not in the way I have always understood the concept.
 


Off to Charlotte in the AM. Will be blogging from there, especially later in the week during IWPS; probably not much if at all till Wednesday or Thursday. Have fun, y’all…and looking forward to seeing some of you there!

Also, don’t forget Sam Teitel and Steve Subrizi at GotPoetry Live on Tuesday! We had a good crowd last week and I don’t want to be disappointed in you guys for not keeping the momentum going. Go and keep Ryk company in my absence…


Just a note to all:

9/11 conspiracy talk makes me irrationally crazy with rage. Please don’t do it in my blog, ok? I skip it elsewhere, and I don’t want to talk about it here.

Thanks.


Writer’s Block: Infamous

You’re kidding, right? I mean, what date could possibly have been drummed into the collective consciousness so deeply that it would have this kind of resonance for the average reader on this list, hm? I wonder.

I mean, I can recall (very dimly) JFK being shot on 11/22/63, and King (04/04/68) and RFK (June 5, 1968) more clearly than that; I remember watching the moon landing/walk on July 20, 1969; Obama’s election on November 4, 2008 may resonate strongly for a lot of folks. But the only date that’s been treated and sanctified and manipulated and exploited in the same way that Pearl Harbor Day has been handled — so that if you say the date it immediately conjures up stuff — is, of course, 9/11/01.


Out Of Tune

With the first chord, I know
she’s out of tune enough
that this is not going to be pretty.
I don’t care. Two more strums
and I can tell which pegs
I could twist just a hair to bring her back.
I don’t care.
Right now, it’s all I can do
to keep from plugging her in
just as she is
although it’s late
and everyone for a block around
is sleeping, and will call
for my head if I do it. I don’t.
Instead, I bang on for a hot quiet minute
like neither of us has a future.
As if this dissonance, this breakdown
between tolerable noise and
“what the fuck is he thinking,”
is an imperative. Because of course,
it is; at least for tonight,
right now, before I go to bed angry;
right now, as I try to keep myself
from going to bed angry.


Writer’s Block: Legends of Rock

1. First Who show, 1973…

2. Amnesty International “Human Rights Now” show, 1989, Philadelphia: Bruce, Peter Gabriel, Sting, Tracy Chapman, Youssou N’Dour, Joanie Baez. Hearing “Biko” for the first time live; Sting’s “They Dance Alone” with widows of the desparaceidos from Chile dancing on stage; Gabriel and Chapman harmonizing; it was Bruce’s birthday, so it was a Jersey crowd at RFK Stadium for his set, with Shankar on violin for “Jungleland” and David Sancious rejoining E Street for the night. Amazing.

3. Any one of a number of Fugazi shows.

4. Various Dead shows in the late 70s Keith and Donna years.

5. And of course…the most recent Boss show at the Garden; Danny Feterici’s last show ever. I think we all knew that that night…


Flood

an old piece revisited and revised.  the "made up" words for some reason returned to me today, so I figured I’d let them out to play again.

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1.
i open every night with a prayer: sleep, come sooner than the flood.

then, the flood.  then, the lifting faces.

julie’s blonde hair floating out. paul robichaux’s rockabilly daring submerged in white. grandmother’s dear severe wrinkles. grandfather’s mean low brow. eddie with his broken head still full of tar. blue glaze of paul gentile holding a gun up to a temple. mysteries upon cellar stairs: blood stars, whimpering, sticks breaking underfoot.

impossible things happening: see my own head, my own hands on my own ears. palaces built of centipedes. sharp stones set like crystals into  the back of a baby.

ineurope they have gargoyles for moments like this. in bali there are chants for them, but in new england we simply do not allow moments like this, so when they come we keep them under our scalps.

still, the lifting faces.

george and jerry barone rise from the shell of their Volkswagen. the twins died angry.
wayne king never knew me but i knew him and he was everywhere after he died and now he’s here again.
that man died surprised that he was the only one.

in the corner my hands fling my head to the cement mouth first. i spit a tooth out and it lands and grows into the next piece of me to be terrified.

the myth of the hydra explains everything: a horror killed begets more horror.

still, those lifting faces:

stricky the flying head, veech the forlorn missile, carole the rolling bag of bones, jacob the ghost before he even passed, martin the bisected prince of the railroad track.

all their sleep that has lasted to this day, and i am still awake.

those lifting faces.  that’s me in the center, my eyes shut, squeezed tight, knowing what is coming…

2.
some sounds will not go away: a woman’s voice saying slink, dove, scrap, green face, sun on a gourd, crumbs on a dragon, coupons, carver, slide, rumble, escapement, clipping, stolen, pulse, penlight, painting, bands, pickup, relate, lard, gungrease, quillon, medallion…

then, words appear that mean themselves and no other thing:
unspecific twoolyala, skevot, abbredient briest...
if they could be translated they might fall in love and breed me my absolution.

no word means nothing.
deny that and the clock stops.

3.
when faces float up to see me i pretend to understand heaven and hell, perhaps even purgatory, buying my peace from my parent’s store. when i shrug it off god laughs like a steamboat whistle.

4.
again, the lifting faces: who understands why they never quite break the surface? who understands why they do not speak? why the random soundtrack? why the words i don’t hear well enough to force them into service?

i sink myself in the clouded pool and dig into my ears with my eyes closed. i know what is to come.


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Finch

A man
believes he controls
the size of the world
with his voice

Like any common finch
he strings his fence loud
and stretches it until
he’s sure it will contain
all he sees
forever

Like any common finch
he will die young
and another finch will claim
his trees

No one listening
will notice he
in particular
has gone

The yard is always
full of finches
and it’s often hard
to tell one common finch
from another


I like this, and I think it’s accurate.


Your result for Howard Gardner’s Eight Types of Intelligence Test…

Musical

22% Logical, 12% Spatial, 55% Linguistic, 53% Intrapersonal, 8% Interpersonal, 57% Musical, 14% Bodily-Kinesthetic and 18% Naturalistic!

“This area has to do with rhythm, music, and hearing. Those who have a high level of musical-rhythmic intelligence display greater sensitivity to sounds, rhythms, tones and music. They normally have good pitch and may even have absolute pitch, and are able to sing, play musical instruments, and compose music. Since there is a strong auditory component to this intelligence, those who are strongest in it may learn best via lecture. In addition, they will often use songs or rhythms to learn and memorize information, and may work best with music playing in the background.

Careers which suit those with this intelligence include instrumentalists, singers, conductors, disc-jockeys, and composers.” (Wikipedia)


Take Howard Gardner’s Eight Types of Intelligence Test
at HelloQuizzy

Y’know, I’ve always thought of poetry as a kind of music…so these results aren’t surprising at all to me.


christ on a crutch…

Awake again…this time, based entirely upon pain from my head and strangely, my nose…the dry winter air through the CPAP machine burns my nasal passages.  I run it without humidification because I find it more comfortable — that may have to change.  Grr…need to be up and at it again in two hours…this sucks.


Yes, I am toast.  As I predicted and expected…